*p1789 9 12 dl King Richard III.  King Richard-Kemble; Richmond-Wroughton; Bucki
ngham-Barrymore; Lord Stanley-Aickin; Tressel-Whitfield; Norfolk-Williames; Cate
sby-Packer; Ratcliff-Phillimore; Prince Edward-Miss Stageldoir; Duke of York-Mis
s Gawdry; King Henry-Bensley; Lady Anne-Mrs Powell (late $Mrs Farmer=); Dutchess
 of York-Mrs Hopkins; Queen-Mrs Ward.  *aThe First Floor.  Whimsey-Baddeley; Fur
nish-Suett; Young Whimsey-R. Palmer; Monford-Whitfield; Simon-Burton; Landlord-H
ollingsworth; Snap-Jones; Postboy-Alfred; Frank-Spencer; Tim Tartlet-Bannister J
un.; Nancy-Mrs Wilson; Charlotte-Miss Collins; Mrs Pattypan-Mrs Hopkins.  *cNo M
oney to be returned.  Places for the Boxes to be taken of $Fosbrook=, at the The
atre.  The Doors to be opened at 5:30.  To begin at 6:30 [see 4 Nov.].  [No play
bill this season lists the various prices of admission; they were probably, as u
sual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.]  Receipts: #159 6s. 6
d. (119.17.0; 38.6.0; 1.3.6).  *phay The Battle of Hexham.  *aPeeping Tom.  [See
 conclusion of preceding season.%  *p14 cg Romeo and Juliet.  Romeo-Holman (1st 
appearance at this theatre these 2 years); Capulet-Powel; Benvolio-Davies; Friar
 Lawrence-Hull; Paris-Macready; Tibalt-Cubitt; Prince-Gardner; Peter-C. Powell; 
Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Pitt; Juliet-Mrs Achmet (from 
the $Theatre Royal Crow Street, Dublin=]; 1st appearance on this stage).  *aThe 
Farmer.  Jemmy Jumps-Edwin; Valentine-Johnstone; Rundy-Blanchard; Col. Dormant-H
ull; Fairly-Thompson; Farmer Blackberry-Darley; Farmer Stubble-Gardner; Molly Ma
ybush-Mrs Martyr; Louisa-Mrs Mountain; Landlady-Mrs Platt; Betty Blackberry-Mrs 
Mattocks.  *sEnd IV: +Juliet's Funeral Procession=-; [With% +Dirge=-; Vocal Part
s-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs 
Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Fran
cis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr.  *cMainpiece: In I a +Masqu
erade Scene= incident to the Play.  [This was included in all subsequent perform
ances.]  No Money to be returned.  Places for the Boxes to be taken of $Brandon=
 at the Theatre.  The Doors to be opened at 5:30.  To begin at 6:30 [see 2 Nov.]
.  [No playbill this season lists the various prices of admission; they were pro
bably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.]  Receipts:
 #255 6s. (253.11.6; 1.14.6).  *phay The Battle of Hexham.  *aThe Comet.  [See c
onclusion of preceding season.%  *p15 dl The Way of the World.  Mirable-Kemble; 
Fainall-Bensley; Sir Wilful Witwou'd-Moody; Petulant-Baddeley; Waitwell-Suett; W
itwou'd-Dodd; Lady Wishfor't-Mrs Hopkins; Marwood-Mrs Ward; Mrs Fainall-Mrs Wils
on; Foible-Miss Pope; Mincing-Miss Collins; Betty-Miss Barnes; Peg-Mrs Heard; Mi
llamant-Mrs Goodall.  *aThe Padlock.  Leander-Dignum; Don Diego-Williames; Schol
ars-Phillimore, Wilson; Mungo-Suett; Ursula-Mrs Hopkins; Leonora-Miss Hagley (pu
pil of $Linley? Sen.=; 2nd appearance on any stage).  *c[Mainpiece in place of +
The Provok'd Husband=, advertised on playbill of 12 Sept.  In it the playbill as
signs +Millamant= to $Miss Farren=, but "Miss Farren ill, $Mrs Goodall= played M
illamant" (+Kemble Mem.=).  $Miss Hagley='s 1st appearance was at this theatre, 
28 May 1789.]  Receipts: #112 16s. 6d. (70.15.0; 39.13.6; 2.8.0).  *phay The Bat
tle of Hexham.  *aThe Agreeable Surprise.  [See conclusion of preceding season.%
  *p16 cg The Beaux Stratagem.  Archer-Lewis; Aimwell-Farren;  Father Foigard-Jo
hnstone; Boniface-Powel; Sullen-Davies; Gibbet-Cubitt; Sir Charles Freeman-Evatt
; Scrub-Quick; Cherry-Mrs Martyr; Dorinda-Mrs Mountain; Lady Bountiful-Mrs Platt
; Gipsey-Miss Stuart; Mrs Sullen-Mrs Pope.  *aDon Juan; or, The Libertine Destro
yed.  Don Juan-Cranfield; Don Pedro Commandant-Boyce; Scaramouch-Delpini; Donna 
Anna-Miss Francis; Vocal Characters-Delpini, Darley, Mrs Mountain, Mrs Martyr.  
*dIn afterpiece: Byrne, Jackson, Mrs Ratchford, Mrs Goodwin.  *c[Mainpiece in pl
ace of +Fontainbleau=; afterpiece of +Animal Magnetism=, both advertised on play
bill of 14 Sept.]  Afterpiece: The Music composed by $Gluck=, the Airs and Duett
 by $Reeve=.  Receipts: #159 18s. 6d. (154.4.6; 5.14.0).  *pkhs Inkle and Yarico
.  Inkle-Tunstall; Sir Christopher Curry-Banks; Medium-Brewman; Campley-Frimbley
; Trudge-Brooke; Narcissa-Mrs Banks; Patty-Miss Brooke; Wowski-Mrs Ball; Yarico-
Mrs Tunstall.  *e[+Vaudeville=% End Opera: [The Last new% +Squeeze for St. Paul'
s= [i.e. +British Loyalty=]-Tunstall; [to conclude with a grand Chorus of% +God 
save the King=-; [that sublime% Soliloquy of Cato on +Life Death and Immortality
=-Pope; [As a Gentleman lately asserted no Person in +England= could restore a F
owl to Life after its head should be cut off, it will be attempted by Pope.  Wit
h several other of his tricks, particularly the% +Writing and Copying=-Pope; [wh
ich for the Satisfaction of the Audience shall be explained how they are perform
ed, and make every Person capable of doing the same.  The whole to conclude with
 Divertisement% +Spanish and Venetian Speculums= [consisting of +Spanish Bull-ba
iting=, and several other Diversions%-Pope[, +Venetian Processions= and several 
curious Diversions, in beautiful Transparencies, interspersed with a Variety of 
+Strictures=, Satiric, Illustrive and Humourous%.  *cPit 1s. 6d. Gallery 1s. Upp
er Gallery 6d.  The Doors to be opened at 6:00.  To begin precisely at 7:00.  Ti
ckets to be had at the +Eagle=, +Ram=, +White Horse=, +Antelope= and +King's Hea
d=.  $Geoghegan=, printer, No. 3, +Kent-Street=, +Borough=, +Southwark=.  *p17 d
l The Provok'd Husband.  Lord Townly-Kemble; Manly-Bensley; Count Basset-Dodd; J
ohn Moody-Moody; Squire Richard-Suett; Sir Francis Wronghead-Hollingsworth; Lady
 Grace-Mrs Ward; Lady Wronghead-Mrs Booth; Miss Jenny-Miss Collins; Myrtilla-Mis
s Barnes; Mrs Motherly-Mrs Heard; Trusty-Miss Tidswell; Lady Townly-Mrs Goodall 
(1st appearance in that character).  *aAll the World's a Stage.  Sir Gilbert Pum
pkin-Waldron; Charles-Barrymore; Harry Stukely-R. Palmer; Cymon-Burton; Waiter-P
hillimore; Wat-Maddocks; Ostler-Wilson; William-Lyons; Diggery-Suett; Miss Kitty
 Sprightly-Miss Collins; Miss Bridget-Mrs Booth.  *c[Afterpiece in place of +The
 Divorce=, advertised on playbill of 15 Sept.]  Paid Renters' Interest #34 [this
 paid daily]; Supernumeraries #3 4s. 6d.; Tailor #8 16s. 6d.; Scenemen #5 4s.; $
Daglish= copying music #6 16s. 9d.  Receipts: #113 1s. (69.16.0; 41.13.6; 1.11.6
).  *p18 cg The Conscious Lovers.  Young Bevil-Holman; Myrtle-Farren; Sealand-Ai
ckin; Sir John Bevil-Hull; Cimberton-Quick; Humphrey-Thompson; Daniel-Blanchard;
 Tom-Lewis; Phillis-Mrs Mattocks; Lucinda-Mrs Mountain; Mrs Sealand-Mrs Powell; 
Isabella-Mrs Platt; Indiana-Miss Brunton.  *aPoor Vulcan.  Vulcan-Quick; The Squ
ire-Johnstone; Joe-Davies; Bacchus-Reeve; Serjeant-Darley; Grace-Mrs Mountain; M
audlin-Mrs Martyr.  *sIn II: +song=-Mrs Martyr.  *cReceipts: #147 3s. (144.1; 3.
2).  *p19 dl The West Indian.  Belcour-Haymes (1st appearance on that stage); St
ockwell-Aickin; Major O'Flaherty-Moody; Captain Dudley-Packer; Charles Dudley-Ba
rrymore; Fulmer-Suett; Varland-Baddeley; Lady Rusport-Mrs Booth [+Public Adverti
ser=: $Mrs Hopkins=]; Louisa Dudley-Mrs Kemble; Mrs Fulmer-Miss Tidswell; Lucy-M
rs Heard; Charlotte Rusport-Mrs Goodall.  *aHarlequin's Invasion.  Harlequin-R. 
Palmer; Simon-Moody; Gasconade-Baddeley; Mercury-Dignum; Corporal Bounce-Phillim
ore; Abram-Waldron; Justice-Maddocks; Forge-Burton; Snip-Suett; Old Woman-Mr Faw
cett; Mrs Snip-Mrs Booth; Sukey Chitterlin-Miss Collins; Dolly Snip-Miss Pope.  
*c[+Kemble Mem.=: $Haymes=, from +Margate=.]  Afterpiece: Not acted these 2 year
s.  With Alterations and Restorations, particularly the admired Shades and Trans
parencies representing the Amusements of +Harlequin=r, and the Destruction of th
e Pantomimical Fleet.  +Harlequin's Invasion= will be performed only Four Times 
this Season, when it must necessarily give place to Preparations for other Enter
tainments.  Receipts: #183 3s. 6d. (119.4.0; 62.2.0; 1.17.6).  *p21 cg Romeo and
 Juliet.  As 14 Sept.  *aThe Death of Captain Cook.  [Cast from text ($T. Cadell
=, 1789), and $Parke=, I, 115:% Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; C
aptain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of the Ma
rines-Ratchford; Emai-Miss Francis.  [Part I.  A Nuptial Procession, with the Pe
rformance of the Marriage Ceremony according to the Custom observed at O'Whyee. 
 The Manner of Combat between two Natives.  Part II.  The Arrival of the Resolut
ion.  The Disembarkation of the English, with the Ceremonies observed at enterin
g into a Treaty of Peace with the Natives.  A Preparation for a Human Sacrifice.
  The Assassination of Captain Cook.  Part III.  A Representation of the Naval a
nd Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by 
the Officers of the Resolution.  The Ceremony performed on the same Occasion, ac
cording to the Manner of the Natives of O'Whyee.  To conclude with a Representat
ion of a Burning Mountain.%  *sAs 14 Sept., but Vocal Parts-+Lee, W. _Thompson, 
Miss +MacGeorge, Mrs +Lefevre.  *cAfterpiece: As now representing in +Paris= wit
h uncommon Applause.  With the original +French Music=, new Dresses, Scenery, Ma
chinery, and Decorations.  Receipts: #229 19s. 6d. (228.13.0; 1.6.6).  *p22 dl A
s You Like It.  Touchstone-Suett (1st appearance in that character); Orlando-Bar
rymore; Amiens (with +songs=)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-
Packer; Duke Frederick-Maddocks; William-Burton; Le Beu-Lamash; Jaques de Bois-F
awcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; 
Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind (with the +Cuckoo Song=)-Mrs Good
all.  *aThe Jubilee.  [Partial cast form $Kelly=, I, Afterpiece:% Tragic Muse-Mr
s Siddons; Comic Muse-Miss Farren; [In Procession:% Benedick-Kelly; Beatrice-Mis
s Pope.  [This is erroneous as regards $Mrs Siddons=; during this month she was 
acting at +Exeter=, nor did she appear at +dl= at all this season.]  *sIn V: +so
ng=-Miss Hagley.  *cAfterpiece: Not acted these 3 years.  A Dramatic Entertainme
nt of Singing, Dancing and Dialogue, in Honour of $Shakespeare=.  In which will 
be introduced a Pageant, the Music by $Dibdin=.  Books of the Songs to be had at
 the Theatre.  Receipts: #220 4s. 6d. (163.16.0; 54.4.0; 2.4.6).  *p23 cg The Ca
stle of Andalusia.  Ferdinand-Johnstone; Spado-Blanchard (1st appearance in that
 character); Pedrillo-Edwin; Philippo-Davies; Don Scipio-Powel; Don Caesar-Banni
ster; Don Juan-Cubitt; Rapino-Rock; Sanguino-Thompson; Lopez-Evatt; Alphonso-Duf
fey (from the $Theatre Royal Crow Street, Dublin=]; 1st appearance on this stage
); Victoria-Mrs Mountain; Catalina-Miss Stuart; Isabell-Mrs Platt; Lorenza-Mrs M
artyr.  *aThe Death of Captain Cook.  As 21 Sept.  *cMainpiece: The Overture, Ai
rs, &c. by $Dr Arnold=.  The selected, by $Handel=, $Vento=, $Giordani=, $Berton
i=, $Dr Arne=, and $Carolan=.  [Afterpiece in place of +Animal Magnetism=, adver
tised on playbill of 21 Sept.]  Receipts: #199 6s. 6d. (197.5.6; 2.1.0).  *p24 d
l The Beggar's Opera.  Captain Macheath-Kelly; Filch-Suett; Lockit-Fawcett; Mat 
o' th' Mint-Williames; Ben Budge-Burton; Beggar-Maddocks; Player-Benson; Peachum
-Moody; Lucy (1st time)-Mrs Edwards; Mrs Peachum-Mrs Hopkins; Diana Trapes-Mrs B
ooth; Jenny Diver-Miss Barnes; Polly-Mrs Crouch; [Edition of 1791 ($John Bell=) 
adds:% Jemmy Twitcher-Webb; Crook@finger'd Jack-Lyons; Wat Dreary-Alfred; Robin 
of Bagshot-Haymes; Nimming Ned-Chapman; Harry Paddington-Phillimore; Mrs Coaxer-
Mrs Fox; Dolly Trull-Mrs Davies; Betty Doxey-Mrs Shaw; Mrs Slammekin-Miss Tidswe
ll; Sukey Tawdry-Mrs Heard; Molly Brazen-Mrs Butler.  *aHarlequin's Invasion.  A
s 19 Sept., but Mrs Snip-Mrs Hopkins.  *dIII: +Hornpipe=-Keen.  *cMainpiece: Wit
h Accompaniments to the Airs composed by $Linley? Sen.=.  Receipts: #165 9s. (11
3.13; 51.7; 0.9).  *p25 cg King Richard the Third.  King Richard-Harley (from th
e $Theatre Royal, Norwich=; 1st appearance on this stage); King Henry-Aickin; Bu
ckingham-Farren; Stanley-Powel; Tressel-Egan; Pr. Edw.-Mrs Byrne; D. of York-Mas
ter Simmons; Norfolk-Macready; Lieut.-Cubitt; Catesby-Davies; Ratcliffe-Thompson
; Lord Mayor-Gardner; Oxford-Evatt; Richmond-Holman; Lady Anne-Miss Brunton; Duc
hess of York-Mrs Platt; Queen-Mrs Pope.  [Playbill of 23 Sept.: Holman's, Miss B
runton's, Mrs Pope's 1st appearance in those characters.]  *aThe Poor Soldier.  
Patrick-Johnstone (1st appearance in that character); Fitzroy-Davies; Dermot-Duf
fey; Fater Luke-Rock; Bagatelle-C. Powell; Darby-Edwin; Kathlane-Mrs Martyr; Nor
ah-Mrs Mountain.  *cReceipts: #262 12s. 6d. (258.3.6; 4.9.0).  *p26 dl The Heire
ss.  Sir Clement Flint-Bensley; Lord Gayville-Barrymore; Alscrip-Suett; Chignon-
Baddeley; Mr Blandish-Whitfield; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-W
roughton; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson
; Lady Emily-Miss Farren.  *aComus.  Comus-Wroughton; Bacchanals-Kelly, Dignum, 
Sedgwick; Spirit-Lamash; Brothers-Benson, Banks; The Lady-Mrs Ward; Pastoral Nym
ph (1st time)-Miss Hagley; Sabrina-Miss Romanzini; Principal Bacchant-Mrs Edward
s; Bacchants-Mrs Fox, Miss Barnes, Mrs Shaw; Euphrosyne-Mrs Crouch; +Sweet Echo=
-Mrs Crouch; accompanied-Forster.  *sII: +song= [in character%-Mrs Crouch.  *cRe
ceipts: #189 15s. (137.10; 51.8; 0.17).  *p28 cg King Richard the Third.  As 25 
Sept.  *aThe Highland Reel.  M'Gilpin-Quick; Shelty-Ryder; Serjeant Jack-Bannist
er; Sandy (or Young Donald)-Johnstone; Charley-Blanchard; Captain Dash-Davies; D
onald Laird of Col-Gardner; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Mrs M
ountain; Moggy-Mrs Martyr (Their 1st appearance in those characters).  *c[In aft
erpiece the playbill assigns +Shelty=r to $Edwin=, but "$Ryder= in the stead of 
Edwin, who was said to be indisposed, played the part of Shelty" (+World=, 29 Se
pt.).]  Afterpiece: The Music by $Handel=, $Rizzio=, $?J. C.? Bach=, $Gretry=, $
Corri=, $Shield=.  A new Scotch Overture by $Shield=.  Paid Music 25th Inst. #11
 7s. 6d.; Properties 2s. 4d.; Kettle Drum 5s.; Wardrobe #5 10s. 6d.; Supernumera
ries #8 12s. 6d.; Chorus Singers #2; $Cox= for Scenemen #28 1s.; $Hodgins= #4 4s
.  Receipts: #254 4s. 6d. (250.15.0; 3.9.6).  *p29 dl The Jealous Wife.  Oakly-B
ensley; Lord Trinket-Dodd; Sir Harry Beagle-R. Palmer; Charles-Barrymore; Russet
-Aickin; Captain O'Cutter-Moody; William-Phillimore; John-Wilson; Tom-Alfred; Ma
jor Oakly-Baddeley; Lady Freelove-Mrs Hopkins; Harriet-Mrs Kemble; Toilet-Miss T
idswell; Chambermaid-Mrs Heard; Mrs Oakly-Miss Farren.  [Edition of 1792 ($John 
Bell=) adds: Paris-Maddocks; Servant-Lyons.]  *aThe Jubilee.  As 22 Sept.  *cRec
eipts: #196 5s. 6d. (141.11.0; 54.7.0; 0.7.6).  *p30 cg The Constant Couple.  Si
r Harry Wildair-Mrs Achmet; Alderman Smuggler-Quick; Beau Clincher-Ryder; Young 
Clincher-Blanchard; Vizard-Macready; Dicky-C. Powell; Tim@Errand-Cubitt; Constab
le-Thompson; Col. Standard-Farren; Angelica-Miss M'George; Lady Darling-Mrs Plat
t; Parley-Miss Stuart; Lady Lurewell-Miss Chapman.  *aThe Farmer.  As 14 Sept.  
*dV: +Minuet=-Mrs Achmet, Mrs Goodwin.  *cMainpiece: Not acted these 3 years.  R
eceipts: #232 14s. (226.3.6; 6.10.6).  *p10 1 dl King Henry the Fifth; or, The C
onquest of France.  [+English=r:% King Henry-Kemble; Exeter-Aickin; Westmorland-
R. Palmer; Duke of Bedford-Dignum; Duke of Gloucester-Benson; Pistol-Suett; Erpi
ngham-Waldron; Bardolph-Alfred; Williams-Whitfield; Nym-Burton; Gower-Williames;
 Archbishop of Canterbury-Maddocks; Ely-Jones; Grey-Lamash; Scroop-Wilson; Cambr
idge-Webb; Bates-Banks; Boy-Master Gregson; Fluellen-Baddeley; Hostess-Mrs Booth
; [+French=r:% King-Packer; Duke of Burgundy-Phillimore; Constable-Fawcett; Mont
joy-Haymes; Governor-Hollingsworth; Dauphin-Barrymore; Princess Catharine-Miss C
ollins; Queen of France-Mrs Ward.  *aThe Virgin Unmask'd.  Coupee-Bannister Jun.
; Blister-Suett; Quaver-Dignum; Goodwill-Packer; Thomas-Phillimore; Miss Lucy (1
st time)-Miss Romanzini.  *cMainpiece: Not acted these 20 years [not acted since
 13 Oct. 1748.  With alterations by $John Philip Kemble=].  Receipts: #167 18s. 
6d. (122.19.0; 42.11.6; 2.8.0).  *p2 cg Fontainbleau; or, Our Way in France.  La
ckland-Lewis; Lepoche-Quick; Squire Tally@ho-Edwin; Sir John Bull-Powel; Lord Wi
nlove-Davies; Col. Epaulette-Cubitt; Henry-Johnstone; Rosa-Mrs Mountain; Celia-M
rs Martyr; Mrs Casey-Mrs Bernard; Lady Bull-Mrs Webb; Nannette-Miss Stuart; Miss
 Dolly Bull-Mrs Mattocks.  *aThe Little Hunchback.  The Hunchback-Quick; Taylor-
Blanchard; Jew Purveyor-Reeve; French Doctor-Cubitt; Barber-Macready; Englishman
-Bernard; Doctor's Man-Rock; Jew's Man-Milburne; Cadi-Evatt; Bassa of Bagdad-Dav
ies; Dora-Miss Rowson; Taylor's Wife-Mrs Webb.  [Parts adjusted from text ($J. D
ebrett=, 1789): Crumpy-Quick; Cross@Leg-Blanchard; Zebede-Reeve; Doctor Quinquin
a-Cubitt; Absalom-Macready; Crank-Bernard; Dominique-Rock; Habby-Milburne; Cadi-
Evatt; Bassa-Davies; Dora-Miss Rowson; Juggy-Mrs Webb.]  *dEnd: +Divertissement=
-Byrne, Mrs Goodwin.  *cReceipts: #182 8s. 6d. (178.6.0; 4.2.6).  *p3 dl Love fo
r Love.  Foresight-Parsons; Tattle-Dodd; Sir Sampson Legend-Moody; Scandal-Bensl
ey; Valentine-Kemble; Jeremy-Baddeley; Trapland-Waldron; Buckram-Phillimore; Sna
p-Jones; Ben-Bannister Jun.; Miss Prue-Miss Prideaux (1st appearance on that sta
ge); Mrs Frail-Miss Pope; Mrs Foresight-Mrs Ward; Nurse-Mrs Booth; Jenny-Miss Ti
dswell; Angelica-Miss Farren.  *aThe Virgin Unmask'd.  As 1 Oct.  *c[$Miss Pride
aux= was from the +hay=.]  Receipts: #170 12s. 6d. (119.18.0; 48.12.0; 2.2.6).  
*p5 dl King Henry the Fifth.  As 1 Oct.  *aThe Jubilee.  As 22 Sept.  *cReceipts
: #176 2s. (145.16.0; 28.14.6; 1.11.6).  *pcg King Richard the Third.  As 25 Sep
t.    *aThe Death of Captain Cook.  As 21 Sept.  *cReceipts: #175 1s. (173.9; 1.
12).  *p6 dl The Heiress.  As 26 Sept., but Alscrip-Parsons.  *aThe Jubilee.  As
 22 Sept.  *cReceipts: #128 10s. 6d. (93.9.0; 33.12.0; 1.9.6).  *pcg The Child o
f Nature.  Count Valentia-Lewis; Duke Mercia-Ryder; Alberto-Aickin; Marquis Alma
nza-Farren; Seville-Hull; Granada-Macready; Peasant-Thompson; Marchioness Merida
-Mrs Mattocks; Amanthis-Miss Brunton.  *aThe Highland Reel.  As 28 Sept., but Sh
elty-Edwin.  *aThe Little Hunchback.  As 2 Oct.  *cPaid +Edwards & Co.= for Crap
e, Gauze & Tiffeny #23 9s.  Receipts: #128 16s. 6d. (127.13.0; 1.3.6).  *p7 cg T
he Dramatist; or, Stop Him Who Can.  [Characters by Lewis, Quick, Edwin, Blancha
rd, Thompson, Macready, Holman, Mrs Wells, Mrs Webb, Miss Brangin, Miss Brunton.
  [Cast form text ($T. N. Longman=, 1793), and $Genest=, VI, 551-52:% Vapid-Lewi
s; Lord Scratch-Quick; Ennui-Edwin; Floriville-Blanchard; Peter-Thompson; Willou
ghby-Macready; Harry Neville-Holman; Servant-Evatt; Marianne-Mrs Wells; Lady Wai
tfor't-Mrs Webb; Letty-Miss Brangin; Louisa Courtney-Miss Brunton; +Prologue=-Be
rnard; [This was spoken, as here assigned, at the 1st 17 performances only (see 
2 Feb. 1790).]  +Epilogue=-Lewis.  [This was spoken, as here assigned, at all su
bsequent performances.]  *aLove in a Camp; or, Patrick in Prussia.  Captain Patr
ick-Johnstone; Quiz-Quick; Darby-Edwin; Marshal Fherbelin-Davies; Father Luke-Ro
ck; Olmutz-Cubitt; Rupert-Lee; Adjutant-Gardner; Mabel Flourish-Mrs Webb; Norah-
Miss Rowson; Flora-Mrs Martyr.  *cMainpiece: 4th Time [i.e in continuation of th
e reckoning for the previous season.  Prologue by $Robert Merry=.  Epilogue by $
Miles Peter Andrews=].  "The Dramatist has undergone considerable alterations" (
+World=, 8 Oct., which also states that the Epilogue was new, i.e. not the one, 
also by Andrews, spoken the previous season).  Receipts: #206 15s. (196.7.6; 10.
7.6).  *p8 dl The Constant Couple.  Sir Harry Wildair-Mrs Goodall (1st appearanc
e in that character on that stage); Alderman Smuggler-Waldron; Beau Clincher-Ban
nister Jun.; Clincher Jun.-Suett; Vizard-Whitfield; Dicky-Burton; Tom Errand-Hol
lingsworth; Constable-Alfred; Col. Standard-Wroughton; Angelica-Mrs Kemble; Parl
ey-Mrs Wilson; Lady Darling-Mrs Booth; Errand's Wife-Mrs Heard; Lady Lurewell-Mr
s Ward.  *aHarlequin's Invasion.  As 24 Sept.  *c[Mainpiece in place of +Know Yo
ur Own Mind=; afterpiece of +Selima and Azor=, both advertised on playbill of 6 
Oct.]  Receipts: #142 11s. (83.12; 54.2; 4.17).  *p9 cg The Merry Wives of Winds
or.  Mr Ford-Farren; Sir Hugh Evans-Edwin; Mr Page-Hull; Doctor Caius-C. Powell;
 Host of the Garter-Thompson; Fenton-Macready; Justice Shallow-Powel; Simple-Mil
burne; Bardolph-Rock; Pistol-Evatt; Slender-Cubitt; Falstaff-Ryder; Mrs Page-Mrs
 Bernard; Ann Page-Mrs Lewis; Mrs Quickly-Mrs Pitt; Mrs Ford-Mrs Pope.  *aThe Po
or Soldier.  As 25 Sept., but Fitzroy-Bannister.  *c[Mainpiece in place of +The 
Constant Couple=, advertised on playbill of 7 Oct.]  Paid $Hawks= for 26 1@4 Coa
l delivered at the Theatre from the Pool #47 12s. 6d.  Receipts: #201 1s. 6d. (1
90.1.6; 11.0.0).  *p10 dl Know Your Own Mind.  Millamour-Wroughton; Bygrove-Aick
in; Captain Bygrove-Haymes; Sir John Millamour-Packer; Charles-R. Palmer; Malvil
-Whitfield; Sir Harry Lovewit-Lamash; Dashwould-Bannister Jun.; Miss Neville-Mrs
 Kemble; Mrs Bromley-Mrs Ward; Lady Jane-Mrs Powell; Madame Le Rouge-Mrs Heard; 
Lady Bell (with a +song=)-Miss Farren (1st appearance in that character).  *aSel
ima and Azor.  Azor-Kelly; Scander-Sedgwick; Ali-Dodd; Fatima-Miss Romanzini; Le
sbia (1st time)-Miss Hagley; Selima-Mrs Crouch.  *cReceipts: #211 5s. 6d. (149.8
.0; 61.2.6; 0.15.0).  *p12 dl King Henry the Fifth.  As 1 Oct.  *aThe Jubilee.  
As 22 Sept.  *cReceipts: #228 3s. 6d. (190.1.0; 37.8.6; 0.14.0).  *pcg Macbeth. 
 Macbeth-Holman; Macduff-Aickin; Banquo-Farren; Duncan-Hull; Malcolm-Macready; R
oss-Davies; Donalbaine-Egan; Seyward-Gardner; Seyton-Thompson; Doctor-Powel; Hec
ate-Bannister; Witches-Blanchard, Bernard, Reeve; Lady Macbeth-Mrs Pope.  *aThe 
Death of Captain Cook.  As 21 Sept.  *sMainpiece: Vocal Parts-Johnstone, Duffey,
 Cubitt, Darley, Rock, Blurton, Letteney, Lee, C. Powell, Mrs Mountain, Miss Stu
art, Mrs Watts, Mrs Byrne, Mrs Davenett, Miss M'George, Mrs Powell, Miss Rowson,
 Miss Francis, Mrs Lefevre, Mrs Gray, Mrs Masters, Mrs Martyr.  *cReceipts: #219
 1s. 6d. (217.15.0; 1.6.6).  *p13 dl The Tempest; or, The Enchanted Island.  Pro
spero-Bensley; Ferdinand-Kelly; Stephano-Moody; Trincalo-Baddeley; Caliban-Willi
ames; Gonzalez-Aickin; Alonzo-Packer; Antonio-Phillimore; Ariel-Miss Romanzini; 
Hyppolito-Mrs Goodall; Miranda-Mrs Crouch; Dorinda-Miss Farren; +Epilogue=-Miss 
Farren.  [This was spoken, as here assigned, at all subsequent performances.]  *
aThe First Floor.  As 12 Sept., but Landlord-_; Snap-_; Postboy-_; Frank-_.  *sM
ainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Fawcett, Wilson, Maddocks,
 Alfred, Lyons, Miss Romanzini, Mrs Edwards, Mrs Fox, Miss Barnes, Miss Stageldo
ir, Mrs Shaw, Mrs Butler, Mrs Crouch; III: +Chorus of Furies=-; V: the +Masque= 
of +Neptune and Amphitrite=[.  +Neptune=r%-Sedgwick, [+Amphitrite=r-%Mrs Edwards
.  *cMainpiece [altered by $John Philip Kemble=]: By $Shakespeare=, with Additio
ns from $Dryden=.  The Music by $Purcell= and $Dr Arne=, with new Airs and Choru
sses by the late $Linley Jun.=  [Epilogue by $John Burgoyne= (+Kemble Mem.=).]  
Receipts: #154 13s. 6d. (135.9.0; 19.2.6; 0.2.0).  *pcg Inkle and Yarico.  Inkle
-Johnstone; Sir Christopher Curry-Quick; Campley-Davies; Medium-Powel; Mate-Darl
ey; Planters-Gardner, Thompson, Evatt; Sailor-Ledger; Waiter-Farley; Trudge-Edwi
n; Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Rock; Yarico-Mrs Billingt
on (1st appearance this season).  *aThe Little Hunchback.  As 2 Oct.  *dEnd II: 
[a new% +Negro Dance=-.  *cReceipts: #193 7s. (189.11.6; 3.15.6).  *p14 cg The D
ramatist.  As 7 Oct., but Letty-Mrs Powell [in place of $Miss Brangin=%.  *aThe 
Highland Reel.  As 6 Oct.  *cReceipts: #237 13s. (226.12; 11.1).  *p15 dl Know Y
our Own Mind.  As 10 Oct.  *aThe Deserter.  Henry-Kelly; Russet-Williames; Simki
n-Suett; Flint-Burton; Serjeant-Phillimore; Skirmish-Bannister Jun.; Jenny-Miss 
Romanzini; Margaret-Mrs Booth; Louisa-Mrs Crouch.  *cReceipts: #170 0s. 6d. (107
.18.0; 58.1.6; 4.1.0).  *p16 cg Othello.   Othello-Fennell (from the $Theatre Ro
yal, Edinburgh=); Roderigo-Blanchard; Cassio-Macready; Brabantio-Hull; Lodovico-
Davies; Montano-Thompson; Duke-Gardner; Gratiano-Powel; Iago-Harley; Emilia-Mrs 
Bernard; Desdemona-Mrs Pope.  *aTom Thumb.  Tom Thumb-Master Simmons; Grizzle-Ed
win; Doodle-Davies; Noodle-Cubitt; Ghost-Darley; Arthur-Quick; Huncamunca-Mrs Mo
untain; Glumdalca-Mrs Webb; Dollalolla-Mrs Martyr.  *cReceipts: #242 16s. 6d. (2
41.9.6; 1.7.0).  *p17 dl The Tempest.  As 13 Oct.  *aWho's the Dupe?.  Mr Doiley
-Parsons; Granger-Barrymore; Sandford-R. Palmer; Gradus-Bannister Jun.; Charlott
e-Miss Collins; Miss Doiley-Mrs Kemble.  *sAs 13 Oct., but Vocal Parts-Miss +Hag
ley.  *cBooks of the Songs [in +The Tempest=] to be had at the Theatre.  Receipt
s: #244 5s. (220.14; 22.11; 1.0).  *pcg The Castle of Andalusia.  As 23 Sept., b
ut Spado-Quick; Philippo-Blanchard.  *aThe Death of Captain Cook.  As 21 Sept.  
*c+The Belle's Stratagem= [advertised on playbill of 16 Oct.] is obliged to be d
eferr'd, on Account of the Indisposition of a Principal Performer.  [Afterpiece 
in place of +The Farmer=, advertised as above.]  Receipts: #162 19s. 6d. (161.4.
0; 1.15.6).  *p19 dl King Henry the Fifth.  As 1 Oct.  *aHarlequin's Invasion.  
As 24 Sept., but Justice-_; Forge-_; Old Woman-_.  *cReceipts: #145 7s. 6d. (120
.15.0; 22.0.6; 2.12.0).  *pcg Macbeth.  As 12 Oct.  *aThe Farmer.  As 14 Sept.  
*sAs 12 Oct.  *cReceipts: #163 4s. 6d. (161.14.6; 1.10.0).  *p20 dl The Tempest.
  As 13 Oct.  *aThe Citizen.  Young Philpot-Bannister Jun. (1st appearance in th
at character on that stage); Wilding-R. Palmer; Sir Jasper Wilding-Burton; Beauf
ort-Haymes; Quildrive-Banks; Dapper-Fawcett; Old Philpot-Baddeley; Corinna-Miss 
Tidswell; Maria-Miss Farren.  *sAs 17 Oct.  *cAfterpiece: Not acted these 4 year
s.  [$Bannister Jun.='s 1st appearance as +Young Philpot=r was at the +hay=, 7 S
ept. 1789.]  Receipts: #191 5s. 6d. (162.7.0; 27.3.0; 1.15.6).  *pcg Love in a V
illage.  Young Meadows-Johnstone; Hawthorn-Bannister; Hodge-Blanchard; Sir Willi
am Meadows-Powel; Eustace-Davies; Carter-Reeve; Cook-Rock; Footman-Blurton; Just
ice Woodcock-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Mountain; Mai
d-Miss Stuart; Rosetta-Mrs Billington.  *aAnimal Magnetism.  Doctor-Quick; La Fl
eur-Edwin; Marquis D'Lancy-Bernard; Jeff'ry-Blanchard; Picard-Rock; Constance-Mr
s Wells; Lisette-Mrs Mattocks.  *dEnd II: +Divertissement=, as 2 Oct.  *cReceipt
s: #220 14s. 6d. (219.1.6; 1.13.0).  *p21 dl The Beggar's Opera.  See 24 Sept.  
*aComus.  As 26 Sept., but [+Sweet Echo=-Mrs Crouch,%accompanied-Parke.  *c[As m
ainpiece the playbill announces the 1st night of +The False Friend= (see 24 Oct.
), but "$Miss Farren= was taken ill, and +The Beggar's Opera= was the substitute
.  It proved, however, to be a substitute flat, stale and unprofitable.  We neve
r saw more indiffernet acting" (+Oracle=, 22 Oct.).  Afterpiece in place of +Ric
hard Coeur de Lion=, advertised on playbill of 20 Oct.]  Paid +Watch & Beadles=,
 +St. Martin's parish?= 1 Year #42 10s. 4d.  Receipts: #73 4s. (46.17.0; 24.17.6
; 1.9.6).  *pcg The Dramatist.  As 14 Oct.  *aLove and War.  Gregory-Edwin; Gene
ral Howitzer-Quick; Captain Farquhar-Johnstone; Sulphur-Davies; Commissary-Powel
; Rifle-Darley; Corporal-Cubitt; Saib-Duffey; Maria-Mrs Mountain; Susan-Miss Stu
art; Lucy-Mrs Martyr.  *dEnd: [a new% +Tamborine Dance=-Byrne, Mrs Goodwin.  *cR
eceipts: #236 13s. 6d. (225.15.6; 10.18.0).  *p22 dl A School for Fathers.  Lion
el-Kelly; Colonel Oldboy-Suett; Sir John Flowerdale-Aickin; Jenkins (1st time)-S
edgwick; Harman (1st time)-Dignum; Jessamy-Dodd; Lady Mary Oldboy-Mrs Hopkins; D
iana (1st time)-Miss Romanzini; Jenny-Mrs Wilson; Clarissa-Mrs Crouch.  *aThe Hu
mourist; or, Who's Who?.  Dabble-Bannister Jun.; Frolick-Hollingsworth; Beaumont
-Williames; Blunt-Alfred; Servant-Spencer; Sir Anthony Halfwit-Suett; Diana-Miss
 Collins; Mrs Meddle-Mrs Wilson; Mrs Matadore-Mrs Hopkins.  *cMainpiece: Not act
ed these 2 years [and in place of +Know Your Own Mind=; afterpiece in place of +
The Doctor and the Apothecary=, both advertised on playbill of 21 Oct.].  Receip
ts: #161 7s. (105.8.0; 54.4.6; 1.14.6).  *p23 cg King Richard the Third.  As 25 
Sept., but Lady Anne-Mrs Rock.  *aMidas.  Midas-Edwin; Sileno-Davies; Pan-Reeve;
 Damaetas-Rock; Jupiter-Darley; Apollo-Johnstone; Daphne-Mrs Martyr; Mysis-Mrs W
ebb; Juno-Miss Stuart; Nysa-Mrs Mountain.  *c[In mainpiece the playbill retains 
$Miss Brunton= as +Lady Anne=r, but she "who attended, and was dressed for her c
haracter...was suddenly taken ill...The part was read by $Mrs Rock=" (+Public Ad
vertiser=, 24 Oct.).]  Receipts: #197 1s. (195.15; 1.6).  *p24 dl The False Frie
nd.  [Characters by Kemble, Bannister Jun., Barrymore, R. Palmer, Packer, Wrough
ton, Miss Pope, Mrs Goodall, Miss Farren.  [Cast from +European Magazine=, Nov. 
1789, p. 378:% Don John-Kemble; Lopez-Bannister Jun.; Don Guzman-Barrymore; Gali
ndo-R. Palmer; Don Felix-Packer; Don Pedro-Wroughton; Jacintha-Miss Pope; Isabel
la-Mrs Goodall; Leonora-Miss Farren.  *aThe Doctor and the Apothecary.  Carlos-D
ignum; Doctor Bilioso-Suett; Thomaso-Waldron; Capt. Sturmwald-Hollingsworth; Guz
man-Sedgwick; Perez-Burton; Juan-Bannister Jun.; Isabella-Miss Romanzini; Theres
a-Mrs Booth; Anna-Mrs Crouch.  *cMainpiece: Written by $Sir John Vanburgh= [sic]
, with Alterations [by $John Philip Kemble=].  [Afterpiece in place of +Arthur a
nd Emmeline=, advertised on playbill of 22 Oct.]  Receipts: #176 1s. (140.1.0; 3
1.9.6; 4.10.6).  *pcg The Beggar's Opera.  Captain Macheath-Bannister; Peachum-R
yder; Lockit-Cubitt; Mat o' the Mint-Darley; Ben Budge-Rock; Filch-Blanchard; Lu
cy-Mrs Martyr; Mrs Peachum-Mrs Webb; Jenny Diver-Miss Stuart; Polly-Mrs Billingt
on.  [Edition of 1791 ($John Bell=) adds: Jemmy Twitcher-Evatt; Crook@finger'd J
ack-Milburne; Wat Dreary-Letteney; Robin of Bagshot-Blurton; Nimming Ned-Lee; Ha
rry Paddington-Painter; Drawer-Farley; Mrs Coaxer-Miss Francis; Dolly Trull-Miss
 Rowson; Mrs Vixen-Miss Brangin; Betty Doxey-Mrs Lloyd; Mrs Slammekin-Mrs Rock; 
Sukey Tawdry-Mrs Masters; Molly Brazen-Mrs Lefevre.]  *aThe Midnight Hour.  Marq
uis-Lewis; Sebastian-Ryder; Nicholas-Edwin; General-Quick; Matthias-Powel; Ambro
se-Thompson; Flora-Mrs Mattocks; Cecily-Mrs Webb; Julia-Mrs Wells.  *dIn III: +H
ornpipe= [in character%-Byrne.  *cReceipts: #207 8s. 6d. (204.5.6; 3.3.0).  *p26
 dl King Henry the Fifth.  As 1 Oct.  *aRichard Coeur de Lion.  Richard-Kelly; B
londel-Barrymore; Guillot-Suett; Florestan-Williames; Sir Owen-Dignum; Antonio-M
iss Romanzini; Lauretta (1st time)-Miss Hagley; Julie-Miss DeCamp; Matilda-Mrs C
rouch.  *dIn III afterpiece: +Dance=-the young D'Egvilles, Miss DeCamp.  *cRecei
pts: #200 2s. 6d. (145.7.0; 51.2.6; 3.13.0).  *pcg Othello.  As 16 Oct.  *aThe D
eath of Captain Cook.  As 21 Sept.  *cReceipts: #216 7s. (213.15; 2.12).  *p27 d
l The Tempest.  As 13 Oct.  *aBelphegor; or, The Wishes.  Booze-Suett; Belphegor
-Sedgwick; Colin-Dignum; Wheatear-Maddocks; Miller-Fawcett; Constable-Wilson; Ho
st-Alfred; Justice Solemn-Waldron; Phoebe-Miss Hagley; Dame Din-Mrs Edwards.  *s
As 17 Oct.  *cAn accurate Edition of +The Tempest= to be had at the  Theatre.  A
ccount-Book; Paid Printer [of playbills] to 17th Inst. #9 7s.; Chorus to 21st In
st. #6.  Afterpiece: Not acted these 7 years.  Receipts: #185 5s. (151.19; 32.12
; 0.14).  *pcg The Dramatist.  As 14 Oct.  *aThe Highland Reel.  As 6 Oct.  *c"$
Edwin= condescended to make a buffoon of himself [in +The Dramatist=], for all h
e had to do was to amuse the audience with his knob of hair, and his versicolor'
d knee strings.  It is cruel to expose a great actor in such unmeaning character
s" (+Prompter=, 28 Oct.).  Receipts: #177 1s. 6d. (166.15.6; 10.6.0).  *p28 dl T
he False Friend.  As 24 Oct.  *aArthur and Emmeline.  Arthur-Kemble; Oswald-Barr
ymore; Merlin-Aickin; Conon-Packer; Osmand-Phillimore; Aurelius-Whitfield; Grimb
ald-Sedgwick; Matilda-Miss Collins; Emmeline-Miss Farren; Philidel (1st time)-Mi
ss Hagley; Spirit of Light-Miss Romanzini; Venus-Mrs Crouch; [Rest of the% Vocal
 Parts-Kelly [for whom, see 30 Apr. 1790], Williames, Danby, Fawcett, Alfred, Ly
ons.  *cReceipts: #139 15s. 6d. (99.0.0; 37.1.0; 3.14.6).  *pcg Robin Hood; or, 
Sherwood Forest.  Robin Hood-Bannister; Allen o'Dale-Duffey; Little John-Quick; 
Ruttekin-Edwin; Fitzherbert-Powel; Scarlet-Davies; Bowman-Cubitt; Edwin-Johnston
e; Clorinda-Mrs Martyr; Stella-Mrs Wells; Annette-Mrs Mountain; Angelina-Mrs Bil
lington.  *aThe Little Hunchback.  As 2 Oct.  *cReceived of the Proprietor of th
e +Richmond Theatre= for [permission to act] +The Little Hunchback= #10.  Receip
ts: #170 1s. 6d. (166.18.0; 3.3.6).  *p29 dl Know Your Own Mind.  As 10 Oct.  *a
The Deserter.  As 15 Oct.  *cReceipts: #182 14s. 6d. (123.5.0; 57.6.0; 2.3.6).  
*p30 cg The Constant Couple.  As 30 Sept., but Angelica-Mrs Mountain.  *aThe Pos
itive Man.  Sir Toby Tacet-Quick; Bellcamp-Davies; Lake-Macready; Grog-Blanchard
; Maurice-Rock; Sam Stern-Bernard; Cable-Darley; Rupee-Edwin; Cornelia-Mrs Marty
r; Florimel-Miss Chapman; Nancy-Miss Stuart; Lady Tacet-Mrs Webb.  *dAs 30 Sept.
  *cReceipts: #202 8s. (194.0.6; 8.7.6).  *p31 dl Oroonoko; or, The Royal Slave.
  Oroonoko-A Young Gentleman (who never appeared on any stage [$Keating=]); Blan
dford-Barrymore; Governor-Whitfield; Stanmore-R. Palmer; Captain Driver-Maddocks
; Hotman-Williames; Jack Stanmore-Benson; Daniel-Suett; 1st Planter-Fawcett; 2nd
 Planter-Hollingsworth; 3rd Planter-Wilson; 4th Planter-Jones; Slaves-Phillimore
, Banks, Alfred, Webb; Aboan-Bensley; Widow Lackit-Mrs Hopkins; Charlotte Weldon
-Mrs Goodall; Lucy Weldon-Miss Collins; Imoinda-Mrs Powell.  *aThe Humourist.  A
s 22 Oct.  *cMainpiece: Not acted these 5 years.  [$Keating= is identified in +K
emble Mem.=]  Receipts: #120 1s. 6d. (95.4.0; 23.6.0; 1.11.6).  *pcg The Duenna.
  Isaac-Quick; Ferdinand-Johnstone; Jerome-Ryder; Antonio-Duffey; Father Paul-Ba
nnister (Their [i.e. the last 3 named] 1st appearance in those characters); Lope
z-Farley; Carlos (2nd time)-Mrs Mountain; The Duenna-Mrs Webb; Louisa-Mrs Martyr
; Clara-Mrs Billington.  *aThe Devil upon Two Sticks.  The Devil-Bannister; Sir 
T. Maxwell-Thompson; Invoice-Davies; Julep-Powel; Apozem-Blanchard; Calomel-Rock
; Camphire-Evatt; Dr Last-Edwin; Mrs Margaret Maxwell-Mrs Webb; Harriet-Mrs Lewi
s.  *c[$Mrs Mountain='s 1st appearance as +Carlos=r was at this theatre on 11 Ju
ne 1789.]  Receipts: #239 17s. 6d. (237.0.6; 2.17.0).  *p11 2 dl King Henry the 
Fifth.  As 1 Oct.  *aRichard Coeur de Lion.  As 26 Oct.  *dAs 26 Oct.  *c"$Kembl
e='s invocation to the $Diety= has such a solemnity and earnestness, added to a 
hearty devotion, that exalts the soul and fills it with reverence" (+Prompter=, 
4 Nov.).  Receipts: #144 11s. 6d. (105.5.0; 37.3.6; 2.3.0).  *pcg The First Part
 of King Henry the Fourth.  Sir John Falstaff-Ryder; King-Aickin; Prince of Wale
s-Lewis; Sir Richard Vernon-Farren; Worcester-Powel; Poins-Davies; Francis-Edwin
; Sir Walter Blount-Macready; Bardolph-Rock; Douglas-Egan; Carriers-Bernard, Bla
nchard; Hotspur-Fennell (1st appearance in that character); Hostess-Mrs Pitt; La
dy Percy-Miss Chapman.  *aDon Juan.  As 16 Sept.  *dAs 16 Sept.  *cThe Doors to 
be opened at 5:15.  To begin at 6:15 [see 3 May 1790].  Paid $Say= for Tallow Ca
ndles last Season #88 6s. 3d.  "That beautiful and best drawn character that the
 world ever saw, +Sir John Falstaff=r, was mangled by $Ryder=.  He substitutes s
avageness to jollity, and stiff mimicry to the natural debauchery that should ha
ng as easily on Sir John as the Roomy mantle he moves in...$Lewis= gave us more 
the manner of the pretty man of fashion than of a dissipated hero" (+Prompter=, 
4 Nov.).  Receipts: #168 1s. 6d. (164.12.6; 3.9.0).  *p3 dl The Tempest.  As 13 
Oct.  *aThe Citizen.  As 20 Oct.  *sAs 17 Oct.  *c"$Miss Farren= is almost beyon
d criticism; she is always animated, hurries you away, and does not leave you ti
me to reflect.  We are not too bold in asserting that +Europe= does not produce 
a finer actress in these lively, natural characters" (+Prompter=, 4 Nov.).  Rece
ipts: #155 19s. 6d. (120.7.0; 34.11.0; 1.1.6).  *pcg Inkle and Yarico.  As 13 Oc
t.  *aThe Death of Captain Cook.  As 21 Sept.  *dAs 13 Oct.  *cReceipts: #189 18
s. 6d. (182.14.0; 7.4.6).  *p4 dl Inkle and Yarico.  Inkle (with new +songs= by 
$Dr Arnold=)-Kelly; Sir Christopher Curry-Aickin; Medium-Baddeley; Campley-Dignu
m; Mate-Williames; Planters-Burton, Phillimore, Benson; Trudge-Bannister Jun.; N
arcissa-Miss Hagley; Wowski-Miss Romanzini; Patty-Mrs Edwards; Yarico-Mrs Crouch
.  *aWho's the Dupe?.  As 17 Oct.  *cThe Doors to be opened at 5:15.  To begin a
t 6:15 [see 4 May 1790].  Receipts: #77 9s. 6d. (52.18.0; 20.14.0; 2.15.0; ticke
ts not come in: 1.2.6).  *pcg The Dramatist.  As 14 Oct.  *aThe Farmer.  As 14 S
ept.  *cReceipts: #252 17s. (238.7; 14.10).  *p5 dl The Inconstant; or, The Way 
to Win Him.  Mirabel-Wroughton; Old Mirabel-Aickin; Petit-R. Palmer; Dugard-Haym
es; Bravoes-Maddocks, Phillimore, Alfred, Webb; Duretete-Dodd; Oriana-Mrs Goodal
l; Lamorce-Miss Tidswell; Bisarre-Miss Farren.  *aArthur and Emmeline.  As 28 Oc
t., but Vocal Parts-_Fawcett, _Alfred, _Lyons.  *cMainpiece: Not acted these 7 y
ears [not acted since 25 Apr. 1780].  Receipts: #110 18s. (77.4; 32.3; 1.11).  *
pcg The Hypocrite.  Doctor Cantwell-Aickin; Colonel Lambert-Lewis; Seward-Macrea
dy; Sir John Lambert-Hull; Mawworm-Edwin; Darnley-Farren; Lady Lambert-Mrs Berna
rd; Old Lady Lambert-Mrs Webb; Betty-Miss Brangin; Charlotte-Mrs Abington (1st a
ppearance this season).  *aLove in a Camp.  As 7 Oct.  *cMainpiece: Taken from t
he +Tartuffe= of $Moliere=.  Receipts: #172 19s. 6d. (162.2.0; 10.17.6).  *p6 dl
 Love for Love.  As 3 Oct., but Valentine-Whitfield; Buckram-_; Snap-_; Nurse-_;
 Jenny-_.  *aRichard Coeur de Lion.  As 26 Oct.  *dAs 26 Oct.  *c[In mainpiece t
he playbill retains $Kemble= as +Valentine=r, but "he could not play--$Whitfield
= was Valentine" (+World=, 7 Nov.).]  Receipts: #112 16s. 6d. (77.12.0; 32.7.0; 
2.17.6).  *pcg The Merchant of Venice.  Shylock-Harley (1st appearance in that c
haracter); Antonio-Aickin; Bassanio-Farren; Gratiano-Bernard; Lorenzo (with +son
gs=)-Johnstone; Launcelot-Quick; Salanio-Gardner; Solarino-Egan; Old Gobbo-Cubit
t; Duke-Powel; Tubal-Thompson; Jessica (with a +song=)-Mrs Mountain; Nerissa-Mis
s Chapman; Portia-Mrs Pope.  *aThe Poor Soldier.  As 9 Oct.  *dEnd IV: +Tamborin
e Dance=, as 21 Oct.  *cReceipts: #147 7s. (144.1.6; 3.5.6).  *p7 dl Marcella.  
[Characters-Kemble, Barrymore, Whitfield, Benson, Wroughton, Mrs Powell.  [Cast 
from +European Magazine=, Nov. 1789, p. 378:% Hernandez-Kemble; Alonzo [in text,
 +Plays written for a Private Theatre= ($T. Cadell=, 1784): Mendoza]-Barrymore; 
Lupercio-Whitfield; Lopez-Benson; Governor of Barcelona-Wroughton; Marcella-Mrs 
Powell.  [For the change from Mendoza to Alonzo, see +cg=, 10 Nov.]  *aThe Folli
es of a Day.  Count Almaviva-Bannister Jun.; Antonio-R. Palmer; Doctor Bartholo-
Suett; Page (with a +song=)-Miss Romanzini; Bazil-Phillimore; Figaro-Wroughton; 
Countess-Mrs Ward; Marcelina-Mrs Hopkins; Agnes-Miss Stageldoir; Susan-Miss Farr
en.  *cMainpiece [1st time; T 3, by $William Hayley=, based on +The Changeling=,
 by $Thomas Middleton=.  And see cg, 10 Nov.]: With new Dresses and Decorations.
  Afterpiece: 1st time in 3 acts [see +cg=, 14 Dec. 1784].  Receipts: #120 10s. 
6d. (84.15.0; 29.17.6; 5.18.0).  *pcg Love in a Village.  As 20 Oct., but Debora
h (1st time)-Mrs Powell.  *aThe Miser.  Lovegold-Ryder; Frederick-Farren; Taylor
-C. Powell; Lawyer-Rock; Sparkle-Evatt; Satin-Lee; Upholsterer-Ledger; Ramille-B
ernard; Mariana-Mrs Mountain; Mrs Wisely-Mrs Platt; Lappet-Mrs Mattocks.  *dEnd 
II: +Tamborine Dance=, as 21 Oct.  *cReceipts: #204 19s. (200.4; 4.15).  *p9 dl 
King Henry the Fifth.  As 1 Oct.  *aRichard Coeur de Lion.  As 26 Oct.  *dAs 26 
Oct.  *cAn accurate Edition of [+King Henry the Fifth=] to be had at the Theatre
.  Receipts: #165 17s. 6d. (132.8.0; 30.18.0; 2.11.6).  *pcg Romeo and Juliet.  
As 14 Sept., but Nurse-Mrs Powell.  *aThe Highland Reel.  As 6 Oct.  *sJuliet's 
Funeral Procession-; Dirge-; Vocal Parts, as 14 Sept., but W. _Thompson, +Duffey
, Mrs _Powell.  *cReceipts: #225 3s. 6d. (222.1.0; 3.2.6).  *pwhf Inkle and Yari
co.  Inkle-Blandford; Sir Christopher Curry-Tunstall; Medium-Jones; Campley-Frim
bley; Mate-Banks; Planters-Randall, Harris; Trudge-Brooke; Wowski-Miss Brooke; N
arcissa-Mrs Banks; Patty-Mrs Taylor; Yarico-Mrs Tunstall.  *aChrononhotonthologo
s.  Chrononhotonthologos-Tunstall; Bombardinian-Blandford; Aldiborontiphoscophor
nio-Jones; Rigdumfunnidos-Frimbley; Captain of the Guards-Randall; Cupid-Brooke;
 Herald-Banks; Cook-Harris; Doctor-Hatton; King of the Antipodes-Wilson; Amoamas
sedicianstotowramulantic, King of the Fidlers-George; Fadladinida, Queen of Quee
rumania-Mrs Tunstall; Lady-Mrs Banks; Venus-Mrs Taylor; Tatlanthe-Miss Brooke.  
*e[+Monologue=.%  End: [the tale of% +Edwin and Emma=-Jones.  *cBenefit for Jone
s.  Tickets to be had of $Jones= at the +White Horse=, +Parson's Green=; at the 
+King's Arms=, +Fulham=; +Ship=, Fulham; and the +George=, +Walham Green=.  Afte
rpiece: It is hoped that the greatest Attention will be paid, as it is impossibl
e for the Company to cogitate throughtout the Cogibundity of Cogitations, unless
 the most profound Profundity of Thought is observed.  Pit 2s. Gallery 1s. Good 
Fires in the Pit.  *p10 dl The Tempest.  As 13 Oct.  *aThe Citizen.  As 20 Oct. 
 *sAs 17 Oct.  *cReceipts: #166 2s. (136.10.0; 28.8.6; 1.3.6).  *pcg Marcella.  
[Characters-Holman, Farren, Aickin, Egan, Harley, Mrs Pope.  [Cast from +Europea
n Magazine=, Nov. 1789, p. 378:% Alphonso [Mendoza]-Holman; Lupercio-Farren; Gov
ernor of Barcelona-Aickin; Lopez-Egan; Hernandez-Harley; Marcella-Mrs Pope; ["$H
olman='s part was unluckily ycleped +Mendoza=r (i.e. the name of a pugilist who,
 at this time, was enjoying great popularity); it is now mended into +Alphonso=r
' (+World=, 22 Oct).  At +dl=, on 7 Nov., it was changed to +Alonzo=r.]  [New Oc
casional% +Prologue= by the Author of the Piece [$William Hayley=]-Holman.  *aRo
sina.  Belville-Bannister; Captain Belville-Johnstone; Rustic-Powel; Irish Hayma
ker-Rock; William-Blanchard; Phoebe-Mrs Martyr; Dorcas-Mrs Powell; Rosina-Mrs Bi
llington.  *aThe Death of Captain Cook.  As 21 Sept.  *c1st piece: 1st Time [at 
this theatre; see dl, 7 Nov.].  "$Mr Hayley='s +Marcella=, which was anticipated
 on Saturday evening at +Drury Lane=, and was received with considerable marks o
f disapprobation...was brought forward [at +Covent Garden=] under the auspices o
f the Author" (+Public Advertiser=, 11 Nov.).  "[The performers all acted well a
t Covent Garden; and $Kemble= was the only one at Drury Lane who even knew his p
art" (+Prompter=, 11 Nov.).  Receipts: #201 17s. (197.13.6; 4.3.6).  *p11 dl The
 Heiress.  As 6 Oct.  *aThe Follies of a Day.  As 7 Nov.  *cReceipts: #158 19s. 
(122.12.0; 34.18.6; 1.8.6).  *pcg The Dramatist.  As 14 Oct.  *aThe Nunnery.  Ca
ptain Banner-Johnstone; Forage-Quick; Peter-Edwin; Monks-Rock, Ledger, Evatt; Fr
ancis-Painter; Lieut. of Police-Gardner; Ambrose-Powel; Mrs D'Arcey-Miss M'Georg
e; Teresa-Mrs Martyr; Selima-Mrs Mountain.  *dAs 21 Oct.  *cReceipts: # 247 15s.
 (230.13; 17.2).  *pwhf The Foundling; or, Virtue Rewarded.  Young Belmont-Bland
ford; Sir Charles Raymond-Banks; Colonel Belmont-Brooke; Sir Roger Belmont-Jones
; Villiard-Frimbley; Faddle-Tunstall; Rosette-Miss Brooke; Fidelia (the Foundlin
g)-Mrs Tunstall.  *aThe Deuce is in Him.  Colonel Tamper-Tunstall; Major Belford
-Brooke; Doctor Prattle-Randall; Madam Cordival [recte Florival]-Mrs Taylor; Bel
l-Miss Brooke.  *aThe Shipwreck; or, Walking Statue.  Don Juan-Blandford; Govern
or-Banks; Don Ferdindo (with a +song=)-Brooke; Sailor-Frimbley; Taylor-Jones; Sc
aramouch-Randall; Cleone-Miss Brooke; Attendant-Mrs Banks.  *dEnd: [a comic danc
e,% +The Affrighted Dwarf=[; or, +Whimsical Transformation into Mad Moll=%-Bland
ford.  *e[+Monologues=.%  End I: +Epilogue=-Somebody in the Character of Nobody;
 End II: +British Loyalty=[; or, +A Squeeze for St. Paul's=, will be introduced 
the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a J
ew, an Old Man, and a British Sailor%-Randall.  *cBenefit for $Blandford= and $R
andall=.  3rd piece: A Pantomimical +Interlude=, from +Don Juan=.  First Scene o
pens with a Tempestuous Sea, and Shipwreck of +Don Juan=r and his man +Scaramouc
h=r, who is cast on shore from off the Back of a Dolphin on the $Island of Marti
nico=.  Scene from the pantomimes of +The Enchanted Island=, +Wizard of the Silv
er Rock=, +The Witches Frolic=, &c.  The whole to conclude with a View of the In
side of the +Bastille=, with the different Gratings, Railings, and Instruments o
f Death and Torture by which the unfortunate Victims suffered, and the Grand Cho
rus of +God save the King=.  The Curtain will rise precisely at 6:45.  *p12 dl K
ing Richard III.  As 12 Sept.  *aThe Padlock.  As 15 Sept., but Scholars-+Benson
, _Wilson.  *cReceipts: #100 12s. 6d. (77.18.0; 21.16.0; 0.18.6).  *pcg Rule a W
ife and Have a Wife.  Leon-Holman; Duke-Macready; Juan-Davies; Cacafogo-Cubitt; 
Sanchio-Thompson; Alonzo-Powel; Copper Captain-Lewis; Margaretta-Mrs Bernard; Al
tea-Miss Stuart; Clara-Mrs Platt; Old Woman-Mr Quick; Maid-Mr Painter; Estifania
-Mrs Abington.  *aThree Weeks after Marriage.  Sir Charles Racket-Lewis; Lovelac
e-Evatt; Woodley-Macready; Drugget-Quick; Dimity-Mrs Rock; Mrs Drugget-Mrs Daven
ett; Nancy-Miss Rowson; Lady Racket-Mrs Abington.  *dAs 21 Oct.  *cReceipts: #22
7 17s. 6d. (210.13.6; 17.4.0).  *p13 dl The Inconstant.  As 5 Nov.  *aThe Island
 of St. Marguerite.  [Principal Characters-Kelly, Barrymore, Suett, Waldron, Sed
gwick, Hollingsworth, Jones, Phillimore, Banks, Fawcett, Maddocks, Lyons, Wilson
, Alfred, Fairbrother, Danby, Shaw, Vincent, Boyer, Stageldoir, Horsfall, Dorion
, Capon, Bannister Jun., Miss Romanzini, Mrs Edwards, Miss Hagley, Mrs Fox, Miss
 Stageldoir, Miss Barnes, Mrs Edwin, Miss Palmer, Mrs Shaw, Mrs Davies, Mrs Butl
er, Mrs Gawdry, Mrs Crouch.  [Cast from text ($J. Debrett=, 1789), and +European
 Magazine=, Nov. 1789, p. 378:% Mask-Kelly; Commandant-Barrymore; Turnkey-Suett;
 Lawyer-Waldron; Officer-Sedgwick; Mob-Hollingsworth, Jones, Phillimore, Maddock
s, Lyons, Fairbrother, Webb [not listed in playbill]; Thomas-Banks; Jonas-Bannis
ter Jun.; Nannette-Miss Romanzini; Abbess-Mrs Edwards; Nuns-Miss Hagley, Miss St
ageldoir, Miss Barnes; Teresa-Mrs Fox; Carline-Mrs Crouch; unassigned-Fawcett, W
ilson, Alfred, Danby, Shaw, Vincent, Boyer, Stageldoir, Horsfall, Dorion, Capon,
 Mrs Edwin, Miss Palmer, Mrs Shaw, Mrs Davies, Mrs Butler, Mrs Gawdry; +Prologue
=-Bannister Jun.  [This was spoken, as here assigned, at the 1st 8 performances 
only (see 7 Dec.).]  *cAfterpiece [1st time; BO 2, by the $Hon. John St.John=.  
Prologue by the author (see text)]: With new Scenes, Dresses and Decorations.  T
he Overture, new Songs and Accompaniments by $Shaw=.  The Scenes by $Greenwood=.
  Receipts: #172 16s. (117.11.0; 53.9.6; 1.15.6).  *pcg Marcella.  As 10 Nov.  [
+Prologue= as 10 Nov.%  *aThe Citizen.  Young Philpot-Bernard; Sir Jasper Wildin
g-Thompson; Young Wilding-Davies; Beaufort-Macready; Quildrive-C. Powell; Dapper
-Rock; Old Philpot-Quick; Corinna-Miss Brangin; Maria-Miss Richards (from the $T
heatre Royal, Margate=; 1st appearance on this stage).  *dEnd afterpiece: [A Gra
nd Ballet of Action, as performed at the +King's Opera House= in the +Hay-market
=% [most recently in season of 1787-88] +The Deserter=[.  Principal Characters%-
Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appea
rance [at this theatre]).  *cBallet: 1st Time [at this theatre.  The $two Miss S
imonets= were from the +king's=.].  With new Scenes and Dresses.  Receipts: #119
 9s. 6d. (113.6.6; 6.3.0).  *p14 dl Know Your Own Mind.  As 10 Oct.  *aThe Islan
d of St. Marguerite.  As 13 Nov., but Mob-_Fairbrother; unassigned-_Danby; _Shaw
; _Vincent; _Boyer; _Stageldoir_; _Horsfall; _Dorion; _Capon; Miss _Palmer; Mrs 
_Shaw; Mrs _Davies; Mrs _Butler; Mrs _Gawdry.  *cReceipts: #180 2s. (114.17.0; 6
1.3.6; 4.1.6).  *pcg The Lady of the Manor.  Young English-Johnstone; Sir John E
nglish-Quick; Timothy Shacklefigure-Edwin; Farmer Sternhold-Darley; Vulture-C. P
owell; Doublejugg-Powel; Carbuncle-Thompson; Hazard-Cubitt; Plunder-Gardner; Sir
 Charles Manly-Duffey; Mrs Townly-Mrs Martyr; Lady Lucy-Mrs Billington.  *aAnima
l Magnetism.  As 20 Oct.  *cReceipts: #178 12s. 6d. (164.9.6; 14.3.0).  *p16 dl 
King Henry the Fifth.  As 1 Oct.  *aThe Island of St. Marguerite.  As 14 Nov.  *
cReceipts: #197 1s. (138.11; 56.3; 2.7).  *pcg Hamlet.  Hamlet-Holman; King-Gard
ner; Ghost-Aickin; Horatio-Farren; Laertes-Davies; Polonius-Edwin; Ostrick-Berna
rd; Player King-Thompson; Marcellus-Powel; Bernardo-Evatt; Luciano-Cubitt; Rosen
craus-Egan; Guildenstern-Macready; Grave@Diggers-Quick, Milburne; Ophelia-Mrs Ac
hmet (1st appearance in that character); Player Queen-Mrs Lefevre; Queen-Mrs Pop
e (1st appearance in that character).  *aThe Poor Soldier.  As 9 Oct.  *cMainpie
ce: Not acted these 3 years [not acted since 23 Sept. 1785.  Afterpiece in place
 of +The Deserter=, advertised on playbill of 14 Nov.].  Paid the $Duke of Bedfo
rd= one Year's Rent #192 10s.  Receipts: #226 9s. 6d. (222.0.0; 4.9.6).  *p17 dl
 The Tempest.  As 13 Oct.  *aThe Island of St. Marguerite.  As 14 Nov.  *sAs 17 
Oct., but Vocal Parts-_Fawcett, _Wilson, _Maddocks, _Alfred, _Lyons, Mrs _Fox, M
iss _Barnes, Miss _Stageldoir, Mrs _Shaw, Mrs _Butler.  *cAn accurate Edition of
 +The Tempest= to be had at the Theatre.  Receipts: #210 5s. (169.5.0; 40.0.6; 0
.19.6).  *pcg The Duenna.  As 31 Oct.  *aThe Miser.  As 7 Nov.  *cReceipts: #152
 18s. 6d. (148.15.6; 4.3.0).  *p18 dl The West Indian.  As 19 Sept., but Belcour
-Bannister Jun.; Lady Rusport-Mrs Hopkins; Lucy-Miss Barnes.  *aAll the World's 
a Stage.  See 17 Sept.  *c[As afterpiece the playbill announces the 5th night of
 +The Island of St. Marguerite=, but it was not acted [see 20 Nov.).  The substi
tute play is listed in +Kemble Mem=.]  Receipts: #241 6s. 6d. (207.19.0; 31.17.0
; 1.10.6).  *pcg The Dramatist.  As 14 Oct.  *aThe Highland Reel.  As 6 Oct., bu
t Croudy-_; Laird of Raasay-_.  *cBy Command of $Their Majesties=.  To prevent i
nconvenience, Ladies and Gentlemen are requested to be early at the Theatre-and 
to order their Servants to keep Places at Four o'Clock.  Receipts: #452 14s. 6d.
 (438.16.0; 13.18.6).  *p19 dl Know Your Own Mind.  As 10 Oct.  *aThe Follies of
 a Day.  As 7 Nov.  *cReceipts: #100 18s (76.3.0; 22.10.6; 2.4.6).  *pcg All in 
the Wrong.  Sir J. Restless-Ryder; Sir W. Belmont-Thompson; Young Belmont-Davies
; Blandford-Hull; Robert-Cubitt; Brush-Farley; Beverley-Lewis; Lady Restless-Mrs
 Mattocks; Clarissa-Mrs Mountain; Marmalet-Miss Stuart; Tattle-Mrs Davenett; Tip
per-Mrs Platt; Belinda-Mrs Abington.  *aThe Sultan.  Solyman-Davies; Osman-Cubit
t; Ismene-Mrs Martyr; Elmira-Miss Chapman; Roxalana-Mrs Abington.  *dEnd: As 13 
Nov.; Afterpiece to conclude: +Grand Dance=[.  +Chief of the Bostanges=r%-Byrne,
 [Principal Female Dancers-%Mrs Ratchford, Mrs Goodwin.  *cAfterpiece: Taken fro
m +Soliman the Magnificent= of $Marmontel=.  Receipts: #218 18s. 6d. (202.16.6; 
16.2.0).  *p20 dl The Constant Couple.  As 8 Oct.  *aThe Island of St. Marguerit
e.  As 14 Nov., but Mob-_Maddocks, _Lyons; Mrs_ Fox; Nuns-Miss _Stageldoir, Miss
 _Barnes; unassigned-_Fawcett, _Wilson, _Alfred, Mrs _Edwin.   *c[Mainpiece in p
lace of +The Inconstant=, advertised on playbill of 19 Nov.]  Afterpiece: 5th Ni
ght [see 18 Nov.].  Receipts: #153 13s. 6d. (100.15.0; 51.1.6; 1.17.0).  *pcg As
 You Like It.  Touchstone-King (1st appearance on this stage); Orlando-Holman (1
st appearance in that character); Amiens (with +songs=)-Johnstone; Adam-Hull; Du
ke Senior-Powel; Corin-Thompson; William-C. Powell; Le Beu-Macready; Sylvius-Eva
tt; Oliver-Davies; D. Frederick-Gardner; Charles-Cubitt; Jaques-Harley (1st appe
arance in that character); Caelia-Miss Chapman; Audrey-Mrs Rock; Phoebe-Miss Stu
art; Rosalind (with the +Cuckoo Song=)-Mrs Pope.  *aBon Ton.  Sir John Trotley (
with the original +Prologue=)-King; Lord Minikin-Bernard; Colonel Tivy-Davies; J
essamy-Macready; Mignon-C. Powell; Davy-Quick; Lady Minikin-Miss Chapman; Gymp-M
rs Platt; Miss Tittup-Mrs Mattocks.  *dEnd I: +Divertissement=-[See 2 Oct.]; End
: +Tamborine Dance=, as 21 Oct.  *cAfterpiece: 1st Time at this Theatre.  [Prolo
gue by $George Colman, elder=.]  Receipts: #241 19s. 6d. (237.5.0; 4.14.6).  *p2
1 dl The Beaux Stratagem.  Archer-Wroughton; Aimwell-Barrymore; Foigard-Moody; B
onniface-Aickin; Sir Charles Freeman-Haymes; Sullen-Phillimore; Gibbet-Suett; Sc
rub-Dodd; Dorinda-Mrs Kemble; Cherry-Mrs Wilson; Mrs Sullen-Mrs Henry (1st appea
rance on that stage).  *aThe Island of St. Marguerite.  As 20 Nov.  *dEnd IV: +T
he Minuet de la Cour and Gavot=-the young D'Egvilles, Miss Blanchet, Miss DeCamp
.  *cBenefit for the Author of the Opera [who is named in +Kemble Mem.=, but not
 on the playbill].  [$Mrs Henry='s 1st appearance was at +cg=, 25 Jan. 1788.]  R
eceipts: #134 4s. 6d. (79.11.0; 52.9.0; 2.4.6; tickets: none listed) (charge: #1
05).  *pcg Marian.  Edward-Johnstone; Sir Henry Freeman-Bannister; Robin-Blancha
rd; Thomas-Darley; Jamie-Powel; Oliver-Thompson; Peggy-Mrs Mountain; Patty-Mrs M
artyr; Marian-Mrs Billington.  *aThe Follies of a Day.  Count Almaviva-Lewis; An
tonio-Edwin; Bazil-Powel; Page (with a +song=)-Mrs Martyr; Figaro-Blanchard; Cou
ntess-Mrs Bernard; Marcelina-Mrs Webb; Agnes-Miss Rowson; Susan-Mrs Pope.  *aThe
 Death of Captain Cook.  As 21 Sept.  *c2nd piece: 1st Time [at this theatre (se
e +dl=, 7 Nov.)] in 3 acts.  Receipts: #214 2s. (209.16.6; 4.5.6).  *p23 dl King
 Henry the Fifth.  As 1 Oct.  *aThe Island of St. Marguerite.  As 20 Nov., but M
rs Fox.  *cReceipts: #166 11s. 6d. (118.6.0; 46.15.0; 1.10.6).  *pcg King Lear. 
 King Lear-Harley; Bastard-Fennell (Their 1st appearance in those characters); G
loster-Hull; Kent-Aickin; Albany-Davies; Cornwall-Macready; Burgundy-Blurton; Ph
ysician-Gardner; Gentleman Usher-Bernard; Edgar-Holman; Regan-Mrs Bernard; Goner
il-Mrs Platt; Arante-Miss Rowson; Cordelia-Miss Brunton.  *aTom Thumb.  As 16 Oc
t.  *cMainpiece: Not acted these 4 years.  [Afterpiece in place of +The Highland
 Reel=, advertised on playbill of 21 Nov.]  Receipts: #215 8s. 6d. (211.6.6; 4.2
.0).  *p24 dl The Haunted Tower.  [Characters-Kelly, Baddeley, Moody, Suett, Dig
num, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance
 on the English stage [i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs
 Crouch.  [Cast from Songs ($J. Jarvis=, 1789):% Lord William-Kelly; Baron of Oa
kland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Cou
rcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyo
ns; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Cr
ouch.  *aThe Miller of Mansfield.  The King-Whitfield; Richard-R. Palmer; Joe (w
ith a +song=)-Williames; Lord Lurewell-Benson; The Miller-Moody; Kate-Mrs Wilson
; Peggy-Miss Collins; Margery-Mrs Hopkins [+Public Advertiser=: Mrs Booth].  *cM
ainpiece [1st time; CO 3, by $James Cobb=.  Text 1st published (unauthorized), +
Dublin= [1790].  $Sga Storace= had 1st appeared in concerts from 1774 to 1778, a
nd at +king's= on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Dec
orations.  The new Music composed by $Storace=, the rest compiled from $Linley? 
Sen.=, $Purcell=, $Sarti=, $Paisiello=, $Martin y Soler?=, $Pleyel=, &c.  The Sc
enes designed and executed by $Greenwood=.  Books of the Songs to be had at the 
Theatre.  "In her own particular line on the stage [Sga Storace] was unrivalled,
 being an excellent actress, as well as a masterly singer.  She settled entirely
 in +England=, and after quitting the opera (to which she was frequently recalle
d in times of distress, as was too often the case), she engaged at +Drury Lane=,
 where the English opera was raised to an excellence not known before, by her si
nging, with that of $Mrs Crouch=, $Mrs Bland=, $Kelly=, and $Bannister=, and und
er the direction of her brother $Stephen Storace=, who composed, or rather compi
led, several very pretty operas, of which the +Haunted Tower=, and the +Siege of
 Belgrade= still remain favorites, and are frequently performed" ($Mount-Edgcumb
e=, 65).  Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the C
opyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Cop
yright #52 10s.  Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0).  *pcg The Pr
ophet.  Rathmud-Quick; The Sultan-Bannister; Carlos-Johnstone; Lazarus-Blanchard
; Hali-Powel; The Vizier-Thompson; Ismene-Mrs Martyr; Faracknaz-Mrs Billington. 
 *aThe Follies of a Day.  As 21 Nov.  *aThe Death of Captain Cook.  As 21 Sept. 
 *c1st piece: The Music partly selected from $Handel=, $Purcell=, $Pleyel=, $Anf
ossi=, $Cimarosa=, $Gretry=, $Giordani= and $Sacchini=; and partly composed by $
Shield=.  With an Overture by $Salieri=.  [3rd piece in place of +Thomas and Sal
ly=, advertised on playbill of 23 Nov.]  Receipts: #195 11s. 6d. (189.14.0; 5.17
.6):  *p25 dl The Haunted Tower.  As 24 Nov.  *aThe Humourist.  As 22 Oct., but 
Blunt-_; Servant-_.  *cReceipts: #173 1s. (146.1.0; 26.2.0; 0.10.6; tickets not 
come in: 0.7.6).  *pcg The Dramatist.  As 14 Oct.  *aThe Farmer.  As 14 Sept.  *
dEnd: +The Deserter=, as 13 Nov.  *cReceipts: #287 12s. (272.10; 15.2).  *p26 dl
 The Haunted Tower.  As 24 Nov.  *aThe Citizen.  As 20 Oct.  *cBenefit for the A
uthor [of mainpiece, who is named in +Kemble Mem.=, but not on the playbill].  R
eceipts: #207 5s. 6d. (177.10.0; 28.12.6; 1.3.0; tickets: none listed) (charge: 
#105).  *pcg Rule a Wife and Have a Wife.  As 12 Nov.  *aThree Weeks after Marri
age.  As 12 Nov.  *dAs 25 Nov.  *cReceipts: #146 2s. (133.9; 12.13).  *p27 dl Mu
ch Ado about Nothing.  Benedick-Kemble; Claudio-Barrymore; Don Pedro-Whitfield; 
Don John-Aickin; Balthazar-Williames; +song=-Williames; Antonio-Packer; Dogberry
-Moody; Town@Clerk-Baddeley; Verges-Burton; Leonato-Bensley; Hero-Mrs Kemble; Be
atrice-Miss Farren.  *aThe Island of St. Marguerite.  As 23 Nov.  *dIn II: a Mas
querade-; +Dance=-[see 9 Dec.] [proper to the Play%.  *cMainpiece: Not acted the
se 2 years.  Receipts: #146 13s. 6d. (96.10.0; 48.6.6; 1.17.0).  *pcg The Clande
stine Marriage.  Lord Ogleby-King; Lovewell-Holman; Sir John Melvil-Macready; Ca
nton-C. Powell; Brush-Bernard; Serjeant Flower-Powel; Traverse-Thompson; Trueman
-Evatt; Sterling-Quick; Miss Sterling-Mrs Mattocks; Fanny-Miss Brunton; Betty-Mr
s Wells; Chambermaid-Mrs Rock; Mrs Heidelberg-Mrs Webb.  *aThe Poor Soldier.  As
 9 Oct.  *c[Playbill of 2 Dec. states, correctly, that mainpiece was "2nd time t
hese 16 years."  In it the playbill assigns +Sir John Melvil=r to $Farren=, but 
"$Macready= was the substitute for Farren" (+World=, 28 Nov.).]  Receipts: #192 
8s. 6d. (189.12.6; 2.16.0).  *p28 dl The Haunted Tower.  As 24 Nov.  *aWho's the
 Dupe?.  As 17 Oct.  *cReceipts: #236 4s. (221.19; 13.1; 1.4).  *pcg Robin Hood.
  As 28 Oct., but Stella-Miss Rowson; Annette-Mrs Rock.  *aThe Follies of a Day.
  As 21 Nov.  *aThomas and Sally.  Thomas-Bannister; Squire-Johnstone; Dorcas-Mr
s Martyr; Sally-Mrs Mountain (Their 1st appearance in those characters).  *d3rd 
piece to Conclude: [a% +Dance=-.  *c1st piece: For the 1st Time compress'd [anon
ymously] into 2 Acts.   $MacNally= brought [$Arthur Murphy=] to +Covent-garden T
heatre= to see [+Robin Hood=]; when, to the surprise of the author...the opera w
as that night performed as an afterpiece, having been, without his knowledge, cu
t down into two acts" ($O'Keeffe=, I, 45).  3rd piece: Not acted these 16 years 
[acted 12 Dec. 1780].  Receipts: #212 14s. 6d. (209.14.0; 3.0.6).  *p30 dl Othel
lo.  Othello-Kemble; Roderigo-Dodd; Cassio-Barrymore; Brabantio-Aickin; Lodovico
-Packer; Duke-Fawcett; Montano-Whitfield; Gratiano-Phillimore; Iago-Bensley; AEm
ilia-Mrs Ward; Desdemona-Mrs Powell (1st appearance in that character).  *aThe P
adlock.  See 12 Nov.  *cMainpiece: Not acted these 3 years [acted 27 Oct. 1787].
  [As afterpiece the playbill announces +The Island of St. Marguerite=, but "$Ke
lly='s illness prevented...The Island" (+Kemble Mem.=, which lists the substitut
e play).]  Receipts: #139 15s. (110.0; 28.4; 1.11).  *pcg Jane Shore.  Hastings-
Holman; Glo'ster-Aickin; Belmour-Hull; Ratcliff-Gardner; Catesby-Thompson; Derby
-Evatt; Dumont-Farren; Alicia-Miss Brunton; Jane Shore-Mrs Pope.  *aThe Touchsto
ne.  [Partial cast from +Diary=, 1 Dec.:% Harlequin-Boyce; Pierrot-Reeve; Kit Ke
el-Ryder; Colombine-Mrs Mountain.  [And see 3 Dec.]  *cAfterpiece: Not acted the
se 12 years [acted 21 May 1782].  An Operatic, Comic +Pantomime=, with material 
Alterations and Additions, particularly a Grand Spectacle, being a Representatio
n of a Jubilee +Procession= of the Nobles, Clergy, and People at +Rome= ["which 
consisted of artificial figures, horse and foot, cars, &c.; it was very well man
aged" (+Morning Post=, 1 Dec.).].  The new Airs, Chorusses, &c. by $Reeve=.  Wit
h new Music, Scenes, Dresses, and Decorations.  Words of the Songs, &c. to be ha
d at the Theatre.  Receipts: #264 19s. (255.4; 9.15).  *p12 1 dl The Haunted Tow
er.  As 24 Nov.  *aHigh Life below Stairs.  Lovel-Bannister Jun.; Duke's Servant
-R. Palmer; Sir Harry's Servant-Whitfield; Philip-Baddeley; Freeman-Fawcett; Kit
ty-Miss Pope.  *dIn afterpiece: [a Mock% +Minuet=-R. Palmer, Miss Pope.  *cRecei
pts: #215 8s. 6d. (193.15.0; 20.15.0; 0.18.6).  *pcg As You Like It.  As 20 Nov.
  *aRosina.  As 10 Nov.  *dEnd I: Divertissement=, as 2 Oct.  *cPaid 1@2 Years L
and and House Tax #106 2s. 7d.  Receipts: #187 1s. (182.6.6; 4.14.6).  *p2 dl Th
e Hypocrite.  Doctor Cantwell-Moody; Sir John Lambert-Packer; Darnley-Wroughton;
 Seyward-Barrymore; Colonel Lambert-Whitfield; Officer-Maddocks; Servant-Lyons; 
Maw@worm-Parsons; Lady Lambert-Mrs Kemble; Old Lady Lambert-Mrs Hopkins; Betty-M
iss Tidswell; Charlotte-Miss Farren (1st appearance in that character).  *aThe V
irgin Unmask'd.  As 1 Oct., but Quaver-Barrymore.  *cMainpiece: Not acted these 
12 years [acted 4 Oct. 1781].  Receipts: #132 6s. (102.3.0; 27.0.0; 3.3.6).  *pc
g The Clandestine Marriage.  As 27 Nov., but Sir John Melvil-Farren.  *aBarnaby 
Brittle.  Barnaby Brittle-Quick; Jeremy-Edwin; Lovemore-Davies; Clodpole-Bernard
; Jeffery-Rock; Sir Peter Pride-Cubitt; Damaris-Miss Stuart; Lady Pride-Mrs Dave
nett; Mrs Brittle-Mrs Mattocks.  *cBy Command of $Their Majesties=.  To prevent 
inconvenience, Ladies and Gentlemen are requested to be early at the Theatre--an
d to order their Servants to keep Places at Four o'Clock.  Receipts: #396 14s. 6
d. (394.8.0; 2.6.6).  *p3 dl The Haunted Tower.  As 24 Nov., but Lord William-Di
gnum [in place of $Kelly=%; Robert-Suett [of $Dignum=%; Lewis-Hollingsworth [of 
$Suett=% .  *aThe First Floor.  As 12 Sept., but Landlord-Maddocks; Postboy-_; F
rank-_.  *cBenefit for the Author and Composer [of mainpiece, who are named in +
Kemble Mem.=, but not on the playbill].  Receipts: #161 10s. (141.18.0; 16.16.6;
 2.15.6; tickets: none listed) (charge: #105).  *pcg The Dramatist.  As 14 Oct. 
 *aThe Touchstone.  As 30 Nov., but Harlequin-Milburne; Street@singer-Blanchard;
 Darley, Mrs Martyr [who probably acted +Watchman=r and +Feridon=r] (+Diary=, 4 
Dec.).  *c"The +Pantomime= has undergone some curtailment.  The last scene was o
mitted, and $Milbank= [sic] played +Harlequin=r instead of $Boyce=, which are al
terations certainly for the better" (+Public Advertiser=, 4 Dec.).  Receipts: #2
42 15s. 6d. (229.11.6; 13.4.0).  *p4 dl The Haunted Tower.  As 24 Nov.  *aThe Hu
mourist.  As 25 Nov.  *dII: +Dance=-the young D'Egvilles, Miss Blanchet, Miss De
Camp.  *cReceipts: #161 11s. (136.3; 23.17. 1.11).  *pcg The Merry Wives of Wind
sor.  See 9 Oct.  *aThe Devil upon Two Sticks.  See 31 Oct.  *d+The Deserter=-[,
 See 13 Nov%.  *c[The playbill announces +The Beggar's Opera= (in place of +The 
Maid of the Mill=, advertised on playbill of 3 Dec., but "deferred on account of
 the Indisposition of $Johnstone=") and +The Touchstone=.  But "$Mrs Billington=
 was taken ill & +The Merry Wives of Windsor= with +The Deserter= & +Devil on Tw
o Sticks= were substituted for B. Opera & Touchstone" (MS annotation on +BM bill
=: +cg=, Vol. VII).  +World=, 5 Dec., states that +The Mayor of Garratt= was the
 afterpiece, but the Account-Book lists +The Devil upon Two Sticks=.]  Receipts:
 #126 18s. (115.0.6; 11.17.6).  *p5 dl The Haunted Tower.  As 3 Dec., but Maud-M
rs Heard [in place of $Mrs Booth=%.  *aThe Lying Valet.  Sharp-Dodd; Dick-Suett;
 Beau Trippit-Lamash; Justice Guttle-Hollingsworth; Gayless-Whitfield; Melissa-M
iss Collins; Mrs Gadabout-Mrs Heard; Kitty Pry-Mrs Wilson.  *dAs 4 Dec.  *cRecei
pts: #208 1s. 6d. (183.2.0; 24.7.0; 0.12.6).  *pcg The Force of Fashion.  [Chara
cters-Lewis, Ryder, Farren, Bernard, Macready, Harley, Mrs Achmet, Mrs Bernard, 
Miss Stuart, Mrs Powell, Mrs Pope.  [Cast from +European Magazine=, Dec. 1789, p
. 459:% Sedley-Lewis; William-Ryder; Sir Charles Dormer-Farren; Lord Lapwing-Ber
nard; James-Macready; Montfort-Harley; Julia Montfort-Mrs Achmet; Miss Danby-Mrs
 Bernard; Maid Servant [+Larpent MS=: +Minikin=r]-Miss Stuart; Lucretia-Mrs Powe
ll [Larpent MS]; Lady Dormer-Mrs Pope; +Prologue=-Bernard; +Epilogue=-Mrs Pope. 
 *aThe Citizen.  As 13 Nov.  *cMainpiece [1st time; C 5, by $Henry Mackenzie=, b
ased on +La Fausse Inconstance; ou, Le Triomphe de l'Honnetete=, by $Fanny de Be
auharnais=.  +Larpent MS 852=; text 1st published in +Mackenzie's Works=, Vol. V
III (+Edinburgh=, 1808), as +False Shame; or, The White Hypocrite=; it assigns n
o parts.  Prologue and Epilogue by the author (see text)].  [Afterpiece in place
 of +Love and War=, advertised on playbill of 4 Dec.]  Receipts: #202 13s. 6d. (
191.3.6; 11.10.0).  *p7 dl George Barnwell.  [This was the only performance of t
his play this season.%  *aThe Island of St. Marguerite.  Principal Characters-Ke
lly, Barrymore, Suett, Waldron, Sedgwick, Bannister Jun., Miss Romanzini, Mrs Ed
wards, Miss Hagley, Mrs Fox, Mrs Crouch.  [For assignment of parts see 13 Nov.] 
 [+Prologue= omitted [and thereafter.]%  *c[As mainpiece the playbill announces 
+King Henry the Fifth=, but it was not acted "on account of the indisposition of
 $Kemble=" (+Public Advertiser=, 8 Dec.).  +Kemble Mem.= lists the substitute pl
ay.]  Receipts: #167 5s. 6d. (106.4.0; 58.0.6; 3.1.0).  *pcg Romeo and Juliet.  
As 9 Nov., but Juliet-Miss Brunton.  *aThe Death of Captain Cook.  As 21 Sept.  
*sAs 9 Nov.  *c[Mainpiece in place of +The Highland Reel= and +The Follies of a 
Day=, advertised on playbill of 5 Dec.]  Receipts: #167 6s. (163.0; 4.6).  *p8 d
l The Haunted Tower.  As 24 Nov., but Maud-Mrs Heard [in place of $Mrs Booth=%. 
 *aWho's the Dupe?.  As 17 Oct., but Charlotte-Mrs Wilson; Miss Doiley-Miss Coll
ins.  *dAs 4 Dec.  *cBenefit for the Author [of mainpiece, who is named in the A
ccount-Book, but not on the playbill].  Receipts: #201 17s. 6d. (175.18.0; 25.3.
0; 0.16.6; tickets: none listed) (charge: #105).  *pcg King Richard the Third.  
As 25 Sept.  *aLove in a Camp.  As 7 Oct.  *c[Mainpiece in place of +The Force o
f Fashion=, advertised on playbill of 7 Dec.]  Receipts: #126 15s. 6d. (122.8.0;
 4.7.6).  *p9 dl Much Ado about Nothing.  As 27 Nov., but +song=-_.  *aThe Islan
d of St. Marguerite.  As 7 Dec.  *dIn II: [Masquerade Scene,% +Minuet and Gavot=
-the young D'Egvilles, Miss Blanchet, Miss DeCamp.  *sIn II: [$Stevens='s Glee,%
 +Sigh no more Ladies=-Dignum, Sedgwick, Williames, Miss Hagley, Miss Romanzini.
  *cReceipts: #161 17s. (118.6; 41.10; 2.1).  *pcg The Dramatist.  As 14 Oct.  *
aThe Poor Soldier.  As 9 Oct., but Norah-Miss Rowson.  *dAs 25 Nov.  *cReceipts:
 #210 13s. (193.15; 16.18).  *p10 dl The Haunted Tower.  As 8 Dec.  *aCross Purp
oses.  Mr Grub-Baker (1st appearance on that stage); Consol-Suett; George Bevil-
Whitfield; Francis Bevil-Lamash; Harry Bevil-Haymes; Robin-Burton; Chapeau-R. Pa
lmer; House Maid-Mrs Wilson; Emily-Miss Collins; Mrs Grub-Mrs Hopkins.  *dAs 4 D
ec.  *cAfterpiece: Not acted these 12 years [never previously acted at this thea
tre.  $Baker= had acted at +Dublin= and at +Margate= (+Thespian Dictionary=)].  
Receipts: #214 2s. 6d. (188.12.0; 24.8.6; 0.19.6; ticket not come in: 0.2.6).  *
pcg Marian.  As 21 Nov., but Peggy (1st time)-Miss Richards.  *aThe Follies of a
 Day.  As 21 Nov.  *aHob in the Well.  Hob-Ryder; Sir Thomas Testy-Thompson; Dic
k-Farley; Old Hob-C. Powell; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Miss 
Stuart; Flora-Mrs Martyr.  *dAs 21 Oct.  *cReceipts: #145 2s. 6d. (138.1.0; 7.1.
6).  *p11 dl The Haunted Tower.  As 8 Dec.  *aThe Citizen.  As 20 Oct.  *dAs 4 D
ec.  *cReceipts: #176 12s. (152.2.0; 23.14.6; 0.15.6).  *pcg The Way to Keep Him
.  Lovemore-Farren; Sir Brilliant Fashion-Bernard; William-Macready; Sideboard-C
. Powell; John-Evatt; Sir Bashful Constant-King; Mrs Lovemore-Mrs Pope; Lady Con
stant-Miss Chapman; Muslin-Miss Stuart; Mignionet-Mrs Platt; Furnish-Miss Brangi
n; Widow Belmour-Mrs Abington.  *aBon Ton.  As 20 Nov.  *dAs 21 Oct.  *cReceipts
: #232 10s. 6d. (228.0.6; 4.10.0).  *p12 dl The Haunted Tower.  As 8 Dec., but L
ady Elinor-Miss Hagley [in place of $Mrs Crouch=%.  *aThe Lying Valet.  As 5 Dec
.  *dAs 4 Dec.  *c[In mainpiece the playbill retains $Mrs Crouch=, but she "bein
g ill, $Miss Hagley= played her Part" (+Kemble Mem.=).]  Receipts: #207 10s. 6d.
 (172.4.0; 33.9.6; 1.17.0).  *pcg The Maid of the Mill.  Lord Aimworth-Johnstone
; Sir Harry Sycamore-Edwin; Mervin-Duffey; Ralph-Blanchard; Fairfield-Darley; Fa
rmer Giles-Bannister; Fanny-Mrs Martyr; Theodosia-Mrs Mountain; Lady Sycamore-Mr
s Webb; Patty-Mrs Billington (1st appearance in that character).  *aThe Death of
 Captain Cook.  As 21 Sept.  *cMainpiece: With Alterations and New Music.  Recei
tps: #229 8s. (224.12; 4.16).  *p14 dl The Life and Death of Sir Walter Ralegh. 
 [Characters-Kemble, Aickin, Barrymore, Packer, Williames, Benson, Haymes, Webb,
 Bensley, Mrs Powell, Miss Tidswell, Mrs Ward. [Cast from +European Magazine=, D
ec. 1789, p. 459:% Raleigh [sic]-Kemble; Gundamor-Aickin; Young Raleigh-Barrymor
e; Salisbury-Packer; Wade-Williames; Carew-Benson; Sir Julius Caesar-Haymes; Lor
d Cobham-Webb; Howard-Bensley; Olympia-Mrs Powell; Florella-Miss Tidswell; Lady 
Raleigh-Mrs Ward.  *aHarlequin's Invasion.  As 24 Sept.  *c[Afterpiece in place 
of +The Island of St. Marguerite=, advertised on playbill of 12 Dec.]  Receipts:
 #131 6s. 6d. (106.9.0; 22.13.6; 2.4.0).  *pcg The Fair Penitent.  Sciolto-Aicki
n; Lothario-Holman; Altamont-Farren; Rossano-Egan; Horatio-Harley (1st appearanc
e in that character); Lavinia-Miss Chapman; Lucilla-Miss Stuart; Calista-Miss Br
unton.  *aThe Highland Reel.  As 6 Oct.  *cMainpiece: Not acted these 3 years.  
Receipts: #168 14s. (161.3; 7.11).  *p15 dl The Haunted Tower.  As 24 Nov., but 
Lady   Elinor-Miss Hagley [in place of $Mrs Crouch=%.  *aHigh Life below Stairs.
  As 1 Dec.  *dIn: +Dance=, as 4 Dec.; In afterpiece: +Minuet=, as 1 Dec.  *cPai
d +Lokes & Co.=, Wax Chandlers, to Nov. 25, #72 10s.  Receipts: #157 15s. 6d. (1
41.13.0; 15.14.0; 0.8.6).  *pcg The Clandestine Marriage.  As 2 Dec.  *aRobin Ho
od.  As 28 Nov.  *cReceipts: #227 10s. 6d. (223.13.0; 3.17.6).  *p16 dl The Haun
ted Tower.  As 24 Nov.  *aWho's the Dupe?  As 17 Oct.  *dAs 4 Dec.  *cBy Command
 of $Their Majesties=.  To prevent Confusion Ladies and Gentlemen are requested 
to send their Servants to keep Places by Half past Four o'Clock.  +God save the 
King= was sung "by the performers and by the audience five times: twice on the e
ntrance of the $King= and $Queen=, once after the Play, twice after the Farce" (
+World=, 19 Dec.).  And see 23 Apr. 1790.  Account-Book: In the Pit of this Nigh
t 525 Persons, this is the greatest Number ever remembered to be in at any One T
ime.  R. P. [i.e. $Richard Peake=, sub-treasurer].  Receipts: #290 11s. 6d. (279
.13.0; 9.18.6; 1.0.0).  *pcg The Dramatist.  As 14 Oct.  *aThe Farmer.  As 14 Se
pt.  *dAs 25 Nov.  *cReceipts: #285 16s. 6d. (281.9.0; 4.7.6).  *p17 dl The Haun
ted Tower.  As 24 Nov.  *aThe Apprentice.  Dick-Bannister Jun.; Gargle-Fawcett; 
Simon-Suett; Watchman-Alfred; Porter-Wilson; Spouters-Benson, Phillimore, Banks,
 Haymes; Wingate-Hollingsworth; Charlotte-Miss Collins.  *dAs 4 Dec.  *cReceipts
: #173 10s. (151.15; 20.13; 0.12; tickets not come in: 0.10).  *pcg Love in a Vi
llage.  As 20 Oct.  *aThe Follies of a Day.  As 21 Nov.  *dAs 20 Oct.  *cReceipt
s: #168 18s. 6d. (165.4.0; 3.14.6).  *p18 dl Much Ado about Nothing.  As 9 Dec. 
 *aThe Island of St. Marguerite.  As 7 Dec.  *dAs 9 Dec.  *sAs 9 Dec.  *cReceipt
s: #182 12s. 6d. (133.16.0; 47.18.6; 0.18.0).  *pcg The Castle of Andalusia.  Se
e 17 Oct.  *aThe Death of Captain Cook.  As 21 Sept.  *c[The playbill announces 
+The Way of the World=, +Love and War=, and +The Deserter=, but "$King= being il
l, the play was worse.  For instead of $Congreve='s brilliant dialogue in +The W
ay of the World= there was, what few epithets can reach, +The Castle of Andalusi
a=" (+World=, 19 Dec.).  The substitute for Love and War is listed in the Accoun
t-Book.]  Receipts: #140 18s. (136.16; 4.2).  *p19 dl The Haunted Tower.  As 24 
Nov.  *aThe Citizen.  As 20 Oct.  *dAs 4 Dec.  *c[Afterpiece in place of +Trick 
upon Trick=, advertised on playbill of 18 Dec.]  Receipts: #204 2s. (177.10.0; 2
4.16.6; 1.15.6).  *pcg The Maid of the Mill.  As 12 Dec.  *aThe Midnight Hour.  
As 24 Oct.  *cReceipts: #184 16s. (178.9.6; 6.6.6).  *p21 dl The Tempest.  As 13
 Oct.  *aThe Island of St. Marguerite.  As 7 Dec.  *sAs 17 Nov.  *cReceipts: #20
6 5s. 6d. (172.2.0; 32.17.0; 1.6.6).  *pcg Werter.  Werter-Holman; Sebastian-Dav
ies; Leuthrop-Powel; Albert-Farren; Laura-Mrs Lefevre; Charlotte-Miss Brunton.  
*aHarlequin's Chaplet.  Harlequin-Boyce; Clown-Delpini; Pantaloon-Ratchford; Lov
er-Farley; Barber (with +A Twiggle and a Friz=)-Edwin; Farmer (with +Come Roger 
and Nell=)-Bannister; Shepherd, Shepherdess (with +Cast my Love, thine Eyes arou
nd=)-Mrs Martyr, Mrs Mountain; Lawyers-Davies, Reeve, Cubitt; Serjeant-W. Powel;
 1st Recruit-C. Powell; 2nd Recruit-Cubitt; Artist-Letteney; Carpenter-Lee; Bric
klayers-Thompson, Evatt; Doctor-Jackson; Woodcutter-Rock; Monkey-Rayner; Peacock
-Sloper; Principal Witches-Darley, Duffey, Mrs Mountain, Mrs Martyr; Fishwomen-M
rs Gray, Mrs Lefevre, Mrs Masters, Mrs White; Colombine-Miss L. Simonet.  *dIn a
fterpiece: Byrne, the two Miss Simonets.  *sIn III: +Epithalamium=[.  Vocal Part
s%-Darley, Cubitt, Mrs Mountain, Mrs Martyr.  *cAfterpiece [1st time; P 2 (?), b
y $James Wild=.  Text (no publisher, 1790)]: Being a Collection of favorite Scen
es from the Following celebrated Pantomimes: +Harlequin Sorcerer=, +Mother Shipt
on=, +Choice of Harlequin=, +Lord Mayor's Day=, +Druids=, +Fryar Bacon=, +Harleq
uin Freemason=, +Norwood Gipsies=, +Omai=, +Magic Cavern=, and +Harlequin Ramble
r=.  With new Dresses and Decorations.  The Original Scenery, Machinery, &c. pai
nted by $Lambert=, $Dall= [both deceased], $Carver=, $Hodgins= and $Richards=-an
d now all repaired and repainted.  The Music selected by $Shaw= from $Pepuch= [s
ic], $Dr Arne=,  $Dr Arnold=, $Dr Fisher=, $?M.? Arne=, $Vincent=, $Dibdin= and 
$Shield=.  Books of the Songs to be had at the Theatre.  Account-Book, 31 Dec.: 
Paid $Wild= for his Attention to the Pantomime #30; $Boyce= for Ditto #15; $Shaw
= for Ditto #10.  Receipts: #233 5s. 6d. (204.8.6; 28.17.0).  *p22 dl The Haunte
d Tower.  As 24 Nov.  *aTrick upon Trick.  Principal Character-Bannister Jun., H
ollingsworth, Banks, Haymes, Alfred, Lyons, Webb, Fairbrother, Mrs Hopkins.  [Pa
rtial cast from +World=, 23 Dec.: Vizard-Bannister Jun.; Mixum-Hollingsworth; Fr
eeman-Haymes; Mrs Mixum-Mrs Hopkins.]  *dAs 4 Dec.  *cAfterpiece [1st time; F 2 
(?), by $John Philip Kemble=.  Not in +Larpent MS=; not published]: Taken from +
Woman's Revenge= [by $Christopher Bullock=].  +Kemble Mem.=: +Trick upon Trick= 
is taken from +Bullock's Match in Newgate= [i.e. the 2nd title of Woman's Reveng
e]...my handy-work.  Receipts: #200 16s. (172.9.0; 27.11.6; 0.10.6; ticket not c
ome in: 0.5.0).  *pcg Inkle and Yarico.  As 13 Oct.  *aHarlequin's Chaplet.  As 
21 Dec.  *dIn afterpiece: As 21 Dec.; End II: +Negro Dance=, as 13 Oct.  *cRecei
pts: #235 3s. (221.3.6; 13.19.6).  *p23 dl The Heiress.  As 6 Oct.  *aThe Quaker
.  Steady-Pearce (1st appearance on that stage); Solomon-Suett; Easy-Burton; Lub
in-Dignum; Gillian (1st time)-Miss Hagley; Cicely-Mrs Edwards; Floretta-Mrs Wils
on.  *c[Mainpiece in place of +The Careless Husband=, advertised on playbill of 
22 Dec.]  Paid House & Window tax, 1@2 Yr., #56 13s. 8d.  +Public Advertiser=, 2
4 Dec.: [$Pearce=, who was from the +Bath theatre=, has] a clear bass voice, whi
ch he occasionally relieves by a falsetto...His first song was encored though su
ng much out of tune.  Receipts: #113 4s. (77.2; 35.12; 0.10).  *pcg The Dramatis
t.  As 14 Oct.  *aHarlequin's Chaplet.  As 21 Dec., but Barber-_.  *dAs 21 Dec. 
 *cReceipts: #301 10s. 6d. (287.19.6; 13.11.0).  *p26 dl Much Ado about Nothing.
  As 9 Dec., but Claudio-Benson.  *aHarlequin's Frolicks; or, The Power of Witch
craft.  Harlequin-Banks; Pantaloon-Burton; Macaroni-Lamash; Valet-Fairbrother; F
armer-Hollingsworth; Butcher-Alfred; Pedlar-Jones; Clown-Dubois (1st appearance 
on that stage); Colombine-Miss Stageldoir; The other Characters-Maddocks, Webb, 
Lyons, Bourk, Keen, Bidotti, Whittow, Kirk, the 3 young Grimaldis, Master Gregso
n, Master Chatterley; Vocal Parts-Dignum, Sedgwick, Phillimore, Fawcett, Haymes,
 Danby, Reynoldson, Mrs Fox, Miss Barnes, Mrs Butler, Mrs Edwin, Mrs Shaw, Mrs D
avies, Mrs Edwards, Miss Hagley.  *dIn II: As 9 Dec.; Afterpiece conclude: +Gran
d Ballet=-the young D'Egvilles, Miss Blanchet, Miss DeCamp [which was included, 
as here assigned, in all subsequent performances].  *sAs 9 Dec.  *cAfterpiece [1
st time; P 2 (?), author unknown.  Not in +Larpent MS=; not published]: Consisti
ng of the most Approved Scenes of the following Pantomimes: +The Witches=, +The 
Cauldron=, +The Genii=, +Fortunatus=, +Queen Mab=, +The Elopement=, &c.  The Mus
ic from Eminent Masters.  The Scenes by $Greenwood=.  [This is not the same as t
he pantomime of the same name acted at +cg=, 26 Dec. 1776.]  [In mainpiece the p
laybill retains $Barrymore= as +Claudio=r, but "$Benson= [was] the substitute of
 Barrymore in Claudio" (+London Chronicle=, 28 Dec.).  $Dubois=, in the afterpie
ce, was from +Sadler's Wells=.]  Receipts: #217 4s. 6d. (186.9.0; 28.16.6; 1.19.
0).  *pcg The Grecian Daughter.  Evander-Aickin; Dionysius-Farren; Phocion-Macre
ady; Melanthon-Hull; Arcas-Powel; Calippus-Thompson; Greek Herald-Davies; Greek 
Soldier-Gardner; Philotas-Holman; Erixene-Miss Brangin; Euphrasia-Miss Brunton. 
 *aHarlequin's Chaplet.  As 23 Dec., but Gardener-Ledger; Lover's Servant-Platt;
 Lawyers-_; Doctor-_.  *dAs 21 Dec.  *cReceipts: #242 11s. (233.18; 8.13).  *p28
 dl King Henry the Fifth.  As 1 Oct., but Scroop-Lyons; Dauphin-Benson; Duke of 
Gloucester-_.  *aHarlequin's Frolicks.  As 26 Dec.  *cReceipts: #171 5s. (146.7;
 23.13; 1.5).  *pcg Romeo and Juliet.  As 14 Sept., but Juliet-Miss Brunton.  *a
Harlequin's Chaplet.  As 26 Dec.  *dAs 21 Dec.  *sAs 9 Nov.  *cReceipts: #256 4s
. (248.18.6; 7.5.6).  *p29 dl The Haunted Tower.  As 24 Nov.  *aHarlequin's Frol
icks.  As 26 Dec.  *dAs 4 Dec.  *cReceipts: #240 14s. (224.3; 15.5; 1.6).  *pcg 
Fontainbleau.  As 2 Oct.  *aHarlequin's Chaplet.  As 26 Dec., but Bricklayers-Le
tteney, Thompson; Sportsmen-Egan, Evatt; Artist-_.  *dAs 21 Dec.  *cReceipts: #2
14 6s. 6d. (206.16.0; 7.10.6).  *p30 dl The Tempest.  As 13 Oct.  *aHarlequin's 
Frolicks.  As 26 Dec.  *sAs 17 Nov.  *cReceipts: #171 19s. (146.12; 22.19; 2.8).
  *pcg All in the Wrong.  As 19 Nov.  *aHarlequin's Chaplet.  As 29 Dec.  *dAs 2
1 Dec.  *cReceipts: #204 5s.6d. (189.15.6; 14.10.0).  *p31 dl The Haunted Tower.
  As 24 Nov.  *aHarlequin's Frolicks.  As 26 Dec.  *dAs 4 Dec.  *cReceipts: #210
 18s. 6d. (188.15.0; 20.6.0; 1.17.6).  *pcg The Suspicious Husband.  Ranger-Lewi
s; Strickland-Farren; Bellamy-Davies; Jack Meggot-Bernard; Tester-Blanchard; Buc
kle-Thompson; Frankly-Holman (1st appearance in that character); Mrs Strickland-
Miss Brunton (1st appearance in that character); Jacintha-Mrs Wells; Lucetta-Mrs
 Rock; Milliner-Miss Rowson; Clarinda-Mrs Pope; [Edition of 1791 ($John Bell=) a
dds% Servant-Farley; Simon-Evatt; Landlady-Mrs Platt; Maid-Miss Brangin.  *aHarl
equin's Chaplet.  As 29 Dec.  *dIn afterpiece: Byrne, Miss Simonet.  *cReceipts:
 #201 2s. (193.9.6; 7.12.6).  *p1790 1 1 dl The Careless Husband.  Sir Charles E
asy-Kemble; Lord Morelove-Wroughton; Lord Foppington-Dodd; Lady Easy-Mrs Powell;
 Edging-Miss Pope; Lady Graveairs-Mrs Ward; Lady Betty Modish-Miss Farren.  *aTh
e Island of St. Marguerite.  As 23 Nov. 1789.  *cReceipts: #153 11s. (113.1; 38.
3; 2.7).  *pcg The Dramatist.  As 14 Oct. 1789.  *aHarlequin's Chaplet.  As 29 D
ec. 1789.  *dAs 31 Dec. 1789.  *cReceipts: #230 3s. (220.6; 9.17).  *p2 dl The H
aunted Tower.  As 24 Nov. 1789.  *aHarlequin's Frolicks.  As 26 Dec. 1789.  *dAs
 4 Dec. 1789.  *cReceipts: #244 4s. 6d. (218.15.0; 23.18.6; 1.11.0).  *pcg The D
uenna.  As 31 Oct. 1789.  *aHarlequin's Chaplet.  As 29 Dec. 1789.  *dAs 31 Dec.
 1789.  *cReceipts: #272 19s. (267.5.6; 5.13.6).  *p4 dl King Richard III.  As 1
2 Sept. 1789.  *aHarlequin's Frolicks.  As 26 Dec. 1789.  *c[Mainpiece in place 
of +Hamlet=, advertised on playbill of 2 Jan:]  Receipts: #163 1s. 6d. (141.10.0
; 21.2.0; 0.9.6).  *pcg King Lear.  As 23 Nov. 1789, but Bastard-Macready; Cornw
all-Evatt.  *aHarlequin's Chaplet.  As 29 Dec. 1789.  *dAs 31 Dec. 1789.  *c"$Ha
rley='s youth and vigour so repeatedly got the better of  his endeavours to conc
eal them under the veil of assumed debility that it was rather the grandson of +
Lear=r, who was rehearsing the part of that injured Prince and parent, than the 
good old King himself" (+Diary=, 5 Jan.).  Receipts: #269 8s. 6d. (266.13.0; 2.1
5.6).  *p5 dl The Haunted Tower.  As 24 Nov. 1789.  *aHarlequin's Frolicks.  As 
26 Dec. 1789.  *dAs 4 Dec. 1789.  *cReceipts: #247 16s. 6d. (225.1.0; 21.6.6; 1.
9.0).  *pcg The Maid of the Mill.  As 12 Dec. 1789.  *aHarlequin's Chaplet.  As 
29 Dec. 1789.  *dAs 31 Dec. 1789.  *cReceipts: #238 13s. 6d. (231.13.0; 7.0.6). 
 *p6 dl Much Ado about Nothing.  As 9 Dec. 1789.  *aThe Island of St. Marguerite
.  As 7 Dec. 1789, but Principal Characters-[$Mrs Edwards= in place of %Miss _Ro
manzini, Miss +Tidswell [of $Mrs Edwards=%, Mrs _Fox.  *dAs 9 Dec. 1789.  *sAs 9
 Dec. 1789.  *cReceipts: #137 8s. (99.1.0; 36.12.6; 1.14.6).  *pcg The Farmer.  
As 14 Sept. 1789.  *aThe Follies of a Day.  As 21 Nov. 1789.  *aHarlequin's Chap
let.  As 29 Dec. 1789.  *dAs 31 Dec. 1789.  *cReceipts: #173 18s. 6d. (167.8.0; 
6.10.6).  *p7 dl The Haunted Tower.  As 24 Nov. 1789.  *aHarlequin's Frolicks.  
As 26 Dec. 1789.  *dAs 4 Dec. 1789.  *cReceipts: #239 18s. 6d. (222.7.0; 16.12.0
; 0.19.6).  *pcg The Clandestine Marriage.  As 2 Dec. 1789.  *aHarlequin's Chapl
et.  As 29 Dec. 1789.  *dAs 31 Dec. 1789.  *cReceipts: #241 7s. (237.2; 4.5).  *
phay Ninetta; o, Chi dell' Altrui si veste, presto si spoglia.  [Principal Chara
cters-Gaetano Neri, Giacchino Costa, Fausto Borselli, Paolo Torregiani, Sga Elis
abetta Borselli, Sga Sestini, Sga Marianna Laurenti (pupil to $Giardini=).  [Cas
t from libretto ($H. Reynell=, 1790):% Martuffo-Neri; Putifare-Costa; Gianfabriz
io-Borselli; Gabbamondo-Torregiani; Mirandolina-Sga Borselli; Stellidaura-Sga Se
stini; Ninetta-Sga Marianna Laurenti.  *dEnd I: +Divertisement=-Labourie, Duques
ney, Mlle Hilligsberg, Mlle de'Caro; End Opera: +La Bergere des Alpes= (composed
 by $Blake=)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro, Mlle Dorival. 
 *c[A new% Comic Opera; the music by $Cimarosa= [with additions by $Giardini=]. 
 Under the direction of Giardini.  Pit 10s. 6d. Gallery 5s.  The Doors to be ope
ned at 6:30.  To begin at 7:30 [see 18 May].  Subscriptions will be received at 
$Mons Ransom=, $Mons Moreland= and $Mons Hammersley='s, +Pall-Mall=; and of $Jew
ell=, Treasurer, No. 26, +Suffolk-street=, +Haymarket=.  *p8 dl The Careless Hus
band.  As 1 Jan.  *aThe Island of St. Marguerite.  As 13 Nov. 1789, but Mob-_Fai
rbrother, _Webb; unassigned-_Wilson, +Webb, _Danby; _Shaw; _Vincent; _Boyer; _St
ageldoir; _Horsfall; _Dorion; _Capon.  *cReceipts: #161 11s. (119.10.0; 40.18.6;
 1.2.6).  *pcg The Dramatist.  As 14 Oct. 1789.  *aHarlequin's Chaplet.  As 29 D
ec. 1789.  *dAs 31 Dec. 1789.  *cReceipts: #276 12s. (262.3.6; 14.8.6).  *p9 dl 
The Haunted Tower.  As 24 Nov. 1789.  *aHarlequin's Frolicks.  As 26 Dec. 1789. 
 *dAs 4 Dec. 1789.  *c[As afterpiece +Kemble Mem.= lists +The Island of St. Marg
uerite=, but the playbill for 8 Jan. has "15th Night," for 13 Jan. "16th Night,"
 for 15 Jan. "17th Night," &c.  The enumeration for +Harlequin's Frolicks= is li
kewise consistent.]  Receipts: #242 (222.12; 18.11; 0.17).  *pcg The Suspicious 
Husband.  As 31 Dec. 1789.  *aHarlequin's Chaplet.  As 29 Dec. 1789.  *dAs 31 De
c. 1789.  *c+Love in a Village= [advertised on playbill of 8 Jan.] is obliged to
 be deferred.  Receipts: #210 10s. 6d. (202.11.6; 7.19.0).  *phay Ninetta.  As 7
 Jan.  *dAs 7 Jan.  *p11 dl The Tempest.  As 13 Oct. 1789.  *aHarlequin's Frolic
ks.  As 26 Dec. 1789.  *sAs 17 Nov. 1789.  *cReceipts: #208 2s. (182.13; 22.18; 
2.11).  *pcg King Lear.  As 4 Jan.  *aHarlequin's Chaplet.  As 29 Dec. 1789.  *d
As 31 Dec. 1789.  *cReceipts: #247 5s. 6d. (244.3.0; 3.2.6).  *p12 dl The Haunte
d Tower.  As 24 Nov. 1789.  *aHarlequin's Frolicks.  As 26 Dec. 1789.  *dAs 4 De
c. 1789.  *cReceipts: #216 4s. 6d. (197.17.0; 17.6.6; 1.1.0).  *pcg The Highland
 Reel.  As 18 Nov. 1789, but Donald Laird of Col-_.  *aThe Midnight Hour.  As 24
 Oct. 1789.  *aHarlequin's Chaplet.  As 29 Dec. 1789, but 2nd Recruit-_.  *dAs 3
1 Dec. 1789.  *c[1st piece in place of +Inkle and Yarico=, advertised on playbil
l of 11 Jan.]  Receipts: #217 0s. 6d. (211.8.0; 5.12.6).  *phay Ninetta.  As 7 J
an.  *dAs 7 Jan.  *p13 dl The Inconstant.  As 5 Nov. 1789.  *aThe Island of St. 
Marguerite.  As 8 Jan., but unassigned-Mrs _Shaw; Mrs _Davies; Mrs _Butler; Mrs 
_Gawdry.  *cReceipts: #196 17s. (152.6; 40.2; 4.9).  *pcg The Way of the World. 
 Mirabel-Holman; Fainall-Farren; Witwou'd-Lewis; Petulant-Ryder; Waitwell-Quick;
 Sir Wilful Witwou'd-King; Mrs Marwou'd-Mrs Mattocks; Mrs Fainall-Miss Chapman; 
Foible-Miss Stuart; Lady Wishfor't-Mrs Webb; Millamant-Mrs Abington.  *aHarlequi
n's Chaplet.  As 12 Jan.  *dAs 31 Dec. 1789.  *sIn III: +song=-Duffey.  *cBy Com
mand of $Their Majesties=.  Mainpiece: Not acted these 4 years [not acted since 
11 Nov. 1784].  Receipts: #409 13s. 6d. (407.4.6; 2.9.0).  *p14 dl The Haunted T
ower.  As 24 Nov. 1789.  *aHarlequin's Frolicks.  As 26 Dec. 1789.  *dAs 4 Dec. 
1789.  *cAccount-Book, 5 June: Paid $Cobb= and $Storace= for 25th Night of +Haun
ted Tower= #105.  Receipts: #230 7s. (206.5; 21.11; 2.11).  *pcg The Dramatist. 
 As 14 Oct. 1789.  *aHarlequin's Chaplet.  As 12 Jan.  *dAs 31 Dec. 1789.  *cRec
eipts: #256 14s. 6d. (243.13.6; 13.1.0).  *p15 dl The Two Gentlemen of Verona.  
Protheus-Wroughton; Valentine-Barrymore; Duke-Aickin; Lord Thurio-Suett; Sir Egl
amour-Benson; Antonio-Maddocks; Host-Fawcett; Panthion [sic]-Haymes; Speed-Banni
ster Jun.; Launce-Dodd; Sylvia-Mrs Kemble; Lucetta-Mrs Wilson; Julia-Mrs Goodall
.  *aThe Island of St. Marguerite.  As 7 Dec. 1789.  *sIn IV: a +Serenade=-Dignu
m.  *cMainpiece: Not acted these 20 years [not acted since 2 Feb. 1763].  Receip
ts: #169 7s. 6d. (120.14.0; 41.11.0; 7.2.6).  *pcg The Way to Keep Him.  As 11 D
ec. 1789.  *aHarlequin's Chaplet.  As  12 Jan.  *dAs 31 Dec. 1789.  *cReceipts: 
#227 17s. (219.16.6; 8.0.6).  *p16 dl The Haunted Tower.  As 24 Nov. 1789.  *aHa
rlequin's Frolicks.  As 26 Dec. 1789, but Pantaloon-Whittow; The other Character
s-_Whittow.  *dAs 4 Dec. 1789.  *cReceipts: #247 14s. (223.13.0; 22.4.6; 1.16.6)
.  *pcg Love in a Village.  As 20 Oct. 1789.  *aHarlequin's Chaplet.  As 12 Jan.
  *dIn afterpiece: As 31 Dec. 1789.; End II: +Divertissement=, as 2 Oct. 1789.  
*cReceipts: #272 1s. (266.12.6; 5.8.6).  *phay Ninetta.  As 7 Jan.  *dAs 7 Jan. 
 *p18 dl The Tempest.  As 13 Oct. 1789.  *aThe Island of St. Marguerite.  As 7 D
ec. 1789.  *sAs 17 Nov. 1789.  *cReceipts: #207 (169.9.0; 35.7.6; 2.3.6).  *pcg 
King Lear.  As 4 Jan., but Physician-Rock.  *aHarlequin's Chaplet.  As 12 Jan.  
*dAs 31 Dec. 1789.  *cReceipts: #224 13s. 6d. (221.11.6; 3.2.0).  *p19 dl The Ha
unted Tower.  As 24 Nov. 1789.  *aThe Deaf Lover.  Captain Meadows-R. Palmer; Ca
nteen-Lamash; Young Wrongward-Haymes; Robert-Burton; Groom-Fawcett; Sternhold-Ma
ddocks; William-Alfred; Old Wrongward-Waldron; Sophia-Miss Collins; Chambermaid-
Miss Tidswell; Betsey Blossom-Miss Romanzini; +song=-Miss Romanzini.  *dAs 4 Dec
. 1789.  *cAfterpiece: Not acted these 4 years [not acted since 9 May 1785].  Re
ceipts: #236 5s. 6d. (200.5.0; 35.1.6; 0.19.0).  *pcg The Duenna.  As 31 Oct. 17
89.  *aHarlequin's Chaplet.  As 12 Jan., but Clown-Cubitt.  *dAs 31 Dec. 1789.  
*cReceipts: #241 7s. (235.19.6; 5.7.6).  *phay Ninetta.  As 7 Jan.  *dAs 7 Jan. 
 *p20 dl The Two Gentlemen of Verona.  As 15 Jan., but Lucetta-Miss Tidswell.  *
aThe   Island of St. Marguerite.  As 7 Dec. 1789, but Principal Characters-_Sedg
wick, Mrs _Fox.  *sAs 15 Jan.  *cReceipts: #136 5s. (91.16.0; 40.11.6; 3.17.6). 
 *pcg The Way of the World.  As 13 Jan., but Mincing-Mrs Platt; Maid-Miss Brangi
n.  *aHarlequin's Chaplet.  As 19 Jan.  *dAs 31 Dec. 1789.  *sAs 13 Jan.  *cRece
ipts: #242 (235.13; 6.7).  *p21 dl The Haunted Tower.  As 24 Nov. 1789.  *aHarle
quin's Frolicks.  As 16 Jan., but Slaughterman-Bourk; The other Characters-_Bour
k.  *dAs 4 Dec. 1789.  *cReceipts: #254 1s. 6d. (226.9.0; 26.13.6; 0.16.6;  tick
et not come in: 0.2.6).  *pcg The Dramatist.  As 14 Oct. 1789.  *aHarlequin's Ch
aplet.  As 19 Jan.  *dAs 31 Dec. 1789.  *cReceipts: #273 17s. (259.16; 14.1).  *
p22 dl Know Your Own Mind.  As 10 Oct. 1789.  *aThe Island of St. Marguerite.  A
s 13 Jan., but Sedgwick_; Mrs_ Fox; Nuns-Miss _Stageldoir, Miss _Barnes; unassig
ned-Mrs _Edwin; Miss _Palmer.  *cReceipts: #154 3s. 6d. (116.8.0; 31.6.0; 6.9.6)
.  *pcg The Gamesters.  [Principal Characters-King, Quick, Edwin, Farren, Davies
, Macready, Egan, C. Powell, Miss Brunton, Mrs Pope.  [Cast from edition of 1792
 ($John Bell=):% Wilding-King; Barnacle-Quick; Nephew-Edwin; Hazard-Farren; Sell
away-Davies; Littlestock-Macready; Acreless-Egan; Dwindle-C. Powell; Page-Simmon
s; Box@keeper-Rock; Servant-Farley; Drawer-Ledger; Penelope-Miss Brunton; Mrs Wi
lding-Mrs Pope.  *aHarlequin's Chaplet.  As 12 Jan.  *dAs 31 Dec. 1789.  *cMainp
iece: Altered from $Shirley=, by $David Garrick, Esq=.  Receipts: #193 0s. 6d. (
185.10.0; 7.10.6).  *p23 dl The Haunted Tower.  As 24 Nov. 1789, but Charles-Ben
son [in place of $Sedgwick=%.  *aThe Deaf Lover.  As 19 Jan.  *dII: As 4 Dec. 17
89; End: +The Irish Bird Catchers=-the young D'Egvilles, Miss Blanchet, Miss DeC
amp.  *cReceipts: #251 14s. (216.0.0; 33.7.6; 2.6.6).  *pcg The Belle's Stratage
m.  Doricourt-Lewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Bernar
d; Villers-Hull; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Qu
ick; Mrs Racket-Mrs Mattocks; Lady Touchwood-Mrs Wells; Miss Ogle-Mrs Lewis; Kit
ty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.  *aHarlequin's Chaplet. [and see 
21 Dec. 1789]  Harlequin-Boyce; Clown-Delpini; Pantaloon-Ratchford; Lover-Farley
; Farmer (with +Come Roger and Nell=)-Bannister; Shepherd, Shepherdess (with +Ca
st my Love, thine Eyes around=)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Rec
ruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Gardener-Ledger; 
Woodcutter-Rock; Lover's Servant-Platt; Monkey-Rayner; Peacock-Sloper; Principal
 Witches-Darley, Duffey, Mrs Mountain, Mrs Martyr; Fishwomen-Mrs Gray, Mrs Lefev
re, Mrs Masters, Mrs White; Colombine-Mrs Watts.  *dAs 31 Dec. 1789.  *c+Inkle a
nd Yarico= [advertised on playbill of 22 Jan.] is obliged to be deferred on acco
unt of the Indisposition of a principal Performer.  Receipts: #209 7s. (203.2.6;
 6.4.6).  *phay Ninetta.  As 7 Jan.  *dAs 7 Jan.  *p25 dl The Tempest.  As 13 Oc
t. 1789.  *aThe Island of St. Marguerite.  As 22 Jan.  *sAs 17 Nov. 1789, but th
e +Masque of Neptune and Amphitrite=-_Sedgwick, [+Neptune=r-% +Shaw.  *cReceipts
: #201 17s. 6d. (160.11.0; 38.6.6; 3.0.0).  *pcg The Dramatist.  As 14 Oct. 1789
.  *aHarlequin's Chaplet.  As 23 Jan.  *dAs 31 Dec. 1789.  *cReceipts: #258 11s.
 (246.17; 11.14).  *p26 dl The Haunted Tower.  As 23 Jan.  *aHarlequin's Frolick
s.  As 21 Jan., but Pantaloon-Burton; Macaroni-Hamoir; Vocal Parts-_Sedgwick.  *
dAs 4 Dec. 1789.  *cReceipts: #224 18s. (196.19; 25.9; 2.10).  *pcg The Highland
 Reel.  As 12 Jan.  *aThe Miser.  As 7 Nov. 1789.  *aHarlequin's Chaplet.  As 23
 Jan.  *dAs  31 Dec. 1789.  *cReceipts: #173 6s. (160.13.6; 12.12.6).  *phay Nin
etta.  As 7 Jan.  *dAs 7 Jan.  *p27 dl The Inconstant.  As 5 Nov. 1789.  *aHarle
quin's Frolicks.  As 21 Jan., but Pantaloon-Burton; Macaroni-Hamoir.  *cReceipts
: #113 7s. (83.19; 26.15; 2.13).  *pcg The Suspicious Husband.  As 31 Dec. 1789.
  *aThe Farmer.  As 14 Sept. 1789, but Farmer Stubble-Powel.  *dAs 25 Nov. 1789.
  *cReceipts: #289 1s. 6d. (271.0.6; 18.1.0).  *p28 dl The Haunted Tower.  As 24
 Nov. 1789.  *aThe Deaf Lover.  As 19 Jan., but Canteen-Benson.  *dAs 23 Jan.  *
cReceipts: #206 14s. 6d. (177.3.0; 27.18.0; 1.13.6).  *pcg The Poor Soldier.  As
 9 Oct. 1789.  *aThe Child of Nature.  As 6 Oct.  *aHarlequin's Chaplet.  As 23 
Jan.  *dAs 21 Dec. 1789.  *c[2nd piece: Epilogue by $Miles Peter Andrews=.]  Rec
eipts: #185 19s. 6d. (180.11.0; 5.8.6).  *p29 dl The Haunted Tower.  As 24 Nov. 
1789.  *aHarlequin's Frolicks.  As 27 Jan.  *dAs 4 Dec. 1789.  *c[Afterpiece in 
place of +High Life below Stairs=, advertised on playbill of 28 Jan., and errone
ously listed in +Kemble Mem=.]  Receipts: #225 2s. 6d. (198.15.0; 25.3.0; 1.4.6)
.  *pcg Eudora.  [Principal Characters-Holman, Farren, Hull, Davies, Macready, P
owel, Egan, Harley, Mrs Pope.  [Cast from +European Magazine=, Feb. 1790, p. 146
:% Raymond-Holman; Majone-Farren; King-Hull; Lelio-Davies; Sicardi-Macready; Ube
rto-Powel; Officer-Egan; Verino-Harley; Eudora-Mrs Pope; +Prologue=-Farren; +Epi
logue=-Mrs Pope.  *aHarlequin's Chaplet.  As 23 Jan.  *dIn afterpiece: +Addition
al Dances= (1st time)-Byrne, Mrs Goodwin, the two Miss Simonets.  *cMainpiece [1
st time; T 5, by $William Hayley=.  Text 1st published in his +Hayley, Three Pla
ys= (+Chichester=: For $T. Cadell= and $W. Davies=, 1811).  Prologue and Epilogu
e bY the author (+World=, 31 Jan.)]: With new Dresses and Decorations.  Receipts
: #205 4s. 6d. (191.17.0; 13.7.6).  *phay Ninetta.  As 7 Jan.  *dAs 7 Jan.  *p2 
1 dl The Haunted Tower.  As 24 Nov. 1789.  *aThe Citizen.  As 20 Oct. 1789.  *dA
s 4 Dec. 1789.  *sIn Opera: [a new% +song=-Sga Storace.  *cBenefit for $Sga Stor
ace=.  Part of the Pit will be laid into the Boxes.  Ladies and Gentlemen are de
sired to send their Servants by Half past Four o'Clock.  +Public Advertiser=, 26
 Jan.: Tickets to be had of Sga Storace, No. 23, +Howland-street=, +Rathbone-pla
ce=.  Receipts: #328 5s. 6d. (177.14.0; 18.6.0; 3.0.6; tickets: 129.5.0) (charge
: #112 0s. 10d.).  *pcg King Lear.  As 18 Jan.  *aHarlequin's Chaplet.  As 23 Ja
n.  *dAs 29 Jan.  *cReceipts: #235 5s. 6d. (229.7.6; 5.18.0).  *p2 dl The Haunte
d Tower.  As 24 Nov. 1789.  *aHarlequin's Frolicks.  As 27 Jan.  *dAs 4 Dec. 178
9.  *cReceipts: #213 4s. 6d. (188.19.0; 23.1.0; 23.1.0; 1.2.0; ticket not come i
n: 0.2.6).  *pcg The Dramatist.  As 14 Oct. 1789, but +Prologue=-_ [and thereaft
er].  *aThe Farmer.  As 27 Jan.  *dAs 25 Nov. 1789.  *cBenefit for the Author [o
f mainpiece, who is named in the Account-Book, but not on the playbill].  Receip
ts: #345 11s. 6d. (320.16.0; 24.15.6; tickets: none listed).  *phay I Due Castel
lani Burlati.  [Principal Characters-Neri, Costa, Borselli, Torregiani, Sga Bors
elli, Sga Sestini, Sga Laurenti.  [Cast from libretto ($H. Reynell=, 1790):% Spa
ccamonte-Neri; Valerio-Costa; Gradasso-Borselli; Pipetto-Torregiani; Carlotta-Sg
a Borselli; Giulietta-Sga Sestini; Zeffirina-Sga Marianna Laurenti.  *dAs 7 Jan.
  *c[A new% Comic Opera; the music by $Fabrizi=.  Under the direction of $Giardi
ni=.  *p3 dl Much Ado about Nothing.  As 9 Dec. 1789, but Borachio-Phillimore; C
onrade-Haymes; Margaret-Miss Tidswell; Ursula-Miss Barnes.  *aThe Deaf Lover.  A
s 28 Jan., but +song=-_.  *dIn II: As 9 Dec. 1789; End: +The Irish Bird Catchers
=, as 23 Jan.  *sAs 9 Dec. 1789.  *c[Afterpiece in place of +The Island of St. M
arguerite=, advertised on playbill of 2 Feb.  Beginning with this night $Kemble=
, as acting manager, rearranged the order of listing the dramatis personae on th
e playbills, i.e., not, as had hitherto been the universal custom, according to 
the importance of the character in the play or the importance of the actor, but 
according to the social rank of each character.  See also $Genest=, VII, 57-58, 
who remarks, inter alia, that "the vast importance which actors attach to the si
tuation of their names in the bills, and to some other points of theatrical etiq
uette, must appear ridiculous to every body but themselves."]  Receipts: #126 17
s. 6d. (89.18.0; 34.10.0; 2.9.6).  *pcg The Castle of Andalusia.  As 17 Oct. 178
9.  *aHarlequin's Chaplet.  As 23 Jan.  *dAs 29 Jan.  *cReceipts: #195 3s. 6d. (
187.12.6; 7.11.0).  *p4 dl The Haunted Tower.  As 24 Nov. 1789.  *aHarlequin's F
rolicks.  As 27 Jan.  *dAs 4 Dec. 1789.  *cReceipts: #207 11s. (184.13; 20.18; 2
.0).  *pcg Rule a Wife and Have a Wife.  As 12 Nov. 1789.  *aThe Maid of the Oak
s.  Hurry-C. Powell; Dupely-Bernard; Old Groveby-Ryder; Oldworth-Thompson; Sir H
arry Groveby-Davies; Maria (with the original +song=)-Mrs Mountain; Lady Bab Lar
doon-Mrs Abington; The Musical Characters-Cubitt, Miss Stuart, Miss Rowson.  *dE
nd: +The Deserter=, as 13 Nov. 1789; In I afterpiece: +Dance=-Byrne, Mrs Ratchfo
rd, Mrs Goodwin.  *c[In afterpiece the playbill assigns +Hurry= to $Edwin=, but 
"$Powell= as a substitute for Edwin (suddenly called upon) acquitted himself ver
y creditably" (+Diary=, 5 Feb.).]  Receipts: #257 5s. (238.10.0; 18.15.0).  *p5 
dl The Careless Husband.  As 1 Jan.  *aThe Island of St. Marguerite.  As 13 Jan.
, but Nuns-Miss _Stageldoir, Miss _Barnes; unassigned-Mrs _Edwin; Miss _Palmer. 
 *cReceipts: #152 17s. (113.8.0; 36.  14.6; 2.14.6).  *pcg The Suspicious Husban
d.  As 31 Dec. 1789, but Jack Meggot-Macready.  *aThe Poor Soldier.  As 9 Oct. 1
789.  *dAs 25 Nov. 1789.  *cReceipts: #177 13s. (159.6.6; 18.6.6).  *p6 dl The H
aunted Tower.  As 24 Nov. 1789.  *aThe Deaf Lover.  As 3 Feb.  *dAs 23 Jan.  *cR
eceipts: #194 5s. (166.18.0; 26.15.6; 0.10.6).  *pcg The Dramatist.  As 14 Oct. 
1789, but Ennui-Bernard [in place of $Edwin=%.  *aThe Highland Reel.  As 12 Jan.
, but Shelty-Ryder.  *dAs 25 Nov. 1789.  *c[Afterpiece in place of +Love in a Ca
mp=, advertised on playbill of 5 Feb.]  Receipts: #273 16s. (252.11; 21.5).  *ph
ay I Due Castellani Burlati.  As 2 Feb., but Valerio-_; Gradasso-_; Pipetto-_; C
arlotta-_; Giulietta-_.  *dEnd I: +Divertisement=, as 7 Jan.; End Opera: +La Ber
gere des Alpes=, as 7 Jan., but _Duquesney, Mlle _de'Caro, Mlle _Dorival.  *p8 d
l The Country Girl.  Moody-Bensley; Harcourt-Barrymore; Sparkish-Dodd; Belville-
Whitfield; Footman-Spencer; Countryman-Jones; Alithea-Mrs Ward; Miss Peggy-Mrs J
ordan; Lucy-Mrs Wilson.  *aHarlequin's Frolicks.  As 27 Jan.  *cReceipts: #253 3
s. (226.11.0; 23.13.6; 2.18.6).  *pcg Macbeth.  As 12 Oct. 1789, but Seyward-Cub
itt.  *aHarlequin's Chaplet.  As 23 Jan.  *dAs 29 Jan.  *sAs 12 Oct. 1789, but V
ocal Parts-_Cubitt, C. _Powell.  *cReceipts: #211 6s. 6d. (205.15.0; 5.11.6).  *
p9 dl The Haunted Tower.  As 24 Nov. 1789.  *aThe Citizen.  As 20 Oct. 1789, but
 Will-Spencer; Tom-Alfred.  *dAs 4 Dec. 1789.  *cReceipts: #202 9s. 6d. (175.9.0
; 26.8.0; 0.12.6).  *pcg The Clandestine Marriage.  As 2 Dec. 1789.  *aPoor Vulc
an.  As 18 Sept. 1789.  *cReceipts: #229 13s. (226.0; 3.13).  *phay I Due Castel
lani Burlati.  As 2 Feb.  *dAs 7 Jan.  *p10 dl Twelfth Night.  Orsino-Whitfield;
 Sebastian-Bland (1st appearance in +London=); Antonio-Phillimore; Curio-Lyons; 
Sir Toby Belch-Moody; Sir Andrew Ague@cheek-Dodd; Sea Captain-Benson; Fabian-R. 
Palmer; Malvolio-Bensley; Clown-Suett; Olivia-Mrs Crouch; Viola-Mrs Jordan; Mari
a-Mrs Kemble.  *aThe Pannel.  Don Guzman-Baddeley; Don Ferdinand-Barrymore; Don 
Carlos-Whitfield; Don Pedro-Williames; Octavio-Phillimore; Muskato-Bannister Jun
.; Lazarillo-R. Palmer; Lawyer-Maddocks; Notary-Fawcett; Servant-Lyons; Alguazil
es-Jones, Webb, Alfred; Marcella-Mrs Ward; Aurora-Mrs Kemble; Beatrice-Mrs Jorda
n; Leonarda-Mrs Booth.  *dEnd: +The Irish Bird Catchers=, as 23 Jan.  *c[$Bland=
 was from the +Liverpool theatre=.]  Receipts: #218 16s. (175.0.0; 41.1.0; 2.12.
6; ticket not come in: 0.2.6).  *pcg The Dramatist.  As 6 Feb.  *aTom Thumb.  As
 16 Oct. 1789, but Grizzle-Blanchard (1st appearance in that character).  *dAs 2
5 Nov. 1789.  *c[Afterpiece in place of +Love in a Camp=, advertised on playbill
 of 9 Feb.]  Receipts: #209 15s. 6d. (191.4.6; 18.11.0).  *p11 dl The Haunted To
wer.  As 24 Nov. 1789, but Cicely-Mrs Edwards [in place of $Miss Romanzini=%.  *
aThe Deuce is in Him.  Colonel Tamper-Wroughton; Major Belford-Whitfield; Prattl
e-Baddeley; Servant-Lyons; Emily-Mrs Goodall; Bell-Mrs Wilson; Mademoiselle Flor
ival-Miss Collins.  *dAs 4 Dec. 1789.  *cAfterpiece: Not acted these 3 years [no
t acted since 27 May 1785].  Receipts: #189 5s. (160.11.0; 25.13.6; 3.0.6).  *pc
g The Sheep Shearing; or, Florizel and Perdita.  Florizel-Holman; Polixines-Aick
in; Antigonus-Hull; Camillo-Powel; Clown-Cubitt; Autolicus (the Ballad@singing P
edler)-King; Dorcas-Miss Rowson; Mopsa-Mrs Byrne; Perdita-Miss Brunton.  *aLover
s' Quarrels.  Principal Characters-King, Holman, Ryder, Farren, Rock, Thompson, 
Miss Chapman, Mrs Bernard, Mrs Mattocks, Mrs Pope.  [Cast from playbills of 12 M
ay and 15 Oct. 1790: Sancho-King; Don Carlos-Holman; Lopez-Ryder; Don Lorenzo-Fa
rren; Don Alvarez-Rock; Don Felix-Thompson; Angelina-Miss Chapman; Isabella-Mrs 
Bernard; Jacintha-Mrs Mattocks; Leonora-Mrs Pope.]  *aBon Ton.  As 20 Nov. 1789.
  *dEnd 1st piece: +Tamborine Dance=, as 21 Oct. 1789.  *sIn II 1st piece: +Come
 come my good Shepherds=-; [and trio,% +Get you hence!=-.  *e[+Monologue=.%  Aft
er dancing: +A Paraphrase of Shakespeare's Seven Ages= (Written by the late $Geo
rge Alexander Stevens=)-King.  *cBenefit for King.  1st piece: Altered [by $MacN
amara Morgan=] from +The Winter's Tale=.  2nd piece [1st time; C 3, by $Thomas K
ing=.  Not in +Larpent MS=; not published]: An Alteration, never yet performed, 
of $Sir John Vanburgh='s [sic] +Mistake=.  +Public Advertiser=, 10 Feb.: Tickets
 to be had of $King=, at his house in +Gerrard-street=.  Receipts: #321 2s. 6d. 
(249.14.0; 4.8:6; tickets: 67.0.0).  *p12 dl The Constant Couple.  As 8 Oct. 178
9, but Sir Harry Wildair-Mrs Jordan.  *aThe Island of St. Marguerite.  As 6 Jan.
  *cReceipts: #219 5s. 6d. (179.3.0; 35.0.0; 5.2.6).  *pcg The Way to Keep Him. 
 As 11 Dec. 1789.  *aLovers' Quarrels.  As 11 Feb.  *dAs 21 Oct. 1789.  *cReceip
ts: #213 5s. (205.2; 8.3).  *p13 dl The Haunted Tower.  As 24 Nov. 1789.  *aThe 
Irish Widow.  Sir Patrick O'Neale-Moody; Whittle-Waldron; Nephew-Haymes; Bates-P
acker; Kecksey-Dodd; Thomas-Burton; Footman-Webb; Widow Brady-Mrs Wilson.  *dIn 
II: As 4 Dec. 1789; End I afterpiece: +The Irish Bird Catchers=, as 23 Jan.  *cR
eceipts: #200 9s. 6d. (173.1.0; 25.12.6; 1.16.0).  *pcg The Dramatist.  As 6 Feb
.  *aThomas and Sally.  As 28 Nov. 1789.  *dAfterpiece conclude: As 28 Nov. 1789
; End: +The Deserter=, as 13 Nov. 1789.  *cReceipts: #224 9s. (199.14; 24.15).  
*phay I Due Castellani Burlati.  As 2 Feb.  *dEnd I: +La Bergere des Alpes=, as 
7 Jan.; End Opera: [an entire new ballet,% +Les Mariages Flamands=(composed by $
Blake=)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro.  *p15 dl A Trip to 
Scarborough.  Lord Foppington-Dodd; Young Fashion-Bannister Jun.; Loveless-Wroug
hton; Col. Townly-Barrymore; Sir Tunbelly Clumsey-Moody; Probe-Waldron; Lory-Bad
deley; Le Varole-Maddocks; Shoemaker-Alfred; Taylor-Fawcett; Hosier-Webb; Jewell
er-Phillimore; Berinthia-Miss Farren; Amanda-Mrs Kemble; Mrs Coupler-Mrs Booth; 
Nurse-Mrs Hopkins; Miss Hoyden-Mrs Jordan.  *aThe Pannel.  As 10 Feb., but Marce
lla-Mrs Goodall.  *cReceipts: #220 17s. 6d. (180.16.0; 37.6.0; 2.13.0; ticket no
t come in: 0.2.6).  *pcg King Lear.  As 18 Jan.  *aHarlequin's Chaplet.  As 23 J
an.  *dAs 29 Jan.  *cReceipts: #182 0s. 6d. (178.17.0; 3.3.6).  *p16 dl The Haun
ted Tower.  As 24 Nov. 1789.  *aThe Citizen.  As 9 Feb.  *dAs 4 Dec. 1789.  *cRe
ceipts: #204 7s. 6d. (173.14.0; 29.14.0; 0.19.6).  *pcg The Dramatist.  As 6 Feb
.  *aThe Highland Reel.  As 6 Feb.  *dAs 25 Nov. 1789.  *cReceipts: #220 17s. 6d
. (202.3.6; 18.14.0).  *phay I Due Castellani Burlati.  As 2 Feb.  *dAs 13 Feb. 
 *p17 none +Ash Wednesday=.  *p18 dl She Wou'd and She Wou'd Not; or, The Kind I
mpostor.  Don Manuel-Waldron; Don Philip-Bensley; Octavio-Barrymore; Trappanti-S
uett; Soto-Baddeley; Host-Burton; Alguazile-Maddocks; Hyppolita-Mrs Jordan; Rosa
ra-Miss Collins; Flora-Mrs Wilson; Viletta-Miss Pope.  *aThe Sultan; or, A Peep 
into the Seraglio.  Solyman-Barrymore; Osmyn-Dignum; Elmira-Mrs Cuyler; Ismene-M
iss Romanzini; Roxalana-Mrs Jordan.  *dIn afterpiece: +Grand Dance=-Hamoir, Miss
 Blanchet, Miss Stageldoir.  *c[Afterpiece in place of +The Romp=, advertised on
 playbill of 16 Feb.]  Receipts: #238 12s. 6d. (193.17.0; 43.2.0; 1.11.0; ticket
 not come in: 0.2.6).  *pcg Fontainbleau.  As 2 Oct. 1789, but Rosa-Mrs Warrell 
(from the $Theatre Royal, Bath=; 1st appearance on this stage).  *aHarlequin's C
haplet.  As 23 Jan., but Fishwomen-_.  *dAs 29 Jan.  *cReceipts: #190 16s. 6d. (
186.3.6; 4.13.0).  *p19 dl [The% Messiah[, preceded by +God save the King=%(+Cor
onation Anthems=).  Principal Vocal Parts-Reinhold, Kelly, Dignum, Mrs Crouch, M
iss Hagley, Sga Storace; 1st Violin-Shaw; Conductor-Dr Arnold.    *mEnd II: +con
certo= on the violin-Master Bridgtower[, Son to the +African Prince=%.  *cBooks 
of the Performance to be had at the Theatre.  Places for the Boxes to be taken o
f $Fosbrook= at the Stage Door.  Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1
s.  The Doors to be opened at 5:30.  To begin at 6:30 [same throughout oratorio 
season].  No Money to be returned.  *pcg [The% Messiah[, preceded by +God save t
he King=%(+Coronation Anthems=).  Principal Singers-Harrison, Sale, Griffiths, C
hampness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1s
t appearance), Miss Cantelo, [with the% Choristers [of $His Majesty='s +Chapel-R
oyal= and +Westminster-Abbey=%.  *mEnd II: a +concerto= on the violin-Mme Gauthe
rot (from +Paris=).  *cAmong the Instrumental Performers are $G. Ashley= (leader
 of the Band), $Sperati=, $Sarjant=, $Patria=, $Reinagle=, $C. Ashley=, $Boyce=,
 $Mahon=, $Mountain=, $Holmes=, $Lyon=, $Schram=, $Kaye=, $the Leanders=, &c.  D
ouble Drums by $J. Ashley=.  The +Organ= on Fridays by $Knyvett=, and on Wednesd
ays by $Greatorex=.  The whole conducted by $Harrison= and Ashley.  The Band wil
l consist of 150 Performers.  Places for the Boxes to be taken of $Brandon=, at 
the Stage Door.  Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.  No Money to 
be returned.  Places may be taken in the Theatrical Orchestra at 5s. each [i.e. 
at the oratorios the instrumentalists sat on the stage].  The Doors to be opened
 at 5:30.  To begin at 6:30 [same throughout oratorio season].  Books of the Per
formances, with the names of the performers to their respective songs, to be had
 at the Theatre.  And to prevent imposition in the Streets, the Managers have di
rected that they should be sold in the Theatre, at 6d. each.  *p20 dl The Haunte
d Tower.  As 24 Nov. 1789.  *aThe Deaf Lover.  As 3 Feb., but John-Burton.  *dAs
 23 Jan.  *cReceipts: #213 5s. (187.1.0; 24.8.6; 1.15.6).  *pcg The Dramatist.  
As 14 Oct. 1789.  *aThe Farmer.  As 27 Jan.  *dAs 25 Nov. 1789.  *cReceipts: #24
6 7s. (223.13.6; 22.13.6).  *phay I Due Castellani Burlati.  As 6 Feb.  *dEnd I:
 +La Bergere des Alpes=, as 6 Feb.; End Opera: +Les Mariages Flamands=, as 13 Fe
b.  *p22 dl The Tempest.  As 13 Oct. 1789.  *aThe Island of St. Marguerite.  As 
5 Feb.  *sAs 17 Nov. 1789.  *cReceipts: #202 5s. (161.14.0; 37.11.6; 2.19.6).  *
pcg The First Part of King Henry the Fourth.  As 2 Nov. 1789, but Hotspur-Holman
.  *aHarlequin's Chaplet.  As 18 Feb.  *dAs 29 Jan.  *cReceipts: #174 5s. 6d. (1
66.14.0; 7.11.6).  *p23 dl Love for Love.  As 3 Oct. 1789, but Foresight-Waldron
; Trapland-Burton; Miss Prue-Mrs Jordan; +song=-Bannister Jun. (as +Ben=r); Snap
-_.  *aThe Farm-House.  Modely-Wroughton; Freehold-Aickin; Shacklefigure-Suett; 
Heartwell-Whitfield; Sir John English-Fawcett; Constables-Phillimore, Alfred; Au
ra-Mrs Jordan; Flora-Mrs Kemble.  *cReceipts: #179 5s. (135.8; 40.2; 2.15; ticke
ts not come in: 1.0).  *pcg The Dramatist.  As 14 Oct. 1789.  *aThe Death of Cap
tain Cook.  As 21 Sept. 1789.  *aThe Intriguing Chambermaid.  Drunken Colonel-Ry
der; Goodall-Powel; Oldcastle-C. Powell; Valentine-Macready; Slap-Cubitt; Mrs Hi
ghman-Mrs Webb; Charlotte-Miss Rowson; Lettice-Mrs Mattocks.  *cReceipts: #213 2
s. (190.18; 22.4).  *phay Ninetta.  As 7 Jan., but Putifare-_; Gianfabrizio-_; G
abbamondo-_; Mirandolina-_; Stellidaura-_.  *dAs 13 Feb.  *c[Opera in place of +
I Due Castellani Burlati=, advertised in +Public Advertiser=, 22 Feb.]  *p24 dl 
[A% Grand Selection 0[from the Works of $Handel=%; Messiah.  [That were Performe
d at the +Pantheon= and +Westminster-Abbey= [on 26 and 27 May 1784.%  As 19 Feb.
, but Principal Vocal Parts-_Kelly, +Cizo (1st appearance), Miss _Hagley, Miss +
Romanzini (1st time [in the oratorios]).  *aGrand Selection 1.  [PART I.% Overtu
re (+Samson=)-; +Awake the trumpet's lofty sound=-Chorus [Samson]; +Nasce al Bos
co=-Reinhold [+Ezio=]; +Ye men of Gaza=-Mrs Crouch [Samson]; +He chose a mournfu
l muse=-; +He sung Darius great and good=-Sga Storace [+Alexander's Feast=]; +Wi
th down@cast looks=-; +Behold! Darius great and good=-Chorus [Alexander's Feast]
; +Concerto= hautboy-W. Parke; +Verdi Prati=-Sga Storace [+Alcina=]; +He gave th
em hail@stones=-Chorus [+Israel in Egypt=].  *aGrand Selection 2.  [PART II.% +Y
e sons of Israel=-Chorus [+Joshua=]; +The Prince unable=-Sga Storace [Alexander'
s Feast]; +Concerto= violin-Master Bridgtower[, Son of the +African Prince=%; +P
leasure my former ways resigning=-Cizo [+Time and Truth=]; +For unto us a Child 
is born=-Chorus [+The Messiah=]; +O! had I Jubal's lyre=-Miss Romanzini [Joshua]
; +Softly sweet in Lydian measure=-Mrs Crouch; accompanied on the violoncello-Ma
son; +The many rend the skies=-Chorus [Alexander's Feast].  *aGrand Selection 3.
  [PART III.% Overture and Dead March (+Saul=)-; +Blest be the man=-Chorus [+Jos
eph=]; +Gentle airs=-Cizo [+Athalia=]; +Concerto= bassoon-Parkinson; +How excell
ent thy name=-Chorus [Saul]; +Cease ah! cease thou gentle youth=-Miss Romanzini;
 +The flocks shall leave the mountains=-Reinhold, Dignum, Miss Romanzini [+Acis 
and Galatea=]; +Now heaven in all her glory shone=-; +Lord what is man?=-Mrs Cro
uch [+Semele=]; +Hallelujah! For the Lord God omnipotent reigneth=-Grand Chorus 
[The Messiah].  *pcg [A% Grand Selection [of Sacred Music% 0; Messiah.  [From th
e Performances in +Westminster Abbey= [on 26 May 1784.]% As 19 Feb., but Princip
al Singers-_Griffiths, _Champness, _Gore, _Webb, _Reynoldson, _Choristers.  *aGr
and Selection 1.  Overture (+Occasional Oratorio=)-; +Shall I in Mamre's Fertile
 plain=-Sale; +For all these Mercies=-Chorus (+Joshua=); +This new Creation=-; +
Vain your Triumph=-Miss Poole (+Israel in Egypt=); +When his loud Voice=-Chorus 
(+Jephtha=); +Total Eclipse=-Harrison; +O first created beam=-Chorus (Samson); +
Where e'er you walk=-Miss Poole (+Semele=); +He gave them Hailstones=-Chorus (Is
rael in Egypt).  *aGrand Selection 2.  Fifth Grand Concerto-; +Praise the Lord=-
Miss Dall (+Esther=); +In sweetest Harmony=-Miss Cantelo; +O fatal Day=-Chorus; 
+O filial Piety=, +No cruel Father=-Saville (+Saul=); +Tyrants would=-Miss Mahon
, Chorus (+Athalia=); +Every Day will I give thanks=-Harrison (+Chandos Anthems=
); +The mighty Power=-Chorus (Athalia); +O worse than Death=, +Angels ever brigh
t and fair=-Miss Cantelo (+Theodora=); +Gird on thy Sword=-Chorus (Saul).  *aGra
nd Selection 3.  +Ye Sons of Israel=-Chorus (Joshua); +Thou shalt bring them in=
-Saville (Israel in Egypt); +O God@like Youth=-Miss Dall; Sinfonia on Carrillons
-; +Welcome welcome mighty King=-Chorus (Saul); +Rendi il sereno al ciglio=-Harr
ison (+Sosarme=); +From the censer=-Chorus (+Solomon=); +O had I Jubal's lyre=-M
iss Mahon (Joshua); +Ye sacred Priests=, +Farewell ye limpid springs=-Miss Cante
lo (Jephtha); +The Horse and his Rider=-Double Chorus (Israel in Egypt).  *mEnd 
II: +concerto= on the Piano Forte-Clementi.  *p25 dl The Haunted Tower.  As 24 N
ov. 1789.  *aThe Citizen.  As 9 Feb.  *dAs 4 Dec. 1789.  *cReceipts: #255 7s. 6d
. (222.19.0; 29.12.6; 2.16.0).  *pcg The Recruiting Officer.  Captain Plume-Lewi
s; Justice Balance-Hull; Worthy-Davies; Serjeant Kite-Cubitt; Bullock-Edwin; Rec
ruits-Bernard, Blanchard; Welch Collier-Farley; Captain Brazen-Ryder; Melinda-Mr
s Bernard; Rose-Mrs Wells; Lucy-Miss Stuart; Sylvia-Mrs Pope.  *aHarlequin's Cha
plet.  As 18 Feb.  *dAs 29 Jan.  *cAfterpiece: With, for the 1st Time, an Additi
onal Scene.  Receipts: #182 5s. 6d. (175.9.0; 6.16.6).  *p26 dl Redemption[, A S
acred Oratorio selected from the Great and Favourite Works of $Handel= that were
 performed at his Commemoration, in +Westminster-Abbey= and at the +Pantheon= [o
n 26 and 27 May 1784% 0; Messiah.  As 19 Feb.  *aRedemption 1.  Overture (+Occas
ional Oratorio=)-; +Oh! first created Beam=-Chorus (+Samson=); +He layeth the Be
ams=-Reinhold (+Ezio=); +When his loud Voice=-Chorus (+Jephtha=); +Where e'er yo
u walk=-Mrs Crouch (+Semele=); +How excellent thy Name=-Chorus (+Saul=); +Speak 
ye who best can tell=-Kelly (+Ptolomy=); +Abraham enough=-Mrs Crouch (+Susanna=)
; +Jehovah is my shield=-Miss Hagley (Occasional Oratorio); +Blest be the Man=-C
horus (Joseph); +Pious Orgies=-Sga Storace (+Judas Maccabaeus=); +He gave them H
ail@stones=-Double Chorus; +The Lord is a Man of War=-Reinhold, Dignum; +Moses a
nd the Children of Israel=-Chorus; +Sing ye to the Lord=-Sga Storace; +The Horse
 and his Rider=-Double Chorus (+Israel in Egypt=).  *aRedemption 2.  +Ye Sons of
 Israel=-Chorus; +Oh! Had I Jubal's lyre=-Miss Hagley (+Joshua=); +Jehovah crown
ed=-Reinhold; +He comes!=-Chorus (+Esther=); +Angels ever bright and fair=-Sga S
torace (+Theodora=); +Welcome mighty King=-Chorus (Saul); March (Judas Maccabaeu
s)-; +In sweetest harmony=-Mrs Crouch (Saul); +Their Bodies are buried in Peace=
-Chorus (Funeral Anthem); Dead March (Saul)-; +Lord remember David=-Kelly (+Sosa
rme=); +The Sword that's drawn=-Reinhold (Occasional Oratorio); +God save the Ki
ng=-Chorus (+Coronation Anthems=).  *aRedemption 3.  +Where is this stupendous s
tranger=?-Mrs Crouch (+Alcina=); +There beneath a lowly shade=-Miss Hagley (+Ale
xander Balus=); +He was Eyes unto the Blind=-Sga Storace (+Siroe=); +Hosannah to
 the Son of David=-Chorus (+Athalia=); +He was brought as a Lamb=-Reinhold (+Dei
damia=); +He sitteth at the Right Hand of God=-Chorus (+Te Deum=); +Holy Lord Go
d Almighty=-Mrs Crouch (+Rodelinda=); +Glory be to the Father=-Chorus (+Jubilate
=).  *mAs 19 Feb.  *pcg [A% Grand Selection [of Sacred Music% 0; Messiah.  As 19
 Feb., but Principal Singers-_Webb, _Reynoldson.  *aGrand Selection 1.  Overture
 (+Esther=)-; +Wave from Wave=-Sale; +He rebuked the Red Sea He led them through
 the deep=-Chorus (+Israel in Egypt=); +Justly these Evils Why does the God of I
srael sleep?=-Harrison (+Samson=); +Cease thy Anguish=-Miss Mahon, Saville (+Ath
alia=); +O God! who in thy heavenly Hand=-Chorus (+Joseph=); +The smiling Dawn o
f happy Days=-Miss Cantelo (+Jephtha=); +How excellent thy Name=-Chorus (+Saul=)
.  *aGrand Selection 2.  Overture and Dead March (Saul)-; +Funeral Anthem=-Miss 
Cantelo, Saville, Harrison, Sale; +Come ever smiling Liberty=-Miss Dall (+Judas 
Maccabaeus=); +Gentle Airs=-Harrison (Athalia); +Then round about=-Chorus (Samso
n); +Sweet Bird=-Miss Mahon (+L'Allegro=); +Search round the World=-Harrison; +M
ay no rash Intruder=-Chorus (+Solomon=); +How blest the Maid=-Miss Poole (+Hercu
les=); +He was Eyes unto the Blind=-Miss Cantelo (Siroe); +Immortal Lord!=-Doubl
e Chorus (+Deborah=).  *aGrand Selection 3.  Fourth Hautboy Concerto-; +For joys
 so vast=-Miss Poole (Jephtha); +Sweep sweep the Strings Music spread thy Voice=
-; +Now a different Measure try=-; +Rouse us next to martial Deeds=-Saville, Cho
rus (Solomon); +Great Jehovah's awful Word=-Miss Cantelo (+Israel in Egypt=); +R
ighteous Heaven=-Chorus (+Susanna=); +Pleasure my former ways resigning=-Harriso
n (+Time and Truth=); +Gloria Patri= (+Jubilate=)-.  *mAs 19 Feb.  *p27 dl As Yo
u Like It.  As 22 Sept. 1789, but Touchstone-Bannister Jun.; Le Beau [sic]-Banks
; Rosalind-Mrs Jordan; +Cuckoo Song=-Mrs Jordan; Jaques de Bois-Fawcett; Sylvius
-Benson; Dennis-Alfred.  *aPolly Honeycombe.  Honeycombe-Suett; Ledger-Williames
; Scribble-R. Palmer; Mrs Honeycombe-Mrs Hopkins; Polly (with a new +song=, and 
the original +Epilogue=)-Mrs Jordan (1st appearance in that character); Nurse-Mr
s Booth.  *dAs 10 Feb.  *sAs 22 Sept. 1789.  *c[Afterpiece: Epilogue by $David G
arrick=].  Receipts: #232 10s. 6d.  (188.17.0; 42.11.6; 1.2.0).  *pcg The Dramat
ist.  As 14 Oct. 1789.  *aLove in a Camp.  As 7 Oct. 1789, but Adjutant-Macready
.  *dAs 25 Nov. 1789.  *cReceipts: #196 8s. (169.13.6; 26.14.6).  *phay La Villa
nella Rapita.  [Principal Characters-Mussini (1st appearance), Neri, Borselli, C
osta, Sga Borselli, Sga Storace.  [Cast from libretto ($H. Reynell=, 1790):% Con
te-Mussini; Biagio-Neri; Pippo-Borselli; Paolino-Costa; Giannina-Sga Borselli; M
andina-Sga Storace.  *dEnd I: +La Bergere des Alpes=, as 7 Jan.; End Opera: +Les
 Mariages Flamands=, as 13 Feb., but Mlle +Dorival.  *cA [new Comic% Opera; the 
music by $Bianchi= [with additions by $Mozart= [K. 479, 480 (see $Loewenberg=, 4
07)], $Martin y Soler=, $Paisiello=].  Under the direction of $Federici=.  *p3 1
 dl The Country Girl.  As 8 Feb., but +song=-Dodd.  *aHarlequin's Frolicks.  As 
27 Jan.  *cReceipts: #191 16s. 6d. (155.3.0; 32.14.0; 3.19.6).  *pcg King Richar
d the Third.  As 25 Sept. 1789, but Lord Mayor-_.  *aHarlequin's Chaplet.  As 25
 Feb., but Men Milliners-Lee, Whitmell, Jackson, Painter; Bricklayer-Rock; Femal
e Milliners-Mrs Gray, Mrs Masters, Miss M'George, Miss Rowson; Female Porter-Mr 
Letteney; Serjeant-_; Recruit-_; Bricklayers-_; Carpenter-_. [Sportsmen-_.%  *dA
s 29 Jan.  *cReceipts: #185 7s. 6d. (179.15.6; 5  .12.0).  *p2 dl The Confederac
y.  Gripe-Moody; Money@Trap-Suett; Dick-Wroughton; Brass-Bannister Jun.; Clip-Be
nson; Jessamy-Burton; Clarissa-Miss Farren; Araminta-Mrs Ward; Corinna-Mrs Jorda
n; Flippanta-Miss Pope; Mrs Amlet-Mrs Hopkins; Mrs Cloggit-Mrs Booth.  *aThe Dev
il to Pay; or, The Wives Metamorphosed.  Sir John Loverule-Dignum; Butler-Willia
mes; Cook-Fawcett; Footman-Phillimore; Coachman-Alfred; Jobson-Moody; Doctor-Ben
son; Lady Loverule-Mrs Ward; Lucy-Miss Barnes; Lettice-Miss Tidswell; Nell-Mrs J
ordan.  *cReceipts: #180 5s. (145.5; 32.11; 2.9).  *pcg The Maid of the Mill.  A
s 12 Dec. 1789.  *aThe Midnight Hour.  As 24 Oct. 1789.  *cReceipts: #208 13s. (
203.0.6; 5.12.6).  *phay La Villanella Rapita.  As 27 Feb.  *dAs 27 Feb.  *p3 dl
 [A% Grand Selection [from the Works of $Handel=% 0; Messiah.  [Principal Vocal 
Parts,% As 24 Feb.  [Violin and Conductor as 19 Feb.%  *aGrand Selection 1.  As 
24 Feb.  *aGrand Selection 2.  As 24 Feb., but a new +concerto= on the piano for
te-[the celebrated% Dussack [i.e. $Dussek=]; +Concerto= violin-_.  *aGrand Selec
tion 3.  As 24 Feb.  *pcg [A% Grand Selection [of Sacred Music% 0; Messiah.  As 
19 Feb., but Principal Singers-_Webb, _Champness, _Gore, _Reynoldson, _Chorister
s.  *aGrand Selection 1.  Overture (+Ariadne=)-; +Happy Iphis=-Miss Poole (+Jeph
tha=); +The many rend the Skies=-Chorus (+Alexander's Feast=); +The Lord is a ma
n of war=-Griffiths, Sale (+Israel in Egypt=); +O come let us worship=-Harrison 
(+Coronation? Anthems=); +Behold the Monster Polypheme=-Chorus (+Acis and Galate
a=); +Ye Men of Gaza=-Miss Poole (+Samson=); +Bless the true Church and save the
 King=-Saville, Chorus (+Athalia=); +The Mansion of Peace=-Harrison (composed by
 $Webbe=).  *aGrand Selection 2.  Eleventh Grand Concerto-; +As when the Dove=-M
iss Dall (Acis and Galatea); +Dryads and Sylvans=-Saville; +Lo we all attend=-Ch
orus (+Time and Truth=); +O sing unto the Lord=-Miss Cantelo; accompanied on the
 oboe-Patria; +All the whole Earth=-Chorus; +Tune your Harps=-Miss Mahon; +Decla
re his Honour=-Chorus; +The Waves of the Sea=-Saville; +O worship the Lord=-Miss
 Cantelo, Harrison; +Let all the whole Earth=-Chorus (Anthems); +Deeper and deep
er still=, +Waft her Angels=-Harrison (Jephtha); +Fixed in his everlasting Seat=
-Grand Chorus (Samson).  *aGrand Selection 3.  +Jehovah crown'd=-Saville; +He co
mes he comes=-Chorus (+Esther=); +Let me wander=, +Or let the merry Bells ring r
ound=-Miss Mahon, Chorus (+L'Allegro=); +Softly sweet=-Miss Cantelo (Alexander's
 Feast); +Crown with festal pomp=-Chorus (+Hercules=); +Oft on a Plat=-Harrison 
(L'Allegro); +As from the power of sacred Lays=-Miss Cantelo, Grand Chorus; acco
mpanied on the trumpet-Sarjant ($Dryden='s +Ode=); +God save Great George our Ki
ng=-.  *mAs 24 Feb.  *p4 dl The Haunted Tower.  As 24 Nov. 1789.  *aThe Deuce is
 in Him.  As 11 Feb.  *dAs 4 Dec. 1789.  *cReceipts: #243 4s. 6d. (214.3.0; 26.1
8.6; 2.3.0).  *pcg The Dramatist.  As 14 Oct. 1789.  *aThe Death of Captain Cook
.  As 21 Sept. 1789 [but omitted: synopsis%.  *aThe Little Hunchback.  As 2 Oct.
 1789.  *cReceipts: #240 15s. (215.2.6; 25.12.6).  *p5 dl Acis and Galatea; Mess
iah.  As 19 Feb., but Conductor-Linley.  *aA Grand Selection.  +Break his Bands 
of Sleep asunder=-Chorus (+Alexander's Feast=); +What sweeter than the new blown
 Rose=-Miss Hagley [+World=: $Sga Storace=], Kelly (+Joseph=); +The Soldier tir'
d of War's Alarms=-Mrs Crouch (+Artaxerxes=, by $Dr Arne=); +Shake the Dome=-Cho
rus (+Solomon=); +Dove sei amato bene=-Sga Storace (+Rodelinda=); +The good we w
ish for=, +Thy glorious deeds=-Reinhold (+Samson=); +Worthy is the Lamb=-Grand C
horus (+The Messiah=).  *mEnd II oratorio: +concerto= on the violoncello-Mason. 
 *pcg Judas Maccabaeus; Grand Selection 0; Messiah.  As 26 Feb., but [End of Par
t I% +Bless the True Church and Save the King=-Chorus (+Athalia=)[, which was en
cored by the whole House on Wednesday%.  *mAs 24 Feb.  *p6 dl As You Like It.  A
s 27 Feb., but Audrey-Mrs Edwards.  *aPolly Honeycombe.  As 27 Feb., but Nurse-M
iss Tidswell.  *dAs 10 Feb.  *sAs 22 Sept. 1789.  *cReceipts: #203 19s. (167.16.
0; 34.13.0; 1.7.6; ticket not come in: 0.2.6).  *pcg The Duenna.  As 31 Oct. 178
9.  *aAnimal Magnetism.  As 20 Oct. 1789.  *cReceipts: #218 13s. 6d. (212.3.6; 6
.10.0).  *phay La Villanella Rapita.  As 27 Feb.  *dAs 27 Feb.  *p8 dl Love in M
any Masks.  [Characters-Barrymore, R. Palmer, Wroughton, Kemble, Whitfield, Bann
ister Jun., Suett, Phillimore, Benson, Lyons, Webb, Maddocks, Alfred, Master Gre
gson, Master Grimaldi, Miss Gawdry, Fairbrother, Mrs Powell, Mrs Jordan, Mrs Kem
ble, Mrs Ward, Mrs Hedges, Mrs Heard, Miss Tidswell, Miss Barnes.  [Cast from te
xt ($T. and J. Egerton= [1790]):% Don Antonio-Barrymore; Don Pedro-R. Palmer; Be
lville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; St
ephano-Suett; Sancho-Phillimore; Philippo-Benson; Sebastian-Lyons; Biskey-Webb; 
Officer-Maddocks; Soldier-Alfred; Antonio's Page-Master Gregson; Helena's Page-M
aster Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell
; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; 
Callis-Mrs Heard [in text: Mrs Booth]; Lucetta-Miss Tidswell; Flower Girl-Miss B
arnes.  *aThe Deaf Lover.  As 20 Feb.  *dEnd: [a new Comic Dance,% +The Elopemen
t=[; or, +Marriage-a-la-Mode=%-the young D'Egvilles, Miss Blanchet, Miss DeCamp.
  *cMainpiece [1st time; C 5, by $John Philip Kemble=]: Taken from [+The Rover=,
 by] $Mrs Behn=, with considerable Alterations.  With new Dresses and Decoration
s.  Receipts: #165 14s. 6d. (133.8.0; 31.14.0; 0.12.6).  *pcg The Czar.  [Princi
pal Characters-Bannister, Quick, Edwin, Blanchard, Darley, Rock, C. Powell, Egan
, Johnstone, Mrs Martyr, Mrs Mountain, Mrs Billington.  [Cast from Airs ($T. Cad
ell=, 1790):% The Czar-Bannister; Justice Applejack-Quick; Philip-Edwin; Count C
ouvanski-Blanchard; Commodore Swivel-Darley; Ballybough-Rock; Romadanowski-C. Po
well; Slip-Egan; Lefort-Johnstone; Nib-Farley; Ellen-Mrs Martyr; Mrs Applejack-M
rs Mountain; Ottokesa-Mrs Billington.  *aThree Weeks after Marriage.  As 12 Nov.
 1789, but Mrs Drugget-Mrs Pitt; Lady Racket-Mrs Mattocks.  *sIII: +The Prince u
nable to conceal his Pain=[, from +Alexander's Feast=%-Mrs Billington.  [This wa
s included, as here assigned, in all subsequent performances.]  *cBenefit for $M
rs Billington=.  Tickets delivered for Monday the 8th of February will be receiv
ed.  Mainpiece [1st time; CO 3, by $John O'Keeffe=.  Text 1st published in his +
Dramatic Works=, Vol. III ($T. Woodfall=, 1798).  Season of 1790-91 acted as +Th
e Fugitive=]: With new Scenes, Dresses, and Decorations.  The Music selected and
 composed by +Shield=, and consists of several +Russian Melodies=, and compositi
ons of $Handel=, $Sacchini=, $Pleyel=, $Rauzzini=, $Guglielmi=, $Weichsel=, $Dal
ayrac=, $Callcott=, $Reeve=, $Prati= and $Shield=.  Receipts: #366 9s. 6d. (255.
2.6; 3.5.0; tickets: 108.2.0).  *p9 dl Love in Many Masks.  As 8 Mar.  *aThe Dev
il to Pay.  As 2 Mar.  *dAs 8 Mar.  *cReceipts: #147 3s. 6d. (115.18.0; 28.0.0; 
3.5.6).  *pcg The Dramatist.  As 14 Oct. 1789.  *aThe Death of Captain Cook.  As
 4 Mar.  *aThe Little Hunchback.  As 2 Oct. 1789.  *cReceipts: #201 19s. 6d. (18
7.1.6; 14.18.0).  *phay La Villanella Rapita.  As 27 Feb.  *dAs 27 Feb.  *p10 dl
 [A% Grand Selection [from the Works of $Handel=% 0; Messiah.  As 24 Feb., but P
rincipal Vocal Parts-Mrs _Crouch, Miss +Hagley.  *aGrand Selection 1.  Overture 
(+Esther=)-; +Oft on a plat of rising ground=-Cizo (+L'Allegro=); +For unto us a
 Child is born=-Chorus (+The Messiah=); +Ye sacred Priests=, +Farewell ye limpid
 springs and floods=-Sga Storace (+Jephtha=); +Fallen is the foe=-Chorus; +Thus 
we view=-Miss Hagley; +Disdainful of danger=-Dignum, Miss Romanzini, Reinhold (+
Judas Maccabaeus=); +Tyrants would in impious throngs=-Sga Storace; +Tyrants ye 
in vain conspire=-Chorus (+Athalia=).  *aGrand Selection 2.  +Let me wander not 
unseen=-Sga Storace; +Or let the merry bells ring round=-Sga Storace; accompanie
d with the Carillon-; +And young and old come forth=-Chorus (L'Allegro); +Concer
to= violin (1st time)-Weichsel; +The Smiling dawn=-Miss Romanzini (Jephtha); +Wr
etched lovers=-Chorus; +I rage! I melt! I burn!=, +O! ruddier than the cherry=-R
einhold; +Oh! didst thou know the pains=, +As when the Dove=-Miss Hagley (+Acis 
and Galatea=); +What though I trace=-Cizo (+Solomon=); +We worship God=-Chorus (
Judas Maccabaeus).  *aGrand Selection 3.  Fourth Hautboy Concerto-; +Venus laugh
ing from the skies=-Chorus (+Theodora=); +Ask if yon damask rose be sweet=-Miss 
Romanzini (+Susanna=); +My arms against this Gorgias=, Arm arm ye brave=-Reinhol
d; +We come in bright array=-Chorus (Judas Maccabaeus); +Hence loathed melanchol
y=, +Come thou goddess fair and free=-Cizo (L'Allegro); +From mighty kings=-Miss
 Hagley (Judas Maccabaeus); +To sing and dance=, +Fix'd in his everlasting seat=
-Grand Chorus (+Samson=).  *mEnd II: +concerto= on the violin-Weichsel.  *c[The 
playbill retains $Mrs Crouch=, but "Though [her] indisposition occasioned some d
isappointment, the loss was felt the less, as her place was supplied by the plea
sing and unaffected $Miss Hagley=" (+Public Advertiser=, 12 Mar.).]  *pcg [A% Gr
and Selection [of Sacred Music% 0.  As 24 Feb.  *aGrand Selection 1.  As 24 Feb.
, but +The Mansion of Peace=-Harrison.  *aGrand Selection 2.  As 24 Feb.  *aGran
d Selection 3.  As 24 Feb.  *mAs 19 Feb.  *p11 dl The Haunted Tower.  As 8 Dec. 
1789, but Lady Elinor-Miss Hagley.  *aThe Citizen.  As 9 Feb.  *cReceipts: #273 
4s. 6d. (249.3.0; 19.3.6; 4.18.0).  *pcg The Czar.  As 8 Mar.  *aThe Miser.  As 
7 Nov. 1789.  *cReceipts: #201 8s. (193.7.6; 8.0.6).  *p12 dl [A% Grand Selectio
n [from the Works of $Handel=% 0; Messiah.  As 19 Feb.  *aGrand Selection 1.  As
 24 Feb.  *aGrand Selection 2.  As 24 Feb., but +Concerto= violin-Weichsel; +Ple
asure my former ways resigning=-_; +My arms against this Gorgias=, +Sound an ala
rm=-Kelly (+Judas Maccabaeus=); +For unto us a Child is born=-_; +We hear the pl
easing dreadful call=-Chorus (Judas Maccabaeus); +O! had I Jubal's lyre=-Miss Ha
gley.  *aGrand Selection 3.  As 24 Feb., but +Gentle airs=-_; +Rendi il sereno a
l ciglio=-Kelly (+Sosarme=); +Cease ah! cease=-Sga Storace; +The Flocks shall le
ave=-Miss _Romanzini, Sga +Storace.  *pcg [The% Messiah.  As 26 Feb.  *mEnd II: 
As 24 Feb.; End I: +concerto= [by $Geminiani=% for the violin-G. Ashley.  *p13 d
l Love in Many Masks.  As 8 Mar.  *aThe Romp.  Young Cockney-Dodd; Barnacle-Suet
t; Old Cockney-Fawcett; Captain Sightly-Dignum; Priscilla Tomboy-Mrs Jordan; Pen
elope-Miss Hagley; Miss La Blonde-Miss Barnes.  *cReceipts: #252 5s. (215.18.0; 
34.13.0; 1.1.6; tickets not come in: 0.12.6).  *pcg The Czar.  As 8 Mar.  *aCath
erine and Petruchio.  Petruchio-Lewis; Baptista-Thompson; Hortensio-Egan; Bionde
llo-Rock; Pedro-Evatt; Taylor-Bernard; Music@master-C. Powell; Grumio-Quick; Bia
nca-Miss Brangin; Curtis-Mrs White; Catherine-Mrs Mattocks.  *cBenefit for the A
uthor [of mainpiece, who is named in the Account-Book, but not on the playbill].
  Receipts: #185 12s. 6d. (178.13.6; 6.19.0; tickets: none listed).  *phay La Vi
llanella Rapita.  As 27 Feb.  *dAs 27 Feb.  *p15 dl The Haunted Tower.  As 11 Ma
r.  *aThe Deuce is in Him.  As 11 Feb.  *dAs 4 Dec. 1789.  *cReceipts: #183 5s. 
6d. (151.5.0; 29.18.0; 2.2.6).  *pcg The Dramatist.  As 14 Oct. 1789.  *aThe Dea
th of Captain Cook.  As 4 Mar.  *aThe Farmer.  As 27 Jan.  *cReceipts: #260 12s.
 (239.6; 21.6).  *p16 dl The Constant Couple.  As 12 Feb.  *aPolly Honeycombe.  
As 27 Feb.  *cReceipts: #193 19s. 6d. (151.13.0; 38.13.0; 3.13.6).  *pcg The Cza
r.  As 8 Mar.  *aHarlequin's Chaplet.  As 1 Mar.  *cReceipts: #162 14s. (154.4.6
; 8.9.6).  *phay Ninetta.  As 7 Jan.  *dAs 27 Feb.  *p17 dl [A% Grand Selection 
[from the Works of $Handel=% 0.  As 24 Feb.  *aGrand Selection 1.  Overture (+At
alanta=)-; +Sin not O King against the youth=-Miss Romanzini [+Saul=]; +Bless th
e true Church and save the King=-Gore, Chorus [+Athalia=]; [Funeral Scene from +
Samson=:% +Glorious Hero may thy Grave=-Reinhold; +The virgins too=-Sga Storace;
 +Bring the laurels bring the bays=-Chorus of Virgins; +May every Hero fall like
 thee=-Sga Storace; +Bring the laurels bring the bays=-Full Chorus; Dead March (
Saul)-; +My faith and truth=-Mrs Crouch [Samson]; +Mad Bess=-Sga Storace (compos
ed by $Purcell=; 1st time and for that night only); +Gird on thy sword=-Chorus [
Saul].  *aGrand Selection 2.  +The Prince unable to conceal his pain=-Sga Storac
e [+Alexander's Feast=]; +Welcome welcome mighty King=-Chorus [Saul]; +See the c
onquering Hero comes=-Chorus; +See the godlike youth advance=-Sga Storace, Miss 
Romanzini, Chorus; March (Judas Maccabaeus)-; +Concerto= on the violin-Weichsel;
 +Shall I in Mamre's fertile plain=-Reinhold; +For all his mercies we will sing=
-Chorus [+Joshua=]; +O! Liberty=-Cizo; accompanied on the violoncello-Mason; +'T
is liberty=-Miss Romanzini [Judas Maccabaeus]; +Arise O God with glory crowned=-
Chorus.  *aGrand Selection 3.  Grand Concerto-; +He shall feed his flock=-Miss R
omanzini; +Come unto Him all ye that labour=-Mrs Crouch (+The Messiah=); +The li
st'ning crowd=-Chorus [Alexander's Feast]; +'Tis mighty wine inspires us=-Reinho
ld [+Otho=]; +I'll proclaim the wondrous story=-Miss Romanzini, Cizo [+Esther=];
 +How vain is man=-Dignum [Judas Maccabaeus]; +With plaintive notes=-Mrs Crouch 
[+Samson=]; +Gloria Patri=-Chorus [+Jubilate=].  *pcg [A% Grand Selection [of Sa
cred Music% 0.  As 24 Feb.  *aGrand Selection 1.  Overture and March (+Scipio=)-
; +What though I trace=-Miss Poole (+Solomon=); +Happy if still they reign in pl
easure=-Chorus (+Time and Truth=); +He layeth the beams of his chambers=-Sale [+
Ezio=]; +He smote all the first@born of Israel=-Chorus (+Israel in Egypt=); +Com
e ye smiling hours=-Miss Poole (+Nabal=); +Softly rise=-Harrison; +Ye southern b
reezes=-Chorus (Solomon by $Boyce=); +Let the bright Seraphim=-Miss Cantelo; +Le
t their celestial concerts all unite=-Chorus (+Samson=).  *aGrand Selection 2.  
Second Oboe Concerto-; +Hark! 'tis the Linnet=-Miss Dall (+Joshua=); +Hence loat
h'd melancholy!=, +Come come thou Goddess=-Saville (+L'Allegro=); +What Passion 
cannot Music raise=?-Miss Mahon ($Dryden='s +Ode=); +No more to Ammon's God and 
King=-Chorus; +Virtue my soul shall still embrace=-Harrison (+Jephtha=); +Hear J
acob's God=-Chorus (Samson); +O magnify the Lord=-Miss Cantelo (+Chandos? Anthem
s=); +Kings shall be thy nursing fathers=-Grand Chorus (+Coronation? Anthems=). 
 *aGrand Selection 3.  +From harmony=-Harrison, Chorus (Dryden's Ode); +Hush ye 
pretty warbling choir=-Miss Mahon (+Acis and Galatea=); +Like a bright Cherub=-M
iss Cantelo, Saville, Harrison (+Gideon=); +With thee the unsheltered moor=-Miss
 Cantelo (Solomon); +No more ye infidels=, +Behold ye nations=-Saville; +Lord of
 Eternity=, +O Baal=-Chorus (+Deborah=); +Chastity thou cherub bright=-Harrison 
(+Susanna=); +Haste thee Nymph=-Saville, Chorus (L'Allegro); +God save the King=
 (Coronation Anthems)-.  *mEnd II: As 19 Feb.; End I: +Miserere Mei Deus=-[, com
posed by $Sg Gregorio Allegri=, in the Year 1650, from an authentic Copy brought
 from +Italy= by $Greatorex=.  A Translation of this Work (the +51st Psalm= in +
English=) will be printed in the Books of the Night%.  *p18 dl The Haunted Tower
.  As 24 Nov. 1789.  *aThe Adventurers.  [Characters-Suett, R.Palmer, Bannister 
Jun., Whitfield, Burton, Maddocks, Benson, Mrs Hopkins, Miss Collins, Miss Heard
.  [Cast from text ($C. Dilly=, 1790):% Sir Peregrine Bramble-Suett; Lord Gleanw
ell-R. Palmer; Peregrine Bramble-Bannister Jun.; Metaphor-Whitfield; Peter-Burto
n; Landlord-Maddocks; Waiter-Benson; Lady Bramble-Mrs Hopkins; Harriet Bramble-M
iss Collins; Kitty-Miss Heard; +Prologue=-Whitfield.  [This was spoken, as here 
assigned, at all subsequent performances.]  *dAs 4 Dec. 1789.  *cPaid $Duke of B
edford= 1 Yrs. Rent #343 5s. 1d.  Afterpiece [1st time; F 2, by $Edward Morris=.
  Author of Prologue unknown]: With new Dresses and Decorations.  +Public Advert
iser=, 8 Apr. 1790: This Morning is published +The Adventurers= (1s.).  Receipts
: #260 8s. (226.5.0; 31.16.0; 2.4.6; ticket not come in: 0.2.6).  *pcg The Toy; 
or, Hampton-Court Frolics.  Aircourt-Lewis; Alibi-Quick; Metheglen-Edwin; Sir Ca
rrol O'Donovan-Aickin; Larry Kavanagh-Blanchard; Nol Pros-Powel; Young O'Donovan
-Holman (1st appearance in that character); Sophia-Mrs Martyr (1st appearance in
 that character); Kitty Kavanagh-Mrs Webb; Lady Arable-Mrs Bernard; Fib-Miss Stu
art; Lady Jane-Miss Brunton.  *aThe Flitch of Bacon.  Captain Greville-Johnstone
; Captain Wilson-Bannister; Major Benbow-Ryder; Justice Benbow-Powel; Kilderkin-
Ledger; Ned-Rock; Putty-Painter; Tipple-Edwin; Eliza-Mrs Warrell.  *dAs 25 Nov. 
1789.  *cReceipts: #180 7s. 6d. (171.11.6; 8.16.0).  *p19 dl Alexander's Feast; 
or, The Power of Music; Messiah.  As 19 Feb., but Principal Vocal Parts-[$Miss H
agley= in place of %Mrs _Crouch, Miss +Romanzini [of Miss Hagley%.  *aAcis and G
alatea; Messiah.  As 19 Feb., but Principal Vocal Parts-Mrs _Crouch, Miss +Roman
zini; 1st Violin-_; Conductor-_. [The Overture- and the Whole of the last Act on
ly%.  *mEnd Ode: As 19 Feb.  *cOde: The Words by $Dryden=.  Composed by $G. F. H
andel=.  *pcg [A% Grand Selection [of Sacred Music% 0.  As 26 Feb.  *aGrand Sele
ction 1.  As 26 Feb., but Overture (+Samson=)-; +Wave from Wave=-_; +He led them
 through the deep=-_; +Justly these evils=-_; +Why does the God of Israel sleep?
=-_; +Softly rise=-Harrison; +Ye southern breezes=-Chorus.  *aGrand Selection 2.
  As 26 Feb., but Overture and Dead March (+Saul=)-; +I feel the Deity within=-S
ale; +Arm arm ye brave=-Sale; +We come in bright array=-Chorus; +Come ever smili
ng Liberty=-Miss Dall; +My Arms=-Saville; +Sound an alarm=-Saville; +We hear the
 dreadful call=-Chorus (+Judas Maccabaeus=); Funeral Anthem-_; +Search round the
 World-_.  *aGrand Selection 3.  As 26 Feb., but +The Prince unable=-Miss Poole 
(+Alexander's Feast=); +For joys so vast=-_; +Happy they=-_.  *mEnd II: As 24 Fe
b.; End Part I: +Miserere Mei Deus=, as 17 Mar.  *p20 dl Love in Many Masks.  As
 8 Mar., but Angelica-[read by %Mrs Wilson.  *aThe Adventurers.  As 18 Mar.  *c[
In mainpiece the playbill retains $Mrs Ward=, but "An apology was made for $Mrs 
Wilson='s reading the part of +Angelica=r, vice Mrs Ward, who was suddenly taken
 ill" (+Diary=, 22 Mar.). Afterpiece in place of +The Pannel=, advertised on pla
ybill of 18 Mar.]  Receipts: #234 3s. 6d. (188.12.0; 44.1.6. 1.10.0).  *pcg The 
Castle of Andalusia.  As 17 Oct. 1789, but Lorenza-Mrs Warrell.  *aThe Midnight 
Hour.  As 24 Oct. 1789.  *c+Love in a Village= [advertised on playbill of 18 Mar
.] is obliged to be deferr'd on Account of a Principal Performer's Indisposition
.  Receipts: #153 9s. 6d. (147.0.6; 6.9.0).  *phay La Villanella Rapita.  As 27 
Feb.  *dAs 27 Feb.  *p22 dl The Belle's Stratagem.  Doricourt-Kemble; Hardy-Badd
eley; Sir George Touchwood-Wroughton; Flutter-Bannister Jun.; Saville-Barrymore;
 Villers-Whitfield; Courtall-R. Palmer; Silvertongue-Banks; Crowquil-Jones; Gent
lemen-Benson, Phillimore, Haymes; Mountebank-Hollingsworth; French Servant-Maddo
cks; Porter-Alfred; Dick-Burton; Gibson-Lyons; Saville's Servant-Webb; Tradesman
-Fawcett; Letitia Hardy (with a +song=)-Mrs Jordan (1st appearance in that chara
cter); Mrs Rackett-Miss Pope; Lady Touchwood-Mrs Kemble; Miss Ogle-Miss Tidswell
; Kitty Willis-Miss Barnes; Lady-Mrs Hedges.  *aThe Spoil'd Child.  Little Pickl
e (with +songs=)-Mrs Jordan; Old Pickle-Suett; Tagg-R. Palmer; John-Burton; Miss
 Pickle-Mrs Hopkins; Maria-Miss Heard; Margery-Mrs Booth; Susan-Mrs Edwards; +Pr
ologue=-Mrs Jordan.  *cBenefit for $Mrs Jordan=.  Part of the Pit [9 rows (+Worl
d=, 23 Mar.)] to be laid into the Boxes.  Afterpiece [1st time; F 2, probably by
 $Isaac Bickerstaffe=, but also ascribed to $Mrs Jordan= and to $Richard Ford=. 
 Text 1st published (unauthorized), +Dublin=, 1799].  +Kemble Mem.=: The Farce i
s written by Mr Bickerstaffe.  +World=, 29 Apr. 1790: +The Spoil'd Child= was se
nt to Mrs Jordan from Bickerstaffe in +Italy=, where her fame had reached.  +Pub
lic Advertiser=, 13 Mar.: Tickets to be had of Mrs Jordan at her house, No. 14, 
+Somerset-street=, +Portman-square=.  Receipts: #352 18s. 6d. (137.13.0; 12.4.6;
 1.7.0; tickets: 201.14.0) (charge: #111 6s. 11d.).  *pcg The Count of Narbonne.
  Austin-Harley; Theodore-Holman; Fabian-Thompson; Officers-Powel, Evatt; Raymon
d-Farren; Adelaide-Miss Brunton; Jaqueline-Mrs Platt; Countess-Mrs Pope.  *aCymo
n.  Cymon-Blanchard (1st appearance in that character); Dorus-Quick; Merlin-Bann
ister; Daemon of Revenge-Darley; Shepherds-Egan, Evatt; Linco-Edwin; Urganda-Mrs
 Martyr; Fatima-Mrs Pope (1st appearance in that character [in +London=]); Dorca
s-Mrs Pitt; Shepherdesses-Miss Rowson, Miss Stuart; Sylvia-Mrs Mountain.  *dEnd:
 +Tamborine Dance=- [See 21 Oct. 1789]; Afterpiece conclude: +Dance=-Byrne, Mrs 
Goodwin.  *cBenefit for Mrs Pope.  Mainpiece: Not acted these 6 years.  [When st
ill $Miss Younge= $Mrs Pope= had 1st acted +Fatima=r at the $Crow Street Theatre
, Dublin=, 4 Mar. 1771.]  +Public Advertiser=, 9 Mar.: Tickets to be had of Mrs 
Pope at her house, +Half-moon Street=.  Receipts: #343 10s. 6d. (230.3.6; 8.3.0;
 tickets: 105.4.0).  *p23 dl The Country Girl.  As 1 Mar., but Moody-Wroughton; 
Alithea-Miss Collins.  *aThe Romp.  As 13 Mar.  *dEnd: +The Treble Hornpipe=-the
 young D'Egvilles, Miss Blanchet.  *sEnd II: +Poor Jack=[; or, +the Sweet Little
 Cherub=%-Dignum.  *cBenefit for $Wroughton=.  +Public Advertiser=, 20 Mar.: Tic
kets to be had of Wroughton at his house, +Sadler's Wells=.  Receipts: #249 10s.
 6d. (133.6.0; 22.7.0; 0.16.6; tickets: 93.1.0) (charge: #115 9s. 7d.).  *pcg Th
e Dramatist.  As 14 Oct. 1789.  *aRobin Hood.  As 28 Nov. 1789.  *dEnd: +The Pip
ing Pedlar=-Byrne, Mrs Goodwin.  *cReceipts: #216 6s. (205.13.6; 10.12.6).  *pha
y La Villanella Rapita.  As 27 Feb.  *dAs 27 Feb.  *p24 dl [A% Grand Selection [
from the Works of $Handel=% 0.  As 10 Mar.  *aGrand Selection 1.  As 17 Mar., bu
t +My faith and truth=-Miss Hagley; +Sing unto God=-Chorus.  *aGrand Selection 2
.  As 17 Mar., but +Che faro=[+Orfeo ed Euridice=, by $Gluck=]-Sga Storace; +The
 Prince unable to conceal his pain=-_; +Concerto= on the violin-Master Bridgtowe
r.  *aGrand Selection 3.  As 17 Mar., but +Concerto= bassoon-Parkinson; Grand Co
ncerto-_; +Come unto Him all ye that labour=-Miss Hagley; +With plaintive notes=
-Miss Romanzini; +There were shepherds=-Miss Romanzini; +And the Angel said unto
 them=-Miss Hagley [+The Messiah=]; +Glory to God=-Chorus [+Joshua=].  *pcg [A% 
Grand Selection [of Sacred Music% 0.  As 24 Feb.  *aGrand Selection 1.  As 3 Mar
.  *aGrand Selection 2.  As 3 Mar., but +As from the power of sacred Lays=-; +Fi
xed in his everlasting seat=-_.  *aGrand Selection 3.  As 3 Mar., but +Fixed in 
his everlasting seat=-; +As from the power of Sacred Lays=-_.  *mAs 19 Feb.  *p2
5 dl The Haunted Tower.  As 15 Dec. 1789.  *aThe Adventurers.  As 18 Mar.  *dAs 
4 Dec. 1789.  *cReceipts: #271 17s. (250.2.0; 21.4.6; 0.10.6).  *pcg Love in a V
illage.  As 20 Oct. 1789.  *aThe Follies of a Day.  As 21 Nov. 1789.  *dAs 20 Oc
t. 1789.  *cReceipts: #232 5s. 6d. (226.18.6; 5.7.0).  *phay [The 1st Act of% La
 Buona Figliuola.  Characters-Mussini, Borselli, Sga Del' Acqua (1st appearance)
, Sga Sestini.  *a[The Last Part of %La Villanella Rapita.  As 27 Feb.  *dEnd I:
 [an entirely new ballet,% +Les Caprices=-Labourie, Mlle Hilligsberg [and see 6 
Apr.]; End Opera: [an entirely new ballet,% +La Jalousie sans Raison=-Labourie, 
Mlle Hilligsberg [and see 15 Apr.].  *cBenefit for Mlle Hilligsberg.  Tickets to
 be had of $Mlle Hilligsberg=, No. 7, +Great Suffolk-street=.  *p26 dl Redemptio
n 0; Messiah.  As 29 Feb.  *aRedemption 1.  As 26 Feb.  *aRedemption 2.  As 26 F
eb., but +In sweetest harmony=-Sga Storace.  *aRedemption 3.  As 26 Feb.  *mEnd 
Part II: As 19 Feb.; End I: a new +concerto= on the Piano Forte-Attwood Jun.[, M
usician to his Royal Highness the $Prince of Wales=%.  *cAccount-Book, 1 July: R
eceived Oratorio Rent at #28 a night, #308.  *pcg [A% Grand Selection [of Sacred
 Music% 0.  As 26 Feb.  *aGrand Selection 1.  +From the censer=-Chorus [as 24 Fe
b.%; +Come thou Goddess-Saville; +Hush ye pretty warbling choir=-Miss Mahon; +Ki
ngs shall be thy nursing fathers=-Grand Chorus; +Softly rise=-Harrison; +Ye sout
hern breezes=-Chorus; +What though I trace=-Miss Poole [all as 17 Mar.%; +Venus 
laughing from the skies=-Chorus (+Theodora=); +Let the bright Seraphim=-Miss Can
telo; +Let their celestial Concerts all unite=-Chorus.  *aGrand Selection 2.  Fi
rst Grand Concerto-; +'Twas at the Royal Feast=-Harrison; +Happy Pair=-Harrison,
 Chorus; +With ravish'd ears=-Miss Mahon; +Bacchus ever young and fair=-Griffith
s; +Baccahus' blessings are a treasure=-Chorus (+Alexander's Feast=); +Consider 
fond shepherd=-Miss Dall (+Acis and Galatea=); +Disdainful of danger=-Saville, H
arrison, Sale; +Pious Orgies=-Miss Cantelo (+Judas Maccabaeus=); +No more to Amm
on's God=-Chorus [as 17 Mar.%; +The Prince unable=-Miss Poole [as 19 Mar.%; +The
 Horse and his Rider=-Double Chorus [as 24 Feb.%.  *aGrand Selection 3 [Entirely
 selected% from +The Messiah=.  Overture-; +Comfort ye my people=, +Every valley
=-Harrison; +And the glory of the Lord=-Chorus; +Behold a virgin shall conceive=
-Saville; +O thou that tellest good tidings=-Saville, Chorus; +For behold! darkn
ess shall cover the earth=, +The people that walked=-Sale; +He was cut off=, +Bu
t thou didst not leave his soul=-Miss Dall; +Life up your heads O ye gates=-Chor
us; +I know that my Redeemer liveth=-Miss Cantelo; +Hallelujah! for the Lord God
 omnipotent reigneth=-Grand Chorus.  *mAs 19 Feb.  *c[Account-Book records throu
ghout oratorio season receipt from $Ashley= of #50 charge for each performance.]
  *p27 dl Love in Many Masks.  As 20 Mar., but Angelica-Mrs Wilson.  *aThe Spoil
'd Child.  As 22 Mar. [+Prologue= as 22 Mar.%  *cReceipts: #243 18s. 6d. (204.15
.0; 37.8.0; 1.10.6; tickets not come in: 0.5.0).  *pcg The Busy Body.  Marplot-L
ewis; [with an% +Address= [in character%-Lewis; Sir George Airy (1st time)-Holma
n; Sir Jealous Traffic-Thompson; Charles Gripe-Davies; Whisper-Farley; Footman-L
edger; Sir Francis Gripe-Quick; Isabinda-Mrs Lewis; Patch-Miss Stuart; Scentwell
-Mrs Platt; Miranda-Mrs Mattocks.  *aRosina.  As 10 Nov. 1789, but Dorcas-Mrs Pi
tt.  *aRosina.  As 10 Nov. 1789, but Dorcas-Mrs Pitt.  *aA Peep behind the Curta
in.  Glib (for that night only)-Lewis; Sir Toby Fuz-Powel; Sir Macaroni Virtu-Be
rnard; Patent-Thompson; Wilson-Macready; Mervin-Evatt; Prompter-Farley; Carpente
r-Rock; Miss Fuz-Mrs Lewis; Sweepers-Mrs Powell, Mrs Davenett; Lady Fuz-Mrs Webb
; [+Characters in the Burletta=r:% Orpheus-Davies; Shepherds-Darley, Reeve, Blur
ton, Lee, Cubitt; Old Shepherd-Blanchard; Rhodope-Mrs Martyr.  *cBenefit for Lew
is.  1st piece: In 3 Acts.  Not acted these 4 years.  3rd piece: Never acted at 
this Theatre.  +Public Advertiser=, 22 Mar.: Tickets to be had of $Lewis=, in +B
ow-street=.  Receipts: #346 0s. 6d. (254.19.6; 3.8.0; tickets: 87.13.0).  *phay 
La Villanella Rapita.  As 27 Feb.  *dAs 27 Feb.  *p29[-4 3% none Holy Week.  *p4
 5 dl Easter Pastimes.  [SCENE I. Epping Forest.  Sunrise.  Turning out of the S
tag.%  +Bright Phoebus=-Dignum; [SCENE II.  A Village.  Noon. Nimrod dismounted.
% +There's no pleasing all=-Bannister Jun.; [SCENE III Greenwich park Evening.  
Lads and Lasses Sporting.% A +song=-Miss Romanzini; a +dance=-the young D'Egvill
es, Miss Blanchet, Miss DeCamp.  *aThe Heiress.  As 26 Sept. 1789.  *aThe Island
 of St. Marguerite.  As 7 Dec. 1789.  *cBenefit for $Mrs Crouch=.  1st piece [1s
t time]: A Prelude consisting of Song, Dance and Monologue.  +Gazetteer=, 3 Apr.
: Tickets to be had of Mrs Crouch at her house, No. 26, +Bridges-street=.  Recei
pts: #295 2s. 6d. (138.2.0; 16.3.6; 0.19.0; tickets: 139.18.0) (charge: #110 19s
. 9d.).  *pcg The Death of Captain Cook.  As 21 Sept. 1789.  *aThe Highland Reel
.  As 12 Jan.  *aHarlequin's Chaplet.  As 1 Mar., but Men Milliners-_; Female Mi
lliners-_; Female Porter-_; Bricklayer-_.  *cReceipts: #145 19s. (140.5; 5.14). 
 *p6 dl She Wou'd and She Wou'd Not.  As 18 Feb., but Don Manuel-Dodd (1st appea
rance in that character).  *aThe Romp.  As 13 Mar.  *dAfter Singing: As 5 Apr.  
*sEnd: +Poor Jack=, as 23 Mar.  *cBenefit for Dodd.  +Gazetteer=, 3 Apr.: Ticket
s to be had of $Dodd=, +Gray's-Inn=.  Receipts: #331 16s. (115.11.0; 11.12.6; 1.
10.0; tickets: 203.3.0) (charge: #115 17s.).  *pcg King Richard the Third.  As 2
5 Sept. 1789, but King Richard (for that night only)-Quick (1st appearance in th
at character on that stage); Lord Mayor-Reeve; Ratcliffe-_.  *aCatherine and Pet
ruchio.  As 13 Mar.  *dAfter Singing: As 21 Oct. 1789.  *sEnd: +A Laugh and a Cr
y= (composed by $Blewitt=)-Darley, Blanchard.  *e[+Monologue=.% Preceding: [an I
ntroductory% +Address=-Ryder.  *cBenefit for Quick.  "$Quick=, in July 1777, pla
yed +Richard III=r at +Bristol=" ($Anthony Pasquin= [pseud. for $John Williams=]
, +Poems= [1789], II, 244).  "Most people expected from Quick a comic representa
tion of Richard the Third--but strange to tell he was earnest in the attempt, an
d succeeded tolerably. The audience, however, were not disposed to be very serio
us, and named him '$Little Dicky='" (+Public Advertiser=, 8 Apr.).  [Address by 
$Robert Merry= (+European Magazine=, Apr. 1790, p. 307.]  +Gazetteer=, 1 Apr.: T
ickets to be had of Quick, +Broad-court=, +Bow-street=.  Receipts: #430 17s. 6d.
 (265.5.6; 4.15.0; tickets: 160.17.0).  *phay L'Usurpator Innocente.  [Principal
 Characters-Marchesi (1st appearance this season), Mussini, Benigni, Costa, Torr
egiani, Sga Borselli, Mme Mara (1st appearance this season).  [Cast from librett
o ($Cane= and $Hammond=, 1790):% Timante-Luigi Marchesi; Demofoonte-Mussini; Che
rinto-Giuseppe Benigni; Matusio-Costa; Adrato-Torregiani; Creusa-Sga Borselli; D
ircea-Mme Mara.  *dEnd I: +Les Mariages Flamands=, as 27 Feb.; End Opera: +Les C
aprices=-Labourie, Duquesney, Mlle de'Caro, Mlle Dorival, Mlle Hilligsberg.  *c[
A new Serious% Opera [1st time; SER 2, altered anonymously from +Demofoonte=, by
 $Metastasio=]; the Music by $Federici=.  *p7 dl Easter Pastimes.  As 5 Apr.  *a
The Belle's Stratagem.  As 22 Mar., but Doricourt-Whitfield; Villers-Phillimore?
.  *aThe Pannel.  As 15 Feb., but Alguaziles-_.  *cBenefit for $Miss Pope=.  [In
 2nd piece the playbill retains $Kemble= as +Doricourt=r, and $Whitfield= as +Vi
llers=r, but "I was ill; Whitfield played my Part" (+Kemble Mem.=).  For $Philli
more= as Villers see 27 May.]  +Gazetteer=, 7 Apr.: Tickets to be had of Miss Po
pe, +Great Queen-street=.  Receipts: #262 9s. 6d. (108.2.0; 20.11.6; 0.15.0; tic
kets: 133.1.0) (charge: #116 6s. 4d.).  *pcg The Comedy of Errors.  Dromio of Sy
racuse-Edwin; Antipholis of Syracuse-Macready; Antipholis of Ephesus-Bernard; Dr
omio of Ephesus-Quick; Abbess-Miss Chapman; Luciana-Mrs Mountain; Adriana-Mrs Be
rnard.  *aThe Englishman in Paris.  Buck-Lee Lewes (1st appearance in +London= s
ince his return from +India=); Sir John Buck-Powel; Subtle-Thompson; Classic-Hul
l; Marquis-C. Powell; Mrs Subtle-Mrs Powell; Lucinda-Mrs Mattocks.  *aTom Thumb.
  [See 16 Oct. 1789.]  *sEnd I 2nd piece: The Old +Four and Twenty Fiddlers all 
on a Row=-Edwin.  *e[+Monologues=. %End: [a Comical, Whimsical, Operatical, Farc
ical Rhapsody,% +Lingo the Butler's Opinion on Men and Manners=-Edwin; End 2nd p
iece: a +Dissertation upon Law= (from the Lecture on Heads)-Lee Lewes.  *cBenefi
t for $Edwin=.  +Gazetteer=, 5 Apr.: Tickets to be had of Edwin, No. 17, +Bedfor
d-street=, +Covent-garden=.  Receipts: #366 8s. (282.17; 2.14; tickets: 80.17). 
 *p8 dl The Haunted Tower.  As 24 Nov. 1789.  *aThe Adventurers.  As 18 Mar.  *d
As 4 Dec. 1789.  *cReceipts: #255 11s. 6d. (224.9.0; 29.5.0; 1.12.6; tickets not
 come in: 0.5.0).  *pcg Inkle and Yarico.  As 13 Oct. 1789, but Planters-_.  *aT
he Little Hunchback.  As 2 Oct. 1789.  *dEnd II: As 13 Oct. 1789; End: +The Guar
dian Outwitted= (1st time at this theatre)-Byrne, Boyce, Ratchford, the two Miss
 Simonets.  [This was 1st performed at the +king's=, 11 Jan. 1783, as +Le Tuteur
 Trompe=.]  *cReceipts: #195 18s. (187.9; 8.9).  *p9 dl Twelfth Night.  As 10 Fe
b., but Orsino-Barrymore; Sebastian-Whitfield; +Epilogue Song=-Suett; +songs=-Mr
s Crouch.  *aThe Devil to Pay.  As 2 Mar., but Lady Loverule-Miss Tidswell; Lucy
-Mrs Shaw; Lettice-Miss Barnes.  *cBenefit for $Bensley=.  +Gazetteer=, 6 Apr.: 
Tickets to be had of Bensley at his house, No. 21, +Charlotte-street=, +Bedford-
square=.  Receipts: #204 2s. (85.6.0; 13.12.6; 0.13.6; tickets: 104.10.0) (charg
e: #116 14s. 2d.).  *pcg The Dramatist.  As 14 Oct. 1789.  *aCymon.  As 22 Mar.,
 but Fatima-Mrs Wells.  *dEnd: As 21 Oct. 1789; In afterpiece: +Dances=-.  *cRec
eipts: #163 13s. 6d. (149.10.0; 14.3.6).  *p10 dl Love in Many Masks.  As 8 Mar.
  *aThe Spoil'd Child.  As 22 Mar.  *dAs 8 Mar.  *cReceipts: #158 2s. 6d. (120.1
3.0; 36.6.6; 1.3.0).  *pcg The Duenna.  As 31 Oct. 1789.  *aThe Positive Man.  A
s 30 Oct. 1789.  *cReceipts: #146 18s. 6d. (144.1.6; 2.17.0).  *phay L'Usurpator
 Innocente.  As 6 Apr.  *dAs 6 Apr.  *p12 dl She Wou'd and She Wou'd Not.  As 18
 Feb.  *aThe Humourist.  As 25 Nov. 1789, but Frolick-Baddeley.  *c[Afterpiece, 
which +Public Advertiser= erroneously announces as +The Farm House=, in place of
 +The Romp=, advertised on playbill of 10 Apr.]  Receipts: #148 9s. 6d. (118.0.0
; 26.14.6; 3.15.0).  *pcg The Farmer.  As 27 Jan.  *aThe Follies of a Day.  As 2
1 Nov. 1789.  *aThe Two Misers.  Gripe-Quick; Lively-Davies; Osman-Cubitt; Musta
pha-Reeve; Ali-Darley; Hunks-Edwin; Jenny-Mrs Mountain; Harriet-Mrs Martyr.  *cR
eceipts: #156 0s. 6d. (148.11.6; 7.9.0).  *p13 dl The Haunted Tower.  As 24 Nov.
 1789.  *aThe Adventurers.  As 18 Mar.  *dAs 4 Dec. 1789.  *cReceipts: #186 5s. 
(161.3.0; 23.16.6; 1.3.0; ticket not come in: 0.2.6).  *pcg The Beggar's Opera. 
 As 24 Oct. 1789, but Captain Macheath-Mrs Wells (1st time at this theatre); Luc
y-Mr Johnstone (1st appearance in that character); Polly-Mr Bannister (1st time 
these six years); Ben Budge-_.  *aThe Flitch of Bacon.  As 18 Mar.  *dAs 24 Oct.
 1789.  *sIn course of Evening: +The Wolf=-Bannister.  *cBenefit for $Bannister=
.  [$Mrs Wells= had 1st acted +Macheath=r at the +hay=, 14 Sept. 1781; Bannister
 had acted +Polly=r at the same theatre, 16 Sept. 1785.]  +Gazetteer=, 3 Apr.: T
ickets to be had of Bannister, No. 7, +Suffolk-street=, +Haymarket=.  "There is 
now a most vehement rage of innovation in language, government, religion, and ev
erything else...On the British stage, with infinite applause, young and beautifu
l actresses perform sometimes the Parts of highwaymen; and some singing actors s
quall in an affected voice resembling, and intended to imitate, that of women; t
he most humourous dramatic pieces are frittered away into songs; and I should no
t be surprised to hear that henceforth +Miranda=r and +Juliet=r are to be person
ated by grim-visaged grenadiers seven feet high, and +Falstaff=r by a slender mi
ss just entered her teens" (+Universal Magazine=, Mar. 1795, p. 171).  Receipts:
 #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0).  *phay L'Usurpator Innocente.  As
 6 Apr.  *dEnd I: +Les Mariages Flamands=, as 13 Feb.; End Opera: +Les Caprices=
, as 6 Apr.  *p14 dl The Rivals.  Sir Anthony Absolute-Bannister Jun.; Captain A
bsolute-Wroughton; Faulkland-Kemble (Their 1st appearance in those characters); 
Acres-Dodd; Sir Lucius O'Trigger-Moody; Fag-R. Palmer; David-Baddeley; Coachman-
Phillimore; Mrs Malaprop-Mrs Hopkins; Lydia Languish-Mrs Jordan (1st appearance 
in that character); Julia-Miss Farren (1st appearance in that character); Lucy-M
rs Wilson; Maid-Miss Tidswell.  *aThe Pannel.  As 7 Apr.  *dAs 23 Mar.  *cBenefi
t for $Bannister Jun=.  Part of the Pit [5 rows (+World=, 15 Apr.)] will be laid
 into the Boxes.  +Gazetteer=, 3 Apr.: Tickets to be had of Bannister Jun., No. 
2, +Frith-street=, +Soho=.  Receipts: #360 0s. 6d. (152.12.0; 14.7.6; 1.6.0; tic
kets: 191.15.0) (charge: #115 15s. 6d.).  *pcg Arden of Feversham.  Characters-[
Holman, %Davies, Macready, [Cubitt, %Powel, Thompson, Egan, Evatt, Lee, Letteney
; [Harley, Miss Rowson, Mrs Pope; Partial cast suggested by $Genest= (VI, 602):%
 Arden-Holman; Black Will-Cubitt; Mosby-Harley; Maria-Miss Rowson; Alicia-Mrs Po
pe; +Prologue=-Holman.  *aThe Busy Body.  As 27 Mar., but +Address=-_.  *aThomas
 and Sally.  As 28 Nov. 1789.  *dAfterpiece: As 28 Nov. 1789.; End: +Tamborine D
ance=, as 21 Oct. 1789.  *cBenefit for $Holman=.  1st piec : Written by $George?
 Lillo=, reduced into Three Acts with material Alterations [by $Joseph George Ho
lman= (+World=, 15 Apr.)].  [Prologue by $Robert Merry= (+World=, 16 Apr.).]  +G
azetteer=, 2 Apr.: Tickets to be had of Holman, No. 2, +Tavistock-row=, +Covent-
Garden=.  Receipts: #278 11s. (185.2.6; 1.8.6; tickets: 92.0.0).  *p15 dl The Ha
unted Tower.  As 24 Nov. 1789.  *aThe Citizen.  As 9 Feb.  *dAs 4 Dec. 1789.  *c
Receipts: #148 18s. (129.1.0; 16.15.6; 2.11.6; tickets not come in: 0.10.0).  *p
cg The Dramatist.  As 14 Oct. 1789.  *aMarian.  As 21 Nov. 1789.  *dAs 25 Nov. 1
789.  *cReceipts: #179 15s. 6d. (176.2.0; 3.13.6).  *phay L'Usurpator Innocente.
  As 6 Apr.  *dEnd I: +Les Caprices=, as 6 Apr., but Mlle _Hilligsberg; End Oper
a: +La Jalousie sans Raison=-Labourie, Duquesney, Mlle de'Caro, Mlle Dorival, Ml
le Hilligsberg.  *cBenefit for $Jewell=, treasurer.  Tickets to be had of Jewell
 at his house, +Suffolk-street=.  *p16 dl The Beggar's Opera.  As 24 Sept. 1789,
 [with the playbill here including the assignments as listed in the edition of 1
791,% but Robin of Bagshot-Reynoldson; Nimming Ned-Danby; Mrs Vixen-Miss Palmer.
  *aNo Song No Supper.  [Characters by Dignum, Kelly, Suett, Bannister Jun., Sed
gwick, Alfred, Miss Romanzini, Mrs Crouch, Sga Storace, Miss Hagley, Mrs Booth. 
 [Cast from Songs (no pub., 1790), and text (+Dublin=: $P. Byrne=, 1792):% Crop-
Dignum; Frederick-Kelly; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick; 
Thomas-Alfred; Dorothy-Miss Romanzini; Louisa-Mrs Crouch; Margaretta-Sga Storace
; Nelly-Miss Hagley; Deborah-Mrs Booth.  *dIII: +Hornpipe=-Bourk.  *cBenefit for
 $Kelly=.  Afterpiece [1st time, MF 2, by $Prince Hoare=]: The Music chiefly com
posed by $Storace=; the Rest selected from $Pleyel=, $Harington=, $Giordani=, $G
luck=, &c. [text adds $Gretry=].  Account-Book, 16 Dec. 1790: Paid $P. Hoare= fo
r the Copyright of +No Song No Supper= #63.  +Gazetteer=, 2 Apr.: Tickets to be 
had of Kelly, No. 27, +James-street=, +Covent-garden=.  Receipts: #273 5s. (125.
19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.).  *pcg Rule a Wife and H
ave a Wife.  As 12 Nov. 1789, but Leon (for that night only)-Ryder (1st appearan
ce in that character); Maid-Mr Rock; Estifania-Miss Ryder (1st appearance on any
 stage).  *aThe Padlock.  Leander-Johnstone; Mungo-Blanchard; Diego-Bannister; U
rsula-Mrs Webb; Leonora-Miss R. Ryder (1st appearance on any stage).  *dEnd: +Th
e Wapping Landlady=[; or, +The Sailor in Distress=%-.  *e[+Monologue=.% After Da
ncing: [fable,% +The Old Man Son and Ass=-Ryder; End afterpiece: +Bucks have at 
ye All=-Ryder.  *cBenefit for $Ryder=.  +Gazetteer=, 8 Apr.: Tickets to be had o
f Ryder at his house, No. 5, +Bow-street=, +Covent Garden=.  Receipts: #242 19s.
 (118.8; 13.8; tickets: 111.3).  *p17 dl Love in Many Masks.  As 8 Mar.  *aThe S
poil'd Child.  As 22 Mar.  *dAs 8 Mar.  *cPaid $Miss Farren='s benefit Allowance
 [i.e. the sum paid her in lieu of a benefit] #300.  Receipts: #190 16s. 6d. (14
1.8.0; 45.12.0; 3.16.6).  *pcg The Maid of the Mill.  As 12 Dec. 1789.  *aThe Mi
dnight Hour.  As 24 Oct. 1789.  *dEnd: +The Guardian Outwitted=, as 8 Apr.  *cRe
ceipts: #176 1s. 6d. (169.4.6; 6.17.0).  *phay L'Usurpator Innocente.  As 6 Apr.
  *dEnd I: +Les Mariages Flamands=, as 27 Feb.; End Opera: +La Jalousie sans Rai
son=, as 15 Apr.  *p19 dl The Haunted Tower.  As 24 Nov. 1789.  *aHarlequin's In
vasion.  As 24 Sept. 1789, but Taffy-Lyons; Bog-Webb; Constable-Alfred; 2nd Just
ice-Jones; 3rd Justice-Benson.  *dAs 4 Dec. 1789.  *cReceipts: #234 16s. 6d. (20
9.2.0; 25.2.0; 0.12.6).  *pcg King Lear.  As 18 Jan.  *aRosina.  As 27 Mar.  *cR
eceipts: #182 6d. 6s. 6d. (177.10.6; 4.16.0).  *p20 dl A Trip to Scarborough.  A
s 15 Feb.  *aMordecai's Beard.  Mordecai (with a +song= in character, written by
 Collins, Author of +The Brush=)-Baddeley; O'Strap-Moody; Justice-Packer; Mittim
us-Maddocks.  *aThe Romp.  As 13 Mar.  *dEnd I: As 23 Mar.  *sEnd II: [a new% +M
asonic Song=-Dignum.  *e[+Monologue=. %End: +The Picture of a Play@House=[; or, 
+Bucks have at ye all=%-Bannister Jun.  *cBenefit for $Baddeley=.  2nd piece [1s
t time; INT 1, probably by $Robert Baddeley=.  +Larpent MS 865=; not published].
  +Public Advertiser=, 20 Apr.: Tickets to be had of Baddeley, No. 10, +New Stor
e-street=, +Bedford Square=.  Receipts: #320 9s. 6d. (94.18.0; 16.5.0; 0.12.6; t
ickets: 208.14.0) (charge: #117 10s. 6d.).  *pcg The School for Wives.  Belville
-Lewis; General Savage-Ryder; Conolly-Aickin; Torrington-Quick; Leeson-Farren; C
aptain Savage-Davies; Leech-Cubitt; Ghastly-C. Powell; Spruce-Bernard; Crow-Thom
pson; Miss Walsingham-Mrs Mattocks; Lady Rachel Mildew-Mrs Webb; Mrs Tempest-Mrs
 Bernard; Miss Leeson-Mrs Mountain; Mrs Belville-Mrs Pope.  *aThe Poor Soldier. 
 As 9 Oct. 1789, but Patrick-Williames (of +dl=).  *s+Stand to your Guns my Hear
ts of Oak=-Bannister.  *oIn course Evening: +The Tobacco Box; or, The Soldier's 
Farewell=.  Thomas-Mrs Martyr; Kate-Mrs Mountain.  *cBenefit for $Mrs Mattocks=.
  Receipts: #210 8s. 6d. (138.2.0; 7.10.6; tickets: 64.16.0).  *phay L'Usurpator
 Innocente.  As 6 Apr.  *dAs 6 Apr.  *p21 dl Twelfth Night.  As 9 Apr.  *aThe Ad
venturers.  As 18 Mar.  *dAs 10 Feb.  *cBenefit for the Author [of afterpiece, w
ho is named in +Kemble Mem.=, but not on the playbill].  Receipts: #187 3s. 6d. 
(148.11.0; 35.4.6; 3.8.0; tickets: none listed) (charge: #115).  *pcg Annette an
d Lubin.  Lubin-Mrs Martyr; Annette-Mrs Mountain.  *aThe Pharo Table.  Young Haz
lewood-Lewis; Hector-Ryder; Sir Harry Hazlewood-Quick; Hotfrost (with a +song= i
n character)-Edwin; Glovestring-Mrs Rock; Mrs Knott-Mrs Platt; Mrs Jeroboam-Mrs 
Pitt; Miss Jeroboam (with a +song= in character)-Mr Blanchard; Miss Somers-Mrs W
ells.  *aThe Soldier's Festival.  [In which:% +How stands the Glass around=-John
stone; +Sigh no more Ladies=, +How shall we Mortals spend our Hours=, +Poor Thom
as Day=, +Welcome the Covert=, Here's a Health to all good Lasses=-Bannister, Jo
hnstone, Blanchard, Davies, Duffey, Darley, Cubitt, Reeve, Edwin; +As I saw fair
 Chlora=-Johnstone, Bannister.  *a[+Patrick in Prussia= i.e. %Love in a Camp.  A
s 27 Feb.  *cBenefit for $Johnstone=.  2nd piece: Taken from $Mrs Centlivre='s +
Gamesters= [recte: +Gamester=].  3rd piece [1st time; M.INT 1]: The Accompanimen
ts by Shield.  +Gazetteer= 14 Apr.: Tickets to be had of Johnstone, No. 10, +Gre
at Russell-street=, +Covent-Garden=.  Receipts: #296 11s. (153.2.6; 3.4.6; ticke
ts:140.4.0).  *p22 dl The Haunted Tower.  As 24 Nov. 1789.  *aWho's the Dupe?  A
s 17 Oct. 1789, but Mr Doiley-Boyes (1st appearance in +London=).  *dAs 4 Dec. 1
789.  *c[$Boyes= was from the +Worcester theatre=.]  Receipts: #206 19s. (178.12
.0; 25.16.6; 2.10.6).  *pcg Fontainbleau.  As 18 Feb., but Celia (1st time)-Mrs 
Mountain; Miss Dolly Bull (for that night only)-Mrs Martyr (1st appearance in th
at character).  *aThe Padlock.  As 16 Apr., but Mungo (for that night only, with
 a new +Negro Song=, composed by $Reeve=)-Mrs Martyr (1st appearance in that cha
racter); Leonora-Mrs Mountain.  *dAs 23 Mar.  *sEnd I afterpiece: +The Knife Gri
nder's Song=[, composed and to be sung in character%-Reeve.  *e[+Monologue=. %Af
ter Dancing: A +New Occasional Prologue=-Bernard.  *cBenefit for $Mrs Martyr=.  
Tickets sold at the Doors will not be admitted.  [Prologue by $John Wolcot= (+Eu
ropean Magazine=, May 1790, p. 386).]  +Gazetteer=, 15 Apr.: Tickets to be had o
f Mrs Martyr, No. 16, +Martlet-court=, +Bow-street=, +Covent-garden=.  Receipts:
 #293 7s. 6d. (136.14.0; 13.8.6; tickets: 143.5.0).  *phay L'Usurpator Innocente
.  As 6 Apr.  *dEnd I: +La Jalousie sans Raison=, as 15 Apr.; End Opera: [an ent
ire% +New Ballet=- [See 4 May]; [in which the% +Pas Russe=-Labourie, Mlle Hillig
sberg.  *cBenefit for $Labourie=.  $Smith=, 15: +The Favourite Opera Dances for 
the year 1790...selected by F. Chabran= contains selections from the previously 
mentioned ballets and +Lauretta=.  This last title does not appear in newspaper 
records, but it was doubtless the "new ballet" announced for 22 April and subseq
uently.  *p23 dl Love for Love.  As 23 Feb., but Trapland-_; Buckram-_; Nurse-_;
 Jenny-_.  *aThe Pannel.  As 15 Feb., but Notary-_; Servant-_; Alguaziles-_.  *d
As 8 Mar.  *e[+Monologue=%Previous: [his being the Anniversary of $His Majesty='
s Happy Recovery,% +British Loyalty=[; or, a +Squeeze for St. Paul's=%-Bannister
 Jun.  *sAfter which: [the Stage being decorated and illuminated in the same Sup
erb Stile which it was for the Reception of his Majesty on Dec. the 16 last,% +G
od save the King=-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingswort
h, Lyons, Maddocks, Phillimore.  *cBenefit for $Wrighten=, prompter.  [Afterpiec
e in place of +The Farm-House=, advertised on playbill of 22 Apr.]  +Gazetteer=,
 21 Apr.: Tickets to be had of Wrighten, No. 25, +Bow-street=, +Covent-Garden=. 
 Receipts: #326 19s. (64.7.0; 13.4.6; 2.5.6; tickets: 247.2.0) (charge: #116 12s
. 6d.).  *pcg The Dramatist.  As 14 Oct. 1789.  *aThe Farmer.  As 27 Jan.  *dAs 
25 Nov. 1789.  *cReceipts: #181 3s. (176.2; 5.1).  *p24 dl The Tempest.  As 13 O
ct. 1789, but Ariel-Miss Hagley.  *aThe Island of St. Marguerite.  As 5 Feb.  *s
As 17 Nov. 1789, but Vocal Parts-Miss _Romanzini.  *cReceipts: #192 (149.14; 40.
0; 2.6).  *pcg The Highland Reel.  As 6 Oct. 1789, but Donald Laird of Col-Powel
.  *aThe Follies of a Day.  As 21 Nov. 1789.  *aBarataria; or, Sancho Turn'd Gov
ernor.  Sancho Pancha-Quick; Duke-Cubitt; Manuel-Davies; Pedro-Thompson; Recorde
r-Powel; Don Quixote-Egan; Lady Tereza Pancha-Mrs Webb; Spanish Lady-Mrs Pitt; D
uchess-Mrs Lefevre; Mary the Buxom-Mrs Rock.  *c+Love in a Village= [advertised 
on playbill of 23 Apr.] is obliged to be deferred, on account of the Indispositi
on of a principal Performer.  [2nd piece in place of +The Death of Captain Cook=
; 3rd piece of +The Little Hunchback=, both advertised on playbill of 23 Apr.  B
ut there may have been still a third change: the Account-Book for this night lis
ts +The Castle of Andalusia= and +Poor Vulcan=; no corroboration of their having
 been acted has, however, come to light.]  Receipts: #111 14s. (100.0.6; 11.13.6
).  *phay L'Usurpator Innocente.  As 6 Apr.  *dAs 22 Apr.  *p26 dl Twelfth Night
.  See 9 Apr.  *aThe Spoil'd Child.  See 22 Mar. [+Prologue= as 22 Mar.%  *c[As 
mainpiece the playbill announces +The Rivals=, but "$Bannister Jun.= ill prevent
ed The Rivals" (+Kemble Mem.=, which lists the substitute play).  "At +Drury Lan
e=.  Saw +Twelfth Night=" (+Reed, Diaries=, 176).  As afterpiece the playbill an
nounces +No Song No Supper=, in which Bannister Jun. had a part.  Kemble Mem. li
sts the substitute play.  "+Prologue=, $Mrs Jordan=" (Reed, 176).]  Receipts: #1
91 15s. 6d. (148.16.0; 37.17.6; 5.2.0).  *pcg The Count of Narbonne.  As 22 Mar.
  *aThe Death of Captain Cook.  As 4 Mar.  *aLove and War.  As 21 Oct. 1789.  *c
Receipts: #131 15s. (126.6; 5.9).  *p27 dl The Haunted Tower.  As 11 Feb., but L
ewis-Hollingsworth [in place of $Suett=%; Edward-Suett [of $Bannister Jun=%.  *a
The Devil to Pay.  As 2 Mar.  *dAs 4 Dec. 1789.  *cBenefit for a Fund for the Re
lief of those who from their Infirmities shall be obliged to retire from the Sta
ge.  Receipts: #236 13s. (138.1.0; 33.4.6; 1.12.6; tickets: 63.15.0) (charge: fr
ee).  *pcg The Child of Nature.  As 6 Oct. 1789, but +Epilogue=-Mrs Mattocks[ as
 28 Jan%.  *aThe Busy Body.  As 14 Apr., but Sir George Airy-Farren (1st appeara
nce in that character); Footman-_.  *aThomas and Sally.  As 28 Nov. 1789.  *dAs 
28 Nov. 1789.  *cBenefit for $Farren=.  Tickets delivered for +Which is the Man?
= [originally advertised for this night] will be admitted.  +Gazetteer=, 14 Apr.
: Tickets to be had of Farren, +Gower-street=.  Receipts: #379 (128.19.6; 1.19.6
; tickets: 248.1.0).  *phay L'Usurpator Innocente.  As 6 Apr.  *dAs 22 Apr.  *p2
8 dl As You Like It.  As 27 Feb., but Touchstone-Suett.  *aThe Deuce is in Him. 
 As 11 Feb.  *dAs 10 Feb.  *sAs 22 Sept. 1789.  *c[Afterpiece in place of +The R
omp=, advertised on playbill of 27 Apr.]  Receipts: #126 0s. 6d. (102.9.0; 21.7.
6; 2.4.0).  *pcg The Suspicious Husband.  As 31 Dec. 1789, but Tester-C. Powell.
  *aTom Thumb.  As 16 Oct. 1789.  *dAs 25 Nov. 1789.  *c+The Dramatist= [adverti
sed on playbill of 27 Apr.] is obliged to be deferred, on account of the Insispo
sition of a principal Performer.  [Afterpiece in place of +The Farmer=, advertis
ed as above.]  Receipts: #131 14s. 6d. (114.19.6; 16.15.0).  *p29 dl The Haunted
 Tower.  As 24 Nov. 1789, but Baddeley_.  *aThe Spoil'd Child.  As 22 Mar.  *dAs
 4 Dec. 1789.  *cReceipts: #200 15s. 6d. (162.17.0; 35.12.0; 1.9.0; tickets not 
come in: 0.17.6).  *pcg The Female Adventure; or, Stop Her Who Can.  [Principal 
Characters by Holman, Bernard, Farley, Macready, Thompson, Mrs Achmet, Mrs Berna
rd, Mrs Pitt, Mrs Powell, Mrs Martyr.  [Cast from +European Magazine=, May 1790,
 p. 386:% Don Lewis-Holman; Gil Blas-Bernard; Pedro-Farley; Don Felix-Macready; 
Don Gabriel-Thompson; Aurora-Mrs Achmet; Isabella-Mrs Bernard; Bernarda-Mrs Pitt
; Beatrice-Mrs Powell; Laura-Mrs Martyr; +Epilogue=-Mrs Mattocks.  *aCymon.  As 
22 Mar., but Cymon (for that night only)-Mrs Wells; Shepherds-_; Dorcas-_; Sheph
erdesses-_.  *dFollowing Imitations at end: As 21 Oct. 1789; In afterpiece: +Dan
ces=, as 9 Apr.  *eEnd II: +Tragic Imitations= [of $Mrs Siddons= in +Belvidera=r
's 1st scene in +Venice Preserved=, I.i., and of $Mrs Crawford= in +Lady Randolp
h=r's 1st speech in +Douglas=]-Mrs Wells; End III: +Comic and Vocal Imitations= 
[of $Mrs Abington= as +Widow Belmour=r in +The Way to Keep Him=, and of $Mrs Mar
tyr=, $Mrs Jordan=, $Sga Storace=, $Sga Sestini=]-Mrs Wells; End: +A Scene from 
Isabella= [The "ring speech" in II.ii] (Above identified in +World=, 29 Apr.)-Mr
s Wells.  *cBenefit for $Mrs Wells=.  Mainpiece [1st time; C 4, author unknown, 
not in +Larpent MS=; not published.  Epilogue by $Robert Merry= (+World=, 30 Apr
.).  On 11 May acted as +The Female Pursuit=]: Taken from $Moor='s +Gil Blas=.  
+Public Advertiser=, 27 Apr.: Mrs Wells trusts the Public will have the Candour 
to excuse her not appearing in the Play, as the principal Woman's Character has 
many changes in it, and the Fatigue of going through various and numerous Imitat
ions would render her incapable of undertaking it.  +Gazetteer=, 9 Apr.: Tickets
 to be had of $Mrs Wells=, No. 12, +Weymouth-street=, +Portland-place=.  Receipt
s: #301 14s. (166.2; 10.1; tickets: 125.11).  *phay La Generosita d'Alessandro. 
 [Principal Characters by Marchesi, Benigni, Costa, Torregiani, Sga Borselli, Mm
e Mara.  [Cast from libretto ($Hammond= and $Cane= [1790]:% Poro-Luigi Marchesi;
 Gandarte-Benigni; Alessandro-Costa; Timagene-Torregiani; Erissena-Sga Borselli;
 Cleofide-Mme Mara.  *dEnd I: +La Jalousie sans Raison=, as 25 Mar.; End Opera: 
+New Ballet=, as 22 Apr.  *sTwo [new% +songs= [of his own composition%-Marchesi;
 [one in Act I, one in Act II,% accompanied by violin violoncello and tenor-Cram
er, Cervetto, Shield.  *cBenefit for $Marchesi=.  A Serious Opera; the music by 
$Tarchi=.  Under the direction of $Federici=.  Tickets to be had of Marchesi, No
. 14, +Charles-street=, +St. James's-square=.  *p30 dl Tit for Tat.  Villamour-B
annister Jun.; Old Meanwell-Packer; Young Meanwell-Whitfield; Skipwell-R. Palmer
; Florinda-Mrs Goodall (1st appearance in that character); Letty-Miss Pope.  *aA
rthur and Emmeline.  As 28 Oct. 1789, but Aurelius-Haymes; Honor-Kelly; Spirit o
f Light-_; [Rest of% Vocal Parts-_.  *aThe Follies of a Day.  As 7 Nov. 1789, bu
t Page (with +song= omitted)-Mrs Wilson; Countess-Mrs Goodall (1st appearance in
 that character); Agnes-Miss Heard.  *cBenefit for $Mrs Goodall=.  +Gazetteer=, 
28 Apr.: Tickets to be had of Mrs Goodall, No. 26, +Villers-street=, +York Build
ings=.  Receipts: #237 7s. (65.19; 35.11; 5.19; tickets: 129.18) (charge: #114 1
9s. 7d.).  *pcg The First Part of King Henry the Fourth.  As 22 Feb., but Sir Jo
hn Falstaff (for that night only)-Aickin (1st appearance in that character); Kin
g-Hull.  *aThe Poor Soldier.  As 20 Apr.  *sEnd II: +The Lamp Lighter= (written 
and composed by $Dibdin=)-Reeve; End IV: +The Doctrine of an Israelite= (written
 by $Collins=, author of +The Brush=) [sung in character%-Reeve; End: [a favorit
e +song=% a Gentleman (1st appearance on any stage).  *cBenefit for $Aickin=.  +
Gazetteer=, 14 Apr.: Tickets to be had of Aickin at his house, +Gower-street=, +
Bedford-square=.  Receipts: #209 (116.3; 7.19; tickets: 84.18).  *p5 1 dl The Co
untry Girl.  As 1 Mar.  *aThe Devil to Pay.  As 2 Mar.  *dAs 10 Feb.  *cBenefit 
for the +General Lying-in Hospital=, +St. George's Row=, near +Tyburn Turnpike=.
  Receipts: #212 12s. (79.11; 23.2; 3.16; tickets: 106.3) (charge: #116 10s. 1d.
).  *pcg The Merchant of Venice.  As 6 Nov. 1789, but Shylock-King (1st appearan
ce in that character at this theatre); Lorenzo (with +songs=)-Davies; Salanio-Ev
att.  *aBon Ton.  As 20 Nov. 1789.  *dAs 6 Nov. 1789.  *cReceipts: #147 19s. 6d.
 (139.14.6; 8.5.0).  *phay La Generosita d'Alessandro.  As 29 Apr.  *dAs 22 Apr.
  *p3 dl The Rivals.  As 14 Apr.  *aNo Song No Supper.  As 16 Apr.  *cReceipts: 
#276 3s. (243.2; 32.9; 0.12).  *pcg Macbeth.  As 8 Feb., but Macbeth (for that n
ight only)-Harley (1st appearance in that character).  *aThe Flitch of Bacon.  A
s 18 Mar., but Captain Greville-Davies; Putty-Reeve.  *dAs 21 Oct. 1789.  *sAs 8
 Feb.  *e[+Monologue=.% End I afterpiece: +Occasional Address=-Harley.  *cBenefi
t for $Harley=.  The Doors to be opened at 5:30.  To begin at 6:30 [same for res
t of season].  +Gazetteer=, 9 Apr.: Tickets to be had of Harley, No. 252, +Holbo
urn=.  Receipts: #360 12s. (163.1; 2.8; tickets: 195.3).  *p4 dl The College of 
Physicians; or, Doctor Last's Examination.  Doctor Last-Bannister Jun. (1st appe
arance in that character); President-Suett; Dr Calomel-Phillimore; Dr Camphire-M
addocks; Secretary-Benson; Forceps-Webb.  *aThe Heiress.  As 26 Sept. 1789.  *aT
he Doctor and the Apothecary.  As 24 Oct. 1789, but Carlos-Kelly; Shopman-Lyons.
  *sEnd II 2nd piece: +The Greenwich Pensioner=-Dignum.  *cBenefit for $Suett=. 
 On this and every Evening for the Remainder of the Season the Doors will not be
 opened till 5:30, and the Performance will commence exactly at 6:30.  1st piece
: From [+The Devil upon Two Sticks=, by] $Foote=.  +Gazetteer=, 28 Apr.: Tickets
 to be had of Suett, No. 21, +King-street=, +Bloomsbury-square=.  Receipts: #232
 19s. 6d. (62.12.0; 19.18.6; 1.14.0; tickets: 148.15.0) (charge: #107 6s. 4d.). 
 *pcg The Clandestine Marriage.  As 2 Dec. 1789.  *aThe Positive Man.  As 30 Oct
. 1789.  *c[Afterpiece in place of +The Farmer=, advertised on playbill of 3 Mar
.]  Receipts: #149 1s. 6d. (144.2.6; 4.19.0).  *phay La Generosita d'Alessandro.
  As 29 Apr.  *dEnd I: +La Jalousie sans Raison=, as 15 Apr.; End Opera: +New Ba
llet=-Labourie, Duquesney, Mlle de'Caro, Mlle Dorival, Mlle Hilligsberg.  *p5 dl
 She Wou'd and She Wou'd Not.  As 18 Feb., but Soto-_.  *aThe Romp.  As 13 Mar. 
 *cReceipts: #133 18s. 6d. (97.14.0; 34.8.6; 1.16.0).  *pcg The Widow of Malabar
.  [Principal Characters by Holman, Farren, Thompson, Powel, Evatt, Harley, Mrs 
Rock, Miss Brunton.  [Cast from text ($William Lane=, 1791):% Young Bramin-Holma
n; Raymond-Farren; Narrain-Thompson; 2nd Bramin-Powel; Albert-Evatt; Chief Brami
n-Harley; Fatima-Mrs Rock; Indamora-Miss Brunton; +Prologue=-Holman; +Epilogue=-
Mrs Mattocks.  *aThe Man of Quality.  Lord Foppington-Bernard; Sir Tunbelly Clum
sey-Ryder; Young Fashion-Macready; Nurse-Mrs Pitt; Miss Hoyden-Miss E. Brunton (
1st appearance in +London=).  *aThe Two Misers.  As 12 Apr.  *sIn: Bannister, Jo
hnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The
 Music [by $Stevens=%-.  *e[+Monologue=. %Preceding 2nd piece: +Occasional Addre
ss=-Miss Brunton.  *cBenefit for $Miss Brunton=.  1st piece [1st time; T 3, by $
Mariana Starke=, based on +La Veuve du Malabar=, by $Antoine Marin LeMierre=.  P
rologue by $William Thomas Fitzgerald=.  Epilogue by $Richard John Hughes Starke
= (see text)]: With new Scenes and Dresses.  And a +Procession= representing the
 Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of he
r deceased Hqsband.  2nd piece: Not acted these 18 years [acted 4 May 1776. Miss
 E. Brunton was from the +Norwich theatre=].  +Morning Chronicle=, 1 Feb. 1791: 
This Day is published +The Widow of Malabar= (1s. 6d.).  +Public Advertiser=, 21
 Apr.: Tickets to be had of Miss Brunton, No. 35, +Gerrard-street=, +Soho=.  [Th
e mainpiece is sometimes stated to have been 1st acted at $Mrs Crespigny's priva
te@theatre@in@Camberwell=, 1790, but "'The Widow of Malabar' was not first produ
ced at Mrs Crespigny's Theatre.  The Tragedy performed there is called '+The Bri
tish Orphan=' (also by Mariana Starke)" (+Gazetteer=, 24 Jan. 1791).]  Receipts:
 #338 13s. (208.7; 2.8; tickets: 127.18).  *p6 dl The Haunted Tower.  As 24 Nov.
 1789.  *aThe Deaf Lover.  As 20 Feb.  *dAs 4 Dec. 1789.  *cPaid $Brady=, barber
's bill, #10 1s.  Receipts: #201 19s. 6d. (176.12.0; 24.10.0; 0.17.6).  *pcg The
 Crusade.  [Principal Characters by Quick, Bannister, Johnstone, Blanchard, Davi
es, Darley, Powel, Cubitt, Rock, Edwin, Mrs Martyr, Mrs Billington.  [Cast from 
+Songs= ($T. Cadell=, 1790):% Bantam-Quick; Daran-Bannister; Raymond-Johnstone; 
Joppa-Blanchard; Godfrey-Davies; Aluph-Darley; Adran-Powel; Tartar Prince-Cubitt
; Gaoler-Rock; Sir Troubadour-Edwin; Iman-Thompson; Sylvia-Mrs Martyr; Constanti
a-Mrs Billington; +Prologue=-Bernard.  [This was spoken, as here assigned, at al
l subsequent performances.]  *aThe Miser.  As 7 Nov. 1789.  *cMainpiece [1st tim
e; MD 3, by $Frederick Reynolds=.  +Larpent MS 870=; not published; synopsis of 
plot in +Public Advertiser=, 7 May]: With entire new Dresses, Scenes, Machinery 
and Decorations.  The Music partly selected from $Cimarosa=, $Gluck=, $Martin y 
Soler?=, $Reeve=, $Dr Arne= [the printed score (+Longman and Broderip= [1790]) a
dds: $Martini=, $Duni=, $Carolan=, $Leveridge=].  The rest composed by $Shield=.
  The Chorusses selected from $Handel=, and sung by the Performers from the +Con
cert of Ancient Music=.  Books of the Songs to be had at the Theatre.  Receipts:
 #210 13s. 6d. (208.12.0; 2.1.6).  *p7 dl Know Your Own Mind.  As 10 Oct. 1789, 
but Millamour-Barrymore; Charles-Benson; Sir Harry Lovewit-R. Palmer.  *aThe Toy
 Shop.  Master of the Toy Shop-Bannister Jun.; the other Characters-Suett, R. Pa
lmer, Fawcett, Phillimore, Alfred, Miss Tidswell, Miss Barnes, Mrs Wilson.  *aTh
e Deserter.  As 15 Oct. 1789.  *sAs 23 Mar.  *cBenefit for Barrymore.  2nd piece
: Written by $Dodsley=.  +Gazetteer=, 29 Apr.: Tickets to be had of $Barrymore=,
 No. 11, +Bedford-street=, +Bedford-row=.  Receipts: #281 3s. (46.5; 21.8; 3.9; 
tickets: 210.1) (charge: #108 1s. 8d.).  *pcg She Stoops to Conquer.  Hardcastle
-Ryder; Young Marlow-Bernard; Hastings-Davies; Sir Charles Marlow-Powel; Diggory
-Cubitt; Slang-Rock; Landlord-Thompson; Tony Lumpkin (for that night only)-Blanc
hard; Mrs Hardcastle-Mrs Webb; Miss Neville-Mrs Lewis; Miss Hardcastle-Mrs Matto
cks.  *aThe Recruiting Serjeant.  Serjeant-Bannister; [with% +Oh, what a charmin
g Thing's a Battle!=-Bannister; Countryman-Blanchard; Mother-Mrs Davenett; Wife-
Mrs Mountain.  *aRose and Colin.  Colin-Mrs Martyr; Gregory-Darley; Higgins-Thom
pson; Fidget-Mrs Pitt; Rose-Mrs Mountain.  *e[+Monologue=.% End 2nd piece: +A Di
ssertation on Macaronyism=-Bernard.  *cBenefit for $Blanchard=.  2nd piece: Not 
acted these 4 years [not acted since 6 May 1776].  +Gazetteer=, 3 May: Tickets t
o be had of Blanchard, No. 29, +Bow-Street=, +Covent-garden=.  Receipts: #302 18
s. (82.0.6; 14.2.6; tickets: 206.15.0).  *p8 dl The West Indian.  See 18 Nov. 17
89[, but see below%.  *aThe Island of St. Marguerite.  See 5 Feb.  *c["The Play 
to-night was to have been +The Confederacy=, by Desire of the $Duchess of Leinst
er=, with +The Spoiled Child= (both advertised on playbill of 7 May), for $Mrs J
ordan='s benefit...but she suspecting the House would be thin, pretended to be i
ll, would not act" (+Kemble Mem.=).  "+Love for Love= (announced in playbill of 
this present night) and The Spoiled Child were deferred on account of the indisp
osition of Mrs Jordan, and +The West Indian= and +The Island of St. Marguerite= 
substituted...$Aickin= and $Packer=...could not be met with, and no other means 
of presenting The West Indian remained than Messrs $Williames= and $Maddocks= be
ing permitted to read the parts of +Stockwell=r and +Capt. Dudley=r.  This the a
udience refused to comply with, and insisted on having their money returned, whi
ch was at last done.  The pit was cleared, not even one person remaining; but du
ring the second act, four people came in...About thirty stayed in the boxes, and
 not a sufficient number to fill the front rows in the galleries...The West Indi
an, with two parts in it read, and a house thus uncomfortably thin, dragged dism
ally through the three first acts.  The half-price produced considerable amendme
nt in the appearance of the house" (+London Chronicle=, 10 May).]  Receipts: #45
 0s. 6d. (11.13.0; 32.5.0; 1.2.6).  *pcg The Crusade.  As 6 May.  *aBon Ton.  As
 20 Nov. 1789.  *c[Afterpiece in place of +Lovers' Quarrels=, advertised on play
bill of 7 May].  Receipts: #273 14s. (268.4; 5.10).  *phay La Generosita d'Aless
andro.  As 29 Apr.  *dAs 4 May .  *p10 dl The Rivals.  As 14 Apr.  *aNo Song No 
Supper.  As 16 Apr.  *cReceipts: #248 4s. 6d. (204.0.0; 43.9.6; 0.15.0).  *pcg T
he Crusade.  As 6 May.  *aBarnaby Brittle.  As 2 Dec. 1789, but Jeremy-Blanchard
.  *cBenefit for the Author [of mainpiece, who is named in the Account-Book, but
 not on the playbill].  Receipts: #209 10s. 6d. (204.3.0; 5.7.6; tickets: none l
isted).  *p11 dl True Blue; or, A Bang at the Dons.  Characters-Suett, Dignum, W
illiames, Mrs Crouch.  [Probable cast: True Blue-Suett; Careful-Dignum; Lieutena
nt-Williames; Nancy-Mrs Crouch.]  *aKing Henry the Fifth.  As 1 Oct. 1789, but G
ower-Benson; Scroop-Lyons; Fluellen-Williames; Duke of Gloucester-_; Grey-_; Bat
es-_; Montjoy-_; Governor-_.  *aThe Follies of a Day.  As 7 Nov. 1789, but Count
ess-Mrs Wilson; Agnes-Miss Heard.  *e[+Monologue=.% End 2nd piece: (for this nig
ht only) +The Monster Discovered=-.  *cBenefit for $Mrs Wilson= and $Williames= 
[who is named in the Account-Book, but not on the playbill].  [The monologue ref
ers to a criminal, $Rynwick Williams=, popularly known as "The Monster," who wit
h a knife had recently attacked many women on the streets of +London= (see +An A
uthentic Account of the Barbarities=..($S. Bladon=, 1790); +World=, 5 May, et se
q.).]  +Gazetteer=, 1 and 6 May : Tickets to be had of Williames and Mrs Wilson,
 No. 19, +Great Piazza=, +Covent-garden=.  Receipts: #225 5s. (40.13; 21.14; 2.1
6; tickets: 160.2) (charge: #108 2s. 3d.).  *pcg The Wives Revenged.  Deputy Dim
ity-Quick; Mr Vermilion-Davies; Alderman Tokay-Blanchard; [with% +Old Sly Hodge=
-Blanchard; Mrs Tokay-Mrs Mountain; Mrs Dimity-Miss Stuart; Mrs Vermilion-Mrs Ma
rtyr.  *aThe Female Adventure [+The Female Pursuit=].  Don Lewis-Holman; Gil Bla
s-Bernard; Pedro-Farley; Don Felix-Macready; Don Gabriel-Thompson; Aurora-Mrs Ac
hmet; Isabella-Mrs Bernard; Bernarda-Mrs Pitt; Beatrice-Mrs Powell; Laura-Mrs Ma
rtyr.  *aThe Drummer; or, The Haunted House.  Sir George Trueman-Farren; Tinsel-
Bernard; Vellum-Quick; Abigail-Mrs Pitt; Lady Trueman-Mrs Bernard.  *e[+Monologu
e=.% End I 2nd piece: +A Dissertation on Hobby@Horses= (+The Stateman's Hobby=, 
+The Soldier's Hobby=, +The Fidler's Hobby=, +The Beaux Hobby=, +The Ladies' Hob
by=, +The Monster's Hobby= [see under dl, 11 May], +His own Hobby=)-Bernard.  *c
Benefit for $Mr and Mrs Bernard=.  1st piece: Not acted these 8 years [acted 7 M
ay 1784].  3rd piece: In 2 acts [i.e. abridged from the original 5].  Receipts: 
#243 3s. 6d. (99.4.0; 4.4.6; tickets: 139.15.0).  *phay La Generosita d'Alessand
ro.  As 29 Apr.  *dEnd I: +La Jalousie sans Raison=, as 15 Apr.; End Opera: [a% 
+Divertisement=, as 7 Jan., but Mlle +Dorival.  *p12 dl Much Ado about Nothing. 
 As 3 Feb., but Town@Clerk-_.  *aPiety in Pattens.  Butler-Bannister Jun.; Squir
e-Whitfield; Candy-Miss Tidswell; Polly Pattens-Mrs Crouch; [with a% +song=-Mrs 
Crouch.  *aThe Follies of a Day.  As 7 Nov. 1789, but Marcelina-Mrs Booth; Agnes
-Miss Heard.  *dAs 9 Dec. 1789.  *sAs 9 Dec. 1789.  *cBenefit for Whitfield.  2n
d piece: From $Samuel? Foote=.  +Gazetteer=, 29 Apr.: Tickets to be had of $Whit
field=, No. 19, +Piazza=, +Covent-garden=.  Receipts: #220 5s. 6d. (39.0.0; 18.1
7.6; 2.16.0; tickets: 159.12.0) (charge: #106 19s. 10d.).  *pcg The Crusade.  As
 6 May.  *aLovers' Quarrels.  As 11 Feb., but [advertisement on playbill of 11 M
ay specifies:% Sancho-King; Leonora-Mrs Pope.  *cReceipts: #197 16s. (191.18.6; 
5.17.6).  *p13 dl The Haunted Tower.  As 24 Nov. 1789.  *aThe Romp.  As 13 Mar. 
 *dAs 4 Dec. 1789.  *cReceipts: #247 9s. (219.19; 24.2; 2.8; tickets not come in
: 1.0).  *pcg Lionel and Clarissa; or, The School for Fathers.  Lionel-Johnstone
; Sir John Flowerdale-Hull; Colonel Oldboy-Quick; Harman-Davies; Jenkins-Bannist
er; Jessamy-Mrs Achmet (1st appearance in that character); Diana (1st time)-Mrs 
Warrell; Lady Oldboy-Mrs Webb; Jenny (1st time)-Mrs Martyr; Clarissa-Mrs Mountai
n (1st appearance in that character).  *aCatherine and Petruchio.  As 13 Mar., b
ut Biondello-_; Pedro-_; Bianca-_; Curtis-_.  *sIn: +Sweet Passion of Love=-Mrs 
Mountain; End I afterpiece: +Hark the Lark at Heaven's Gate= (with accompaniment
s by $Dr Arnold=)-Johnstone, Blanchard, Bannister, Mrs Mountain.  *mMainpiece: [
With a new% Overture (for that night only)-Pleyel; End I: (for that night only) 
a +duet= on the violin and tenor-Mme Gautherot, Mountain; End: a +concerto= on t
he violin-Mme Gautherot.  *cBenefit for $Mrs Mountain=.  Mainpiece: Not acted th
ese 7 years.  +Gazetteer=, 7 May: Tickets to be had of Mrs Mountain, No. 9, +Bow
-street=, +Covent-Garden=.  Receipts: #251 11s. 6d. (95.12.6; 4.1.0; tickets: 15
1.18.0).  *phay La Generosita d'Alessandro.  As 29 Apr.  *dEnd I: +Divertisement
=-Labourie, Mlle Hilligsberg; [in which% +Pas Russe=, as 22 Apr.; End Opera: [an
 entire new Pantomimical Dance,% +The Generous Slave=[ +Slave=r (for that night 
only)%-Blake [and see 27 May].  *cBenefit for Blake.  Tickets to be had of $Blak
e=, No. 60, +Haymarket=.  2nd ballet: With entire new scenery painted by $Gaetan
o Marinari=.  *p14 dl The Suspicious Husband.  Mr Strickland-Bensley; Frankly-Wr
oughton; Bellamy-Barrymore; Ranger-Palmer (the only time he will appear this sea
son); Jack Meggot-R. Palmer; Mrs Strickland-Mrs Kemble; Clarinda-Miss Farren; Ja
cintha-Mrs Goodall; Lucetta-Mrs Wilson; Landlady-Mrs Booth.  *aThe Buck's Lodge.
  Most Noble Grand-R. Palmer; Senior Vice Grand-Bannister Jun.; Junior Vice Gran
d-Suett; Noble Bucks-Barrymore, Dignum, Sedgwick, Williames, Haymes, Danby; Secr
etary-Benson; Brothers-Phillimore, Hollingsworth, Banks, Burton, Fawcett, Lyons,
 Maddocks, Webb.  *aThe Lyar.  Sir James Elliot-R. Palmer; Old Wilding-Aickin; Y
oung Wilding-Palmer; Papillion-Burton; Miss Grantham-Mrs Kemble; Miss Godfrey-Mi
ss Barnes; Kitty-Miss Tidswell.  *cBenefit for $R. Palmer=.  2nd piece [1st time
; INT I(?), author unknown; not in +Larpent MS=; not published].  +Public Advert
iser=, 12 May: Tickets to be had of R. Palmer, No. 14, +East Place=, +Lambeth=. 
 Receipts: #302 (104.8.0; 18.16.6; 1.6.6; tickets: 177.9.0) (charge: #106 17s.).
  *pcg The Crusade.  As 6 May.  *aThe Follies of a Day.  As 21 Nov. 1789, but An
tonio-Bernard.  *cReceipts: #193 15s. (188.0; 5.15).  *p15 dl Love in Many Masks
.  As 8 Mar., but Lyons_; Webb_; Maddocks_; Alfred_; Master Gregson_; Master Gri
maldi_; Miss Gawdry_; Fairbrother_; Mrs Hedges_; Mrs Heard_; Miss Tidswell_; Mis
s Barnes_.  *aHarlequin Junior; or, The Magic Cestus.  Characters-Banks, Holling
sworth, Hamoir, Burton, Phillimore, Haymes, Benson, Maddocks, Fawcett, Jones, Al
fred, Master Grimaldi, Miss Blanchet, Mrs Booth, Miss Tidswell; Vocal Parts-Dign
um, Williames, Sedgwick, Danby, Lyons, Miss DeCamp.  [Cast adjusted from playbil
l of 10 Nov. 1788: +Harlequin=r-Banks; +Clown=r-Hollingsworth; +Old Harlequin=r-
Hamoir; +French Gentlemen=r-Burton, Benson; +German Officer=r-Phillimore; +Valet
=r-Haymes; +Miller=r-Maddocks; +Cook=r-Fawcett; +Landlord=r-Jones; +Taylor=r-Alf
red; +Daemon=r-Master Grimaldi; +Magician=r-Dignum; +Officer=r-Williames; +Fairy
=r-Miss Blanchet; +Old Colombine=r-Mrs Booth; +French Lady=r-Miss Tidswell; +Col
ombine=r-Miss DeCamp.]  *c$Mrs Powell= allow'd to bring into the House #40 in Ti
ckets, if any more, the overplus to be paid into the Treasury.  Afterpiece: To c
onclude with the Representation of an Engagement between the $English= and $Span
iards= and the Storming of +Fort Omoa=, in the +Bay of Honduras= [on 26 Oct. 177
9].  Receipts: #137 16s. 6d. (61.14.0; 21.3.6; 2.1.0; tickets: 52.18.0).  *pcg O
thello.  As 16 Oct. 1789, but Duke-Cubitt.  *aThe Poor Soldier.  As 9 Oct. 1789.
  *cBeneift for $Fennell=.  Receipts: #200 6s. (111.3.6; 2.3.6; tickets: 86.19.0
).  *phay La Generosita d'Alessandro.  As 29 Apr.  *dEnd I: +Divertisement=, as 
11 May; [with% +Pas Russe=, as 22 Apr.; End Opera: +La Jalousie sans Raison=, as
 15 Apr.  *p17 dl The Rivals.  As 14 Apr.  *aNo Song No Supper.  As 16 Apr.  *cR
eceipts: #222 0s. 6d. (174.18.0; 46.3.6; 0.19.0).  *pcg The Crusade.  As 6 May. 
 *aThe Child of Nature.  As 6 Oct. 1789. [+Epilogue= as 28 Jan.%  *cReceipts: #1
70 1s. 6d. (164.2.0; 5.19.6).  *p18 dl All in the Wrong.  Sir John Restless-Wrou
ghton; Beverley-Kemble; Sir William Belmont-Phillimore; Young Belmont-Barrymore;
 Mr Blandford-Packer; Robert-Waldron; Brush-Burton; Lady Restless-Mrs Ward; Beli
nda-Miss Farren; Clarissa-Miss Collins; Tattle-Mrs Wilson; Tippet-Miss Barnes; M
armalet-Miss Tidswell.  *aTaste; or, Frolicks of Fancy.  +Prologue= [to +Barbaro
ssa=] (as a Country Boy, from $D. Garrick=, Esq.)-Bannister Jun.; +The Lark at H
eaven's Gate=-Dignum, Williames, Danby, Miss Romanzini; A +Dance=-the young D'Eg
villes, Miss Blanchet, Miss DeCamp.  *aArthur and Emmeline.  As 30 Apr.  *e[+Mon
ologue=. %Previous: +British Loyalty=, as 23 Apr.; to conclude with: +God save t
he King=-Dignum, Williames, Danby.  *cBenefit for $Mrs Ward=.  2nd piece [1st ti
me; INT 1].  Receipts: #247 15s. 6d. (40.8.0; 17.2.0; 1.1.6; tickets: 189.4.0) (
charge: #114 17s. 6d.).  *pcg Such Things Are.  Twineall-Lewis; Sir Luke Tremor-
Quick; Sultan-Farren; Elvirus-Holman; Lord Flint-Davies; Meanwight-Macready; Zad
an-Powel; Keeper-Thompson; Haswell-Hull; Lady Tremor-Mrs Mattocks; Aurelia-Mrs M
ountain; Female Captive-Mrs Pope; +Original Epilogue=-Mrs Mattocks.  *aThe Engli
shman in Paris.  As 7 Apr., but [+Lucinda=r with% a +Minuet=, +Song=-Mrs Mattock
s.  *sEnd II: +The Memorable 13th of September=[; or, +The Defeat of the Spaniar
ds before Gibraltar=%-Bannister.  *e[+Monologue=. %End: A Monody to the Memory o
f [that distinguished Philanthropist,% John Howard Esquire [on whom the characte
r of +Haswell=r was founded]-Mrs Pope[, in the character of a +Female Captive=r%
.  *cBenefit for $Hull=.  [Epilogue by $Miles Peter Andrews=.  Monody by $Robert
 Merry= (+European Magazine=, May 1790, p. 390).]  +Gazetteer=, 11 May: Tickets 
to be had of Hull, No. 31, +Bow-street=, +Covent-Garden=.  Receipts: #168 6s. (8
7.8; 7.9; tickets: 73.9).  *phay La Generosita d'Alessandro.  As 29 Apr.  *dEnd 
I: +La Jalousie sans Raison=, as 15 Apr.; End Opera: +Divertisement=, as 15 May.
  *cThe Doors to be opened at 6:30.  To begin at 8:00 [same for rest of season].
  *p19 dl Know Your Own Mind.  As 7 May, but Millamour-Wroughton.  *aPiety in Pa
ttens.  As 12 May, but +song=-_.  *aThe Quaker.  As 23 Dec. 1789, but Steady (1s
t time)-Sedgwick.  *sEnd II: +The Lass of Richmond Hill= (composed by $Hook=)-Di
gnum; End IV: +The Greenwich Pensioner=-Dignum; End: +Poor Jack=-Dignum.  *cBene
fit for Dignum.  +Diary=, 17 May: Tickets to be had of $Dignum=, the corner of +
Leigh-street=, +Red Lyon-square=.  Receipts: #323 19s. (31.14.0; 8.2.6; 0.12.6; 
tickets: 283.10.0) (charge: #105 16s.).  *pcg The Crusade.  As 6 May.  *aThe Mid
night Hour.  As 24 Oct. 1789, but Sebastian-Blanchard.  *cReceipts: #167 1s. (16
3.7; 3.14).  *p20 dl The Inconstant.  As 5 Nov. 1789, but Bravoes-_.  *aThe Cour
t of Apollo [i.e. +The Sons of Anacreon=].  President-R. Palmer; [In which (for 
that night only)% +The Anacreontic Song=-Sedgwick; [following glees:% +Now is th
e Month of Maying= ($Morley=), +Could a Man be Secure= ($Goodwin=)-Dignum, Sedgw
ick; +Sigh no more Ladies= ($Stevens=), +Poor Jack= ($Dibdin=)-Dignum; +Welcome 
the Covert= ($Mellish=), +Here's a Health to all good Lasses=, +Wake Sons of Odi
n= ($Stevens=)-Sedgwick; +Sing Old Rose and Burn the Bellows=-.  *aComus.  As 21
 Oct. 1789, but Comus-Sedgwick (1st appearance in that character); Spirit-Haymes
; Bacchanals-_Sedgwick; Bacchants-Miss _Barnes, Mrs _Shaw.  *cBenefit for $Sedgw
ick=.  +Public Advertiser=, 19 May: Tickets to be had of Sedgwick, No. 66, +St. 
Martin's Lane=.  Receipts: #218 5s. (47.12.0; 19.19.6; 1.12.6; tickets: 149.1.0)
 (charge: #110 9s. 2d.).  *pcg The Dramatist.  As 14 Oct. 1789.  *aThe Highland 
Reel.  As 24 Apr.  *dAs 17 Apr.  *e[+Monologue=. %Original +Prologue to the Inst
itution= [of the Theatrical Fund]-Holman.  *cBenefit for a Fund for the Relief o
f those who, from their Infirmities, shall be obliged to retire from the Stage. 
 [Prologue by Thomas Hull.]  +Gazetteer=, 19 May: Tickets to be had of $Hull=, T
reasurer to the Institution, No. 31, +Bow-street=, +Covent-Garden=.  The Fund at
 +Covent Garden Theatre= was instituted in the Year 1765, and confirmed by Act o
f +Parliament=, 1776.  It has been almost entirely supported by the weekly Contr
ibutions of the respective Members, and no Application has been made ot the Publ
ic towards its Increase for the space of 19 Years.  Notwithstanding the utmost O
economy has been practised to promote the Advancement of this Fund, the whole ca
pital Sum hitherto amassed is now become so inadequate to the unavoidable annual
 Disbursements that the Committee hold it incumbent on them to solicit the Patro
nage and Encouragement of the Public, at the within specified Performance.  "The
 capital of this fund, invested in various stocks, amounted to #27,710 in the ye
ar 1824" ($Brayley=, 14).  Receipts: #128 11s. (104.15; 15.16; tickets: 8.0).  *
phay Ninetta.  As 7 Jan.  *dEnd I: +Les Mariages Flamands=, as 13 Feb., but Mlle
 +Dorival, [in place of% Mlle _de'Caro; End Opera: +La Jalousie sans Raison=, as
 25 Mar.  *cBenefit for Mlle Dorival.  Tickets to be had of $Mlle Dorival=, No. 
36, +St. Martin's-street=.  *p21 dl A Trip to Scarborough.  As 15 Feb., but Shoe
maker-_; Taylor-_; Hosier-_; Jeweller-_.  *aThe Devil to Pay.  As 2 Mar.  *dAs 8
 Mar.  *cBenefit for $Fosbrook=, box-book and house-keeper.  Receipts: #320 17s.
 (45.3; 15.5; 1.7; tickets: 259.2) (charge: #117 10s. 2d.).  *pcg The Crusade.  
As 6 May.  *a[The %Drummer.  As 11 May, but Phantom-Cubitt.  *cReceipts: #171 1s
. 6d. (165.8.0; 5.13.6).  *phay L'Usurpator Innocente.  As 6 Apr.  *dAs 18 May. 
 *p22 none +Whitsun Eve=.  *p24 dl The Rivals.  As 14 Apr.  *aNo Song No Supper.
  As 16 Apr.  *cReceipts: #240 9s. (197.0.0; 42.5.6; 1.3.6).  *pcg All for Love;
 or, The World Well Lost.  Marc Antony (+Emperor of Rome=r)-Holman; Ventidius (t
he +Roman General=r)-Harley (Their 1st appearance in those characters); Dollabel
la-Farren; Alexas-Davies; Serapion (+Priest of Isis=r)-Hull; Cleopatra (+Queen o
f Egypt=r)-Miss Brunton; Octavia (for that night only)-Mrs Pope (Their 1st appea
rance in those characters).  *aAn Harmonic Festival.  [In which the Performers o
f the +Concert of Ancient Music= have obligingly offered their Assistance.%  +Th
e Wooden Walls of Old England= (composed by $Reeve=)-Darley; +As I saw fair Clor
a=-Johnstone, Bannister; +September 13th=[; or, +The Siege of Gibraltar=%-Bannis
ter; +Poor Thomas Day=-Edwin, Blanchard, Bannister; +How stands the glass around
=-Johnstone; +Bless the true Church and save the King=- (composed by $Handel=). 
 *aRosina.  As 27 Mar., but Rustic-_; Irish Haymaker-_.  *sEnd II: a +Nicketerot
ion at the Meeting of Antony and Cleopatra=-; Vocal Parts-Bannister, Johnstone, 
Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain.  *d[With %+Gra
nd Dance=-Byrne, the two Miss Simonets.  *cBenefit for Wild.  1st piece: Not act
ed these 12 years. [acted 23 Feb. 1784].  2nd piece [1st time; M. INT 1].  +Morn
ing Herald=, 20 May: Tickets to be had of $Wild=, No. 34, +Long-acre=.  Receipts
: #274 12s. (149.10; 9.7; tickets: 115.15).  *p25 dl The Heiress.  As 26 Sept. 1
789.  *aTrue Blue.  As 11 May, but Characters-Mrs _Crouch, Miss +Hagley.  *aThe 
Quaker.  As 19 May, but Solomon (1st time)-Burton; Easy-Maddocks.  *sEnd IV: +Th
e Lass of Richmond Hill=-Dignum.  *cBenefit for $Burton=, $Haymes= & $Miss Hagle
y=.  +Diary=, 17 May: Tickets to be had of Haymes, No. 2, +Broadway=, +Blackfria
rs= [others not listed].  Receipts: #222 (32.5; 14.1; 1.19; tickets: 173.15) (ch
arge: #106 7s. 6d.).  *pcg The Crusade.  As 6 May.  *aThe Death of Captain Cook.
  As 21 Sept. 1789.  *aThe Intriguing Chambermaid.  As 23 Feb.  *cReceipts: #224
 5s. 6d. (217.16.6; 6.9.0).  *phay L'Usurpator Innocente.  As 6 Apr.  *dEnd I: +
Les Mariages Flamands=, as 13 Feb., but Mlle +Ferrere; End Opera: +La Bergere de
s Alpes=, as 7 Jan., but Mlle +Ferrere, Mlle _Dorival.  *p26 dl She Stoops to Co
nquer; or, The Mistakes of a Night.  Sir Charles Marlow-Packer; Young Marlow-Kem
ble; Hardcastle-Suett; Hastings-Barrymore; Tony Lumpkin-Bannister Jun.; Mrs Hard
castle-Mrs Hopkins; Miss Hardcastle-Mrs Henry; Miss Nevil-Mrs Powell; Maid-Mrs S
haw [Edition of 1799 (For the Proprietors) adds: +Diggory=r-$Burton=%.  *aThe Is
land of St. Marguerite.  See 5 Feb.  *dEnd II: As 8 Mar.  *cBenefit for Mrs Henr
y.  [As afterpiece the playbill announces +Arthur and Emmeline=, but it was not 
acted.  +Kemble Mem.= lists the substitute play.]  +Diary=, 24 May: Tickets to b
e had of $Mrs Henry=, +Bruton-street=, +Berkeley-square=.  Receipts: #153 12s. (
38.6; 21.2; 0.19; tickets: 93.5) (charge: #111 13s. 9d.).  *pcg The Lying Valet.
  Sharp-Blanchard; Gayless-Davies; Justice Guttle-Powel; Melissa-Miss Chapman; K
itty Pry-Mrs Delpini (2nd appearance on this stage).  *aThe Poor Soldier.  As 9 
Oct. 1789, but Bagatelle (with additional +songs=)-Delpini (1st appearance in th
at character).  *aHarlequin's Chaplet.  As 5 Apr. [but omitted: Additional Scene
.%  *dPreceding: As 13 Nov. 1789.  *cBenefit for $Delpini=.  [$Mrs Delpini='s 1s
t appearance at this theatre was on 28 May 1789.]  +Public Advertiser=, 26 May: 
Tickets to be had of Delpini, No. 17, +Tavistock-street=, +Covent Garden=.  Rece
ipts: #285 2s. (153.2.6; 5.9.6; tickets: 126.10.0).  *p27 dl The Belle's Stratag
em.  As 7 Apr., but [$Whitfield='s and Phillimore's names listed in playbill% Vi
llers-Phillimore; Letitia Hardy-Mrs Goodall; Gentlemen-_; Mountebank-_; French S
ervant-_; Porter-_; Dick-_; Gibson-_; Saville's Servant-_; Tradesman-_.  *aPiety
 in Pattens.  As 19 May.  *aMiss in her Teens.  Captain Lovewit-Whitfield; Fribb
le-R. Palmer; Flash-Barrymore; Puff-Suett; Jasper-Phillimore; Miss Biddy (with +
songs=)-Miss Barnes; Tag-Miss Tidswell.  *sIn course: a +song=-Miss Barnes; +The
 Greenwich Pensioner=-Dignum.  *e[+Vaudeville=.% End: an +Epilogue= [in the char
acter of +Harlequin=r%-Banks.  *cBenefit for $Phillimore=, $Miss Tidswell= & $Mi
ss Barnes=. +Diary=, 24 May: Tickets to be had of Phillimore, +Little Russel-str
eet=; of Miss Tidswell, No. 8, +Martlet-court=, +Bow-street=; of Miss Barnes, No
. 23, +Clare-street=, +Clare Market=.  Receipts: #217 18s. (32.13; 21.14; 0.10; 
tickets: 163.1) (charge: #105 17s. 1d.).  *pcg The Beaux Stratagem.  As 16 Sept.
 1789.  *aLove in a Camp.  As 27 Feb.  *dEnd: +A Dance of Jockies=-Ratchford, Bl
urton, Jackson, Miller, Mrs Ratchford.  *cAccount-Book: Tickets delivered by $Do
sel=, $Ledger=, $Blurton=, $Rock=, $Evatt=, $Farley=, $Ratchford=, $Jackson=, $P
ainter=, $Lee=, $Letteney=, $Miss Rowson=, $Mrs Lefevre=, $Miss McGeorge=, $Mrs 
Masters=, $Mrs Gray=, $Mrs Loyde=, $Mrs Davenett=, $Mrs Byrne= will be admitted.
  Receipts: #393 10s. 6d. (53.9.0; 6.0.6; tickets: 334.1.0).  *phay Gli Schiavi 
per Amore.  Principal Characters-Borselli, Costa, Torregiani, Sga Borselli, Sga 
Del'Acqua, Sga Sestini.  [Libretto ($D. Stuart=, 1787) lists the parts: +Bastian
o Ammazzagatte=r, +Mons. Perruque=r, +Don Berlicco=r, +Gelinda=r, +Mlle Neri=r, 
+Mlle Pate=r.]  *dEnd I: +Divertisement=, as 15 May; End Opera: +The Generous Sl
ave=-Blake [see 13 May], Duquesney, Labourie, Mlle de'Caro, Mlle Dorival, Mlle H
illigsberg.  *cBenefit for $Sga Sestini=.  Opera: Not acted these 3 years [acted
 26 June 1788].  A Comic Opera; the Music by $Paisiello=.  Under the direction o
f $Federici=.  Tickets, 10s. 6d. each, to be had of Sga Sestini, No. 17, +Mount-
street=, +Berkley-square=.  *p28 dl Oroonoko.  As 31 Oct. 1789, but Oroonoko-Whi
tfield; Governor-Benson; Captain Driver-Fawcett; Jack Stanmore-Haymes; 1st Plant
er-Maddocks; Widow Lackit-Mrs Hedges; Charlotte Weldon-Mrs Wilson; 3rd Planter-_
.  *aThe Doctor and the Apothecary.  As 24 Oct. 1789, but Shopman-Lyons.  *dAs 8
 Mar.  *sEnd II: +The Greenwich Pensioner=-Dignum; End IV: +Poor Jack=-Dignum.  
*cBenefit for $Fawcett= and $Mrs Hedges=.  Receipts: #195 15s. (20.16; 12.2; 1.4
; tickets: 161.13) (charge: #109 15s. 4d.).  *pcg The Crusade.  As 6 May.  *aFlo
rizel and Perdita.  As 11 Feb., but Autolicus-Blanchard.  *dAs 17 Apr.  *cReceip
ts: #177 11s. (171.6; 6.5).  *phay Andromache [recte +Andromaca=].  Pyrrhus-Marc
hesi; Andromache-Mme Mara.  [For full cast see 29 May.]  *dEnd I: +Divertisement
=, as 13 May; End Opera: +The Generous Slave=-Blake [see 13 May], Mlle Hilligsbe
rg.  *cBenefit for Mme Mara.  A new Serious Opera.  Under the direction of $Fede
rici=.  Tickets to be had of $Mme Mara= at her house, No. 8, +Golden-square=.  *
p29 dl The Beaux Stratagem.  As 21 Nov. 1789, but Hounslow-Alfred; Bagshot-Webb;
 Lady Bountiful-Mrs Hopkins; Gipsey-Miss Tidswell.  *aThe Humourist.  As 25 Nov.
 1789.  *dAs 21 Nov. 1789.  *cAccount-Book: Tickets delivered by $Bayne=, $Gille
s=, $Standen=, $Gardiner=, $Purser=, $Sherratt=, $Thompson=, $Mrs Scott=, $Pilsb
ury=, $Henderson=, $Gillett=, $Kirk=, $Master Gregson= will be admitted.  Receip
ts: #48 4s. (28.17.0; 17.12.6; 1.14.6; tickets: none listed).  *pcg The Recruiti
ng Officer.  As 25 Feb.  *aThe Highland Reel.  As 24 Apr.  *cTickets delivered f
or +The Merry Wives of Windsor= will be admitted.  Account-Book: Tickets deliver
ed by $Bourrelier=, $Shuter=, $Simmons=, $Strahan=, $Luxmore=, $Walker=, $Saby=,
 $Atkins=, $Young=, $Curteen=, $Hall= [box-keeper], $Hill=, $Combes=, $Heathcot=
, $W. Ansell= will be admitted.  Receipts: #349 15s. (57.6; 5.16; tickets: 286.1
3).  *phay Andromaca.  [Principal Characters by Marchesi, Benigni, Costa, Torreg
iani, Sga Borselli, Mme Mara.  [Cast from libretto ($Hammond= and $Cane= [1790]:
% Pirro-Luigi Marchesi; Pilade-Benigni; Oreste-Costa; Clearte-Torregiani; Ermion
e-Sga Borselli; Andromaca-Mme Mara.  *dEnd I: +Divertisement=, as 15 May, but Ml
le _Dorival, Mlle +Ferrere; End Opera: +The Generous Slave=, as 27 May.  *p31 dl
 The Strangers at Home.  Aldobrand-Suett; Regnalto-Williames; Octavio-Dignum; Mo
ntano (with additional +songs=)-Kelly; Fabio-Phillimore; Firelock-Sedgwick; Lawr
ence-Bannister Jun.; Roberto-Webb; Viola-Mrs Crouch; Laura (1st time)-Miss Hagle
y; Alice-Mrs Edwards; Rosa (1st time)-Miss Romanzini.  *aPiety in Pattens.  As 1
9 May.  *aThe Adventurers.  As 18 Mar.  *sIn course Evening: +Rosy Bowers= (comp
osed by $Purcell=)-Mrs Crouch.  *cBenefit for $Spencer= and $Nix=.  1st piece: S
ome of the Music compiled from the best Masters.  The rest of the Music, the Ove
rture, Accompaniments, &c. by $Linley? Sen.=.  Receipts: #252 4s. 6d. (44.17.0; 
27.0.0; 3.11.6; tickets: 176.16.0) (charge: #110 11s. 10d.).  *pcg The Chapter o
f Accidents.  Woodville-Lewis; Lord Glenmore-Aickin; Grey-Hull; Vane-Bernard; Go
vernor Harcourt-Powel; Captain Harcourt-Davies; Jacob-Edwin; Bridget-Mrs Wells; 
Miss Mortimer-Miss Chapman; Warner-Mrs Davenett; Cecilia-Miss Brunton.  *aHarleq
uin's Chaplet.  As 26 May, but Farmer (with +Come Roger and Nell=)-Davies.  *sEn
d: As 7 Apr.  *cBenefit for $Brandon=, box-book and house-keeper.  Receipts: #38
2 16s. 6d. (92.0.0; 11.15.6; tickets: 279.1.0).  *p6 1 dl The Runaway.  Mr Hargr
ave-Moody; George Hargrave-Barrymore; Mr  Drummond-Benson; Sir Charles Seymour-W
hitfield; Mr Morley-Aickin; Justice-Waldron; Jarvis-R. Palmer; Lady Dinah-Mrs Ho
kpins; Bella-Mrs Goodall; Emily-Miss Collins; Harriet-Mrs Kemble; Susan-Mrs Wils
on.  *aThe Gentle Shepherd.  Patie-Kelly; Roger-Dignum; Symon-Moody; Sir William
 Worthy-Aickin; Glaud-Suett; Bauldy-Dodd; Jenny-Miss Romanzini; Mause-Mrs Love; 
Madge-Mrs Booth; Peggy-Mrs Crouch.  *dEnd: +L'Amour au Rende'vous=[; or, +The Co
nflict of Love=, in which will be displayed the Customs of the +American Indians
=, to conclude with the +War Dance=,%-the young D'Egvilles, Miss Blanchet, Miss 
D'Egville, Miss DeCamp; End I afterpiece: +A Highland Reel=-the young D'Egvilles
, Miss Blanchet, Miss DeCamp.  *cBenefit for the $young D'Egvilles=, $Johnston= 
& $Dale=.  Receipts: #233 1s. 6d. (24.12.0; 15.15.6; 0.16.0; tickets: 191.18.0) 
(charge: #108 7s. 11d.).  *pcg The Ladies' Frolick.  Justice Clack-Quick; Oliver
-Blanchard; Springlove-Bernard; Vincent-Warrell (1st appearance on this stage); 
Hilliard-Davies; Oldrents-Powel; Hearty-Darley; Meriel-Mrs Martyr; Amie-Miss Row
son; Rachel-Mrs Warrell.  *aThe Comedy of Errors.  As 7 Apr.  *aThe Flitch of Ba
con.  As 18 Mar., but Captain Wilson-Darley; Justice Benbow-_; Kilderkin-_; Ned-
_; Putty-_.  *dEnd I: +Crutch Dance=-Byrne, Mrs Goodwin.  *sIn course: [$Dr Haye
s='s% +New Highland Laddie=-Mrs Warrell; Between the acts 2nd piece: +Alone by t
he Light of the Moon=-Darley.  *cBenefit for $Mrs Warrell= and $Darley=.  1st pi
ece: Not acted these 10 years [never previously acted at this theatre.  Warrell 
was from the +Bath= theatre].  Receipts: #216 12s. (76.18; 4.15; tickets: 134.19
).  *phay L'Usurpator Innocente.  As 6 Apr.  *dEnd I: +Divertisement=, as 29 May
; End Opera: +The Generous Slave=, as 27 May, but Mlle +Ferrere, Mlle _Dorival. 
 *p2 dl The West Indian.  As 18 Nov. 1789, but Captain Dudley-Maddocks; Lucy-Mrs
 Heard; Stukely-Benson.  *aThe First Floor.  As 12 Sept. 1789, but Landlord-Madd
ocks; Snap-Webb.  *dEnd III: +Hornpipe=-Whittow; End: +Minuet de la Cour=-Mr and
 Mrs Brigg; [in which% +Codrile=-; [to conclude with a% +Scotch Reel=-Whittow.  
*cAccount-Book: Tickets delivered by $Appleby=, $Bourk=, $Brigg=, $Daglish=, $Ed
win=, $Fox=, $Jones=, $Maddocks=, $Smith=, $Walker=, $Harris=, $Webb= will be ad
mitted.  Receipts: #56 5s. (28.7; 27.18; 0.0; tickets: none listed).  *pcg Hamle
t.  As 16 Nov. 1789, but King-Hull; Ophelia (with the original +airs=)-Mrs Billi
ngton (1st appearance in that character).  *aMarian.  As 21 Nov. 1789, but Olive
r-_.  *sIn: +Mad Bess= (composed by $Purcell=)-Mrs Billington; accompanied-Knyve
tt; In afterpiece: +Sweet Bird= (from +L'Allegro il Penseroso=, by $Handel=)-Mrs
 Billington; accompanied on the violin (for that night only)-Weichsel.  *cBenefi
t for Mrs Billington.  +Gazetteer=, 11 May: Tickets to be had of $Mrs Billington
=, No. 53, +Poland-street=.  Receipts: #351 9s. 6d. (261.1.6; 1.5.0; tickets: 89
.3.0).  *p3 dl The Two Gentlemen of Verona.  As 15 Jan., but Panthion-Lyons; Out
laws-Phillimore, Burton, Webb, Jones.  *aThe Quaker.  As 19 May.  *dAs 8 Mar.  *
sIn IV: a +Serenade=-Dignum; End: +Poor Jack=-Dignum.  *cBenefit for $Portal=, $
Shade=, $Hicks= & $W. Purser=, +Kemble Mem.=: Benefit the Box-keepers.  Receipts
: #343 10s. (22.13.0; 5.13.6; 1.2.6; tickets: 314.1.0) (charge: #106 19s.).  *pc
g Love in a Village.  As 20 Oct. 1789, but Young Meadows-Duffey (1st appearance 
in that character); a +song= [by $Giordani=%-Duffey; accompaniments-Carter; Rose
tta-Mrs Warrell (1st appearance in that character).  *aThe Follies of a Day.  As
 21 Nov. 1789.  *sEnd I afterpiece: +Tho' Bacchus may boast= (composed by $Shiel
d=)-Duffey; End II: +Mad Tom= (composed by $Purcell=)-Duffey.  *cBenefit for Duf
fey and $Cox=.  +Diary=, 3 June: Tickets to be had of $Duffey=, No. 115, +St. Ma
rtin's Lane= [$Cox= not listed].  Receipts: #315 10s. 6d. (94.12.0; 6.3.6; ticke
ts: 214.15.0).  *phay Il Barbiere di Siviglia; or, The Spanish Barber.  Count Al
maviva-Kelly (of +dl=); Figaro-Borselli; Don Basilio-Torregiani; Don Bartolo-Ner
i; Giovinetto-Benigni; Rosina-Sga Storace.  *dEnd I: +La Bergere des Alpes=, as 
25 May; End Opera: +Divertisement=, as 29 May.  *cA Comic Opera; the Music by $P
aisiello=.  *p4 dl The Hypocrite.  As 2 Dec. 1789, but Maw@worm-Suett; Charlotte
-Mrs Goodall; Officer-_; Servant-_; Betty-_.  *aThe Apprentice.  As 17 Dec. 1789
, but Scotchman-Banks; Irishman-Phillimore; Catchpole-Maddocks; Watchman-_; Port
er-_; Spouters-_.  *dAs 8 Mar.  *cBenefit for $Wood=, $Cameron=, $Percey=, $Geor
ge=, $Woollams=.  Receipts: #272 12s. (13.4.0; 7.11.6; 2.6.6; tickets: 249.10.0)
 (charge: #105 19s. 10d.).  *pcg Annette and Lubin.  As 21 Apr.  *aThe Dramatist
.  As 14 Oct. 1789.  *aNootka Sound; or, Britain Prepar'd.  [Principal Vocal and
 Speaking Characters by Bannister, Ryder, Blanchard, Davies, Bernard, Darley, Ro
ck, Reeve, Powel, Mrs Mountain, Mrs Martyr; Pantomimic Part and Dances by Byrne,
 Boyce, Cranfield, Farley, Evatt, Egan, Ratchford, Delpini, Mrs Watts, Mrs Ratch
ford, Miss Rowson, Miss Francis, the Miss Simonets; Cast from +Larpent MS=:% Cap
tain Briton-Bannister; Drunken Taylor-Ryder; Foremast, Cartouch-Blanchard; Lieut
enant-Davies; Pipes, Capstern-Bernard; O'Shaughnessy-Rock; Export-Powel; Decoy R
ecruit-Noble; Dapperwit-C. Powell; Sir John Breehold-Thompson; Landlady-Mrs Moun
tain; Eliza-Mrs Martyr; unassigned-Darley, Reeve.  *c3rd piece [1st time; M. ENT
 1, $James Byrne=.  +Larpent MS 872=; not published]: With new and selected Musi
c and Songs; Scenes and Decorations.  Books of the Songs to be had at the Theatr
e.  Receipts: #150 2s. (141.3; 8.19).  *p5 dl The Belle's Stratagem.  As 27 May,
 but Villers-Benson; Silvertongue-Webb.  *aThe Irish Widow.  As 13 Feb., but Wid
ow Brady (with the +Epilogue Song=)-Mrs Williames (late $Mrs Wilson=).  *dEnd I 
afterpiece: +The Irish Bird Catchers=, as 23 Jan.  *cBenefit for $Carleton=, $Wi
lson=, $J. Shade= & $Gibson=.  Tickets delivered for +Tit for Tat= will be admit
ted.  Account-Book, July [et seq.]: Paid 209 Renters #20 6s. apiece.  The Last T
ime of the Company's Performing this Season.  Receipts: #253 2s. (20.1.0; 6.10.6
; 0.14.6; tickets: 225.16.0) (charge: #106 0s. 4d.).  *pcg The Crusade.  As 6 Ma
y.  *aNootka Sound.  As 4 June.  *cReceipts: #155 16s. (151.1; 4.15).  *phay La 
Generosita d'Alessandro.  As 29 Apr.  *dAs 1 June.  *c[Opera in place of +Il Bar
biere di Siviglia=, advertised in +World=, 4 June.]  *p7 cg Hamlet.  As 2 June. 
 *aNootka Sound.  As 4 June.  *sIn: +Mad Bess=, as 2 June.  *cReceipts: #139 11s
. 6d. (137.5.0; 2.6.6).  *p8 cg The Suspicious Husband.  As 31 Dec. 1789.  *aLov
e and War.  As 21 Oct. 1789.  *cTickets delivered for +King Lear= will be admitt
ed.  Account-Book: Tickets delivered by $Mrs Lampe=, $Clarke=, $Plank=, $Linton=
, $Mrs Booth=, $Brandon=, $Longley=, $Dalby=, $Furkins=, $Pilbrow=, $Anselmo=, $
Byrne=, $Copland=, $Rye=, $Jealous=, $Pugh=, $Berecloth=, $the Band= will be adm
itted.  Receipts: #405 5s. (69.12; 6.7; tickets: 329.6).  *phay Andromaca.  As 2
9 May, but Mussini.  *dAs 1 June.  *p9 cg The Crusade.  As 6 May.  *aNootka Soun
d.  As 4 June.  *cReceipts: #158 12s. (150.18; 7.14).  *p10 cg Nootka Sound.  As
 4 June.  *aThe Comedy of Errors.  As 1 June.  *aHarlequin's Chaplet.  As 26 May
.  *cBenefit for $Cubitt=, $Macready=, $Thompson= & $Boyce=.  Receipts: #258 13s
. (87.6.6; 8.4.6; tickets: 163.2.0).  *phay Il Barbiere di Siviglia.  As 3 June.
  *dAs 3 June.  *sIn Opera: +Occhiette Furbetti=[, from +La Villanella Rapita=%-
Borselli, Sga Storace.  *p11 cg Rosina.  As 27 Mar.  *aAnimal Magnetism.  As 20 
Oct. 1789, but +Public Advertiser= assigns Constance-Mrs Rock.  *aThe Farmer.  A
s 27 Jan.  *cReceipts: #117 14s. 6d. (102.19.0; 14.15.6) .  *p12 cg The Wives Re
venged.  As 11 May, but +Old Sly Hodge=-_.  *aThe Female Adventure.  As 29 Apr. 
[+Epilogue= as 29 Apr.%  *aThe Highland Reel.  As 24 Apr.  *cAccount-Book: Ticke
ts delivered by $Robson=[door-keeper], $Iredale=, $Doe=, $McDonald=, $Green=, $S
avery=, $Dosel=, $Clarridge=, $Wilkins=, $Mott=, $Rolls=, $Wyatt=, $Hall= [carpe
nter], $Noble=, $Robson= [music porter], $Mrs Harris=, $Rock=, $Egan= will be ad
mitted. Receipts: #364 4s. (45.19.6; 5.4.6; tickets: 313.0.0).  *phay La Generos
ita d'Alessandro.  As 29 Apr.  *dEnd I: +La Bergere des Alpes=, as 25 May; End O
pera: +Les Mariages Flamands=, as 27 Feb.  *cThe Manager most respectfully infor
ms the Subscribers and the Public that the Operas end this evening at this Theat
re, and will open on Tuesday next the 15th at +Covent-Garden Theatre=, to perfor
m the remainder of the Subscription Nights.  At which Theatre the Manager has ca
refully arranged every Box to accomodate the Subscribers according to the plan o
f the present Opera season.  *p14 cg The Crusade.  As 6 May.  *aNootka Sound.  A
s 4 June.  *cThe Last night of performing this Season.  Account-Book, 18 June: P
aid $Mrs Achmet= in lieu of a Benefit #50.  Receipts: #99 4s. 6d. (95.18.0; 3.6.
6).  *phay The Married Man.  Lord Lovemore-R. Palmer; Sir John Classick-Banniste
r Jun.; Mr Classick-Aickin; Mr Tradewell Classick-Kemble; Dorimant-Williamson; W
illiam-Barrett; Lady Classick-Mrs Kemble; Emily-Mrs Brooks; Lucy-Mrs Whitfield. 
 *aHalf an Hour after Supper.  Mr Sturdy-Kemble; Bentley-Williamson; Captain Ber
ry-Iliff; Frank-Barrett; Miss Tabitha-Mrs Webb; Mrs Sturdy-Mrs Powell; Miss Eliz
a Sturdy-Miss Heard; Nanny-Miss Prideaux; Miss Sukey-Mrs Taylor.  *aThe Minor.  
Shift, Smirk, Mrs Cole-Bannister Jun.; Sir William Wealthy-Baddeley; Loader-R. P
almer; Mr Richard Wealthy-Usher; Dick-Burton; The Minor-Iliff; Lucy-Miss Heard. 
 *e[+Monologue=.% Before: +Occasional Address=-Bensley.  *cBoxes 5s. Pit 3s. 1st
 Gallery 2s. 2nd Gallery 1s.  Places for the Boxes to be taken of $Rice= at the 
Theatre.  The Doors to be opened at 6:00, and begin at 7:00 [same throughout sea
son].  [Address by $George Colman, ynger= (+London Chronicle=, 21 June).]  *p15 
hay The Battle of Hexham; or, Days of Old.  Marquis of Montague-Cubitt; Duke of 
Somerset-Evatt; Egbert-Iliff; La Varenne-Williamson; Prince of Wales-Miss Gaudry
; Gondibert-Bannister Jun.; Barton-Aickin; Gregory Gubbins-Edwin; Fool-R. Palmer
; Corporal-Baddeley; Drummer-Moss; Fifer-Barrett; Soldiers-Usher, Ledger, Vincen
t, Shaw; Robbers-Bannister, Davies, Chapman, Abbott; Villagers-Burton, Painter, 
Lyons, Mrs Bannister, Mrs Iliff, Mrs Taylor, Mrs Edwards; Queen Margaret-Mrs Kem
ble; Adeline-Mrs Goodall.  *aThe Author.  Cadwallader-Bannister; Sprightly-Iliff
; Governor Cape-Usher; Robin-Chapman; Printer's Devil-Burton; Young Cape-R. Palm
er; Arabella-Mrs Cuyler; Mrs Cadwallader-Mrs Wells (1st appearance on this stage
 these 4 years).  *e[+Monologue=.% End: As 14 June.  *pcg Andromaca.  As 8 June 
[at +hay=%.  *dEnd I: +Les Mariages Flamands=, as 27 Feb. [at +hay=%; End Opera:
 +The Generous Slave=, as 27 May [at +hay=%.  *p16 cg The Country Girl.  Moody-W
roughton; Harcourt-Benson; Belville-Egan; Country Boy-Letteney; Servant-Macdonal
d; Sparkish (with a +song=)-Dodd; Alithea-Miss Collins; Lucy-Mrs Hedges; The Cou
ntry Girl-Mrs Jordan (1st appearance on this stage).  *aThe Quaker.  Lubin-Meado
ws (late of the +hay=); Solomon-Quick; Steady-Sedgwick; Floretta-Mrs Martyr; Cec
ily-Mrs Davenett; Gillian-Mrs Crouch.  *c[Extra night] Benefit for the $Widow Fe
aron=, and her Eight Orphan Children.  Tickets to be had of Mrs Fearon, No. 6, +
Spur-street=, +Leicester-Fields=; and of $Brandon=, at the Theatre, where Places
 for the Boxes may be taken.  [$Fearon= had died 30 Sept. 1789.]  Receipts: none
 listed.  *phay The English Merchant.  Freeport-Aickin; Sir William Douglas-Bens
ley; Lord Falbridge-Williamson; Owen-Usher; Officer-Chapman; La France-Baddeley;
 Spatter-Bannister Jun.; Lady Alton-Mrs Whitfield; Molly-Mrs Wells; Mrs Goodman-
Mrs Webb; Amelia-A Gentlewoman (1st appearance on any stage [$Mrs Brown=]).  *aP
eeping Tom.  Peeping Tom-Edwin; Mayor-Moss; Crazy-Barrett; Earl of Mercia-Cubitt
; Count Louis-Lyons; Harold-Davies; Maud-Mrs Wells; Mayoress-Mrs Webb; Lady Godi
na [sic]-Mrs Cuyler; Emma-Mrs Bannister.  *e[+Monologue=. %As 15 June.  *c[$Mrs 
Brown= is identified in MS list, in +hay= playbills now at +Harvard=, of new per
formers for the 1790 season.]  *p17 hay Seeing is Believing.  Sir Credule-Barret
t; Sceptick-Chapman; Captain Nightshade-Iliff; Simon-Bannister Jun.; Kitty-Mrs C
uyler; Diana-Miss Heard.  *aThe Citizen.  Young Philpot-Bannister Jun.; Young Wi
lding-R. Palmer; Sir Jasper Wilding-Burton; Beaufort-Evatt; Old Philpot-Moss; Co
rinna-Miss Palmer; Maria-Mrs Goodall.  *aThe Follies of a Day.  Count Almaviva-B
annister Jun.; Figaro-R. Palmer; Antonio-Baddeley; Basil-Chapman; Servant-Lyons;
 Page-Miss Fontenelle (1st appearance on this stage); Countess-Mrs Bannister; Ag
nes-Miss Heard; Susan-Mrs Goodall.  *e[+Monologue=.% End 2nd piece: As 14 June. 
 *c[1st two pieces in place of +The Chapter of Accidents=, advertised on playbil
l of 16 June.  $Miss Fontenelle= was from the +Edinburgh theatre=.]  3rd piece: 
Never performed here.  *p18 hay A Quarter of an Hour before Dinner.  Plainwell-A
ickin; Wealthy-Kemble; Lord Simper-R. Palmer; Colonel Modish-Davies; Mr Level-Wi
lliamson; Mrs Level-Mrs Brooks.  *aWays and Means; or, A Trip to Dover.  Sir Dav
id Dunder-Bannister Jun.; Random-Williamson; Scruple-Davies; Old Random-Aickin; 
Carney-Barrett; Tiptoe-R. Palmer; Peery-Usher; Roundfee-Cubitt; Quick-Moss; Lady
 Dunder-Mrs Webb; Harriet-Mrs Kemble; Kitty-Miss Prideaux; Mrs Peery-Mrs Powell.
  *aThe Virgin Unmask'd.  Blister-Moss; Quaver-Davies; Goodwill-Powell; Thomas-E
vatt; Coupee-Bannister Jun.; Lucy-Mrs Kemble.  *e[+Monologue=.% End 1st piece: A
s 14 June.  *c2nd piece: Not acted these 2 years.  [3rd piece in place of +The A
greeable Surprise=, advertised on playbill of 17 June.]  *p19 hay The Suicide.  
Tobine-Bannister Jun.; Tabby-Aickin; Wingrave-Barrett; Catchpenny-Baddeley; Squi
b-R. Palmer; Bounce-Cubitt; Juggins-Chapman; Doctor Truby-Usher; John-Evatt; Bol
us-Painter; Waiters-Burton, Powell, Lyons; Ranter-Bannister; Mrs Grogram-Mrs Web
b; Peggy-Miss Hale; Nancy Lovell-Mrs Goodall (1st appearance in that character).
  *aThe Minor.  As 14 June, but Shift, Smirk-Bannister Jun.; Mrs Cole-Mr Bannist
er.  *dEnd I: +Minuet de la Cour and Gavot=-Byrn, Mrs Goodwin.  *e[+Monologue=.%
 As 15 June.  *pcg Andromaca.  As 8 June [at +hay=%.  *dAs 15 June.  *p21 hay Th
e Battle of Hexham.  As 15 June, but Soldiers-_Vincent.  *aThe Author.  As 15 Ju
ne.  *p22 hay The Merchant of Venice.  Shylock-Ryder (1st appearance on this sta
ge); Anthonio-Aickin; Gratiano-R. Palmer; Old Gobbo-Barrett; Tubal-Chapman; Lore
nzo (with +songs=)-Davies; Launcelot-Moss; Duke-Usher; Solanio-Evatt; Solarino-I
liff; Bassanio-Bensley; Jessica (with a +song=)-Mrs Taylor; Nerissa-Miss Fontene
lle; Portia (1st time)-Miss Ryder (2nd appearance on any stage).  *aThe Mayor of
 Garratt.  Major Sturgeon-Bannister; Sir Jacob Jollup-Usher; Heeltap-Burton; Lin
t-Barrett; Bruin-Cubitt; Roger-Farley; Snuffle-Lyons; Jerry Sneak-Edwin; Mrs Bru
in-Mrs Powell; Mrs Sneak-Mrs Webb.  *dEnd IV: As 19 June.  *c[$Ryder= was from +
cg=.  $Miss Ryder='s 1st appearance on th  stage was at cg, 16 Apr. 1790.]  *pcg
 La Generosita d'Alessandro.  As 29 Apr. [at +hay=.%  *dAs 15 June.  *p23 hay Ha
lf an Hour after Supper.  As 14 June, but Frank-Farley.  *aThe Citizen.  As 17 J
une.  *aThe Follies of a Day.  As 17 June.  *cThe Publick is most respectfully i
nformed that, in consequence of the sudden Indisposition of $Edwin=, +The Son-in
-Law= and +The Agreeable Surprise= [both advertised on playbill of 22 June] are 
obliged to be postponed.  *p24 hay Seeing is Believing.  As 17 June.  *aA Quarte
r of an Hour before Dinner.  As 18 June.  *aWays and Means.  As 18 June.  *aThe 
Virgin Unmask'd.  As 18 June.  *p25 hay The Suicide.  As 19 June.  *aA Mogul Tal
e; or, The Descent of the Balloon.  Johnny Atkins-Moss; Dr Pedant-Barrett; Omar-
Chapman; Selim-Abbott; Guard-Cubitt; The Mogul-Williamson; Irene-Mrs Taylor; She
ba-Mrs Cuyler; Zapphira-Miss Heard; Fanny-Mrs Wells.  *dEnd I: [a new dance,% +T
he Generous Sportsman=-Byrn, Boyer [recte $Boyce=], Platt, Miss DeCamp, Mrs Good
win.  *c+The Battle of Hexham= [advertised on playbill of 24 June] is obliged to
 be deferred till Monday next on account of the Insidposition of $Edwin=.  *p26 
hay The Beggar's Opera.  Captain Macheath-Waterhouse (from the $Theatre Royal Cr
ow Street, Dublin=; 1st appearance on this stage); Lockit-Cubitt; Filch-R. Palme
r; Mat o' th' Mint-Chapman; Ben Budge-Abbott; Peachum-Moss; Lucy-Mrs Edwards; Mr
s Peachum-Mrs Webb; Diana Trapes-Mrs Powell; Polly-Mrs Bannister.  *aTry Again. 
 [Principal Characters by Bannister Jun., Ryder, Burton, Barrett, Ledger, Lyons,
 Abbott, Aickin, Mrs Taylor, Mrs Edwards, Mrs Brooks.  [Cast from text ($G. G. J
. and J. Robinson=, 1790):% La@fourbe-Bannister Jun.; Sidney-Ryder; Antoine-Burt
on; Picard-Barrett; Postillions-Ledger, Abbott; Postman-Lyons; Du@chesne-Aickin;
 Lauretta-Mrs Taylor; Marinette-Mrs Edwards; Rosalie-Mrs Brooks.  *dIII: +Hornpi
pe= (in Character)-Byrn.  *cAfterpiece [1st time; F 2, author unknown; based on 
+La Precaution Inutile=, by $Nolant deFatouville=].  +Public Advertiser=, 13 Jul
y 1790: This Day is published +Try Again= (1s.).  *pcg L'Usurpator Innocente.  A
s 6 Apr. [at +hay=%.  *dAs 15 June.  *cThe last Night of the Subscription.  *p28
 hay Inkle and Yarico.  Inkle-Williamson; Sir Christopher Curry-Kemble; Campley-
Davies; Medium-Baddeley; Mate-Chapman; Planters-Usher, Evatt, Burton; Sailors-Le
dger, Painter, Abbott; Trudge-Bannister Jun. (1st appearance in that character o
n this stage); Narcissa-Mrs Bannister; Wowski-Miss Fontenelle; Patty-Mrs Edwards
; Yarico-Mrs Kemble.  *aTry Again.  As 26 June.  *c$Edwin= still continuing unab
le to perform, +The Battle of Hexham= [advertised on playbill of 26 June] is obl
iged to be deferred.  [$Bannister Jun.='s 1st appearance as +Trudge=r was at +dl
=, 28 May 1789.]  *p29 hay Gretna Green.  Captain Gorget-Bannister; Tipperary-R.
 Palmer; Anvil-Barrett; Crack-Abbott; Cyclops-Painter; Landlord-Ledger; Rorey-Mo
ss; Signora Figurante-Mrs Iliff; Miss Plumb-Miss Fontenelle (Their 1st appearanc
e in those characters); Lady Pedigree-Miss Hale; Maria-Mrs Bannister.  *aThe Min
or.  As 19 June.  *aTry Again.  As 26 June.  *dEnd 2nd piece: +The Generous Spor
tsman=, as 25 June.  *p30 hay The Spanish Barber.  Count Almaviva-Williamson; Do
ctor Bartholo-Moss; Basil-Aickin; Tallboy-R. Palmer; Argus-Barrett; Notary-Burto
n; Alcade-Chapman; Lazarillo-Bannister Jun. (1st appearance in that character on
 this stage); Rosina-Mrs Bannister.  *aThe Citizen.  As 17 June.  *dEnd: +The Ge
nerous Sportsman=, as 25 June.  *c[$Bannister Jun.='s 1st appearance as +Lazaril
lo= was at +dl=, 21 Apr. 1788.]  *p7 1 hay Inkle and Yarico.  As 28 June.  *aTry
 Again.  As 26 June.  *dEnd: +Dance=-Byrn, Mrs Goodwin.  *p2 hay A Quarter of an
 Hour before Dinner.  As 18 June.  *aWays and Means.  As 18 June.  *aThe Follies
 of a Day.  As 17 June.  *dAs 29 June.  *p3 hay The Battle of Hexham.  As 21 Jun
e.  *aA Mogul Tale.  As 25 June.  *pcg L'Usurpator Innocente.  As 6 Apr. [at +ha
y=%.  *dAs 15 June.  *p5 hay The Manager in Distress.  Bustleton-Powell; Manager
-Aickin; Easy-Iliff; Gentleman in the Balcony-Kean; Irishman in the Pit-R. Palme
r; Prompter-Evatt; Actresses-Mrs Cuyler, Mrs Powell, Miss Palmer, Miss Heard; La
dy in the Balcony-Mrs Webb.  *aThe Son-in-Law.  Arionelli-Bannister; Cranky-Moss
; Bouquet-Davies; Vinegar-Baddeley; Mum-Barrett; Idle-R. Palmer; Bowkitt-Edwin; 
Dolce-Miss Palmer; Cecilia-Mrs Bannister.  *aThe Agreeable Surprise.  Lingo-Edwi
n; Sir Felix Friendly-Moss; Eugene-Davies; Chicane-Usher; Thomas-Burton; John-Ly
ons; Cudden-Ledger; Stump-Painter; Compton-Bannister; Cowslip-Mrs Wells; Mrs Che
shire-Mrs Webb; Fringe-Mrs Edwards; Laura-Mrs Bannister.  *p6 hay Half an Hour a
fter Supper.  As 23 June.  *aThe Battle of Hexham.  As 21 June.  *pcg Andromaca.
  As 8 June [at +hay=%.  *dEnd I: +Divertisement=, as 15 May [at +hay=%; End Ope
ra: +La Bergere des Alpes=, as 7 Jan. [at hay%; after which: the +Potpourri= (as
 performed at +Ranelagh=)-Labourie, Mlle Hilligsberg.  *p7 hay Tit for Tat.  Vil
lamour-Williamson; Old Meanwell-Kemble; Young Meanwell-Iliff; Servant-Abbott; Sk
ipwell-R. Palmer; Letty-Mrs Wells; Florinda-Mrs Brooks.  *aPiety in Pattens.  Sq
uire-R. Palmer; Butler-Bannister Jun.; Mrs Candy-Mrs Powell; Polly Pattens-Mrs K
emble.  *aThe Manager in Distress.  As 5 July.  *aThe Citizen.  As 17 June.  *p8
 hay Inkle and Yarico.  As 28 June.  *aTry Again.  As 26 June.  *dAs 1 July.  *p
9 hay The Manager in Distress.  As 5 July.  *aWays and Means.  As 18 June.  *aTh
e Son-in-Law.  As 5 July, but Vinegar-_.  *p10 hay The Author.  As 15 June.  *aT
he Battle of Hexham.  As 21 June.  *pcg La Generosita d'Alessandro.  As 2 Apr., 
but Mussini.  *dEnd I: +Divertisement=, +Pas Russe=- [See 22 Apr. at +hay=]; [in
 which the% +Minuet de la Cour and Gavot=-Labourie, Mlle Hilligsberg; End Opera:
 +La Begere des Alpes= [See 7 Jan. at hay]-; +Dancing=-Labourie, Mlle Hilligsber
g.  *p12 hay [$Beaumarchais=: Never [previously] acted together.%  The Spanish B
arber.  As 30 June.  *aThe Follies of a Day (Being the Sequel to The Spanish Bar
ber).  As 17 June.  *dAs 30 June.  *p13 hay A Quarter of an Hour before Dinner. 
 As 18 June.  *aThe Battle of Hexham.  As 21 June.  *aPiety in Pattens.  As 7 Ju
ly.  *dIn course of Evening: +A Double Hornpipe=-Byrn, Mrs Goodwin.  *p14 hay Wa
ys and Means.  As 18 June.  *aHalf an Hour after Supper.  As 23 June.  *aTry Aga
in.  As 26 June.  *dEnd: As 25 June.  *c[1st piece in place of +The Suicide=, ad
vertised on playbill of 13 July.]  *p15 hay Gretna Green.  As 29 June.  *aThe Mi
nor.  As 19 June.  *aPeeping Tom.  As 16 June.  *p16 cg She Wou'd and She Wou'd 
Not; or, The Kind Impostor.  Don Manuel-Waldron; Don Philip-Benson; Octavio-Blan
d; Soto-Rock; Trappanti-Lee Lewes; Flora-Mrs Collins; Rosa-Mrs Rock; Viletta-Mrs
 Lee Lewes; Hyppolita-A Young Lady (1st appearance in +London= [$Mrs Saunders=])
.  *aA Merry Sketch of Folly and Fashion.  Lee Lewes.  [In which will be exhibit
ed Characters and Caricatures, many of them entirely new, and others selcted fro
m Subjects of the most approved Wit and Humour.  Two very astonishing figures wi
ll be introduced, of the late +King of Prussia=r, and his +General Ziethen=r; al
so the +Propagation of a Lie=, in Characters as large as life, with several whim
sical Paintings in Transparency.  The whole prepared for the +East Indies=, at a
 prodigious expense.  The above two figures cost at +Berlin= 275 guineas.%  *c[E
xtra night] Benefit for $Lee Lewes=.  [$Mrs Saunders= is identified in +Diary=, 
19 Nov. 1790.]  Receipts: none listed.  *phay Half an Hour after Supper.  As 23 
June.  *aNew Spain; or, Love in Mexico.  [Characters by Bannister, Ryder, R. Pal
mer, Davies, Cubitt, Waterhouse, Evatt, Ledger, Bannister Jun.; Mrs Goodall, Mrs
 Iliff, Miss Fontenelle, Mrs Edwards, Mrs Bannister;% Chorus of Indians-Chapman,
 Abbott, Lyons, Dorion, Guishard, Linton; [Cast from text ($G. G. J. and J. Robi
nson=, 1790):% Alkmonoak-Bannister; Don Lopez-Ryder; Secretary to Don Lopez-R. P
almer; Don Juan-Davies; Zempoalla-Cubitt; Don Garcias-Waterhouse; Servant-Ledger
; Fabio-Bannister Jun.; Leonora-Mrs Goodall; Julia-Mrs Iliff; Flora-Miss Fontene
lle; Caduga-Miss Palmer [see 19 July]; Ulah-Mrs Edwards; Iscagli-Mrs Bannister; 
unassigned-Evatt [see 19 July].  *dIII 2nd piece: +A Grand Indian War Dance=-.  
*c2nd piece [1st time; CO 3, by $John Scawen=]: The Music, with a new Overture, 
by $Dr Arnold=.  The Scenery designed and painted by $Rooker=.  The Dances by $B
yrn=.  Books of the Songs [$T. Cadell=, 1790] to be had at the Theatre.  +Diary=
, 27 Aug. 1790: This Day is published +New Spain= (1s. 6d.).  *p17 hay The Autho
r.  As 15 June.  *aThe Battle of Hexham.  As 21 June.  *pcg L'Usurpator Innocent
e.  As 6 Apr. [at +hay=%.  *dEnd I: +Divertisement=, as 15 May [at +hay=%; End O
pera: +La Bergere des Alpes=, as 7 Jan. [at hay%; [after which a variety of new%
 +Dances=-.  *cThe last Time of performing this Season.  +cg= Account-Book, 19 J
uly: Received of $Gallini= for 8 Nights Opera Charge #400.  *p19 hay A Mogul Tal
e.  As 25 June.  *aNew Spain.  As 16 July, but Miss Palmer; Evatt_; Chorus of In
dians-_Chapman.  *dAs 16 July.  *p20 hay A Quarter of an Hour before Dinner.  As
 18 June.  *aThe Battle of Hexham.  As 21 June.  *aSeeing is Believing.  As 17 J
une, but Simon-R. Palmer.  *p21 hay New Spain.  As 19 July.  *aThe Virgin Unmask
'd.  As 18 June.  *dAs 16 July.  *p22 hay Half an Hour after Supper.  As 23 June
.  *aThe Village Lawyer.  Scout (the Village Lawyer)-Bannister Jun.; Sheepface-R
yder (1st appearance in that character); Justice Mittimus-Usher; Charles-Farley;
 Snarl-Baddeley; Kate-Mrs Edwards; Mrs Scout-Mrs Webb.  *aThe Agreeable Surprise
.  As 5 July.  *dEnd 2nd piece: +The Generous Sportsman=- [See 25 June].  *p23 h
ay New Spain.  As 19 July.  *aTry Again.  As 26 June.  *dIn III: +A Grand Indian
 War Dance=, as 16 July; End: +A Double Hornpipe=, as 13 July.  *p24 hay Seeing 
is Believing.  As 20 July.  *aThe Battle of Hexham.  As 21 June.  *aA Quarter of
 an Hour before Dinner.  As 18 June.  *pcg None.  [The Manager of the +Italian O
pera= most respecfully acquaints the Public and the Nobility that this Theatre i
s going under an alteration for the ensuing winter, which will prevent the Opera
 taking place, as was intended for this Evening.%  *p26 hay Inkle and Yarico.  A
s 28 June.  *aTry Again.  As 26 June, but Postillions-_; Postman-_.  *p27 hay Ne
w Spain.  As 19 July.  *aThe Mayor of Garratt.  As 22 June.  *dAs 23 July.  *p28
 hay Ways and Means.  As 18 June.  *aThe Farm House.  Modely-R. Palmer; Freehold
-Aickin; Shacklefigure-Barrett; Heartwell-Iliff; Sir John English-Usher; Constab
les-Burton, Ledger; Aura-Miss Fontenelle; Flora-Miss Heard.  *aThe Virgin Unmask
'd.  As 18 June.  *c2nd piece: Never [previously] performed here.  *p29 hay A Qu
arter of an Hour before Dinner.  As 18 June.  *aThe Battle of Hexham.  As 21 Jun
e.  *aPiety in Pattens.  As 7 July.  *p30 hay The Beggar's Opera.  As 26 June, b
ut Captain Macheath-Bannister; Polly-Miss Webb (2nd appearance on this stage).  
*aThe Village Lawyer.  As 22 July.  *dAs 26 June.  *cBenefit for $Mrs Webb=.  [$
Miss Webb='s 1st appearance on the stage was at this theatre, 30 July 1788.]  *p
31 hay The Minor.  As 19 June.  *aTry Again.  As 26 June.  *aPeeping Tom.  As 16
 June.  *p8 2 hay The Battle of Hexham.  As 21 June.  *aMiss in her Teens.  Capt
ain Loveit-Evatt; Fribble-R. Palmer; Flash-Cubitt; Puff-Moss; Jasper-Burton; Mis
s Biddy-Mrs Kemble; Tag-Mrs Webb.  *cAfterpiece: Not acted these 11 years [acted
 5 Aug. 1780.  This was $Edwin='s last appearance on the stage.]  *p3 hay New Sp
ain.  As 19 July.  *aThe Author.  As 15 June, but Mrs Cadwallader-_; [here calle
d% Becky-Mrs Wells.  *dAs 23 July.  *p4 hay A Quarter of an Hour before Dinner. 
 As 18 June.  *aInkle and Yarico.  As 28 June, but Wowski (1st time)-Mrs Iliff. 
 *aThimble's Flight from the Shopboard.  Sir Brimmer Bountiful-Moss; Dermot O'Do
gherty-R. Palmer; Ensign Frederick-Iliff; Tim Thomble (with +Imitations=, Seriou
s, Comic, and Rhetorical)-Rees; Betty-Miss Palmer; Sophia-Mrs Taylor.  *cBenefit
 for $Mr and Mrs Iliff=.  *p5 hay The Farm House.  As 28 July.  *aThe Citizen.  
As 17 June.  *aThe Minor.  As 19 June.  *dAs 22 July.  *c[1st piece in place of 
+The Comet=; 3rd piece of +The Agreeable Surprise=, both advertised on playbill 
of 4 Aug.]  *p6 hay Opposition.  Characters-Bannister Jun., R. Palmer, Evatt, Fa
rley, Chapman, Ryder, Mrs Powell, Miss Palmer, Miss Heard.  *aWays and Means.  A
s 18 June.  *aDaphne and Amintor.  Amintor-Waterhouse; Mindora-Mrs Edwards; Daph
ne-Miss R. Ryder (2nd appearance on any stage).  *aThe Village Lawyer.  As 22 Ju
ly.  *cBenefit for $Ryder=.  1st piece [1st time; F 1, ascribed to $Thomas Ryder
=.  Not in +Larpent MS=; not published]: Taken from +Sir Courtly Nice= [by $John
 Crowne=].  3rd piece: Never [previously] acted here.  [$Miss R. Ryder='s 1st ap
pearance on the stage was at +cg=, 16 Apr. 1790.]  *p7 hay Half an Hour after Su
pper.  As 23 June.  *aThe Liar.  Young Wilding-Palmer (1st appearance on this st
age these 2 years); Sir James Elliot-R. Palmer; Papillon-Burton; Old Wilding-Aic
kin; Miss Godfrey-Miss Heard; Kitty-Miss Hale; Miss Grantham-Mrs Brooks.  *aA Qu
arter of an Hour before Dinner.  As 18 June.  *aMiss in her Teens.  As 2 Aug., b
ut Flash-Palmer.  *c2nd piece: Not acted these 13 years.  *p9 hay New Spain.  As
 19 July.  *aThe Liar.  As 7 Aug.  *dAs 16 July.  *p10 hay The Suicide.  As 19 J
une, but Tobine-Palmer; Nancy Lovell-Miss Fontenelle (1st appearance in that cha
racter).  *aThe Deuce is in Him.  Colonel Tamper-Palmer; Major Belford-Evatt; Se
rvant-Lyons; Prattle-Baddeley; Florival-Miss Heard; Bell-Mrs Taylor; Emily-Mrs G
oodall.  *dEnd I: +A Double Hornpipe=, as 13 July; End: +The Generous Sportsman=
, as 25 June.  *p11 hay The Child of Nature.  Marquis D'Almanza-Williamson; Duke
 Murcia-Ryder; Count Valentia-R. Palmer; Seville-Chapman; Granada-Evatt; Peasant
-Bensley; Marchioness-Mrs Brooks; Amanthis-Mrs Kemble.  *aModern Breakfast; or, 
All Asleep at Noon.  [Principal Characters by Bannister Jun., Moss, Iliff, Evatt
, Kemble, Mrs Whitfield, Miss Heard, Mrs Kemble.  [Cast from text ($J. Debrett=,
 1790):% Delmar-Bannister Jun.; Morecraft-Moss; Mr Hammond-Iliff; Risk-Evatt; Si
r Ambrose Crab-Kemble; Miss Oglewell-Mrs Whitfield; Lucy-Miss Heard; Mrs Hammond
-Mrs Kemble; +Prologue=-Mrs Kemble.  *aThe Follies of a Day.  As 17 June.  *dEnd
 2nd piece: +A Double Hornpipe=-Platt, Mrs Goodwin.  *cBenefit for $Mrs Kemble=.
  1st piece: Never [previously] acted here.  2nd piece [1st time; INT i, by $Hen
ry Siddons=.  Prologue by $John Taylor= (see text)].  +Gazetteer=, 28 Aug. 1790:
 This Day is published +Modern Breakfast= (1s.).  *p12 hay New Spain.  As 19 Jul
y.  *aKatherine and Petruchio.  Petruchio-Palmer; Baptista-Chapman; Hortensio-Ev
att; Grumio-Baddeley; Music Master-Barrett; Biondello-R. Palmer; Pedro-Farley; T
aylor-Burton; Nathaniel-Lyons; Peter-Abbott; Cook-Ledger; Catherine [sic]-Mrs Go
odall; Bianca-Miss Palmer; Curtis-Mrs Powell.  *dAs 23 July.  *cAfterpiece: Neve
r [previously] performed here [performed 21 Aug. 1776].  *p13 hay The Spanish Ba
rber.  As 30 June, but Count Almaviva-Palmer (1st appearance in that character t
hese 2 years); Doctor Bartholo-Parsons (1st appearance on this stage these 2 yea
rs).  *aTaste and Feeling: A Dramatic Caricature!!!  [Characters by Bannister Ju
n., $Davies=, $Cubitt=, Iliff, Chapman, Barrett, $Evatt=, $Abbott=, $Farley=, Ba
ddeley, Mrs Webb, Mrs Edwards, Mrs Powell, Mrs Brooks.  [Cast adjusted from +Lon
don Chronicle=, 8 July 1791:% Mr Robert Gout-Bannister Jun.; Ned Howard-Iliff; L
andlord-Chapman; William-Barrett; Mr Gout-Baddeley; Lady Anecdote-Mrs Webb; Lucy
-Mrs Edwards; Mrs Gout-Mrs Powell; Harriet-Mrs Brooks; +Prologue=-Bannister Jun.
  *aThe Liar.  As 7 Aug.  *e[+Monologue=.% End I 3rd piece: +Liberty=[; or, +Two
 Sides of the Water=%-Bannister Jun.  *cBenefit for $Mrs Bannister=.  2nd piece 
[1st time; SAT 1, author unknown.  +Larpent MS 877=; not published.  Author of P
rologue unknown].  [Monologue by $George Colman, ynger= (+European Magazine=, Au
g. 1790, p. 151.]  +Gazetteer=, 7 Aug.: Tickets to be had of Mrs Bannister, No. 
2, +Frith-street=, +Soho=.  *p14 hay New Spain.  As 19 July.  *aMiss in her Teen
s.  As 7 Aug., but [+Miss Biddy=r with a% +song=-Mrs Kemble.  *dAs 16 July.  *p1
6 hay I'll Tell You What.  Major Cyprus-Palmer; Anthony Euston-Bensley; Colonel 
Downright-Aickin; Charles Euston-Iliff; Sir George Euston-Williamson; Sir Harry 
Harmless-R. Palmer; Mr Euston-Moss; Lady Euston-Mrs Brooks; Lady Harriet-Mrs Whi
tfield; Bloom-Mrs Cuyler; Mrs Euston-Mrs Kemble.  *aThe Citizen.  As 17 June.  *
e[+Monologue=.% End: +Liberty=, as 13 Aug.  *cMainpiece: Not acted these 2 years
.  *p17 hay Gretna Green.  As 29 June.  *aThe Village Lawyer.  As 22 July.  *aTh
e Minor.  As 19 June.  *dAs 22 July.  *e[+Monologue=.% After the Dancing: +Liber
ty=, as 13 Aug.  *c+Inkle and Yarico= [advertised on playbill of 16 Aug.] is una
voidably postponed till Thursday.  *p18 hay Gretna Green.  As 29 June.  *aThe Li
ar.  As 7 Aug.  *aThe Virgin Unmask'd.  As 18 June, but Quaver-Waterhouse.  *eEn
d I 2nd piece: +Tragic Imitations=-Mrs Wells; End II: +Comic and Vocal Imitation
s=-Mrs Wells; End play: +Favourite Speech= [the "ring" speech in IV.ii from +Isa
bella=%-Mrs Wells.  *cBenefit for $Mrs Wells= [who imitated $Mrs Siddons=, $Mrs 
Crawford=, $Mrs Jordan=, $Mrs Martyr=, $Mrs Kennedy= (+World=, 19 Aug.).  1st pi
ece in place of +Seeing is Believing=; 2nd of +Ways and Means=, both advertised 
on playbill of 17 Aug.].  *p19 hay Inkle and Yarico.  AS 28 June, but Inkle-Palm
er (1st appearance in that character); Campley-Waterhouse.  *aTry Again.  As 26 
June.  *c[That $Palmer= acted +Inkle=r on this night is doubtful.  See 23, 25 Au
g., 1 Sept.]  *p20 hay Summer Amusement; or, An Adventure at Margate.  Captain S
urat-Bannister; Sir James Juniper-Moss; Etiquette-Bannister Jun. (1st appearance
 in that character); Melvil-Waterhouse; Spruce-R. Palmer; Doctor Cathartic-Badde
ley; Lord Random-Palmer (1st appearance in that character these 4 years); Lady J
uniper-Mrs Powell; Fidget-Miss Hale; Amelia-Mrs Bannister.  *aKatherine and Petr
uchio.  As 12 Aug.  *sIn course of Evening: +Sigh no more Ladies=, +Mistress Min
e= (both composed by $Stevens=)-Davies, Bannister, Waterhouse, Mrs Iliff, Mrs Ba
nnister.  *e[+Monologue=.% As 16 Aug.  *cBenefit for $Bannister=.  *p21 hay The 
Spanish Barber.  As 13 Aug.  *aThe Village Lawyer.  As 22 July, but Mrs Scout-Mr
s Powell.  *dEnd: +A Double Hornpipe=, as 13 July.  *p23 hay Inkle and Yarico.  
As 19 Aug.  [+Inkle=r-$Palmer= (1st appearance in that character).]  *aThe Deuce
 is in Him.  As 10 Aug., but Servant-Lyons.  *dAs 1 July.  *c"Yesterday evening 
$Palmer= performed the part of +Inkle= for the first time to a very full house. 
 He went through the two first acts with much credit, and had he been less imper
fect in the last scene it would have proved more interesting" (+Diary=, 24 Aug.)
.  *p24 hay Summer Amusement.  As 20 Aug., but Sir Dilberry-Painter; Kit Crab-Ba
rrett.  *aThe Liar.  As 7 Aug.  *p25 hay Inkle and Yarico.  As 19 Aug.  [+Inkle=
-$Palmer= (2nd appearance in that character).]  *aWho's the Dupe?  Doiley-Parson
s; Gradus-Bannister Jun.; Sandford-R. Palmer; Granger-Palmer; Charlotte-Miss Fon
tenelle; Miss Doiley-Mrs Brooks (Their 1st appearance in those characters).  *e[
+Monologue=.% As 16 Aug.  *cBenefit for $Palmer=.  *p26 hay Seeing is Believing.
  As 20 July.  *aThe Minor.  As 19 June.  *aKatherine and Petruchio.  As 12 Aug.
  *aThe Virgin Unmask'd.  As 18 Aug.  *p27 hay The Suicide.  As 10 Aug., but Mrs
 Grogram-Mrs Powell.  *aModern Breakfast.  As 11 Aug. [+Prologue= as 11 Aug.%  *
aThe Village Lawyer.  As 21 Aug.  *p28 hay The Spanish Barber.  As 13 Aug.  *aTh
e Citizen.  As 17 June.  *p30 hay The Liar.  As 7 Aug.  *aTit for Tat.  As 7 Jul
y, but Letty (1st time)-Mrs Taylor.  *aGretna Green.  As 29 June, but Cyclops-_.
  *p31 hay The Battle of Hexham.  As 15 June, but Gondibert-Palmer (1st appearan
ce in that character); Gregory Gubbins-Bannister Jun. (1st apperaance in that ch
aracter); Soldiers-_; Villagers-_Burton, _Painter, _Lyons.  *aThe Son-in-Law.  A
s 9 July, but Bowkitt-Bannister Jun. (1st appearance in that character.)  *dEnd:
 +The Generous Sportsman=, as 22 July.  *cBenefit for Bannister Jun.  +Gazetteer
=, 25 Aug.: Tickets to be had of $Bannister Jun.=, No. 2, +Frith-street=, +Soho=
.  *p9 1 hay Inkle and Yarico.  As 28 June, but Inkle-Palmer (3rd appearance in 
that character).  *aTry Again.  As 26 June.  *p2 hay A Quarter of an Hour before
 Dinner.  As 18 June.  *aThe Spanish Barber.  As 13 Aug.  *aThe Virgin Unmask'd.
  As 18 June.  *c[1st piece in place of +Piety in Pattens=; 3rd piece of +The De
uce is in Him=, both advertised on playbill of 1 Sept.]  *p3 hay Tit for Tat.  A
s 30 Aug.  *aThe Son-in-Law.  As 5 July, but Bowkitt-Bannister Jun.  *aThe Villa
ge Lawyer.  As 21 Aug.  *c[3rd piece in place of +Katherine and Petruchio=, adve
rtised on playbill of 2 Sept.]  *p4 hay The Liar.  As 7 Aug.  *aThe Basket Maker
.  [Principal Characters by Bannister Jun., R. Palmer, Davies, Cubitt, Waterhous
e, Burton, Chapman, Powell, Barrett, Usher, Ledger, Lyons, Farley, Evatt, Abbott
, Ryder, Miss Fontenelle, Mrs Bannister.  [Cast from Songs ($T. Cadell=, 1790):%
 Wattle-Bannister Jun.; Count Pepin-R. Palmer; King Simon-Davies; Otchegroo-Cubi
tt; William-Waterhouse; Sokoki-Burton; Chichikou-Chapman; Pomade-Powell; Indians
-Barrett, Evatt, Abbott; Coachman-Usher; Frank-Ledger; James-Lyons; Thomas-Farle
y; Marquis de Champlain-Ryder; Bloom-Miss Fontenelle; Henrietta-Mrs Bannister.  
*c2nd piece [1st time; CO 2, by $John O'Keeffe=.  Text 1st published in +O'Keeff
e's Dramatic Works=, Vol. II ($T. Woodfall=, 1798)]: The Overture and new Music 
composed by $Dr Arnold=.  The Scenery designed and painted by $Rooker=.  Books o
f the Songs to be had at the Theatre.  *p6 hay The Battle of Hexham.  As 31 Aug.
, but Adeline-Miss Fontenelle (1st appearance in that character).  *aWho's the D
upe?  As 25 Aug.  *cBenefit for $Jewell=, treasurer.  +Gazetteer=, 31 Aug: Ticke
ts to be had of Jewell, No. 26, +Suffolk-street=, +Charing-cross=.  *p7 hay The 
Suicide.  As 27 Aug.  *aThe Basket Maker.  As 4 Sept.  *p8 hay Inkle and Yarico.
  As 1 Sept.  *aKatherine and Petruchio.  As 12 Aug.  *p9 hay The Spanish Barber
.  As 13 Aug.  *aThe Basket Maker.  As 4 Sept.  *p10 hay The Battle of Hexham.  
As 6 Sept.  *aThe Basket Maker.  As 4 Sept.  *dEnd: +A Double Hornpipe=- [See 13
 July].  *p11 hay Seeing is Believing.  As 20 July, but Sceptick-Evatt.  *aI'll 
Tell You What.  As 16 Aug., but Mr Euston-Parsons (1st appearance in that charac
ter these 3 years).  *aWho's the Dupe?  As 25 Aug.  *p13 hay The Battle of Hexha
m.  As 6 Sept., but Marquis of Montague-Usher; Duke of Somerset-Lyons.  *aThe Ba
sket Maker.  As 4 Sept.  *p14 hay The Son-in-Law.  As 3 Sept.  *aInkle and Yaric
o.  As 28 June, but Planters-_Burton.  *p15 hay The Battle of Hexham.  As 13 Sep
t., but Robbers-_Bannister, +Williames (of +dl=).  *aWho's the Dupe?  As 25 Aug.
  *cThe last Night of the Season.                                    *p1790 9 11
 dl The Haunted Tower.  Lord William-Kelly; Baron of Oakland-Baddeley; Edward-Ba
nnister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Hugo-Moody; De Courc
y-Whitfield; Martin-Williames; Servant-Lyons; Hubert-Webb; Lady Elinor-Mrs Crouc
h; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth.  *aThe Deuce is in 
Him.  Colonel Tamper-Wroughton; Major Belford-Whitfield; Prattle-Baddeley; Serva
nt-Lyons; Emily-Mrs Goodall; Bell-Mrs Williames; Florival-Miss Collins.  *cNo Mo
ney to be returned.  Places for the Boxes to be taken of $Fosbrook=, at the Thea
tre.  The Doors to be opened at 5:30.  To begin at 6:30 [see 2 Nov.].  [No playb
ill this season lists the various prices of admission; they were probably, as us
ual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.]  Mainpiece: The Sixtie
th Night [but in the previous season (its 1st) the play had been acted 56 nights
.  On this evening $Bannister Jun.= acted in the mainpiece at +dl= and in the 3r
d piece at the +hay=.].  Account-Book, 16 Nov.: Paid $Jarvis= for 4,000 Songs of
 +Haunted Tower= #28 4s.  Receipts: #256 2s. 6d. (214.12.0; 40.10.6; 1.0.0).  *p
hay Seeing is Believing.  *aI'll Tell You What.  *aWho's the Dupe?  [See conclus
ion of preceding season.%  *p13 cg Romeo and Juliet.  Romeo-Holman; Capulet-Powe
l; Benvolio-Davies; Friar Lawrence-Hull; Prince-Macready; Tibalt-Cubitt; Paris-E
vatt; Peter-C. Powell; Balthazar-Farley; Mercutio-Lewis; Lady Capulet-Mrs Platt;
 Nurse-Mrs Pitt; Juliet-Miss Brunton.  *aThe Padlock.  Leander-Johnstone; Mungo-
Blanchard; Scholars-Evatt, Farley; Diego-Bannister; Ursulla-Mrs Powell; Leonora-
Mrs Mountain.  *sEnd IV: +Juliet's Funeral Procession=-; [with% +Solemn Dirge=[,
 Vocal Parts%-Bannister, Johnstone, Cubitt, Reeve, Rock, Lee, Letteney, Mrs Moun
tain, Mrs Warrell, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, 
Miss Francis, Mrs Masters, Mrs Byrne, Mrs Lloyd, Mrs Martyr.  *cThe Doors to be 
opened at 5:30.  To begin at 6:30 [see 2 Nov.].  Places for the Boxes to be take
n of $Brandon= at the Theatre.  No Money to be returned.  [No playbill this seas
on lists the various prices of admission; they were probably, as usual: Boxes 5s
. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.]  Mainpiece: In I a Masquerade Scene
 [incident to the Play%.  Receipts: #216 9s. 6d. (213.11.0; 2.18.6).  *phay The 
Battle of Hexham.  *aThe Basket Maker.  [See conclusion of preceding season.%  *
p14 dl The Country Girl.  Moody-Bensley; Harcourt-Palmer; Sparkish (with a +song
=)-Dodd; Belville-Whitfield; Footman-Spencer; Countryman-Jones; Alithea-Mrs Ward
; Miss Peggy-Mrs Jordan; Lucy-Mrs Williames.  *aThe Liar.  Sir James Elliot-R. P
almer; Old Wilding-Aickin; Young Wilding-Palmer; Papillion-Burton; Miss Grantham
-Mrs Kemble; Miss Godfrey-Miss Barnes; Kitty-Miss Tidswell.  *cReceipts: #217 11
s. 6d. (167.1.0; 48.9.0; 2.1.6).  *phay The Son-in-Law.  *aInkle and Yarico.  [S
ee conclusion of preceding season.%  *p15 cg The Belle's Stratagem.  Doricourt-L
ewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Bernard; Villers-Hull
; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket
-Mrs Mattocks; Lady Touchwood-Miss Chapman; Miss Ogle-Mrs Lewis; Kitty Willis-Mi
ss Stuart; Letitia Hardy-Mrs Pope.  *aThe Deserter.  Henry-Johnstone; Russet-Ban
nister; Simkin-Cubitt; Skirmish-Ryder (1st appearance in that character); Jenny-
Mrs Martyr; Margaret-Mrs Davenett; Louisa-Mrs Mountain.  *cReceipts: #139 5s. (1
33.16.6; 5.8.6).  *phay The Battle of Hexham.  *aWho's the Dupe?  [See conclusio
n of preceding season.%  *p16 dl The Heiress.  Sir Clement Flint-Bensley; Cliffo
rd-Wroughton; Lord Gayville-Palmer; Alscrip-Suett; Chignon-Baddeley; Mrs Blandis
h-Whitfield; Prompt-R. Palmer; Mr Rightly-Aickin; Lady Emily-Miss Farren; Miss A
lscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Williames.  *aThe Spoi
l'd Child.  Little Pickle (with +songs=)-Mrs Jordan; Old Pickle-Suett; Tagg-R. P
almer; John-Burton; Miss Pickle-Mrs Hopkins; Maria-Miss Heard; Margery-Mrs Booth
; Susan-Mrs Edwards.  *sIn II: +song=-Mrs Crouch.  [This was sung, as here assig
ned, in all subsequent performances.]  *c[Mainpiece in place of +The Rivals=, ad
vertised on playbill of 14 Sept.]  Receipts: #219 3s. (151.15; 67.0; 0.8).  *p17
 cg The Suspicious Husband.  Ranger-Lewis; Strickland-Farren; Bellamy-Davies; Ja
ck Meggot-Bernard; Tester-Blanchard; Buckle-Thompson; Frankly-Holman; Mrs Strick
land-Miss Brunton; Jacintha-Miss Chapman; Lucetta-Mrs Rock; Milliner-Miss Rowson
; Clarinda-Mrs Pope.  *aThe Poor Soldier.  Patrick-Johnstone; Fitzroy-Bannister;
 Dermot-Incledon (from the $Theatre Royal, Bath=; 1st appearance on this stage);
 Father Luke-Rock; Bagatelle (with a +song= in character)-Marshall (from the $Th
eatre, Birmingham=; 1st appearance at this theatre); Darby-Ryder; Kathlane-Mrs M
artyr; Norah-Mrs Mountain.  *cReceipts: #193 8s. 6d. (180.0.0; 13.8.6).  *p18 no
ne None.  *c+Gazetteer=, 20 Sept.: [On Saturday morning] official notice was giv
en from the +Lord Chamberlain='s Office to shut the Theatres [because of the dea
th of the $Duke of Cumberland=, brother of +George III=].  *p29 cg The Man of th
e World.  Sir Pertinax Macsycophant-Wilson (1st appearance on this stage these 6
 years); Lord Lumbercourt-Thompson; Sydney-Aickin; Melville-Hull; Counsellor Pla
usible-Cubitt; Serjeant Eitherside-Macready; Tomlins-Evatt; Sam-Farley; John-Roc
k; Egerton-Lewis; Constantia-Mrs Mountain; Lady Macsycophant-Mrs Platt; Betty Hi
nt-Mrs Rock; Nanny-Mrs Davenett; Lady Rodolpha Lumbercourt-Mrs Pope.  *aThe Poor
 Soldier.  As 17 Sept.  *cPaid Music the 13th, 15th, 17th Inst. #23 9s. 6d.; Pro
perties Ditto #2 5s.; Kettle Drum Ditto 15s.; Wardrobe #11 1s. 6d.; Supernumerar
ies #1 16s. 6d.; Chorus Singers #3; $Cox= for Scenemen #28 2s. 7d.; $Hodgins= [p
ainter] #4 4s.; Extra Music #2 5s.; $Richards=, painter #20.  [$Wilson='s last a
ppearance at this theatre was on 20 Jan. 1786.]  Receipts: #222 2s. 6d. (208.16.
6; 13.6.0).  *phay She Stoops to Conquer; or, The Mistakes of a Night.  Hardcast
le-Clarke; Young Marlow-Diamond; Hastings-Irwin; Sir Charles Marlow-Silvester; D
iggory-Harper; Landlord-Smith; Tony Lumpkin (with +songs=)-Raymond; Mrs Hardcast
le-Mrs Russell; Miss Neville-Miss Pennington; Sally-Miss Simmonds; Miss Hardcast
le-A Lady (1st appearance [unidentified]).  *aThe Romp.  Watty Cockney-Raymond; 
Capt. Sightly-Diamond; Old Cockney-Silvester; Barnacle-Clarke; Penelope-Miss Pen
nington; Miss La Blond-Miss Simmonds; Priscilla Tomboy (the Romp)-A Young Lady (
1st appearance [unidentified]).  *e[+Monologues=.% Preceding: [$Collins='s% +Ode
 on the Passions=-a Young Lady [unidentified]; End: [$Hippisley='s% Drunken Man=
-Harper.  *mEnd III: +concerto= on the violin-Hindmarsh.  *cBy Permission of the
 +Lord Chamberlain=.  The Orchestra under the Direction of $Hindmarsh=.  The Doo
rs to be opened at 5:30.  To begin at 6:30.  Boxes 5s. Pit 3s. 1st Gallery 2s. U
pper Gallery 1s.  *p30 dl The Country Girl.  As 14 Sept., but Countryman-Fawcett
.  *aThe Sultan; or, A Peep into the Seraglio.  Solyman-Barrymore; Osmyn (with +
song=)-Dignum; Elmira-Mrs Cuyler; Ismene (with +songs=)-Miss Romanzini; Roxalana
-Mrs Jordan.  *dIn afterpiece: +Grand Dance=-Hamoir, Miss Blanchet.  *cReceipts:
 #254 10s. (191.19; 61.0; 1.11).  *p10 1 cg She Stoops to Conquer.  Hardcastle-W
ilson; Marlow-Bernard; Hastings-Davies; Sir Charles Marlow-Powel; Diggory-Cubitt
; Slang-Rock; Landlord-Thompson; Tony Lumpkin-Quick; Mrs Hardcastle-Mrs Webb; Mi
ss Neville-Mrs Lewis; Miss Hardcastle-Mrs Mattocks. [Edition of 1799 (For the Pr
oprietors) adds: Maid-Mrs Spriggs.%  *aCymon.  Cymon-Incledon; Dorus-Quick; Merl
in-Bannister; Shepherds-Evatt, Farley; Linco-Blanchard; Shepherdesses-Miss Stuar
t, Miss Rowson; Urganda-Mrs Martyr; Fatima-Mrs Wells; Dorcas-Mrs Pitt; Sylvia-Mr
s Mountain.  *cAfterpiece: In Three Acts.  Receipts: #180 8s. (163.7; 17.1).  *p
2 dl The Haunted Tower.  As 11 Sept.  *aThe Adventurers.  Sir Peregrine Bramble-
Suett; Lord Gleenwell-R. Palmer; Peregrine Bramble-Bannister Jun.; Metaphor-Whit
field; Peter-Burton; Landlord-Maddocks; Waiter-Benson; Lady Bramble-Mrs Hopkins;
 Harriet Bramble-Miss Collins; Kitty-Miss Heard.  *cPaid Properties 6s. 2d.; 4 C
onstant Scenemen 2 weeks #10 8s.; Carpenters #4 2s. 1d.; Lampmen #2 14s.; Tailor
 4 weeks #5 12s. 10d.  Afterpiece: 8th Night [i.e. in continuation of the reckon
ing for the previous season].  Receipts: #289 12s. (253.18; 35.0; 0.14).  *p4 dl
 The Constant Couple; or, A Trip to the Jubilee.  Sir Harry Wildair-Mrs Jordan; 
Standard-Wroughton; Vizard-Whitfield; Smuggler-Waldron; Clincher-Bannister Jun.;
 Clincher Jun.-Suett; Dicky-Burton; Tom Errand-Chapman; Lurewell-Mrs Ward; Lady 
Darling-Mrs Booth; Errand's Wife-Mrs Heard; Angelica-Mrs Kemble; Parley-Mrs Will
iames.  *aNo Song No Supper.  Crop-Dignum; Frederick-Kelly; Endless-Suett; Robin
-Bannister Jun.; William-Sedgwick; Servant-Alfred; Dorothy-Miss Romanzini; Louis
a-Mrs Crouch; Margaretta-Sga Storace; Nelly-Miss Hagley; Grandmother-Mrs Booth. 
 *cAfterpiece: 6th Night [i.e. in continuation of the reckoning for the previous
 season].  The Musick chiefly composed by $Storace=, the rest selected from $Ple
yel=, $Giordani=, &c. &c.  Receipts: #205 11s (160.1; 44.2; 1.8).  *pcg Douglas.
  Douglas-A Young Gentleman (1st appearance on any stage [$Toms=]); Randolph-Far
ren; Glenalvon-Macready; Officer-Thompson; Old Norval-Aickin; Anna-Mrs Rock; Lad
y Randolph-Mrs Pope.  *aThe Provocation!  Principal Characters-Byrne, Boyce, Cub
itt, Farley, Follett, Cranfield, Cross, Milburne, Thompson, Rock, Rayner, Evatt,
 Ledger, Lee, Letteney, Ratchford, Blurton, Platt, King, Jackson, Mrs Goodwin, M
rs Ratchford, Miss Rowson, Mrs Lloyd, Miss Francis.  *cMainpiece: Not acted thes
e 4 years [acted 28 Dec. 1787.  $Toms= is identified in +Morning Herald=, 22 Sep
t. 1795: A Mr Toms made a probationary essay last night in the character of +Rom
eo=r.  The bills erroneously announced it as his first appearance on this stage 
[+cg=]; for his unsuccessful attempt in +Young Norval=r [i.e. +Douglas=r], about
 five years ago, on the same boards, is perfectly within our recollection.  +Lon
don Chronicle=, 22 Sept. 1795, also refers to Toms as Douglas.  +European Magazi
ne=, Oct. 1790, p. 305, gives the name as $Turner=, but in Oct. 1795, p. 273, st
ates that Toms performed on one night only "a few years since."].  Afterpiece [1
st time; BALL. P 2 (?), by $James Byrne=, based partly on his +Nootka Sound=, an
d in May 1793 agin altered as +The Shipwreck; or, French Ingratitude=.  Not in +
Larpent MS=; not published; synopsis of action in +Diary=, 5 Oct.]: A Ballet Pan
tomime, with new Scenes, Dresses, and Decorations.  The Overture and Music compi
led by Byrne, from $Haydn=, $Rochefort=, $Pleyel=, $Gyrowetz=, $Reeve=, $Pieltai
n=, $Dibdin=.  The new Music by $Shield=.  On account of some Scenes which are i
ntroduced from the Entertainment of Nootka Sound (performed last Season [on 4 Ju
ne 1790]) Half Price will be taken.  [This alludes to the custom of not llowing 
half-price during the run of entirely new pantomimes.]  Paid $Brodie=, for Stove
s for the Theatre, #19 8s.  Receipts: #207 8s. 6d. (201.16.0; 5.12.6).  *p5 dl T
he Haunted Tower.  As 11 Sept.  *aThe Liar.  As 14 Sept., but Miss Godfrey-Miss 
Collins.  *cReceipts: #158 4s. 6d. (135.19.0; 21.11.6; 0.14.0).  *pcg The Highla
nd Reel.  M'Gilpin-Quick; Shelty-Wilson; Serjeant Jack-Bannister; Sandy-Incledon
 (1st appearance in that character); Charley-Blanchard; Captain Dash-Davies; Cro
udy-Cubitt; Laird of Raasay-Thompson; Jenny-Mrs Mountain; Moggy-Mrs Martyr.  *aC
ross Purposes.  Grub-Wilson; Chapeau-Bernard; George Bevil-Macready; Consol-Thom
pson; Robin-Farley; H. Bevil-Evatt; F. Bevil-Cubitt; Emily-Mrs Lewis; Mrs Grub-M
rs Webb.  *aThe Provocation!  As 4 Oct.  *c2nd piece: Not acted these 7 years [a
cted 17 Sept. 1784].  Receipts: #134 8s. 6d. (131.17.0; 2.11.6).  *p6 cg Macbeth
.  Macbeth-Holman; Macduff-Aickin; Banquo-Farren; Duncan-Hull; Malcolm-Macready;
 Ross-Davies; Donalbaine-Cross; Seyward-Cubitt; Seyton-Thompson; Doctor-Powel; H
ecate-Bannister; Witches-Blanchard, Bernard, Reeve; Lady Macbeth-Mrs Pope.  *aTh
e Provocation!  As 4 Oct.  *sIn: Johnstone, Incledon, Marshall, Rock, Blurton, L
etteney, Lee, Mrs Mountain, Mrs Warrell, Miss Stuart, Mrs Watts, Mrs Byrne, Mrs 
Davenett, Mrs Powell, Miss Rowson, Miss Francis, Mrs Lefevre, Mrs Cross, Mrs Gra
y, Mrs Masters, Mrs Martyr.  *cReceipts: #240 1s. (235.7; 4.14).  *p7 dl King He
nry the Fifth; or, The Conquest of France.  King Henry-Kemble; Duke of Glouceste
r-Benson; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmorland-R. 
Palmer; Archbishop of Canterbury-Maddocks; Ely-Jones; Cambridge-Webb; Scroop-Cha
pman; Grey-Bland; Erpingham-Waldron; Gower-Williames; Nym-Burton; Bardolph-Alfre
d; Fluellen-Baddeley; Pistol-Suett; Boy-Master Gregson; Williams-Whitfield; Bate
s-Banks; King of France-Packer; The Dauphin-Barrymore; Duke of Burgundy-Phillimo
re; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Haymes; Queen of France-M
rs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.  *aThe Romp.  Young
 Cockney-Dodd; Barnacle-Suett; Old Cockney-Fawcett; Captain Sightly-Dignum; Pris
cilla Tomboy-Mrs Jordan; Penelope-Miss Hagley; Miss La Blonde-Miss Barnes.  *cPa
id Printer's bill [for playbills] to date #16 12s. 6d.  Receipts: #227 16s. (157
.6.0; 68.16.6; 1.13.6).  *p8 cg The Recruiting Officer.  Captain Plume-Lewis; Ju
stice Balance-Hull; Worthy-Davies; Serjeant Kite-Cubitt; Bullock-Wilson; Recruit
s-Bernard, Blanchard; Welch Collier-Farley; Captain Brazen-Ryder; Melinda-Mrs Be
rnard; Rose-Mrs Wells; Lucy-Miss Stuart; Sylvia-Mrs Pope; [Edition of 1792 ($Joh
n Bell=) adds:% Scale-Reeve; Scruple-Powel; Gentleman-Ledger.  *aThe Provocation
!  As 4 Oct.  *cReceipts: #213 10s. 6d. (207.18.0; 5.12.6).  *p9 dl The Haunted 
Tower.  As 11 Sept.  *aThe Liar.  See 14 Sept., but Miss Grantham-Miss Collins. 
 *c[As afterpiece the playbill announces +The Follies of a Day=, but "In consequ
ence of an accident to $Miss Farren= +The Follies of a Day= was unavoidably post
poned, in lieu was represented +The Liar= [which is also listed in the Account-B
ook].  $Mrs Kemble= being indisposed, $Miss Collins= personated +Miss Grantham=r
 in a manner which greatly added to Miss Collins's reputation" (+Diary=, 11 Oct.
).  And see 10 May 1791.]  Receipts: #289 7s. 6d. (239.15.0; 48.7.6; 1.5.0).  *p
11 dl The Tempest; or, The Enchanted Island.  Prospero-Bensley; Alonzo-Packer; A
ntonio-Phillimore; Ferdinand-Kelly; Gonzalez-Fox; Stephano-Moody; Trincalo-Badde
ley; Caliban-Williames; Ariel-Miss Romanzini; Hyppolito-Mrs Williames; Miranda-M
rs Crouch; Dorinda-Miss Farren.  *aThe Island of St. Marguerite.  The Mask-Kelly
; Commandant-Barrymore; Turnkey-Suett; Officer-Sedgwick; Thomas-Banks; Lawyer-Wa
ldron; Mob-Hollingsworth, Chapman, Webb, Fairbrother, Lyons; Jonas-Bannister Jun
.; Nannette-Miss Romanzini; Abbess-Mrs Edwards; Teresa-Miss Barnes; Nuns-Mrs Sha
w, Mrs Davis, Mrs Gawdry, Miss Palmer; Carline-Miss Hagley.  *sMainpiece: Vocal 
Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Edwards, Miss Hagley, Mrs Crouch; III:
 a +Chorus of Furies=-; V: the Masque of +Neptune and Amphitrite=[. +Neptune=r%-
Sedgwick, [+Amphitrite=r% Mrs Edwards.  *cMainpiece: With Additions [by $John Ph
ilip Kemble=] from $Dryden=.  The Musick by $Purcell= and $Dr Arne=, with the ne
w Airs and Chorusses by the late $Linley Jun.=  Afterpiece: 30th [recte 29th] ti
me [i.e. in continuation of the reckoning for the previous season].  The Overtur
e, new Songs and Accompaniments by $Shaw=.  Receipts: #199 18s. 6d. (157.10.0; 4
0.8.0; 2.0.6).  *pcg King Lear.  King Lear-Harley; Bastard-Macready; Gloster-Hul
l; Kent-Aickin; Albany-Davies; Cornwall-Evatt; Physician-Rock [+Public Advertise
r=: $Powel=]; Gentleman Usher-Bernard; Edgar-Holman; Regan-Mrs Bernard; Goneril-
Mrs Platt; Arante-Miss Rowson; Cordelia-Miss Brunton.  *aThe Provocation!  As 4 
Oct.  *cReceipts: #218 4s. (215.2; 3.2).  *p12 dl Love for Love.  Sir Sampson Le
gend-Moody; Valentine-Kemble; Scandal-Bensley; Tattle-Dodd; Ben-Bannister Jun.; 
[with a% +song=-Bannister Jun.; Foresight-Waldron; Jeremy-Baddeley; Trapland-Bur
ton; Angelica-Miss Farren; Mrs Foresight-Mrs Ward; Mrs Frail-Miss Pope; Miss Pru
e-Mrs Jordan.  *aNo Song No Supper.  As 4 Oct.  *cBenefit for the Author and the
 Composer of the Farce [who are listed in +Kemble Mem.=, but not on the playbill
].  Receipts: #193 3s. (145.3; 45.16; 2.4; tickets: none listed) (charge: #125).
  *pcg The Duenna.  Ferdinand-Johnstone; Isaac-Quick; Don Jerome-Wilson; Anthoni
o-Davies; Father Paul-Bannister; Lopez-Farley; Carlos-Incledon; The Duenna-Mrs W
ebb; Louisa-Mrs Martyr; Clara-Mrs Mountain.  *aThe Provocation!  As 4 Oct.  *cRe
ceipts: #146 16s. (144.18; 1.18).  *p13 cg The Merry Wives of Windsor.  Mr Ford-
Farren; Sir Hugh Evans-Wilson; Mr Page-Hull; Dr Caius-Marshall; Host of the Gart
er-Thompson; Fenton-Macready; Justice Shallow-Powel; Simple-Milburne; Bardolph-R
ock; Pistol-Evatt; Slender-Cubitt; Falstaff-Ryder; Mrs Page-Mrs Bernard; Ann Pag
e-Mrs Lewis; Mrs Quickly-Mrs Pitt; Mrs Ford-Mrs Pope.  *aRobin Hood.  Robin Hood
-Bannister; Allen o'Dale-Reeve; Little John-Quick; Ruttekin-Bernard; Fitzherbert
-Powel; Scarlet-Davies; Bowman-Cubitt; Edwin-Johnstone; Clorinda-Mrs Martyr; Ste
lla-Miss Rowson; Annette-Mrs Rock; Angelina-Mrs Warrell.  *cAfterpiece: Compress
ed into 2 Acts.  Receipts: #165 4s. (158.12; 6.12).  *phay The Spanish Barber.  
Count Almaviva-Palmer; Lazarillo-Bannister Jun.; Basil-Aickin; Argus-Chapman; Ta
llboy-R. Palmer; Notary-Burton; Doctor Bartholo-Parsons; Rosina-Mrs Bannister.  
*aThe Son-in-Law.  Arionelli-Waterhouse; Cranky-Hollingsworth; Bouquet-Haymes; M
um-Fawcett; Idle-R. Palmer; Vinegar-Baddeley; Bowkitt-Bannister Jun.; Cecilia-Mr
s Bannister.  *e[+Monologues=.% End: +The Lecture upon Heads=-Palmer; After whic
h: +Liberty=[; or, +Two Sides of the Water=%-Bannister Jun.  *cBenefit for Palme
r.  $Mr Palmer= most respectfully informs the Publick, the +Lord Chamberlain= ha
ving given Permission, $Mr Colman= having liberally granted the use of the Theat
re, and his Brethren kindly consented to perform, that [there] will be presented
...[as above.  This benefit had originally been arranged for 20 Sept., but becau
se of the death of the $Duke of Cumberland=, the theatre on that night was dark.
]  Tickets to be had of Palmer, No. 3, +London Road=, +St. George's Fields=; and
 of $Rice=, at the Theatre, where Places for the Boxes may be taken.  *p14 dl Lo
ve in Many Masks.  Don Antonio-Haymes; Don Pedro-R. Palmer; Belville-Wroughton; 
Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Phil
ippo-Benson; Sancho-Phillimore; Biskey-Webb; Sebastian-Lyons; Officer-Maddocks; 
Soldier-Alfred; Pages-Master Gregson, Master Grimaldi; Blunt's Boy-Miss Gawdry; 
Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; 
Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard; Lucetta-Miss Tidswell; 
Flower Girl-Miss Barnes.  *aThe Pannel.  Don Guzman-Baddeley; Don Ferdinand-Bens
on [+Public Advertiser=: $Barrymore=]; Don Carlos-Whitfield; Don Pedro-Williames
; Octavio-Phillimore; Muskato-Bannister Jun.; Lazarillo-R. Palmer; Lawyer-Maddoc
ks; Notary-Fawcett; Servant-Lyons; Alguaziles-Jones, Webb, Alfred; Marcella-Mrs 
Ward; Aurora-Mrs Kemble; Beatrice-Mrs Jordan; Leonarda-Mrs Booth.  *cReceipts: #
215 13s. 6d. (149.1.0; 65.17.6; 0.15.0).  *p15 cg Fontainbleau; or, Our Way in F
rance.  Lackland-Lewis; LePoche-Quick; Squire Tally@ho (1st time)-Blanchard; Sir
 John Bull-Wilson; Lord Winlove (1st time)-Incledon; Col. Epaulette-Marshall; [w
ith a% new +song= (1st time)-Marshall; Henry-Johnstone; Celia-Mrs Martyr; Rosa-M
rs Mountain; Lady Bull-Mrs Webb; Mrs Casey (1st time)-Mrs Cross; Nannette-Miss S
tuart; Miss Dolly Bull-Mrs Mattocks.  *aLovers' Quarrels.  Sancho-Quick; Don Car
los-Holman; Lopez-Ryder; Don Lorenzo-Farren; Don Alvarez-Rock; Don Felix-Thompso
n; Angelina-Miss Chapman; Isabella-Mrs Bernard; Jacintha-Mrs Mattocks; Leonora-M
rs Pope.  *cPaid $Dick= for making Cloaths #28 2s. 6d.  Afterpiece: Taken from $
Vanburgh='s [sic] +Mistake=.  Receipts: #214 0s. 6d. (209.18.6; 4.2.0).  *p16 dl
 The Haunted Tower.  As 11 Sept., but Baron of Oakland-Hollingsworth; Lady Elino
r-Miss Hagley.  *aThe Citizen.  Old Philpot-Suett; Young Philpot-Bannister Jun.;
 Sir Jasper Wilding-Burton; Young Wilding-R. Palmer; Beaufort-Haymes; Dapper-Faw
cett; Quildrive-Banks; Will-Spencer; Tom-Alfred; Maria-Miss Farren; Corinna-Miss
 Tidswell.  *cReceipts: #290 15s. 6d. (231.2.0; 57.10.6; 2.3.0).  *p18 dl A Trip
 to Scarborough.  Lord Foppington-Dodd; Young Fashion-Palmer; Loveless-Wroughton
; Col. Townly-Barrymore; Sir Tunbelly Clumsey-Moody; Probe-Waldron; Lory-Baddele
y; Le Varole-Maddocks; Shoemaker-Alfred; Taylor-Fawcett; Hosier-Webb; Jeweller-P
hillimore; Berinthia-Miss Farren; Amanda-Mrs Kemble; Mrs Coupler-Mrs Booth; Nurs
e-Mrs Hopkins; Miss Hoyden-Mrs Jordan.  *aThe Spoil'd Child.  As 16 Sept.  *cRec
eipts: #199 0s. 6d. (150.18.0; 46.10.0; 1.12.6).  *pcg King Richard the Third.  
King Richard-Harley; King Henry-Aickin; Buckingham-Farren; Stanley-Hull; Tressel
-Macready; Prince Edward-Master Simmons; Duke of York-Miss Standen; Norfolk-Evat
t; Lieutenant-Cubitt; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Powel; Oxfo
rd-Farley; Richmond-Holman; Lady Anne-Miss Brunton; Duchess of York-Mrs Platt; Q
ueen-Mrs Pope.  *aThe Provocation!  As 4 Oct.  *cReceipts: #184 1s. 6d. (182.2.6
; 1.19.0).  *p19 dl The Haunted Tower.  As 16 Oct.  *aHarlequin's Invasion.  Har
lequin-R. Palmer; Gasconade-Maddocks; Simon-Moody; Snip-Suett; Corporal Bounce-P
hillimore; Abram-Waldron; Forge-Burton; Mercury-Dignum; Old Woman-Mr Fawcett; Mr
s Snip-Mrs Hopkins; Dolly Snip-Miss Pope.  *cAfterpiece: To conclude with the Re
presentation of an Engagement between the $English= and $Spaniards=, and the Sto
rming of +Fort Omoa=, on the +Spanish Main=.  Account-Book: Paid Chorus to 11th 
Inclusive #7 10s.; Poor Rate 1@2 Year #45 17s. 10d.; $Thompson= on Acct. Supernu
meraries #10.  Receipts: #212 3s. 6d. (179.13.0; 30.13.6; 1.17.0).  *pcg The Cru
sade.  [Principal Characters by Quick, Bannister, Johnstone, Blanchard, Incledon
, Davies, Powel, Cubitt, Rock, Wilson, Mrs Martyr, Miss Williams (1st appearance
 on this stage).  [Cast from Songs ($T. Cadell=, 1790):% Bantam-Quick; Daran-Ban
nister; Raymond-Johnstone; Joppa-Blanchard; Aluph-Incledon; Godfrey-Davies; Adra
n-Powel; Tartar Prince-Cubitt; Gaoler-Rock; Sir Troubadour-Wilson; Iman-Thompson
; Sylvia-Mrs Martyr; Constantia-Miss Williames.  *aAnimal Magnetism.  Doctor-Qui
ck; Le Fleur-Blanchard; Marquis D'Lancy-Bernard; Jeff'ry-Cross; Picard-Rock; Con
stance-Mrs Wells; Lisette-Mrs Mattocks.  *cMainpiece: 15th [recte 14th] Time [i.
e. in continuation of the reckoning for the previous season].  With new Dresses,
 Scenes, Machinery and Decorations.  The Music partly from $Cimarosa=, $Gluck=, 
$Martin y Soler?=, $Reeve=, $Dr Arne=.  The rest by $Shield=.  The Chorusses sel
ected from $Handel=, to be sung by the Performers from the +Concert of Ancient M
usic=.  [$Miss Williams= was from the +Exeter theatre=.]  Receipts: #137 1s. 6d.
 (133.7.0; 3.14.6).  *p20 dl The Confederacy.  Gripe-Moody; Money@Trap-Parsons; 
Dick-Palmer; Brass-Bannister Jun.; Clip-Benson; Jessamin-Burton; Clarissa-Miss F
arren; Araminta-Mrs Ward; Corinna-Mrs Jordan; Flippanta-Miss Pope; Mrs Amlet-Mrs
 Hopkins; Mrs Clogget-Mrs Booth.  *aThe Devil to Pay; or, The Wives Metamorphose
d.  Sir John Loverule-Dignum; Butler-Williames; Cook-Fawcett; Footman-Phillimore
; Coachman-Alfred; Jobson-Moody; Doctor-Benson; Lady Loverule-Mrs Ward; Lucy-Mis
s Barnes; Lettice-Miss Tidswell; Nell-Mrs Jordan.  *cReceipts: #190 2s. 6d. (156
.13.0; 32.19.6; 0.10.0).  *pcg As You Like It.  Touchstone-Quick; Orlando-Holman
; Amiens (with +songs=)-Johnstone; Adam-Hull; Duke Senior-Powel; Corin-Cross; Wi
lliam-C. Powell; Le Beu-Macready; Sylvius-Evatt; Oliver-Davies; Duke Frederick-T
hompson; Charles-Cubitt; Jaques-Aickin; Caelia-Mrs Mountain; Audrey-Mrs Rock; Ph
oebe-Miss Stuart; Rosalind (with the +Cuckoo Song=)-Mrs Esten (from the $Theatre
 Royal, Edinburgh=; 1st appearance on this stage).  *aThe Provocation!  As 4 Oct
., but Principal Characters-Miss _Rowson.  *dEnd I: +The Irish Lilt=-Mr Ratchfor
d, Mrs Ratchford; In V: +Dance of Forresters=-.  *c"Although [$Mrs Esten=] is ra
ther under-hung, her face may fairly be pronounced pretty, and her figure engagi
ng.  Her voice, in the pathetic tones, resembles that of $Mrs Siddons=, but is m
ore clear and articulate' (+Diary=, 21 Oct.).  Receipts: #182 14s. 6d. (180.12.0
; 2.2.6).  *p21 dl The Life and Death of King Richard the Third.  King Henry-Ben
sley; Prince of Wales-Miss DeCamp; Duke of York-Miss Gawdry; Richard-Kemble; Duk
e of Buckingham-Barrymore; Earl of Richmond-Palmer; D. of Norfolk-Williames; Sir
 Rich. Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl 
of Oxford-Fawcett; Sir Robert Brackenbury-Benson; Lord Stanley-Aickin; Sir James
 Blount-Haymes; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs 
Ward; Lady Anne-Mrs Powell; Dutchess of York-Mrs Hopkins.  *aNo Song No Supper. 
 As 4 Oct., but Louisa-Miss Hagley; Nelly-Mrs Shaw.  *cReceipts: #266 14s. (190.
0; 75.3; 1.11).  *p22 cg The Man of the World.  As 29 Sept.  *aThe Provocation! 
 As 20 Oct.  *cReceipts: #193 10s. 6d. (187.1.6; 6.9.0).  *p23 dl The Clandestin
e Marriage.  Lord Ogleby-King (1st appearance on that stage these 3 years); Sir 
John Melvil-Whitfield; Sterling-Parsons; Lovewell-Barrymore; Canton-Baddeley; Br
ush-Palmer; Serjeant Flower-Packer; Traverse-Phillimore; Trueman-Benson; Mrs Hei
delberg-Mrs Hopkins; Miss Sterling-Miss Pope; Fanny-Mrs Kemble; Betty-Miss Tidsw
ell; Chambermaid-Mrs Williames; Trusty-Mrs Booth.  *aThe Romp.  As 7 Oct.  *c["T
he +Lord Ogleby=r of (+The Clandestine Marriage=) raised $Mr King= to the summit
 of comic excellence, which his more recent great character, +Sir Peter Teazle=r
 in +The School for Scandal=, has established him in the unrivalled possession o
f" ($Johnson=, ed. $Waldron=, 169).]  Receipts: #245 (211.9; 33.6; 0.5).  *pcg T
he Conscious Lovers.  Young Bevil-Holman; Myrtle-Farren; Sealand-Aickin; Sir Joh
n Bevil-Hull; Cimberton-Quick; Humphrey-Thompson; Daniel-Blanchard; Tom-Lewis; P
hillis-Mrs Mattocks; Lucinda-Mrs Mountain; Mrs Sealand-Mrs Webb; Isabella-Mrs Pl
att; Indiana-Mrs Esten.  *aThe Sultan.  Solyman-Davies; Osman-Cubitt; Ismene-Mrs
 Martyr; Elmira-Miss Chapman; Roxalana-Mrs Esten.  *dAfterpiece conclude: +Dance
=-.  *sIn II: +song=-Incledon; In I afterpiece: [a new% +Duet=- (composed by $St
evens=).  *cReceipts: #188 14s. (185.10; 3.4).  *p25 dl She Wou'd and She Wou'd 
Not; or, The Kind Impostor.  Don Manuel-Parsons; Don Philip-Bensley; Octavio-Bar
rymore; Trappanti-King; Soto-Baddeley; Host-Burton; Alguazile-Maddocks; Don Lewi
s-Phillimore; Corrigidore-Fawcett; Servants-Webb, Lyons; Postboy-Alfred; Hyppoli
ta-Mrs Jordan; Rosara-Miss Collins; Flora-Mrs Williames; Viletta-Miss Pope.  *aP
olly Honeycombe.  Honeycombe-Suett; Ledger-Williames; Scribble-R. Palmer; Mrs Ho
neycombe-Mrs Hopkins; Polly-Mrs Jordan; Nurse-Mrs Booth.  *cReceipts: #195 11s. 
(151.4.0; 42.19.6; 1.7.6).  *pcg Romeo and Juliet.  As 13 Sept., but Prince-Evat
t; Paris-Macready.  *aThe Provocation!  As 20 Oct.  *sAs 13 Sept., but Solemn Di
rge-_Cubitt, Miss _Rowson.  *cPaid $Scott=, Copper lace man, #100.  Mainpiece: +
Masquerade= as 13 Sept.  Receipts: #200 7s. 6d. (196.6.0; 4.1.6).  *p26 dl The H
aunted Tower.  As 11 Sept., but Lady Elinor-Miss Hagley; Cicely-Mrs Bland (late 
$Miss Romanzini=).  *aDon Juan; or, The Libertine Destroyed.  Don Antonio-Willia
mes; Don Ferdinand-Dignum; Don Juan-Palmer; Don Guzman-Benson; Carlos-Haymes; Pe
rez-Bland; Pedrillo-Banks; Lopez-Lyons; Gomez-Alfred; Vasquez-Fawcett; Host-Chap
man; Masaniello-Fairbrother; Scaramouch (with a +song=)-Dubois; Alguaziles-Burto
n, Jones, Webb; Boatswain (with a +song=)-Sedgwick; Sailors-Phillimore, Danby, M
addocks; Donna Anna-Miss Collins; Isabella-Miss Heard; Inis-Miss Palmer; Kathari
na-Mrs Edwards; Viletta-Mrs Bland; Vocal Parts-Dignum, Sedgwick, Mrs Bland, Mrs 
Edwards, Miss Hagley; [Edition of 1790 ($C. Lowndes=) adds:% Waiter-Fairbrother 
(i.e. doubled +Masaniello=r); 4th Sailor-Reynoldson.  *dIn afterpiece: [under th
e Direction of $D'Egville=,% Hamoir, Bourk, Miss Blanchet, Miss DeCamp, [Edition
 of 1790 adds:% Fairbrother, Whittow, Kirk, Whitmell, Walker, Bidotti, Nicolini,
 Mrs Davis, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Barrett, Mrs Harris, Mrs K. 
Davis, Miss Bourk.  *cAfterpiece: A revived Grand Pantomimical Ballet.  To concl
ude with a superb +Prospect of the Infernal Regions=.  [This was included in all
 subsequent performances; and see 6 Nov.]  Books of the Pantomime to be had at t
he Theatre.  With new Scenes, Dresses and Decorations.  The Scenes designed and 
painted by $Greenwood=.  Receipts: #272 14s. (238.18; 32.4; 1.12).  *pcg The Due
nna.  As 12 Oct.  *aThe Provocation!  As 20 Oct.  *c[Mainpiece in place of +The 
Dramatist=; afterpiece of +Cymon=, both advertised on playbill of 25 Oct.]  Rece
ipts: #154 15s. 6d. (150.17.6; 3.18.0).  *p27 dl As You Like It.  Duke-Aickin; F
rederick-Fox; Amiens (with +songs=)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Ol
iver-Whitfield; Jaques de Bois-Benson; Orlando-Kemble; Adam-Moody; Touchstone-Ki
ng; Rosalind (with the +Cuckoo Song=)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss C
ollins; Audrey-Mrs Williames.  *aThe Critic; or, A Tragedy Rehearsed.  Dangle-Do
dd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Pasticio Ritornello-Duboi
s; Interpreter-Baddeley; Under Prompter-Maddocks; Puff-King; Mrs Dangle-Mrs Hopk
ins; Italian Girls-Miss Hagley, Mrs Bland, Miss DeCamp; [+Characters of the Trag
edy=:% Lord Burleigh-Phillimore; Governor-Wrighten; Earl of Leicester-Whitfield;
 Sir Walter Raleigh-Burton; Sir Chris. Hatton-Waldron; Master of the Horse-Alfre
d; Beef@eater-Williames; Justice-Packer; Son-Suett; Constable-Fawcett; Don Ferol
o Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Barnes; Justice's Lady-Mr
s Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.  *sIn V: a +song=-Miss Hagley
.  *cAfterpiece: Not acted these 2 years.  To conclude with the +Glorious Defeat
 of the Spanish Armada=, and a Grand Procession.  [These were included in all su
bsequent performances.]  Receipts: #265 14s. (217.12; 45.10; 2.12).  *pcg The Or
phan; or, The Unhappy Marriage.  Castalio-Fennell (1st appearance this season); 
Acasto-Aickin; Polydore-Farren; Chaplain-Powel; Ernesto-Thompson; Page-Master Si
mmons; Chamont-Holman; Serina-Mrs Lewis; Florella-Miss Stuart; Monimia-Mrs Esten
.  *aThe Provocation!  As 20 Oct.  *cReceipts: #210 3s. (204.7.6; 5.15.6).  *p28
 dl The Life and Death of King Richard the Third.  As 21 Oct.  *aNo Song No Supp
er.  As 21 Oct., but Dorothy-Mrs Bland [i.e. formerly $Miss Romanzini=].  *cRece
ipts: #240 12s. 6d. (170.2.0; 69.18.0; 0.12.6).  *p29 cg The Crusade.  As 19 Oct
.  *aThe Follies of a Day.  Count Almaviva-Lewis; Figaro-Blanchard; Antonio-Bern
ard; Bazil-Powel; The Page (with a +song=)-Mrs Martyr; Countess-Mrs Bernard; Mar
celina-Mrs Webb; Agnes-Miss Francis; Susan-Mrs Pope.  *cReceipts: #199 1s. 6d. (
189.15.0; 9.6.6).  *p30 dl The Haunted Tower.  As 26 Oct.  *aDon Juan.  As 26 Oc
t.  *dAs 26 Oct.  *cReceipts: #267 5s. (223.17.0; 42.6.6; 1.1.6).  *pcg The Man 
of the World.  As 29 Sept.  *aRosina.  Belville-Bannister; Captain Belville-John
stone; Rustic-Cross; Irish Haymaker-Rock; William-Blanchard; Phoebe-Mrs Martyr; 
Dorcas-Mrs Pitt; Rosina (1st time)-Miss Williams.  *cReceipts: #140 12s. 6d. (13
2.13.0; 7.19.6).  *p11 1 dl The Rivals.  Sir Anthony Absolute-King; Captain Abso
lute-Palmer; Faulkland-Kemble; Acres-Dodd; Sir Lucius O'Trigger-Moody; Fag-R. Pa
lmer; David-Hollingsworth [+Public Advertiser=: Baddeley]; Coachman-Phillimore; 
Mrs Malaprop-Mrs Hopkins; Lydia Languish-Mrs Jordan; Julia-Miss Farren; Lucy-Mrs
 Williames.  *aDon Juan.  As 26 Oct.  *dAs 26 Oct.  *cReceipts: #196 5s. (161.12
; 33.9; 1.4).  *pcg All for Love; or, The World Well Lost.  Marc Antony-Holman; 
Dollabella-Farren; Alexas-Davies; Serapion-Hull; Myris-Thompson; Ventidius-Harle
y; Cleopatra-Miss Brunton; Charmion-Mrs Rock; Iras-Miss Francis; Octavia-Mrs Pop
e; [Edition of 1792 ($John Bell=) adds:% Romans-Evatt, Ledger.  *aThe Provocatio
n!  As 20 Oct.  *cMainpiece: Written by $Dryden=.  Receipts: #128 14s. (125.18.6
; 2.15.6).  *p2 dl The Haunted Tower.  As 26 Oct.  *aBon Ton; or, High Life abov
e Stairs.  Lord Minikin-Dodd; Sir John Trotley (with the original +Prologue=)-Ki
ng; Colonel Tivy-Barrymore; Jessamy-R. Palmer; Davy-Suett; Lady Minikin-Miss Pop
e; Miss Tittup-Miss Farren; Gymp-Mrs Williames.  *cThe Doors to be opened at 5:1
5.  To begin at 6:15 [see 25 Apr. 1791].  Afterpiece: Not acted these 3 years.  
[Prologue by $George Colman, elder=.]  Receipts: #195 8s. (156.4.0; 32.17.6; 6.6
.6.).  *pcg Fontainbleau.  As 15 Oct., but Rosa-Mrs Warrell; new +song=-_.  *aLo
vers' Quarrels.  As 15 Oct.  *cThe Doors to be opened at 5:15.  To begin at 6:15
 [see 26 Apr. 1791].  Receipts: #130 9s. (123.16; 6.13).  *p3 dl Twelfth Night. 
 Orsino-Barrymore; Sebastian-Bland; Antonio-Phillimore; Curio-Lyons; Sir Toby Be
lch-Palmer; Sir Andrew Ague@cheek-Dodd; Sea Captain-Benson; Fabian-R. Palmer; Ma
lvolio-Bensley; Clown (with the +Epilogue Song=)-Suett; Olivia-Mrs Powell; Viola
-Mrs Jordan; Maria-Miss Collins.  *aThe Intriguing Chambermaid.  Goodall-Packer;
 Valentine-Whitfield; Lord Puff-Haymes; Colonel Bluff-Palmer; Oldcastle-Suett; R
akeit-R. Palmer; Slap-Phillimore; Security-Fawcett; John-Banks; Constable-Alfred
; Mrs Highman-Mrs Hopkins; Charlotte-Miss Collins; Lettice (with +songs=)-Mrs Jo
rdan (1st appearance in that character).  *cA new and correct Edition of the Far
ce [$J. Debrett=, 1790] to be had at the Theatre.  Paid $Perrott=, Coal Merchant
, #139 13s.  Receipts: #166 7s. (126.1; 39.7; 0.19).  *pcg The Wives Revenged.  
Deputy Dimity-Quick; Mr Vermillion-Davies; Alderman Tokay-Wilson; Mrs Tokay-Mrs 
Warrell; Mrs Dimity-Miss Stuart; Mrs Vermillion-Mrs Martyr.  *aThe Dramatist.  V
apid-Lewis; Lord Scratch-Quick; Ennui-Bernard; Floriville-Blanchard; Peter-Thomp
son; Willoughby-Macready; Neville-Holman; Marianne-Mrs Wells; Lady Waitfor't-Mrs
 Webb; Letitia-Mrs Powell; Miss Courtney-Miss Brunton; +Epilogue=-Lewis.  [This 
was spoken, as here assigned, at all subsequent performances.]  *aThe Provocatio
n!  As 20 Oct.  *c[Epilogue by $Miles Peter Andrews=.]  Receipts: #168 15s. (162
.19.6; 5.15.6).  *p4 dl The Inconstant; or, The Way to Win Him.  Old Mirabel-Aic
kin; Young Mirabel-Wroughton; Captain Duretete-Dodd; Dugard-Haymes; Petit-R. Pal
mer; Bravoes-Maddocks, Phillimore, Alfred, Webb; Oriana-Miss Collins; Bisarre-Mi
ss Farren; Lamorce-Miss Tidswell.  *aNo Song No Supper.  As 28 Oct.  *c[In mainp
iece the playbill assigns +Oriana=r to $Mrs Goodall=, but she "being indisposed,
 $Miss Collins= appeared as her substitute" (+Diary=, 5 Nov.).]  Receipts: #207 
(145.3; 60.6; 1.11).  *pcg Tamerlane.  Tamerlane-Harley (1st appearance in that 
character); Moneses-Farren; Axalla-Macready; Omar-Hull; Hali-Cubitt; Prince of T
anais-Powel; Dervise-Thompson; Zama-Cross; Stratocles-Davies; Bajazet-Aickin; Se
lima-Miss Chapman; Arpasia-Mrs Pope; [Edition of 1792 ($John Bell=) adds:% Mirva
n-Evatt.  *aThe Fugitive.  Principal Characters-Ryder, Blanchard, Wilson, Marsha
ll, Powel, Rock, Farley, Cross, Johnstone, Miss Williams, Mrs Webb, Mrs Harlowe 
(1st appearance on this stage).  [+Larpent MS= lists the parts: +Baron Allstoff=
r (acted by Wilson) (+Diary=, 5 Nov.), +Gentleman=r, +Theodore=r, +Ralpho=r, +Ju
stice Yacobs=r, +Count=r, +Fritz=r, +Slip=r, +Turnkeys=r, +Ballybough=r, +Mme Ya
cobs=r, +Julia=r, +Ellen=r.]  *cMainpiece: Not acted these 6 years.  Afterpiece 
[1st time: CO 2, by $John O'Keeffe=; altered by the author from his +The Czar=. 
 +Larpent MS 881=; not published]: In which will be introduced a few Scenes and 
Songs from The Czar, performed last season [on 8 Mar. 1790].  The Music composed
 and compiled by $Shield=.  Books of the Songs to be had at the Theatre.  [$Mrs 
Harlowe= was from +Sadler's Wells=.]  Receipts: #194 11s. 6d. (181.18.6; 12.13.0
).  *p5 dl Know Your Own Mind.  Millamour-Wroughton; Dashwould-Bannister Jun.; M
alvil-Whitfield; Bygrove-Aickin; Captain Bygrove-Haymes; Sir John Millamour-Pack
er; Sir Harry Lovewit-R. Palmer; Charles-Benson; Lady Bell (with a +song=)-Miss 
Farren; Lady Jane-Mrs Powell; Mrs Bromley-Mrs Ward; Miss Neville-Mrs Kemble; Mad
am Le Rouge-Mrs Heard.  *aThe Spoil'd Child.  As 16 Sept.  *c[Mainpiece in place
 of +The Clandestine Marriage=, advertised on playbill of 4 Nov.]  Receipts: #14
8 18s. 6d. (102.4.0; 44.18.0; 1.16.6).  *pcg The Orphan.  As 27 Oct.  *aThe Fugi
tive.  As 4 Nov.  *cReceipts: #174 13s. (167.5.6; 7.7.6).  *p6 dl The Haunted To
wer.  As 26 Oct.  *aDon Juan.  As 26 Oct.  *dAs 26 Oct.  *cAfterpiece: To conclu
de with a Superb Prospect of the Infernal Regions, and a +Rain of Fire=.  [This 
was included, as here described in all subsequent performances.]  Account-Book, 
27 Nov.: Paid 3 Showers of Fire in +Don Juan= #3 12s.  Receipts: #189 3s. 6d. (1
45.12.0; 41.11.0; 2.0.6).  *pcg The Female Pursuit; or, Stop Her Who Can.  Don L
ewis-Holman; Gil Blas-Bernard; Don Felix-Macready; Don Gabriel-Thompson; Pedro-F
arley; Melchion-Letteney; Aurora-Miss Chapman; Isabella-Mrs Bernard; Bernarda-Mr
s Pitt; Beatrice-Mrs Powell; Laura-Mrs Martyr.  *aThe Fugitive.  As 4 Nov., but 
Principal Characters-_Cross, +Evatt.  *aThe Death of Captain Cook.  ["$Follett= 
played the part of +Koah=r in the room of Delpini" (+Diary=, 8 Nov.).  The other
 characters probably were: +Terreeobo=r-$Blurton=; +Pareea=r-$Byrne=; +Captain C
ook=r-$Cranfield=; +His Lieutenant=r-$Evatt=; +Lieutenant of the Marines=r-$Ratc
hford=; +Emai=r-$Miss Francis= (see 21 Sept. 1789).]  *c1st piece: Taken from $M
oor='s Comedy of +Gil Blas=.  3rd piece: With the Original +French Music=, Dress
es, Scenery, Machinery, and Decorations.  [For a detailed synopsis of the action
, see 16 Nov.]  Receipts: #122 5s. 6d. (118.9.6; 3.16.0).  *p8 dl The Rivals.  A
s 1 Nov.  *aThe Intriguing Chambermaid.  As 3 Nov.  *cReceipts: #270 5s. (228.5;
 38.19; 3.1).  *pcg Othello.  Othello-Fennell; Roderigo-Blanchard; Cassio-Macrea
dy; Brabantio-Hull; Lodovico-Davies; Montano-Thompson; Duke-Cubitt; Gratiano-Pow
el; Iago-Harley; Emilia-Mrs Bernard; Desdemona-Mrs Pope.  *aThe Fugitive.  As 6 
Nov.  *cReceipts: #144 14s. 6d. (141.8.6; 3.6.0).  *p9 dl The Haunted Tower.  As
 26 Oct.  *aDon Juan.  As 26 Oct.  *dAs 26 Oct.  *cReceipts: #260 0s. 6d. (227.1
.0; 31.3.0; 1.16.6).  *pcg As You Like It.  As 20 Oct.  *aThe Highland Reel.  As
 5 Oct., but Sandy-Johnstone.  *dAs 20 Oct.  *cReceipts: #223 10s. (219.14.6; 3.
15.6).  *p10 dl The School for Scandal.  Sir Peter Teazle-King; Joseph Surface-P
almer; Charles Surface-Kemble (1st appearance in that character); Sir Oliver Sur
face-Aickin; Snake-Phillimore; Rowley-Packer; Moses-Baddeley; Careless-Barrymore
; Trip-R. Palmer; Sir Benjamin Backbite-Dodd; Crabtree-Parsons; Lady Teazle-Miss
 Farren; Lady Sneerwell-Mrs Ward; Mrs candour-Miss Pope; Maria-Mrs Kemble; Maid-
Mrs Heard.  *aThe Deuce is in Him.  As 11 Sept.  *sIn III: +song=-Williames.  [T
his was sung, as here assigned, in all subsequent performances, except on 3 Mar.
 1791.]  *cMainpiece: Not acted these 3 years.  Receipts: #268 7s. (245.2.0; 22.
4.6; 1.0.6).  *pcg The Wives Revenged.  As 3 Nov., but Mrs Tokay-Mrs Mountain.  
*aThe Dramatist.  As 3 Nov.  *aThe Death of Captain Cook.  As 6 Nov.  *cReceipts
: #197 4s. 6d. (190.11.0; 6.13.6).  *p11 dl The Heiress.  As 16 Sept., but Alscr
ip-Parsons.  *aNo Song No Supper.  As 28 Oct.  *cReceipts: #239 7s. 6d. (177.16.
0; 60.1.0; 1.10.6).  *pcg The German Hotel.  [Principal Characters by Quick, Hol
man, Aickin, Farren, Blanchard, Wilson, Bernard, Mrs Mattocks, Mrs Pope  [Cast f
rom text ($G. G. J. and J. Robinson=, 1790):% Count Werling-Quick; Dorville-Holm
an; Count Kolberg-Aickin; Baron Thorck-Farren; Henry-Blanchard; Rummer-Wilson; W
illiam-Bernard; Stephen-Cross; Servant-Evatt; Messenger-Farley; Adelaide-Mrs Mat
tocks; Mrs Dorville-Mrs Pope; A New +Prelude=-Ryder, Davies, Bernard; [Cast from
 text: +McCarnock=r-Ryder; +Williams=r-Davies; +Frankly=r-Bernard;% +Epilogue=-R
yder, Mrs Mattocks.  *aLove in a Camp; or, Patrick in Prussia.  Captain Patrick-
Johnstone; Quiz-Quick; Darby (1st time)-Bernard; Marshall Ferbelin-Davies; Fathe
r Luke-Rock; Olmutz-Cubitt; Adjutant-Macready; Rupert-Lee; Mabel Flourish-Mrs We
bb; Norah-Miss Francis; Flora-Mrs Martyr.  *cMainpiece [1st time; C 5, usually a
scribed to $Thomas Holcroft=, but probably by $James Marshall=; adapted from +Tr
au, Schau, Wem=! (later entitled +Der Gasthof=), by $Johann Christian Brandes=. 
 Authors of Prelude and Epilogue unknown].  Account-Book, 23 Nov.: Paid $Marshal
l=, author, in full, #99 8s. [not the actor, engaged at +cg= this season, whose 
Christian name was Thomas].  +Diary=, 23 Nov. 1790: This Day is published +The G
erman Hotel= (1s. 6d.).  Receipts: #179 14s. (166.4; 13.10).  *p12 dl The Clande
stine Marriage.  As 23 Oct., but Sterling-Aickin (1st appearance in that charact
er); Traverse-_; Trueman-_; Trusty-_.  *aThe Pannel.  As 14 Oct., but Don Ferdin
and-Barrymore; Marcella-Mrs Goodall; Alguaziles-_; Leonarda-_.  *cReceipts: #158
 16s. (122.10; 35.4; 1.2).  *pcg The German Hotel.  As 11 Nov. [+Prelude=, +Epil
ogue= as 11 Nov.%  *aRobin Hood.  As 13 Oct., but Robin Hood-Davies; Stella-Miss
 Francis; Angelina-Miss Williames (1st appearance in that character).  *cAfterpi
ece: By Particular Desire of the +Cherokee Chiefs=.  [These six Chiefs had recen
tly come to +England= to enlist aid in their dispute with +Mexico= (+London Chro
nicle=, 2 Nov.).  The playbill retains $Bannister= as +Robin Hood=r, but  "Previ
ous to the curtain's drawing up...$Farley= walked forward and apologized for the
 absence of Bannister, informing the audience that their favourite singer was su
ddenly indisposed, and that $Davies= had undertaken to play Bannister's part" (+
Diary=, 13 Nov.).  Davies's part of +Scarlet=r was probably acted by Farley (see
 18 Nov.).]  Receipts: #201 17s. 6d. (187.5.0; 14.12.6).  *p13 dl The Haunted To
wer.  As 26 Oct.  *aThe Critic.  As 27 Oct., but Dangle-Benson.  *c[In afterpiec
e the playbill retains $Dodd= as +Dangle=r, but he "would not act the Part...$Be
nson= studyed and did it, at a few Hours Notice" (+Kemble Mem.=).]  Receipts: #2
62 14s. 6d. (204.11.0; 55.9.0; 2.14.6).  *pcg The German Hotel.  As 11 Nov. [+Pr
elude=, +Epilogue= as 11 Nov.%  *aThe Poor Soldier.  As 17 Sept., but Fitzroy-Da
vies.  *cBenefit for the Author [of mainpiece].  Receipts: #164 12s. (146.6; 18.
6; tickets: none listed).  *p15 dl The Rivals.  As 1 Nov.  *aNo Song No Supper. 
 As 28 Oct., but Grandmother-_.  *cReceipts: #268 18s. 6d. (221.9.0; 46.5.0; 1.4
.6).  *pcg As You Like It.  As 20 Oct.  *aHarlequin's Chaplet.  Harlequin-Boyce;
 Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with +Come Roger and 
Nell=)-Cubitt; Shepherd, Shepherdess (with +Cast, my Love, thine Eyes around=)-M
rs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Lette
ney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutte
r-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal
 Witches-Davies, Reeve [+Public Advertiser=: $Linton=], Miss Williams, Mrs Mount
ain; Colombine-Mrs Watts.  *dAs 20 Oct.  *cAfterpiece: Being a Collection of fav
orite Scenes from the following celebrated Pantomimes: +Harlequin Sorcerer=, +Mo
ther Shipton=, +Choice of Harlequin=, +Lord Mayor's Day=, +Druids=, +Fryar Bacon
=, +Harlequin Freemason=, +Norwood Gipsies=, +Omai=, +Magic Cavern=, +Harlequin 
Rambler=.  The Dances [composed] by $Byrne=.  The Original Scenery, Machinery &c
. painted by $Lambert=, $Dall=, $Carver=, $Hodgins= and $Richards=.  The Music s
elected by $Shaw= from $Pepuch= [sic], $Dr Arne=, $Arnold=, $Fisher=, $M.? Arne=
, $Vincent=, $Didbin=, $Reeve=, $Shield=.  Receipts: #193 7s. (187.15; 15.12).  
*p16 dl The Confederacy.  As 20 Oct., but Brass-King.  *aThe Spoil'd Child.  As 
16 Sept.  *cReceipts: #197 9s. (151.15.0; 45.0.6; 0.13.6).  *pcg The German Hote
l.  As 11 Nov. [+Prelude=, +Epilogue= as 11 Nov.%  *aAnnette and Lubin.  Lubin-M
rs Martyr; Bailiff-Cubitt; Lord of the Manor-Evatt; Annette-Mrs Mountain.  *aThe
 Death of Captain Cook.  As 6 Nov.  [PART I.  A Nuptial Procession, with the Per
formance of the Marriage Ceremony, according to the Custom observed at +O'Whyee=
.  The Manner of a Combat between two Natives.  PART II.  The Arrival of the +Re
solution=.  The Disembarkation of the $English=, with the Ceremonies observed at
 entering into a Treaty of Peace with the Natives.  A Preparation for a Human Sa
crifice.  The Assassination of Captain Cook.  PART III.  A Representation of the
 Naval and Military Honour, observed on erecting a Pile to the Memory of Captain
 Cook by the Officers of the Resolution.  The Ceremony performed on the same occ
asion, according to the Manner of the Natives of O'Whyee.  To conclude with a +R
epresentation= of a Burning Mountain.%  *c3rd piece: By Particular Desire of the
 +Cherokee Chiefs= [see 12 Nov.].  Receipts: #274 1s. (270.0.6; 4.0.6).  *p17 dl
 Better Late than Never.  [Characters by Kemble, Dodd, Palmer, Baddeley, Bannist
er Jun., R. Palmer, Maddocks, Lyons, Webb, Mrs Jordan, Mrs Goodall, Miss Pope.  
[Cast from text ($J. Ridgway=, 1790):% Saville-Kemble; Flurry-Dodd; Sir Charles 
Chouse-Palmer; Grump-Baddeley; Litigamus-Bannister Jun.; Pallet-R. Palmer; Lawye
r's Clerk-Maddocks; Servant to Saville-Lyons; Servant to Flurry-Webb; Augusta-Mr
s Jordan; Mrs Flurry-Mrs Goodall; Diary-Miss Pope; +Prologue=-Bannister Jun; +Ep
ilogue=-Mrs Jordan.  [These were spoken, as here assigned, at all subsequent per
formances.]  *aDon Juan.  As 26 Oct.  *dAs 26 Oct.  *cMainpiece [1st time; C 5, 
by $Miles Peter Andrews= and $Frederick Reynolds=; based on +Le Dissipateur; ou,
 L'Honnete Friponne=, by $Philippe Nericault=, dit $Destouches=.  Prologue by th
e $Duke of Leeds=; Epilogue by Miles Peter Andrews (see text)]: With new Scenes,
 Dresses and Decorations.  The Scenery designed and executed by $Greenwood=.  +G
azetteer=, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Le
eds, $Major Scott=, $Mr Angerstein= [the banker] and $Mr Boswell= were in the bo
xes.  Mr Boswell said an epigrammatic thought had struck him...and he brought th
e following Impromptu into life: Andrews, your play is safe enough; For noble Le
eds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it
.  +World=, 13 Dec. 1790: To-morrow will be published +Better Late than Never= (
1s. 6d.).  Receipts: #240 14s. (206.7; 32.6; 2.1).  *pcg The Dramatist.  As 3 No
v.  *aThe Highland Reel.  As 9 Nov.  *cBy Command of $Their Majesties=.  Receipt
s: #374 13s. (369.12; 5.1).  *p18 dl The School for Scandal.  As 10 Nov.  *aNo S
ong No Supper.  As 15 Nov., but Nelly-_.  *cReceipts: #305 7s. (276.13.0; 25.14.
6; 2.19.6).  *pcg The German Hotel.  As 11 Nov. [+Prelude=, +Epilogue= as 11 Nov
.%  *aRobin Hood.  As 13 Oct., but Scarlet-Farley; Stella-Miss Francis; Angelina
-Miss Williames.  *cBenefit for the Author [of mainpiece, who is named in the Ac
count-Book, but not on the playbill].  Receipts: #144 16s. (128.16.6; 15.19.6; t
ickets: none listed).  *p19 dl Better Late Than Never.  As 17 Nov.  *aThe Island
 of St. Marguerite.  As 11 Oct., but Mob-_Chapman, +Jones; Nannette-Mrs Bland [i
.e. formerly $Miss Romanzini=]; Teresa-Miss Hagley; Nuns-Miss _Palmer, Miss +Bar
nes; Carline-Mrs Crouch.  *cReceipts: #198 9s. (161.15; 35.0; 1.14).  *pcg The C
onscious Lovers.  As 23 Oct.  *aThe Maid of the Oaks.  Hurry-Quick; Dupely-Berna
rd; Old Groveby-Ryder; Oldworth-Thompson; Sir Harry Groveby-Davies; Musical Char
acters-Cubitt, Miss Stuart, Miss Francis; Maria (with the original +song=)-Mrs M
ountain; Lady Bab Lardoon-Mrs Esten (1st appearance in that character [in +Londo
n=]).  *dI afterpiece: a +Dance=-.  *sAs 23 Oct.  *c[$Mrs Esten= had 1st acted +
Lady Bab Lardoon=r at +Bath= in the season of 1786-87.]  Receipts: #135 5s. 6d. 
(124.8.6; 10.17.0).       *p20 dl The Haunted Tower.  As 11 Sept., but Cicely-Mr
s Bland [i.e. formerly $Miss Romanzini=]; Servant-_; Hubert-_.  *aThe Critic.  A
s 27 Oct., but Dangle-R. Palmer.  *cPaid $Nicolls= for Ropes #5 7s.  Receipts: #
250 15s. (200.8; 46.16; 3.11).  *pcg The German Hotel.  As 11 Nov. [+Prelude=, +
Epilogue= as 11 Nov.%  *aCymon.  As 1 Oct., but Shepherdesses-Miss _Rowson, Miss
 +Francis.  *cReceipts: #126 1s. 6d. (112.15.6; 13.6.0).  *p22 dl The Rivals.  A
s 1 Nov.  *aNo Song No Supper.  As 15 Nov.  *cReceipts: #218 13s. (171.8; 44.4; 
3.1).  *pcg King Lear.  As 11 Oct., but Bastard-Fennell; Cornwall-Macready; Aran
te-Miss Brangin.  *aHarlequin's Chaplet.  As 15 Nov.  *cAfterpiece: By the Parti
cular Desire of the +Cherokee Chiefs= [see 12 Nov.].  Receipts: #209 7s. 6d. (20
4.13.6; 4.14.0).  *p23 dl Better Late Than Never.  As 17 Nov.  *aThe Pannel.  As
 12 Nov.  *cBenefit for the Authors [who are named in +Kemble Mem.=, but not on 
the playbill].  Receipts: #197 4s. (155.16; 37.10; 3.18; tickets: none listed) (
charge: #115).  *pcg Venice Preserved.  Jaffier (1st time)-Holman; Priuli-Hull; 
Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; P
ierre (1st time)-Harley; Belvidera (1st time [in +London=])-Mrs Esten.  *aA Dive
rtisement.  [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard,
 Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr.  [Cast f
rom Songs (For the Author [1790]);% Clueline-Bannister; Capt. Frederick-Johnston
e; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Sq
uire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs M
ountain; [With% Dialogue-; [to introduce the following favourite +Songs=, select
ed, written and composed (with new accompaniments) by $Dibdin=: PART I.% The Lam
plighter[, +I'm jolly Dick the Lamplighter=%-Bernard; Peggy Perkins[, +Let Bards
 elate=%-Blanchard; Irish Drinking Song[, +Of the Ancients its speaking=%-Johnst
one; Tom Bowling[, +Here a shere Hulk lies poor Tom Bowling=%-Bannister; Comic S
ong[, +How much I love thee=%-Wilson; Taffy and Griddy[, +Abergavenny is fine=%-
Mrs Martyr; [PART II.% Hunting Song[, +To Batchelor's Hall=%-Incledon; Sea Song[
, +Ben Backstay lov'd the gentle Anna=%-Bannister; The Portrait[, +Come, Painter
, with thy happiest flight=%-Incledon; The Soldier's Grave[, +Of all Sensations 
Pity brings=%-Incledon; [Conclude with% Rural Masquerade-[in which the following
 +Airs= will be sung in character%; The Greenwich Pensioner[, +'Twas in the good
 ship Rover=%-Bannister; Indian Song[, +Dear Yanco says, and true he says=%-Mrs 
Mountain; The Masquerade[, +Sure an't the World a Masquerade=%-Johnstone, Chorus
; Occasional +Prologue=-Farren.  *dIn afterpiece: Dancing-Byrne, Mrs Goodwin.  *
cMainpiece: Not acted these 3 years.  [acted 21 Jan. 1789.  $Mrs Esten= has 1st 
acted +Belvidera=r at +Bath= in the season of 1786-87].  Afterpiece [1st time; M
. INT 2, by $John Cartwright Cross=.  +Larpent MS 883=; not published.  Prologue
 by $John Taylor= (his +Taylor, Poems=, I, 43).  $Rees=' 1st appearance at this 
theatre was on 14 May 1788]: The Overture and the whole of the Music by $Dibdin=
.  Books of the Songs to be had at the Theatre.  [Most of these songs had origin
ally appeared in Dibdin's "table entertainment," +The Oddities=, 1st performed a
t the +Lyceum=, 7 Dec. 1789.]  Receipts: #244 18s. 6d. (234.8.0; 10.10.6).  *p24
 dl The Tempest.  As 11 Oct., but Ariel-Mrs Bland [i.e. formery $Miss Romanzini=
]; Hyppolito-Mrs Goodall.  *aThe Island of St. Marguerite.  As 19 Nov.  *sAs 11 
Oct.  *cBy Desire of the +Cherokee Chiefs= [so playbill of 23 Nov.; see +cg=, 12
 Nov.].  Receipts: #199 3s. (160.2; 36.6; 2.15).  *pcg The Wives Revenged.  As 1
0 Nov.  *aThe Dramatist.  As 3 Nov.  *aA Divertisement.  As 23 Nov., but Occasio
nal +Prologue=-_.  *dAs 23 Nov.  *cReceipts: #204 12s. (192.16.6; 11.15.6).  *p2
5 dl She Wou'd and She Wou'd Not.  As 25 Oct., but Servants-_; Postboy-_.  *aThe
 Spoil'd Child.  As 16 Sept.  *cBy Command of $Their Majesties=.  Receipts: #305
 (288.5.0; 16.6.6; 0.8.6).  *pcg Rose and Colin.  Colin-Mrs Martyr; Gregory-Cubi
tt; Higgins-Thompson; Fidget-Mrs Pitt; Rose-Mrs Mountain.  *aThe German Hotel.  
As 11 Nov., but A New Prelude-_[(and thereafter)%; +Epilogue=-Powel, Mrs Mattock
s.  *aA Divertisement.  As 24 Nov.  *dAs 23 Nov.  *cReceipts: #249 3s. 6d. (236.
7.6; 12.16.0).  *p26 dl Better Late than Never.  As 17 Nov.  *aDon Juan.  As 26 
Oct.  *dAs 26 Oct.  *cReceipts: #201 11s. 6d. (161.12.0; 35.4.6; 4.10.0; tickets
 not come in: 0.5.0).  *pcg Macbeth.  As 6 Oct.    *aA Divertisement.  As 24 Nov
., but [added to Speaking Characters: $Incledon=; in PART II, +The Greenwich Pen
sioner= in place of Sea Song; in Masquerade,% +Sea Song=[, +A Sailor's life's a 
life of woe=%-Mrs Harlowe[, in place of The Greenwich Pensioner%.  *dAs 23 Nov. 
 *sJohnstone, Incledon, Marshall, Rock, Blurton, Letteney, Lee, Mrs Mountain, Mr
s Warrell, Miss Stuart, Mrs Watts, Mrs Byrne, Mrs Davenett, Mrs Powell, Miss Fra
ncis, Miss Lefevre, Mrs Cross, Mrs Gray, Mrs Masters, Mrs Martyr.  *cReceipts: #
149 8s. (143.5; 6.3).  *p27 dl The Haunted Tower.  As 20 Nov.  *aThe Critic.  As
 20 Nov.  *cReceipts: #270 3s. (218.18.0; 46.8.6; 4.1.6; tickets not come in: 0.
15.0).  *pcg Florizel and Perdita.  Florizel-Holman; Polixenes-Aickin; Antigonus
-Hull; Camillo-Powel; Clown-Cubitt; Autolicus (the Ballad-singing Pedlar)-Blanch
ard; Dorcas-Mrs Lloyd; Mopsa-Mrs Byrne; Perdita-Miss Brunton.  *cThe Follies of 
a Day.  As 29 Oct.  *aA Divertisement.  As 26 Nov.  *dAs 23 Nov.  *c1st piece: A
ltered from +The Winter's Tale= of $Shakespeare= [2nd piece in place of +Love a-
la-Mode=, advertised on playbill of 26 Nov.]  Receipts: #171 2s. 6d. (160.5.6; 1
0.17.0).  *p29 dl The Rivals.  As 1 Nov.  *aNo Song No Supper.  As 15 Nov.  *cRe
ceipts: #261 13s. 6d. (211.14.0; 46.11.0; 3.3.6; tickets not come in: 0.5.0).  *
pcg Venice Preserved.  As 23 Nov.  *aA Divertisement.  As 26 Nov.  *dAs 23 Nov. 
 *cReceipts: #193 13s. (182.9.6; 11.3.6).  *p30 dl Better Late than Never.  As 1
7 Nov.  *aThe Deserter.  Henry-Kelly; Russet-Williames; Simkin-Suett; Skirmish-B
annister Jun.; Flint-Burton; Serjeant-Phillimore; Louisa-Mrs Crouch; Jenny-Mrs B
land; Margaret-Mrs Booth.  *c[Afterpiece in place of +Comus=, advertised on play
bill of 29 Nov.]  Receipts: #164 7s. (123.12.0; 33.17.6; 6.17.6).  *pcg The Toy;
 or, Hampton Court Frolics.  Aircourt-Lewis; Alibi-Quick; Methegen (1st time)-Wi
lson; Sir Carrol O'Donovan-Aickin; Larry Kavanagh-Blanchard; Nol Pros-Powel; You
ng O'Donovan-Holman; Sophia (1st time)-Mrs Harlowe; Kitty Kavanagh-Mrs Webb; Lad
y Arable-Mrs Bernard; Fib-Miss Stuart; Lady Jane-Miss Brunton.  *aA Divertisemen
t.  As 26 Nov.  *dAs 23 Nov.  *cReceipts: #114 15s.  6d. (107.12.0; 7.3.6).  *p1
2 1 dl The Way to Keep Him.  Lovemore-Wroughton; Sir Bashful Constant-King; Sir 
Brilliant Fashion-Dodd; William-R. Palmer (1st appearance in that character); Si
deboard-Burton; Black Boy-Miss Gawdry; Widow Bellmour-Mrs Goodall (1st appearanc
e in that character); Mrs Lovemore-Mrs Ward; Lady Constant-Mrs Kemble; Muslin-Mi
ss Pope; Mignionet-Miss Tidswell; Furnish-Mrs Heard; [Edition of 1792 ($John Bel
l=) adds:% John-Phillimore.  *aDon Juan.  As 26 Oct.  *dAs 26 Oct.  *cMainpiece:
 Not acted these 3 years.  [+Kemble Mem.=: $Miss Farren= refused to act this nig
ht because she didn't like her Dress.  $Mrs Goodall= play[ed] the +Widow Bellmou
r=r for her.]  Receipts: #118 18s. (73.17.0; 40.3.0; 3.5.6; tickets not come in:
 1.12.6).  *pcg The German Hotel.  As 25 Nov.  *aA Divertisement.  As 26 Nov., b
ut [in PART I, +The Greenwich Pensioner= in place of% Tom Bowling-_; [in PART II
,% +Poor Jack=[, +Go patter to Lubbers=%-Incledon; Sea Song-_; The Soldier's Gra
ve-_.  *dAs 23 Nov.  *cBy Command of $Their Majesties=.  Receipts: #326 16s. 6d.
 (318.6.6; 8.10.0).  *p2 dl The School for Scandal.  As 10 Nov.  *aNo Song No Su
pper.  As 15 Nov.  *cReceipts: #275 15s. (233.7.0; 39.13.6; 2.14.6).  *pcg The B
usy Body.  Marplot-Lewis; Sir George Airy-Holman; Sir Jealous Traffic-Thompson; 
Charles Gripe-Macready; Whisper-Bernard; Sir Francis Gripe-Munden (1st appearanc
e on this stage); Isabinda-Mrs Mountain; Patch-Mrs Harlowe; Scentwell-Mrs Platt;
 Miranda-Mrs Pope (1st appearance in that character).  *aThe Farmer.  Jemmy Jump
s-Munden; Valentine-Johnstone; Rundy-Blanchard; Colonel Dormant-Hull; Fairly-Tho
mpson; Farmer Stubble-Powel; Farmer Blackberry (1st time)-Bannister; Molly Maybu
sh-Mrs Martyr; Louisa-Mrs Mountain; Landlady-Mrs Platt; Betty Blackberry-Mrs Mat
tocks.  *dEnd: +The Wapping Landlady=- [See 4 Dec.].  *c[$Munden= was from the +
Chester theatre=.  "His person is rather under the middle size, his figure good,
 his features more expressive than anything we have seen for many years, his voi
ce powerful and melodious, and his articulation the clearest and most rapid we e
ver witnessed" (+World=, 3 Dec.).  "Without the aid of grimace or buffoonery, he
 gave all the effect to the part that the author intended, and in his general st
ile of playing he seems to have studied nature more than any living model" (+Gaz
etteer=, 3 Dec.).] Receipts: #238 17s. 6d. (228.14.6; 10.3.0).  *p3 dl The West 
Indian.  Stockwell-Aickin; Belcour-Bannister Jun.; Captain Dudley-Packer; Charle
s Dudley-Barrymore; Major O'Flaherty-Moody; Stukely-Benson; Fulmer-Suett; Varlan
d-Baddeley; Lady Rusport-Mrs Hopkins; Charlotte Rusport-Mrs Goodall; Louisa Dudl
ey-Mrs Kemble; Mrs Fulmer-Miss Tidswell.  *aThe Island of St. Marguerite.  As 19
 Nov.  *cThe Public is most respectfully informed that in consequence of the sud
den Indisposition of $Mrs Jordan= the New Comedy is unavoidably deferred.  [The 
original playbill and +Public Advertiser= both announce the 6th night of +Better
 Late than Never= (see 29 Dec.).  The above is from a second playbill for this n
ight in +BM= ($Burney= 937.c.7).  "Mrs Jordan's Illness defers...Better Late tha
n Never" (+Kemble Mem.=, which lists the substitutes play).]  Receipts: #123 5s.
 (83.19.0; 33.4.6; 6.1.6).  *pcg As You Like It.  As 20 Oct.  *aA Divertisement.
  As 1 Dec.  *dEnd I in V: As 20 Oct.; In afterpiece: Dancing, as 23 Nov.  *cPai
d 1@2 yrs Kings Taxes for Theatre #84 2s. 6d.  Receipts: #146 3s. 6d. (140.3.6; 
6.0.0).  *p4 dl The Haunted Tower.  As 20 Nov.  *aThe Critic.  As 20 Nov.  *cRec
eipts: #272 17s. (225.12.0; 44.12.6; 2.12.6).  *pcg The Busy Body.  As 2 Dec.  *
aThe Farmer.  As 2 Dec.  *dEnd: +The Wapping Landlady=-Blurton, Mrs Watts.  *cRe
ceipts: #214 13s. (202.7; 12.6).  *p6 dl The Rivals.  As 1 Nov., but Lydia Langu
ish (1st time)-Mrs Goodall.  *aNo Song No Supper.  As 15 Nov.  *cReceipts: #209 
18s. 6d. (158.14.0; 48.5.0; 2.14.6; tickets not come in: 0.5.0).  *pcg Hamlet.  
Hamlet-Holman; King-Hull; Ghost-Aickin; Horatio-Farren; Laertes-Fennell; Poloniu
s-Wilson; Ostrick-Bernard; Player King-Thompson; Marcellus-Powel; Bernardo-Evatt
; Luciana-Cubitt; Rosencraus-Macready; Guildenstern-Davies; Grave@Diggers-Quick,
 Milburne; Queen-Mrs Bernard; Player Queen-Mrs Lefevre; Ophelia-Mrs Esten.  *aHa
rlequin's Chaplet.  As 15 Nov.  *cReceipts: #222 5s. 6d. (219.19.6; 2.6.0).  *p7
 dl Isabella; or, The Fatal Marriage.  Count Baldwin-Packer; Biron-Kemble; Carlo
s-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Daglish; Bellford
-R. Palmer; Pedro-Alfred; Gentlemen-Fawcett, Fox; Servant-Webb; Officer-Maddocks
; Isabella-Mrs Siddons (1st appearance these 2 years); Nurse-Mrs Booth.  *aThe D
euce is in Him.  As 11 Sept.  *sIn III: +Epithalamium=-; Vocal Parts-Mrs Bland, 
Miss Hagley.  *cMainpiece: Not acted these 2 years.  A new and accurate Edition 
of the Tragedy to be had at the Theatre.  "[$Mrs Siddons='s] eyes possess a pecu
liar brilliancy and animation...Her voice is sonorous and variable" (Candid Stri
ctures, 33).  Receipts: #311 13s. (296.3; 13.0; 2.10).  *pcg The Busy Body.  As 
2 Dec.  *aThe Farmer.  As 2 Dec.  *dAs 4 Dec.  *cReceipts: #224 2s. 6d. (213.0.0
; 11.2.6).  *p8 dl Twelfth Night.  See 3 Nov., but Viola-Mrs Goodall.  *aComus. 
 Comus-Palmer; Spirit-Haymes; Brothers-Benson, Bland; Bacchanals-Kelly, Dignum, 
Sedgwick; Lady-Mrs Ward; Euphrosyne-Mrs Crouch; Female Bacchanals-Mrs Crouch [i.
e. doubled Euphrosyne], Mrs Bland, Mrs Edwards; Sabrina-Mrs Bland [i.e. doubled 
Bacchanal]; Pastoral Nymph-Miss Hagley.  *sIn afterpiece: +Sweet Echo=-Mrs Crouc
h; accompanied-Parke.  *c[As mainpiece the playbill announces the 6th night of +
Better Late than Never= (see 29 Dec.), but it was not acted.  +Kemble Mem.= and 
Account-Book both list the substitute play, the former stating that "$Mrs Jordan
= being ill, $Mrs Goodall= acted +Viola=r."]  Receipts: #122 5s. (84.18; 33.14; 
3.13).  *pcg The Wives Revenged.  As 10 Nov.  *aThe Dramatist.  As 3 Nov.  *aTom
 Thumb.  Tom Thumb-Master Simmons; Grizzle-Blanchard; Doodle-Davies; Noodle-Cubi
tt; Ghost-Reeve; Arthur-Quick; Huncamunca-Mrs Mountain; Glumdalca-Mrs Webb; Doll
alolla-Mrs Martyr.  *cReceipts: #141 6s. 6d. (133.0.0; 8.6.6).  *p9 dl Know Your
 Own Mind.  As 5 Nov.  *aNo Song No Supper.  As 4 Oct., but Dorothy-Mrs Bland [i
.e. formerly $Miss Romanzini=]; Grandmother-_.  *c+The School for Scandal= [adve
rtised on playbill of 8 Dec.] is deferred on account of $Kemble='s Illness.  Rec
eipts: #184 14s. (132.6.0; 45.3.6; 6.19.6; tickets not come in: 0.5.0).  *pcg Th
e Orphan.  As 27 Oct.  *aA Divertisement.  As 1 Dec.  *dAs 23 Nov.  *cReceipts: 
#177 17s. 6d. (168.9.6; 9.8.0).  *p10 dl The Constant Couple.  As 4 Oct., but Si
r Harry Wildair-Mrs Goodall; Tom Errand-Hollingsworth; Errand's Wife-_.  *aNo So
ng No Supper.  As 9 Dec.  *cReceipts: #138 17s. 6d. (85.13.0; 48.15.6; 4.4.0; ti
ckets not come in: 0.5.0).  *pcg Love Makes a Man; or, The Fop's Fortune.  Clodi
o-Lewis; Don Louis-Munden; Anthonio-Wilson; Charion-Powel; Don Duart-Fennell; Go
vernor-Davies; Sancho-Blanchard; Don Manuel-Macready; Carlos-Holman; Louisa-Mrs 
Bernard; Elvira-Miss Chapman; Angelina-Miss Brunton (1st appearance in that char
acter); [Edition of 1791 ($John Bell=) adds:% Monsieur-C. Powell; Honoria-Mrs Pl
att.  *aHarlequin's Chaplet.  As 15 Nov.  *cReceipts: #167 5s. 6d. (161.4.6; 6.1
.0).  *p11 dl The Haunted Tower.  As 20 Nov., but Lord William-Dignum; Lewis-Hol
lingsworth; Robert-Suett.  *aThe Critic.  As 20 Nov.  *cReceipts: #234 1s. (184.
15.0; 45.16.6; 2.17.0; tickets not come in: 0.12.6).  *pcg Love in a Village.  Y
oung Meadows-Johnstone; Hawthorn-Bannister; Hodge-Blanchard; Sir William Meadows
-Powel; Eustace-Davies; Carter-Reeve; Cook-Rock; Footman-Blurton; Justice Woodco
ck-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Mountain; Maid-Miss Stu
art; Rosetta (1st time)-Mrs Ferguson.  *aThe Author.  Cadwallader-Bannister; You
ng Cape-Fennell; Governor-Powel; Sprightly-Davies; Poet-Bernard; Printer's Devil
-Cross; Robin-Thompson; Arabella-Miss Chapman; Mrs Cadwallader-Mrs Wells.  *dEnd
 II: +The Irish Lilt=, as 20 Oct.  *cBy Desiire of the +Cherokee Chiefs= [see 12
 Nov.].  Afterpiece: Not acted these 7 years.  [+European Magazine=, Dec. 1790, 
p. 468, says that this was $Mrs Ferguson='s 1st appearance in +London=; she was 
from the +Richmond theatre=.]  Receipts: #205 5s. (202.8.6; 2.16.6).  *p13 dl Th
e Confederacy.  As 16 Nov.  *aNo Song No Supper.  As 9 Dec., but Frederick (1st 
time)-Williames.  *cReceipts: #193 9s. ( 160.17.0; 29.3.6; 3.1.0; tickets not co
me in: 0.7.6).  *pcg Hamlet.  As 6 Dec.  *aA Divertisement.  As 1 Dec.  *dAs 23 
Nov.  *cReceipts: #151 12s. 6d. (149.17.6; 1.15.0).  *p14 dl The Grecian Daughte
r.  Evander-Bensley; Philotas-Whitfield; Melanthon-Packer; Phocion-Barrymore; Di
onysius-Palmer; Arcas-Williames; Greek Herald-Benson; Calippus-Fox; Greek Soldie
r-Phillimore; Euphrasia-Mrs Siddons; Erixene-Miss Tidswell.  *aThe Deaf Lover.  
Meadows-R. Palmer; Young Wrongward-Haymes; Old Wrongward-Waldron; John-Burton; C
anteen-Benson; Sternhold-Maddocks; Groom-Fawcett; Thomas [recte] William-Alfred;
 Sophia-Miss Collins; Betsey Blossom-Mrs Bland; Maid-Miss Tidswell.  *cMainpiece
: Not acted these 2 years.  Account-Book: Paid House & Window tax 1@2 year #56 1
3s. 8d.  Receipts: #297 6s. 6d. (274.19.0; 18.19.6; 3.8.0).  *pcg Rose and Colin
.  As 25 Nov.  *aThe German Hotel.  As 25 Nov., but Count Kolberg-Hull [in place
 of $Aickin=%.  *aThe Midnight Hour.  Marquis-Lewis; Sebastian-Bernard; Nicholas
-Blanchard; General-Quick; Matthias-Powel; Ambrose-Thompson; Flora-Mrs Mattocks;
 Cicely-Mrs Webb; Julia-Mrs Wells.  *cReceipts: #196 9s. (186.16.6; 9.12.6).  *p
15 dl The Haunted Tower.  As 20 Nov., but Charles-Chapman.  *aNo Song No Supper.
  As 9 Dec., but William-Fox.  *cBy Command of $Their Majesties=.  Receipts: #30
1 15s. 6d. (282.5.0; 17.18.6; 1.12.0).  *pcg Rose and Colin.  See 25 Nov.  *aThe
 German Hotel.  See 14 Dec.  *aRobin Hood.  As 13 Oct., but Scarlet-Farley; Stel
la-Miss Francis.  *c[The playbill announces +The Suspicious Husband=, but "The p
erformance at this house was changed yesterday evening in consequence of the ind
isposition of $Lewis=, and +Rose and Colin= with +The German Hotel= were substit
uted for +The Suspicious Husband="(+Diary=, 16 Dec.).]  Receipts: #145 14s. 6d. 
(135.4.6; 10.10.0).  *p16 dl The School for Scandal.  As 10 Nov.  *aThe Devil to
 Pay.  As 20 Oct.  *c[Afterpiece in place of +The Romp=, advertised on playbill 
of 15 Dec.]  Receipts: #211 13s. 6d. (173.8.0; 37.8.0; 0.15.0; ticket not come i
n: 0.2.6).  *pcg The Busy Body.  As 2 Dec., but Whisper-Farley.  *aThe Farmer.  
As 2 Dec.  *dAs 4 Dec.  *cReceipts: #131 11s. (120.8; 11.3).  *p17 dl A Trip to 
Scarborough.  As 18 Oct.  *aNo Song No Supper.  As 15 Dec.  *cReceipts: #152 2s.
 6d. (116.15.0; 32.6.6; 2.19.6; ticket not come in: 0.2.6).  *pcg The Provok'd H
usband.  Lord Townly-Holman (1st appearance in that character); Manly-Farren; Si
r Francis Wronghead-Wilson; Squire Richard (1st time)-Blanchard; John Moody (1st
 time)-Quick; Count Basset-Bernard; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs 
Webb; Miss Jenny (1st time)-Mrs Harlowe; Myrtilla-Mrs Lewis; Mrs Motherly-Mrs Po
well; Trusty-Miss Stuart; Lady Townly-Mrs Esten (1st appearance in that characte
r).  *aThe Poor Soldier.  As 17 Sept., but Darby (1st time)-Munden.  *cMainpiece
: Not acted these 4 years [acted 11 Jan. 1788].  Afterpiece: By Desire of the $C
herokee Chiefs= [see 12 Nov.].  Receipts: #187 10s. 6d. (181.15.0; 5.15.6).  *p1
8 dl The Haunted Tower.  As 20 Nov.  *aThe Critic.  As 20 Nov., but Signor Pasti
cio Ritornello-Hamoir.  *cReceipts: #208 9s. 6d. (151.4.0; 45.19.0; 4.11.6; tick
ets not come in: 0.15.0).  *pcg The Farmer.  As 2 Dec., but Fairly-_.  *aThe Mid
night Hour.  As 14 Dec.  *aA Divertisement.  As 1 Dec., but Sir Fidget Fearful-P
owel [in place of $Wilson=%.  *dAs 23 Nov.  *c[2nd piece in place of +The Child 
of Nature=, advertised on playbill of 17 Dec.  In 3rd piece the playbill retains
 $Wilson=, but "Owing to the indisposition of Wilson, $Powel= supplied his place
 in +The Divertisement=" (+World=, 19 Dec.).]  Receipts: #129 10s. 6d. (121.16.0
; 7.14.6).  *p20 dl The Rivals.  As 1 Nov.  *aNo Song No Supper.  As 15 Dec.  *c
Receipts: #219 14s. 6d. (159.0.0; 59.5.0; 1.4.6; tickets not come in: 0.5.0).  *
pcg Douglas.  As 4 Oct., but Douglas (1st time [in +London=])-Fennell; Glenalvon
-Harley; Officer-_; Anna-_.  *aThe Picture of Paris[, Taken in the Year 1790%.  
[+Speaking Characters=r:% St. Alban-Holman; Captain O'Leary-Johnstone; Patrick-R
ock; Catherine-Mrs Webb; Louisa-Miss Brunton; +Vocal Characters=-Bannister, Incl
edon, Davies, Blanchard, Cubitt, Johnstone, Mrs Martyr, Mrs Warrell, Miss Huntle
y, Miss Barnet (Their 1st appearance), Miss Stuart, Miss Francis, Miss Williams,
 Mrs Mountain; [+Pantomimical Characters=r:% Harlequin-Boyce; Petit Maitre-Farle
y; Marquis-W. Powel; Pioneer-Cranfield; Dusty Gentleman-Bernard; Poet-Marshall; 
Shoe@Black-Rees; Jacobine-Cross; Lemonadier-C. Powell; Poissards-Blurton, Rayner
; Gardener-Milburne; Grotesque-Follett; Dancing Nymphs-Mrs Goodwin, Mrs Watts, M
rs Ratchford, Mrs Byrne, Mrs Boyce, Mrs Cranfield, Mrs Lloyd; Colombine-Mrs Harl
owe; [New% +Prologue=-Holman.  *c[$Fennell= had acted +Douglas=r at +Edinburgh= 
on 5 July 1788, and perhaps Previously.]  Afterpiece [1st time: P 2, by $Charles
 Bonnor= and $Robert Merry=.  +Larpent MS 886=; not published.  Synopsis of acti
on in +Universal Magazine=, Dec. 1790, pp. 321-23.  Author of Prologue unknown]:
 Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c.  The 
Scenery, Machinery, and Decorations entirely new, and painted by $Richards=, $Ca
rver=, $Hodgins=, $Pugh=, $Malton=, with many Assistants [including $W. Hamilton
= (+European Magazine=, Dec. 1790, p. 468].  Among others will be exhibited the 
following Scenes taken from accurate Drawings made on the Spot: The Jacobines Co
nvent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of t
he New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; Vi
ew of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A
 Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the 
Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. 
 With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand P
rocession to the Champ de Mars.  The Whole to conclude with a Representation of 
the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins o
f the Bastille, for the Entertainment of the Provincial Deputies, and the Public
.  [The above has reference to the "+Grand National Fete=" held in +Paris=, 14 J
uly 1790, in commemoration of the first anniversary of the fall of the +Bastille
=.  It is included in all subsequent playbills.]  The Dances [composed] by $Byrn
=.  The Music composed and compiled [from $Reeve= and $Naumann=] by $Shield=.  T
he Dresses all Characteristically +French= and New.  Books of the Songs, &c. wit
h a short Description of the Performance [$T. Cadell=, 1790] to be had at the Th
eatre.  Nothing under Full Price will be taken.  Account-Book, 11 Jan. 1791: Pai
d $Bonnor= #200.  Receipts: #316 16s. (296.14; 20.2).  *p21 dl Isabella.  As 7 D
ec.  *aThe Deaf Lover.  As 14 Dec., but Thomas William-_; [Alfred's part here co
rrectly called% William-Alfred.  *sAs 7 Dec.  *cReceipts: #259 13s. 6d. (227.14.
0; 30.6.6; 1.13.0).  *pcg The Busy Body.  As 2 Dec.  *aThe Picture of Paris.  As
 20 Dec.  [+Prologue= as 20 Dec.%  *c[Mainpiece in place of +The German Hotel=, 
advertised on playbill of 20 Dec.]  Receipts: #225 11s. (211.8; 14.3).  *p22 dl 
The Haunted Tower.  As 20 Nov., but Lord William-Dignum; Robert-Hollingsworth; C
harles-Fox.  *aThe Romp.  As 7 Oct.  *cReceipts: #206 4s. 6d. (155.8.0; 46.14.0;
 4.0.0; ticket not come in: 0.2.6).  *pcg The Suspicious Husband.  As 17 Sept., 
but Milliner-Miss Francis.  *aThe Picture of Paris.  As 20 Dec., but Vocal Chara
cters-+Rock; St. Alban-_; Captain O'Leary-_; Patrick-_; Catherine-_; Louisa-_; S
hoe@Black-_; Dancing Nymphs-Mrs _Lloyd[.  The rest by the Chief Part of the prin
cipal Performers of the Company.  +Prologue= as 20 Dec%.  *cReceipts: #243 16s. 
(232.9; 11.7).  *p23 dl The School for Scandal.  As 10 Nov.  *aDon Juan.  As 26 
Oct., but Scaramouch (with a +song=)-Fairbrother (1st appearance in that charact
er); Boatswain (with a +song=)-Fox; Lopez-_; Gomez-_; Vasquez-_; Host-_; Masanie
llo-_; Alguaziles-_; Sailors-_; Isabella-_; Inis-_; Vocal Parts-_.  *cReceipts: 
#178 19s. (129.15.0; 48.5.6; 0.18.6).  *pcg Love Makes a Man.  As 10 Dec., but A
nthonio-Thompson.  *aThe Picture of Paris.  As 22 Dec.  [+Prologue= as 20 Dec.% 
 *cReceipts: #187 10s. (179.7; 8.3).  *p27 dl The Haunted Tower.  As 22 Dec.  *a
The Fairy Favour; or, Harlequin Animated.  Harlequin-Banks; Pantaloon-Burton; Sq
uire Sapscull-Hollingsworth; Clown-Fairbrother; Scaramouch-Harris; Punch-Hamoir;
 Mezetin-Bidotti; Pero-Kirk; Watchmen-Chapman, Maddocks, Jones, Webb; Chairmen-P
hillimore, Haymes; Surgeon Caustic-Fawcett; Bandage-Lyons; Waiter-Benson; Statua
ry-Bland; Gardener-Bourk; Fisherman-Alfred; Mandarine-Young Grimaldi; Colombine-
Miss Blanchet; Queen Mab-Miss DeCamp.  *dAfterpiece conclude: +Dance= [of Fairie
s and Pantomimic Characters%-Hamoir, the young D'Egvilles, Miss Blanchet, Miss D
eCamp.  [This was danced, as here assigned, in all subsequent performances.]  *c
Afterpiece [1st time: P 1, by $Roger Johnston=.  Not in +Larpent MS=; synopsis o
f action in +World=, 28 Dec.)]: The new Scenes designed and executed by $Greenwo
od=.  Books of the Songs with a Description of the +Pantomime= [$C. Lowndes=, 17
90] to be had at the Theatre.  The Pantomime being partly compiled, Half Price w
ill be taken.  Receipts: #273 5s. (234.17.0; 35.11.6; 2.16.6).  *pcg The Recruit
ing Officer.  As 8 Oct., but Captain Brazen-Marshall.  *aThe Picture of Paris.  
As 22 Dec., but +Prologue=-_[and thereafter].  *c[Mainpiece in place of +Jane Sh
ore=, advertised on playbill of 23 Dec.]  Receipts: #231 18s. 6d. (226.8.0; 5.10
.6).  *p28 dl She Wou'd and She Wou'd Not.  As 25 Nov.  *aThe Fairy Favour.  As 
27 Dec.  *cReceipts: #217 14s. 6d. (165.17.0; 49.15.6; 1.7.0; tickets not come i
n: 0.15.0).  *pcg The Beaux Stratagem.  Archer-Lewis; Aimwell-Farren; Father Foi
gard-Johnstone; Boniface-Powel; Sullen-Davies; Gibbet-Cubitt; Sir Charles Freema
n-Evatt; Scrub-Quick; Cherry-Mrs Martyr; Dorinda-Mrs Mountain; Lady Bountiful-Mr
s Platt; Gipsey-Miss Stuart; Mrs Sullen-Mrs Pope.  *aThe Picture of Paris.  As 2
7 Dec.  *cReceipts: #209 5s. 6d. (206.14.0; 2.11.6).  *p29 dl Better Late than N
ever.  As 17 Nov., but Sir Charles Chouse-Barrymore [in place of $Palmer=%; Madd
ocks_; Lyons_; Webb_.  *aThe Fairy Favour.  As 27 Dec.  *cBenefit for the Author
s [of mainpiece, who are named in +Kemble Mem.=, but not on the playbill].  Main
piece: 6th Night [see 3, 8 Dec.].  Receipts: #245 15s. (205.18.0; 35.1.6; 4.15.6
; tickets: none listed) (charge: #125 10s.).  *pcg Love Makes a Man.  As 23 Dec.
  *aThe Picture of Paris.  As 27 Dec.  *cBy Command of $Their Majesties=.  Recei
pts: #393 4s. (391.5; 1.19).  *p30 dl The School for Scandal.  As 10 Nov.  *aThe
 Fairy Favour.  As 27 Dec.  *cPaid $Kemble= in lieu of Two Benefits last Season 
#364  Receipts: #192 14s. 6d. (154.17.0; 36.4.0; 1.13.6).  *pcg The Dramatist.  
As 3 Nov.  *aThe Picture of Paris.  As 27 Dec.  *cReceipts: #202 12s. (194.2; 8.
10).  *p31 dl The Country Girl.  As 14 Sept., but Moody-King; Footman-_; Country
man-_.  *aThe Fairy Favour.  As 27 Dec.  *cReceipts: #212 7s. 6d. (158.13.0; 49.
2.6; 4.12.0).  *pcg The Earl of Essex; or, The Unhappy Favourite.  Essex-Holman;
 Burleigh-Harley; Raleigh-Macready; Lieutenant-Thompson; Officer-Evatt; Southamp
ton-Farren; Rutland-Mrs Esten; Nottingham-Mrs Bernard; Queen Elizabeth-Mrs Pope.
  *aThe Picture of Paris.  As 27 Dec.  *cMainpiece: Not acted these 20 years [ac
ted 17 Apr. 1782].  Receipts: #233 19s. 6d. (230.5.0; 3.14.6).  *p1791 1 1 dl Th
e Siege of Belgrade.  [Characters by Kelly, Palmer, R. Palmer, Fox, Suett, Banni
ster Jun., Dignum, Cooke (1st appearance on any stage), Hollingsworth, Dubois, M
rs Crouch, Miss Hagley, Sga Storace, Mrs Bland.  [Cast from Songs ($J. Jarvis=, 
1791):% The Seraskier-Kelly; Colonel Cohenberg-Palmer; Krohnfeldt-R. Palmer; Ism
ael-Fox; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Cooke; Micha
el-Hollingsworth; Soldier-Dubois; Catherine-Mrs Crouch; Fatima-Miss Hagley; Lill
a-Sga Storace; Ghita-Mrs Bland.  *aThe Deuce is in Him.  As 11 Sept. 1790.  *cMa
inpiece [1st time; CO 3, by $James Cobb=.  Text 1st published (unauthorized), +D
ublin=, 1792]: The Scenes entirely new, designed and executed by $Greenwood=.  W
ith new Dresses and Decorations.  The Musick composed principally by $Storace=, 
with a few Pieces selected from [+Una Cosa Rara=, by] $Martini= [i.e. $Martin y 
Soler=], $Salieri=, and $Paisiello=.  "+The Siege of Belgrade= is a very pleasin
g vehicle for the music, which in a modern opera is all that is expected from th
e poet" (+Universal Magazine=, Jan. 1791, p. 66).  "The battle between $Palmer= 
and $Kelly= ought to be shortened.  It is almost as ludicrous as that between +D
on Whiskerandos=r and +Beefeater=r, in Mr +Puff='s Tragedy [in +The Critic=]" (+
Gazetteer=, 4 Jan. 1791).  Account-Book, 24 May 1791: Paid Cobb for Copyright of
 Siege of Belgrade of #210.  Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0).  *
pcg The Busy Body.  As 2 Dec. 1790.  *aThe Picture of Paris.  As 27 Dec. 1790.  
*c[Mainpiece in place of +The German Hotel=, advertised on playbill of 31 Dec. 1
790.]  Receipts: #179 17s. (171.16; 8.1).  *p3 dl The Siege of Belgrade.  As 1 J
an., but Krohnfeldt-_.  *aThe Fairy Favour.  As 27 Dec. 1790, but Surgeon Causti
c-_; Bandage-_; Waiter-_; Statuary-_.  *c["Since the first evening the part of +
Krohnfeldt=r has been omitted, and some other alterations made"(+European Magazi
ne=, Jan. 1791, p. 70).]  Receipts: #295 11s. (268.19; 25.1; 1.11).  *pcg The Fi
rst Part of King Henry the Fourth.  Sir John Falstaff-Wilson; King-Aickin; Princ
e of Wales-Lewis; Sir Richard Vernon-Farren; Worcester-Powel; Poins-Davies; Fran
cis-Blanchard; Sir W. Blount-Macready; Bardolph-Rock; Douglas-Marshall; Carriers
-Bernard, Cross; Hotspur-Holman; Hostess-Mrs Pitt; Lady Percy-Miss Chapman.  *aT
he Picture of Paris.  As 27 Dec. 1790.  *cReceipts: #239 0s. 6d. (233.9.0; 5.11.
6).  *p4 dl The Haunted Tower.  As 22 Dec. 1790.  *aThe Fairy Favour.  As 27 Dec
. 1790.  *cReceipts: #195 19s. (155.5; 38.3; 2.11).  *pcg The German Hotel.  As 
25 Nov. 1790.  *cThe Picture of Paris.  As 27 Dec. 1790.  *c[Mainpiece in place 
of +The Provok'd Husband=, advertised on playbill of 3 Jan.]  Receipts: #179 9s.
 (169.8; 10.1).  *p5 dl The Siege of Belgrade.  As 3 Jan.  *aThe Citizen.  As 16
 Oct. 1790, but Old Philpot-Baddeley; Quildrive-_; Will-_; Tom-_.  *cBenefit for
 the Author and the Composer [of mainpiece, who are named in +Kemble Mem.=, but 
not on the playbill].  Receipts: #301 17s. 6d. (268.10.0; 32.5.0; 1.2.6; tickets
: none listed) (charge: #124 7s. 6d.).  *pcg The Provok'd Husband.  As 17 Dec. 1
790.  *aThe Picture of Paris.  As 27 Dec. 1790.  *cReceipts: #245 15s. 6d. (241.
13.0; 4.2.6).  *p6 dl Better Late than Never.  As 17 Nov. 1790, but Lawyer's Cle
rk-_; Servant to Saville-_; Servant to Flurry-_.  *aThe Fairy Favour.  As 27 Dec
. 1790.  *cReceipts: #182 8s. 6d. (135.4.0; 43.7.0; 3.17.6).  *pcg The Earl of E
ssex.  As 31 Dec. 1790.  *aThe Picture of Paris.  As 27 Dec. 1790.  *cReceipts: 
#189 8s. 6d. (182.5.0; 7.3.6).  *p7 dl The Siege of Belgrade.  As 3 Jan.  *aThe 
Intriguing Chambermaid.  As 3 Nov. 1790, but Rakeit-Bland.  *cReceipts: #302 11s
. 6d. (270.12.0; 30.19.0; 0.18.0; ticket not come in: 0.2.6).  *pcg Rose and Col
in.  As 25 Nov. 1790.  *aThe Child of Nature.  Count Valentia-Lewis; Duke Mercia
 (1st time)-Wilson; Albetto-Aickin; Marquis Almanza-Farren; Seville-Hull; Marchi
oness Merida-Mrs Mattocks; Amanthis-Miss Brunton; +Epilogue=-Mrs Mattocks.  *aTh
e Picture of Paris.  As 27 Dec. 1790.  *c[2nd piece: Epilogue by $Miles Peter An
drews=.]  Receipts: #152 2s. (142.2; 10.0).  *p8 dl The Siege of Belgrade.  As 3
 Jan.  *aThe Devil to Pay.  As 20 Oct. 1790.  *cReceipts: #307 7s. (273.19.0; 31
.1.6; 2.6.6).  *pcg As You Like It.  As 20 Oct. 1790.  *aThe Picture of Paris.  
As 27 Dec. 1790.  *dAs 20 Oct. 1790.  *cReceipts: #248 3s. (243.7; 4.16).  *p10 
dl The Siege of Belgrade.  As 3 Jan.  *aThe Apprentice.  Wingate-Hollingsworth; 
Dick-Bannister Jun.; Gargle-Fawcett; Simon-Suett; Scotchman-Banks; Irishman-Phil
limore; Catchpole-Maddocks; President-Benson; Spouters-Spencer, Haymes, Webb, Ly
ons; Porter-Chapman; Watchman-Alfred; Charlotte-Miss Collins.  *cBenefit for the
 Author and the Composer [of mainpiece, who are named in +Kemble Mem.=, but not 
on the playbill].  Receipts: #289 3s. (253.18; 34.5; 1.0; tickets: none listed) 
(charge: #123 7s.).  *pcg King Lear.  As 22 Nov. 1790.  *aThe Picture of Paris. 
 As 27 Dec. 1790.  *cReceipts: #213 12s. 6d. (209.12.0; 4.0.6).  *p11 dl The Sie
ge of Belgrade.  As 3 Jan.  *aThe Virgin Unmask'd.  Goodwill-Packer; Blister-Sue
tt; Coupee-Bannister Jun.; Quaver-Dignum; Mr Thomas-Phillimore; Miss Lucy-Mrs Jo
rdan.  *cReceipts: #296 4s. (263.12.0; 31.9.6; 0.17.6; ticket not come in: 0.5.0
).  *pcg The Provok'd Husband.  As 17 Dec. 1790.  *aThe Picture of Paris.  As 27
 Dec. 1790.  *cReceipts: #229 6s. 6d. (225.2.0; 4.4.6).  *p12 dl The Siege of Be
lgrade.  As 3 Jan.  *aThe Deaf Lover.  As 21 Dec. 1790.  *cReceipts: #242 5s. (2
17.10; 23.9; 1.1; ticket not come in: 0.5).  *pcg The Widow of Malabar.  [Princi
pal Characters by Holman, Farren, Thompson, Powel, Evatt, Harley, Mrs Rock, Miss
 Brunton% Vocal Parts-Bannister, Incledon, Mrs Warrell, Miss Williams, Miss Stua
rt, Mrs Mountain; [Cast from text ($William Lane=, 1791):% Young Bramin-Holman; 
Raymond-Farren; Narrain-Thompson; 2nd Bramin-Powel; Albert-Evatt; Chief Bramin-H
arley; Fatima-Mrs Rock; Indamora-Miss Brunton; +Prologue=-Holman; +Epilogue=-Mrs
 Mattocks.  [These were spoken, as here assigned, at all subsequent performances
.]  *aA Divertisement.  As 1 Dec. 1790.  *aHob in the Well.  Hob-Blanchard; Sir 
Thomas Testy-Thompson; Dick-Farley; Old Hob-Powel; Friendly-Davies; Hob's Mother
-Mrs Pitt; Betty-Miss Stuart; Flora-Mrs Martyr.  *dIn 2nd piece: Byrn, Miss Blan
chet (of +dl=).  *c1st piece: Acted but Once [on 5 May 1790].  With new Scenes a
nd Dresses.  A Procession, representing the Ceremonies attending the Sacrifice o
f an +Indian Woman=r on the Funeral Pile of her deceased Husband.  [This was inc
luded in all subsequent performances.]  The Music by $Stevens=.  [Prologue by $W
illiam Thomas Fitzgerald=.  Epilogue by $Richard John Hughes Starke=.]  Receipts
: #231 14s. 6d. (230.6.6; 1.8.0).  *p13 dl The Siege of Belgrade.  As 3 Jan.  *a
The Liar.  As 5 Oct. 1790.  *cBenefit for the Author and the Composer [of mainpi
ece, who are named in the Account-Book, but not on the playbill.]  Receipts: #25
6 19s. 6d. (208.18.0; 43.10.0; 4.11.6; tickets: none listed) (charge: #123 7s.).
  *pcg The Earl of Essex.  As 31 Dec. 1790.  *aThe Picture of Paris.  As 27 Dec.
 1790.  *cReceipts: #266 7s. 6d. (261.13.0; 4.14.6).  *p14 dl The Siege of Belgr
ade.  As 3 Jan.  *aThe Pannel.  As 14 Oct. 1790, but Don Ferdinand-Barrymore; Ma
rcella-Mrs Goodall; Alguaziles-_.  *cReceipts: #226 9s. 6d. (191.3.0; 31.17.0; 2
.3.6; tickets not come in: 1.5.0).  *pcg The Widow of Malabar.  As 12 Jan.  *aTh
e Little Hunchback.  The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor (1st ti
me)-Wilson; French Doctor-Marshall; Barber-Macready; Englishman-Bernard; Doctor'
s Man-Rock; Jew's Man-Milburne; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Mrs Roc
k; Taylor's Wife-Mrs Webb.  [Parts adjusted from text ($J. Debrett=, 1789); +Cru
mpy=r-Quick; +Cross-Leg=r-Blanchard; +Zebede=r-Wilson; +Doctor Quinquina=r-Marsh
all; +Absalom=r-Macready; +Crank=r-Bernard; +Dominique=r-Rock; +Habby=r-Milburne
; +Cadi=r-Evatt; +Bassa=r-Davies; +Dora=r-Mrs Rock; +Juggy=r-Mrs Webb.]  *aA Div
ertisement.  As 1 Dec. 1790.  *dEnd 3rd piece: As 12 Jan.  *cReceipts: #183 9s. 
6d. (181.0.6; 2.9.0).  *p15 dl The Siege of Belgrade.  As 3 Jan.  *aThe Intrigui
ng Chambermaid.  As 7 Jan.  *cReceipts: #321 12s. (285.18.0; 34.5.6; 0.8.6; tick
ets not come in: 1.0.0).  *pcg The Beggar's Opera.  Captain Macheath-Johnstone; 
Peachum-Wilson; Lockit-Cubitt; Mat o' the Mint-Davies; Ben Budge-Rock; Filch-Bla
nchard; Lucy-Mrs Martyr; Mrs Peachum-Mrs Webb; Jenny Diver-Miss Stuart; Polly-A 
Young Lady (1st appearance on any stage [$Miss Broadhurst=]).  *aThe Picture of 
Paris.  As 27 Dec. 1790.  *dIn III: a +Hornpipe= (in Character)-Byrne.  *c[$Miss
 Broadhurst= is identified in +Oracle=, 17 Jan.]  Receipts: #306 18s. (302.6; 4.
12).  *p17 dl A Trip to Scarborough.  See 18 Oct. 1790, but Berinthia-Mrs Ward. 
 *aThe Fairy Favour.  As 27 Dec. 1790.  *c[As mainpiece the playbill announces t
he 8th night of +Better Late than Never= (see 20 Jan.), but "The Play was to hav
e been Better Late.  I was hoarse, & could not act.  $Miss Farren= refus'd to pl
ay +Berinthia=r.  $Mrs Ward= acted it for her" (+Kemble Mem.=).]  Receipts: #253
 6s. 6d. (208.6.0; 41.9.0; 3.6.6; tickets not come in: 0.5.0).  *pcg The Beggar'
s Opera.  As 15 Jan.  *aThe Picture of Paris.  As 27 Dec. 1790.  *dAs 15 Jan.  *
c[Mainpiece in place of +Macbeth=, advertised on playbill of 15 Jan.]  Receipts:
 #250 5s. (243.4; 7.1).  *p18 dl The Siege of Belgrade.  As 3 Jan., but Anselm-S
edgwick [in place of $Cooke=%.  *aThe Citizen.  As 5 Jan.  *cReceipts: #252 13s.
 (224.12; 26.10; 1.11).  *pcg As You Like It.  As 20 Oct. 1790.  *aThe Farmer.  
As 2 Dec. 1790.  *dAs 20 Oct. 1790.  *cReceipts: #158 3s. (153.6.6; 4.16.6).  *p
19 dl The Siege of Belgrade.  As 18 Jan.  *aThe Fairy Favour.  As 3 Jan.  *c[Aft
erpiece in place of +The Anatomist=, advertised on playbill of 18 Jan.]  Receipt
s: #292 7s. (263.1.0; 27.6.6; 1.17.0; ticket not come in: 0.2.6).  *pcg The Wido
w of Malabar.  As 12 Jan.  *aThe Author.  As 11 Dec. 1790, but Arabella-Miss Fra
ncis.  *aA Divertisement.  As 1 Dec. 1790.  *dAs 14 Jan.  *cBenefit for the Auth
or [of 1st piece].  Receipts: #246 2s. (242.6; 3.16; tickets: none listed).  *p2
0 dl Better Late than Never.  As 6 Jan.  *aThe Fairy Favour.  As 27 Dec. 1790.  
*cMainpiece: 8th Night (see 17 Jan.).  Receipts: #273 9s. 6d. (232.19.0; 33.16.6
; 6.14.0).  *pcg The Dramatist.  As 3 Nov. 1790.  *aThe Picture of Paris.  As 27
 Dec. 1790.  *cBy Command of $Their Majesties=.  [Mainpiece in place of +The Ear
l of Essex=, advertised on playbill of 19 Jan.]  Receipts: #394 0s. 6d. (390.14.
0; 3.6.6).  *p21 dl The Siege of Belgrade.  As 18 Jan.  *aThe Devil to Pay.  As 
20 Oct. 1790.  *cReceipts: #303 13s. (267.17.0; 33.12.6; 2.3.6).  *pcg The Begga
r's Opera.  As 15 Jan.  *aThe Picture of Paris.  As 27 Dec. 1790.  *dAs 15 Jan. 
 *cReceipts: #225 0s. 6d. (218.19.0; 6.1.6).  *p22 dl The Siege of Belgrade.  As
 18 Jan.  *aThe Fairy Favour.  As 3 Jan.  *c[Afterpiece in place of +The Anatomi
st=, advertised on playbill of 21 Jan.]  Receipts: #304 (268.17; 34.4; 0.19).  *
pcg The Provok'd Husband.  As 17 Dec. 1790.  *aThe Picture of Paris.  As 27 Dec.
 1790.  *cReceipts: #239 17s. 6d. (236.3.0; 3.14.6).  *p24 dl The Country Girl. 
 As 14 Sept. 1790, but Moody-King.  *aThe Fairy Favour.  As 27 Dec. 1790.  *cRec
eipts: #260 8s. 6d. (200.1.0; 56.16.0; 3.11.6).  *pcg The Earl of Essex.  As 31 
Dec. 1790.  *aThe Picture of Paris.  As 27 Dec. 1790.  *cReceipts: #261 3s. (253
.14; 7.9).  *p25 dl The Siege of Belgrade.  As 18 Jan.  *aThe Anatomist; or, The
 Sham Doctor.  Monsieur le Medicin-Baddeley; Crispin-Dodd; Old Gerald-Suett; You
ng Gerald-Bland; Simon Burly-Moody; Martin-Burton; Doctor's Wife-Mrs Booth; Ange
lica-Miss Collins; Waiting Woman-Miss Tidswell; Beatrice-Mrs Williams.  *cAfterp
iece: Not acted these 14 years [acted 18 Mar. 1779].  Receipts: #306 10s. 6d. (2
73.4.0; 29.13.6; 2.3.0; tickets not come in: 1.10.0).  *pcg The Beggar's Opera. 
 As 15 Jan.  *aThe Picture of Paris.  As 27 Dec. 1790.  *dAs 15 Jan.  *cReceipts
: #245 7s. 6d. (238.18.0; 6.9.6).  *p26 dl The Siege of Belgrade.  As 18 Jan.  *
aThe Fairy Favour.  As 3 Jan.  *cBy Command of $Their Majesties=.  [Afterpiece i
n place of +High Life below Stairs=, advertised on playbill of 25 Jan.]  Receipt
s: #300 8s. 6d. (283.11.0; 16.10.0; 0.7.6).  *pcg The Widow of Malabar.  As 12 J
an.  *aThe Deaf Lover.  Meadows-Munden; Groom-Blanchard; Young Wrongward-Macread
y; Canteen-Bernard; John-Thompson; Sternhold-Powel; William-Cubitt; Old Wrongwar
d-Wilson; Sophia-Miss Chapman; Maid-Mrs Rock; Betsey Blossom-Mrs Martyr.  *aA Di
vertisement.  As 1 Dec. 1790.  *c2nd piece: Not acted these 8 years [not acted s
ince 17 Nov. 1781].  Receipts: #305 10s. (301.0.6; 4.9.6).  *p27 dl Twelfth Nigh
t.  As 3 Nov. 1790, but Antonio-Benson; Sea Captian-Haymes; Maria-Mrs Kemble.  *
aThe Fairy Favour.  As 3 Jan.  *cReceipts: #188 1s. 6d. (143.12.0; 41.16.0; 1.18
.6; tickets not come in: 0.15.0).  *pcg Love in a Village.  As 11 Dec. 1790, but
 Lucinda (1st time)-Miss Francis; Rosetta-A Lady (1st appearance on any stage [$
Mrs Vernon=]).  *aThe Picture of Paris.  As 27 Dec. 1790.  *dEnd II: +The Wappin
g Landlady=, as 4 Dec. 1790.  *e[+Monologue=% Preceding: an +Occasional Address=
-Harley.  *c[$Mrs Vernon=  is identified in +Oracle=, 31 Jan.  Author of Address
 unknown.]  Receipts: #227 2s. (222.9; 4.13).  *p28 dl The Siege of Belgrade.  A
s 18 Jan.  *aBon Ton.  As 2 Nov. 1790, but Davy-Parsons.  *c[Afterpiece in place
 of +The Citizen=, advertised on playbill of 27 Jan.]  Receipts: #312 17s. (269.
13.0; 43.1.6; 0.2.6).  *pcg The Provok'd Husband.  As 17 Dec. 1790.  *aThe Pictu
re of Paris.  As 27 Dec. 1790.  *cReceipts: #193 1s. (186.9; 6.12).  *p29 dl The
 Siege of Belgrade.  As 18 Jan.  *aThe Spoil'd Child.  As 16 Sept. 1790.  *cRece
ipts: #314 17s. (270.14; 42.18; 1.5).  *pcg Love in a Village.  As 27 Jan., but 
Lucinda-Mrs Mountain.  *aThe Picture of Paris.  As 27 Dec. 1790.  *dAs 27 Jan.  
*e[+Monologue=% As 27 Jan.  *cReceipts: #193 16s. (190.2; 3.14).  *p31 dl The Ri
vals.  As 1 Nov. 1790, but Faulkland-Benson.  *aThe Fairy Favour.  As 27 Dec. 17
90.  *c["When the Commemoration of +King Charles='s Death [on 30 Jan.] falls on 
a Sunday we always act on Monday.  "This occurred for the first time, at both +d
l= and +cg=, on 31 Jan. 1785.  Previously, when 30 Jan. was a Sunday, both theat
res had observed the commemoration on Monday 31 Jan.  In mainpiece the playbill 
retains $Kemble= as Faulkland, but "$Mr Benson= read +Faulkland=R for me [this b
ecause Kemble was detained returning from +Bath= to +London=]" (+Kemble Mem.=).]
  Receipts: #231 7s. (180.12.0; 50.1.6; 0.13.6).  *pcg The Earl of Essex.  As 31
 Dec. 1790.  *aThe Picture of Paris.  As 27 Dec. 1790.  *cReceipts: #215 16s. (2
10.13; 5.3).  *p2 1 dl The Siege of Belgrade.  As 18 Jan., but Ismael-Haymes [in
 place of $Fox=%.  *aThe Liar.  As 14 Sept. 1790, but Miss Grantham-Miss Collins
.  *cReceipts: #291 12s. (251.6.0; 37.18.6; 2.5.0; ticket not come in: 0.2.6).  
*pcg The Beggar's Opera.  As 15 Jan.  *aThe Picture of Paris.  As 27 Dec. 1790. 
 *dAs 15 Jan.  *cReceipts: #163 9s. (158.3; 5.6).  *p2 dl The Confederacy.  As 1
6 Nov. 1790.  *aThe Spoil'd Child.  As 16 Sept. 1790.  *cReceipts: #230 5s. (185
.0.0; 43.1.6; 2.3.6).  *pcg The Widow of Malabar.  As 12 Jan.  *aThe Upholsterer
.  Razor-Quick; Pamphlet-Wilson; Quidnunc-Munden; Rovewell-Davies; Belmour-Macre
ady; Feeble-C. Powell; Watchman-Thompson; Harriet-Miss Chapman; Termagant-Mrs Ma
ttocks.  *aA Divertisement.  As 1 Dec. 1790.  *c2nd piece: Not acted these 8 yea
rs [acted 1 Dec. 1784].  With some Alterations and Additions by the Author [$Art
hur Murphy=].  Receipts: #241 1s. 6d. (237.8.6; 3.13.0).  *p3 dl Better Late tha
n Never.  As 6 Jan.  *aThe Island of St. Marguerite.  As 19 Nov. 1790.  *cBenefi
t for the Authors [of mainpiece, who are named in +Kemble Mem.=, but not on the 
playbill].  Receipts: #247 14s. (187.18.0; 56.5.6; 3.10.6; tickets: none listed)
 (charge: #115).  *pcg As You Like It.  As 20 Oct. 1790.  *aThe Picture of Paris
.  As 27 Dec. 1790, but Lemonadier-Rees; Gardener-_.  *dAs 20 Oct. 1790.  *cRece
ipts: #172 9s. (167.11; 4.18).  *p4 dl The Siege of Belgrade.  As 1 Feb.  *aThe 
Anatomist.  As 25 Jan.  *cReceipts: #255 9s. (205.0.0; 47.17.6; 2.11.6).  *pcg T
he School for Arrogance.  [Principal Characters by Lewis, Johnstone, Aickin, Far
ren, Wilson, Munden, Marshall, Thompson, Farley, Evatt, Cross, Mrs Wells, Miss B
runton, Mrs Mattocks.  [Cast from text ($G. G. J. and J. Robinson=, 1791):% Coun
t Conolly Villars-Lewis; MacDermot-Johnstone; Mr Dorimont-Aickin; Edmund-Farren;
 Sir Paul Peckham-Wilson; Sir Samuel Sheepy-Munden; Picard-Marshall; Exempt-Thom
pson; Footmen-Farley, Evatt, Letteney, Blurton; Bailiffs-Cross, Lee; Lucy-Mrs We
lls; Lydia-Miss Brunton; Lady Peckham-Mrs Mattocks; +Prologue=-Bernard [in the C
haracter of a News-hawker]; +Epilogue=-Mrs Mattocks.  [These were spoken, as her
e assigned, at all subsequent performances.]  *aThe Picture of Paris.  As 3 Feb.
  *cMainpiece [1st time; C 5, by $Thomas Holcroft=, based on +Le Glorieux=, by $
Philippe Nericault=, dit $Destouches=.  In 1793 reduced by the author to an afte
rpiece of 3 acts.  Prologue and Epilogue by the author ($Knapp=, 101, 307).  Thi
s play was originally attributed to $James Marshall= (+Public Advertiser=, 5 Feb
.); on 8 Feb. he wrote a letter to the editor of the +Oracle=, stating that "+Th
e School for Arrogance= is not mine, but Mr Holcroft's...By appearing for a time
 as the ostensible author I hope I have contributed to heal what was most unacco
modating between $Mr Harris= and Mr Holcroft."  And see $Genest=, VII, 24, 27.] 
 +Oracle=, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.
).  "If $Mrs Wells= could be prevailed upon to speak out, so that the audience m
ight hear, it would be of some advantage to the new play.  At present, the perfo
rmer who happens to be on the stage with her has it all in confidence" (+Gazette
er=, 9 Feb.).  Receipts: #186 11s. (181.8; 5.3).  *p5 dl The Siege of Belgrade. 
 As 1 Feb.  *aNo Song No Supper.  As 9 Dec. 1790.  *cBenefit for Sga Storace.  P
art of the Pit will be laid into the Boxes.  +Public Advertiser=, 2 Feb.: Ticket
s to be had of $Sga Storace=, No. 23, +Howland-street=, +Rathbone Place=.  Recei
pts: #357 11s. (195.13; 20.19; 1.9; tickets: 139.10) (charge: #115 3s. 6d.).  *p
cg The School for Arrogance.  As 4 Feb.  *aThe Farmer.  As 2 Dec. 1790.  *dEnd: 
+The Jockey Dance=-[See 2 and 7 May].  *cReceipts: #277 16s. 6d. (270.8.0; 7.8.6
).  *p7 dl The Siege of Belgrade.  As 1 Feb.  *aThe Fairy Favour.  As 27 Dec. 17
90, but Pantaloon-Harris; Clown (1st time)-Dubois; Scaramouch-Fairbrother; Watch
men-+Burton, _Chapman; 2nd Statuary-Chapman.  *cReceipts: #281 8s. (249.19.0; 27
.11.6; 3.10.0; tickets not come in: 0.7.6).  *pcg As You Like It.  As 20 Oct. 17
90.  *aThe Farmer.  As 2 Dec. 1790.  *dAs 20 Oct. 1790.  *cBy Command of $Their 
Majesties=.  Receipts: #371 18s. (368.18.6; 2.19.6).  *p8 dl The Siege of Belgra
de.  As 1 Feb., but Ghita-Mrs Edwards [in place of $Mrs Bland=%; Dubois_.  *aThe
 Devil to Pay.  As 20 Oct. 1790.  *cReceipts: #236 6s. (203.0.0; 30.18.6; 2.2.6;
 tickets not come in: 0.5.0).  *pcg The School for Arrogance.  As 4 Feb.  *aTom 
Thumb.  As 8 Dec. 1790.  *cBenefit for the Author [of mainpiece, who is named in
 the Account-Book, but not on the playbill].  Receipts: #172 15s. (164.14; 8.1).
  *p9 dl The School for Scandal.  As 10 Nov. 1790, but Rowley-Wrighten.  *aThe R
omp.  As 7 Oct. 1790.  *cReceipts: #255 11s. (208.8.0; 44.19.0; 2.1.6; ticket no
t come in: 0.2.6).  *pcg The Widow of Malabar.  As 12 Jan.  *aThe Deaf Lover.  A
s 26 Jan.  *aA Divertisement.  As 1 Dec. 1790.  *cReceipts: #195 7s. 6d. (187.11
.6; 7.16.0).  *p10 dl The Siege of Belgrade.  Characters-Kelly, Palmer, Haymes, 
Suett, Bannister Jun., Dignum, Sedgwick, Hollingsworth, Mrs Crouch, Miss Hagley,
 Sga Storace, Mrs Bland [and see 1 Jan.].  *aThe Anatomist.  As 25 Jan.  *cRecei
pts: #204 6s. 6d. (173.0.0; 30.2.6; 0.19.0; tickets not come in: 0.5.0).  *pcg T
he School for Arrogance.  As 4 Feb.  *aThe Padlock.  As 13 Sept. 1790, but Diego
-; Ursulla-Mrs Webb; Leonora (1st time)-Miss Broadhurst (6th appearance on any s
tage [see 15 Jan.]).  *c[The playbilll retains $Bannister= as +Diego=, but he, "
whose absence from +Covent-Garden Theatre= on Thursday evening was represented t
o the audience as the effect of indispostion, appeared that night at the +Ranela
gh Masquerade=.  We can remember no instance of disrespect from a performer to t
he town equal to this" (+Gazetteer=, 14 Feb.).  The name of his substitute is no
t given.]  Receipts: #196 11s. (189.0; 7.11).  *p11 dl Better Late than Never.  
As 6 Jan.  *aThe Fairy Favour.  As 27 Dec. 1790, but Harlequin (1st time)-Fairbr
other; Clown-Dubois; Statuary-_; Gardener-_.  *cReceipts: #162 6s. 6d. (112.4.0;
 45.8.6; 4.9.0; tickets not come in: 0.5.0).  *pcg Isabella; or, The Fatal Marri
age.  Biron-Holman; Count Baldwin-Hull; Carlos-Harley; Belford-Davies; Sampson-C
ubitt; Villeroy-Farren; Nurse-Mrs Pitt; Isabella-Mrs Esten; [Edition of 1792 ($J
ohn Bell=) adds:% Child-Miss Standen; Pedro-Thompson.  *aThe Picture of Paris.  
As 3 Feb., but Dusty Gentleman-_; Poet-_; Jacobine-_.  *sIII: +Epithalamium=[.  
Vocal Parts%-Mrs Martyr, Mrs Mountain[; the Music by $Shield=%.  *cMainpiece: No
t acted these 7 years [acted 2 Jan. 1786].  ["In the review of any performance o
f this character it must be extremely difficult to command an abstraction from t
he remembrance of what $Mrs Siddons= was in it...This is not said to introduce a
ny insinuation that the performance of $Mrs Esten= was an imitation of that of M
rs Siddons, but to excuse it if it was so...The performance was highly meritorio
us" (+Gazetteer=, 12 Feb.).]  Receipts: #189 19s. (179.2; 10.17).  *p12 dl The S
iege of Belgrade.  As 10 Feb.  *aDon Juan.  As 26 Oct. 1790, but Pedrillo-_; Lop
ez-_; Gomez-_; Vasquez-_; Host-_; Masaniello-_; Alguaziles-_; Sailors-_; Isabell
a-_; Inis-_; Vocal Parts-_.  *cReceipts: #296 9s. 6d. (259.1.0; 35.6.6; 2.2.0). 
 *pcg The Provok'd Husband.  See 17 Dec. 1790.  *aRobin Hood.  As 13 Oct. 1790, 
but Edwin-Incledon; Stella-Miss Francis.  *c[As mainpiece the playbill announces
 the 5th night of +The School for Arrogance= (see 14 Feb.), but it was "set asid
e, on account of the indisposition of $Johnstone=, and +The Provok'd Husband= wa
s the substitute, in which $Holman= and $Mrs Esten= represented the characters o
f +Lord and Lady Townly=r."  In afterpiece the playbill retains Johnstone as +Ed
win=, but "$Incledon= warbled the airs allotted to the part of Edwin" (+Diary=, 
14 Feb.).]  Receipts: #205 1s. 6d. (195.16.6; 9.5.0).  *p14 dl The Confederacy. 
 As 16 Nov. 1790.  *aThe Spoil'd Child.  As 16 Sept. 1790.  *cBy Command of $The
ir Majesties=.  [Mainpiece in place of +The Rivals=; afterpiece of +No Song No S
upper=, both announced on playbill of 12 Feb.]  Receipts: #301 4s. (282.3.0; 18.
9.6; 0.11.6).  *pcg The School for Arrogance.  As 4 Feb.  *aCymon.  As 20 Nov. 1
790.  *cMainpiece: 5th Time (see 12 Feb.).  Receipts: #225 12s. 6d. (218.2.0; 7.
10.6).  *p15 dl The Siege of Belgrade.  As 10 Feb.  *aWho's the Dupe?  Doiley-Pa
rsons; Sandford-R. Palmer; Granger-Barrymore; Gradus-Bannister Jun.; Elizabeth-M
iss Collins; Charlotte-Mrs Williames.  *c[In Afterpiece +Elizabeth= was original
ly called +Miss Doiley=.]  Receipts: #238 (191.7.0; 44.18.0; 1.7.6; tickets not 
come in: 0.7.6).  *pcg The Belle's Stratagem.  As 15 Sept. 1790, but Lady Touchw
ood-Mrs Wells; Letitia Hardy (for that night only, with the +song= and +Minuet d
e la Cour=)-Mrs Esten.  *aThe Farmer.  As 2 Dec. 1790.  *e[+Monologue=% End: (fo
r that night only) Collins's +Ode on the Passions=-Mrs Esten.  *cBenefit for $Mr
s Esten=.  +Public Advertiser=, 7 Feb.: Tickets to be had of Mrs Esten, No. 5, +
Nassau-street=, +Soho=.  Receipts: #353 18s. (212.0; 5.10; tickets: 136.8).  *p1
6 dl Twelfth Night.  As 3 Nov. 1790, but Curio-_.  *aThe Critic.  As 20 Nov. 179
0, but Signor Pasticio Ritornello-_; Under Prompter-_; Italian Girls-Mrs _Bland;
 Master of the Horse-_; Beef@eater-_; Justice-_; Son-_; Constable-_; Nieces-_; J
ustice's Lady-_; Confidant-_.  *cReceipts: #204 0s. 6d. (151.17.0; 49.4.0; 2.14.
6; tickets not come in: 0.5.0).  *pcg The Widow of Malabar.  As 12 Jan.  *aTwo S
trings to Your Bow.  [Characters-Munden, Bernard, Davies, Macready, Powel, Thomp
son, Cross, Miss Stuart, Miss Brangin, Mrs Harlowe.  [Cast from text ($C. and G.
 Kearsley=, 1791):% Lazarillo-Munden; Borachio-Bernard; Octavio-Davies; Ferdinan
d-Macready; Don Pedro-Powel; Don Sancho-Thompson; Waiter-Cross [not in text; see
 12 Oct. 1792]; Leonora-Miss Stuart; Maid Servant-Miss Brangin; Donna Clara-Mrs 
Harlowe.  *aA Divertisement.  As 1 Dec. 1790.  *dAs 23 Nov. 1790.  *c2nd piece: 
Never [previously] acted in this Kingdom [by $Robert Jephson=, altered by the au
thor from his +The Hotel; or, The Servant with Two Masters=, which was based on 
+Il Servitore di due Padroni=, by $Carlo Goldoni=, and on +Arlequin Valet de deu
x Maitres=, by $Jean Pierre de Ours de Mandajors=, and 1st acted at $Smock Alley
 Theatre, Dublin=, 8 May 1783].  +Oracle=, 18 Mar. 1791: This Day is published +
Two Strings to Your Bow= (1s).  Receipts: #210 3s. 6d. (205.17.0; 4.6.6).  *p17 
dl The School for Scandal.  As 9 Feb., but Maria-Mrs Crouch.  *aThe Devil to Pay
.  As 20 Oct. 1790.  *cA new Edition of the Farce to be had at the Theatre.  [Af
terpiece in place of +The Romp=, advertised on playbill of 16 Feb.]  Receipts: #
192 2s. 6d. (160.17.0; 30.17.0; 0.8.6).  *pcg The School for Arrogance.  As 4 Fe
b.  *aThe Highland Reel.  As 9 Nov. 1790.  *cBenefit for the Author [of mainpiec
e, who is named in the Account-Book, but not on the playbill].  Receipts: #190 1
2s. 6d. (184.5.0; 6.7.6; tickets: none listed).  *ppan Armida.  [Principal Chara
cters-Pacchierotti, Lazzarini, Benigni, Garelli, Mme Mara, Sga Salimbeni.  [Cast
 from libretto ($H. Reynell=, 1791):% Rinaldo-Gasparo Pacchierotti; Ubaldo-Gusta
vo Lazzarini; Idreno-Giuseppe Benigni; Carlo-Giovanni Garelli; Armida-Mme Mara; 
Zelmira-Sga Giovanna Salimbeni.  *dEnd I: +Divertisement= [by $D'Auberval=%-.  *
bEnd II: [an entire new Pantomime Ballet, in I act, composed by $D'Auberval=,% +
Amphion et Thalie; ou, L'Eleve des Muses=.  Principal dancers-[Didelot, Duquesne
y, Vigano, %Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme D
idelot,% Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche,% Mlle Deligny, [Mlle 
L. Simonet, Mlle R. Simonet,% Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer
, Mlle Rousseau, Mlle Vedie, Mlle Durand%; [Cast from synopsis ($H. Reynell= [17
91]:)% Amphion (+eleve des Muses=r)-Didelot; Bergers de la Phocide-Duquesney, Vi
gano; Thalie (+Muse de la Comedie=r)-Mme Theodore D'Auberval; Jeune Nymphe de la
 Phocide (+eleve de Terpsichore=r)-Mlle Gervaise Troche; Terpsichore (+Muse de l
a Danse=r)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine S
imonet; Melpomene (+Muse de la Tragedie=r)-Mme Didelot; Clio (+Muse de L'Histoir
e=r)-Mlle Augustine Bithmer; Erato (+Muse de la Poesie Lyrique=r)-Mlle Bithmer; 
Euterpe (+Muse de la Musique=r)-Mlle Rousseau; Uranie (+Muse de l'Astronomie=r)-
Mlle Jacobs; Calliope (+Muse de l'Eloquence=r)-Mlle Birt; Polimnie (+Muse de la 
Rhetorique=r)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand,
 Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet
, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mm
e Schweitzer.  *cA Grand Serious Opera; the music by $Sacchini=, with additions 
and alterations [by $Andreozzi= and $Mazzinghi=].  Under the direction of Mazzin
ghi.  The dresses executed from original drawings of $Bartolozzi= and $Tresham=,
 by $Lupino=.  With dances analogous to the Opera.  The Doors to be opened at 6:
30.  To begin at 7:30 [same throughout season].  Pit 10s. 6d. Gallery 5s.  There
 are a number of green boxes which may be taken on application to $Lee=, at the 
Theatre; the entrance to which, and to the Gallery, will be in +Oxford-street=. 
 Subscriptions will be received by Messrs +Wright and Co.=, +Henrietta-street=, 
+Covent-garden= (only) where tickets are delivering daily; and such Ladies as ha
ve not compleated their subscriptions to their boxes are intreated to send their
 names to the office, in order to have the tickets prepared, as no person can be
 admitted without producing a ticket.  The Nobility and Gentry are intreated to 
give particular orders to their coachmen to set down and take up with their hors
es' heads towards +Hyde-park=.  The Doors in +Blenheim-mews= for chairs only.  B
y Command of $His Majesty= no person can be admitted behind the scenes during th
e performance.  "We fear that [the +Pantheon= as converted into a theatre] will 
gratify only the eye.  It must undergo still more changes before the ear will be
 satisfied.  Whether it is that the dome is too high and disproportioned to the 
breadth, or that the orchestra is sunk too low beneath the audience we cannot te
ll, but the sound does not swell and spread in equal volume; and it is the most 
inaudible in the best parts of the Theatre: the Pit and the first and second tie
r of Boxes hear very indistincly...We found this to be the complaint of every ju
dge of music in the place" (+Morning Chronicle=, 18 Feb.).  "The Pantheon has op
ened, and is small, they say, but pretty and simple; all the rest ill-conducted,
 and from the singers to the scene-shifters imperfect; the dances long and bad, 
and the whole performance so dilatory and tedious, that it lasted from eight to 
half an hour past twelve" ($Walpole= [18 Feb. 1791], XIV, 377) [and see 19 Feb.]
.  *p18 dl The Siege of Belgrade.  As 10 Feb.  *aDon Juan.  As 12 Feb.  *cReceip
ts: #258 8s. 6d. (225.8.0; 31.15.0; 1.5.6).  *pcg Isabella.  As 11 Feb.  *aTwo S
trings to Your Bow.  As 16 Feb.  *dAs 4 Dec. 1790.  *sAs 11 Feb.  *cReceipts: #1
67 6s. 6d. (163.9.6; 3.17.0).  *p19 dl The Siege of Belgrade.  As 10 Feb.  *aThe
 Adventurers.  As 2 Oct. 1790.  *cReceipts: #213 11s. (174.4.0; 36.19.6; 2.2.6; 
tickets not come in: 0.5.0).  *pcg The School for Arrogance.  As 4 Feb.  *aThe P
oor Soldier.  As 17 Dec. 1790.  *cReceipts: #179 13s. 6d. (171.10.6; 8.3.0).  *p
pan Armida.  As 17 Feb.  *bEnd I: +Amphion et Thalie=.  As 17 Feb.  *cThe Subscr
ibers and the Public are respectfully acquainted that, on account of the length 
of the performance on Thursday last, and the Dances introduced in the Opera, the
re will be but one Ballet this evening.  *p21 dl The Siege of Belgrade.  As 10 F
eb.  *aThe Fairy Favour.  As 7 Feb., but Watchmen-_; Surgeon Caustic-_; Bandage-
_; Waiter-_; Statuary-_; 2nd Statuary-_; Gardener-_; Fisherman-_; Mandarine-_.  
*cReceipts: #238 10s. (200.11.0; 34.17.6; 2.14.0; tickets not come in: 0.7.6).  
*pcg The Belle's Stratagem.  As 15 Sept. 1790, but Lady Touchwood-Mrs Wells.  *a
Two Strings to Your Bow.  As 16 Feb.  *cBy Command of $Their Majesties=.  Receip
ts: #372 14s. (369.1; 3.13).  *p22 dl The Siege of Belgrade.  As 10 Feb.  *aThe 
Citizen.  As 16 Oct. 1790, but Old Philpot-Baddeley; Will-_; Tom-_.  *c[Afterpie
ce in place of +Bon Ton=, advertised on playbill of 21 Feb.]  Receipts: #211 8s.
 (169.3; 40.0; 2.5).  *pcg The School for Arrogance.  As 4 Feb.  *aThe Farmer.  
As 2 Dec. 1790.  *cPaid $Messrs Enderby=, Oilmen, #128 7s. 6d.  Receipts: #185 1
4s. (177.18; 7.16).  *ppan Armida.  As 17 Feb.  *b+Amphion et Thalie=.  As 17 Fe
b.  *cBy Command of $Their Majesties=.  "There were not an hundred persons in th
e Pit when their Majesties entered, and there were not double the number at any 
part of the evening.  The Royal box being in the centre, fronting the stage, the
ir Majesties were invisible to the Gallery; and on their entrance solemn stillne
ss prevailed, until the Orchestra, for the first time in an Opera-house, for the
 first time by the Professional Band, Struck up +God save the King=.  Never, we 
will venture to say, in any Theatre during the present reign, was there so thin 
an audience when their Majesties were present; and we pretend not to divine the 
cause.  Whether it is the failure of the Theatre as a musical room--the general 
poverty of the performance--the little notice that was given of their Majesties'
 intention to be present we know not" (+Morning Chronicle=, 23 Feb.).  *p23 dl A
 Trip to Scarborough.  As 18 Oct. 1790, but Amanda-Mrs Ward; Shoemaker-_; Taylor
-_; Hosier-_; Jeweller-_.  *aThe Fairy Favour.  As 21 Feb.  *c[Afterpiece in pla
ce of +The Island of St. Marguerite=, advertised on playbill of 22 Feb.]  Receip
ts: #127 2s. 6d. (90.18.0; 30.9.0; 4.10.6; tickets not come in: 1.5.0).  *pcg Th
e Widow of Malabar.  As 12 Jan.  *aTwo Strings to Your Bow.  As 16 Feb.  *aA Div
ertisement.  As 1 Dec. 1790.  *dAs 23 Nov. 1790.  *cReceipts: #170 19s. (163.18;
 7.1).  *pking's Pirro.  *cThis was a semi-private rehearsal, with $Davide= as +
Pirro=r.  "Yesterday evening an act of +Pyrrhus= was rehearsed on the stage of t
his theatre' (+London Chronicle=, 24 Feb.).  "The Theatre is not yet ready entir
ely for the Public" (+Oracle=, 24 Feb.) [see 26 Mar.].  On 22 Feb. the newspaper
s carried a statement from the theatre that "the rehearsal announced for Wednesd
ay Evening is...deferred for a few days."  But this deferment was set aside.  Th
e +Lord Chamberlain= having refused a license for the performance of opera at th
is theatre, +Pirro= was not publicly performed.  *p24 dl The  Heiress.  As 11 No
v. 1790.  *aNo Song No Supper.  As 9 Dec. 1790.  *cReceipts: #236 9s. (184.16.0;
 47.15.6; 3.15.0; ticket not come in: 0.2.6).  *pcg The School for Arrogance.  A
s 4 Feb.  *aLove in a Camp.  As 11 Nov. 1790, but Rupert-Reeve.  *cBenefit for t
ha Author [of mainpiece, who is named in the Account-Book, but not on the playbi
ll].  Receipts: #185 8s. 6d. (177.2.6; 8.6.0; tickets: none listed).  *p25 dl Tw
elfth Night.  As 3 Nov. 1790.  *aThe Pannel.  As 14 Jan., but Aurora-Miss Collin
s.  *cReceipts: #146 15s. (101.7.0; 38.6.6; 6.19.0; ticket not come in: 0.2.6). 
 *pcg The Earl of Essex.  As 31 Dec. 1790.  *aThe Picture of Paris.  As 11 Feb. 
 *cReceipts: #176 12s. 6d. (170.5.0; 6.7.6).  *p26 dl The Siege of Belgrade.  As
 10 Feb.  *aThe Spoil'd Child.  As 16 Sept. 1790.  *cReceipts: #223 8s. 6d. (172
.1.0; 50.5.6; 1.2.0).  *pcg The Woodman.  [Principal Characters-Quick, Bannister
, Johnstone, Blanchard, Incledon, Williamson (1st appearance in a speaking part)
, Cross, Mrs Martyr, Mrs Webb, Miss Huntley, Mme Pieltain (1st appearance on the
 +English stage= [non-operatic]; Rest of%; the Vocal Parts-Mrs Mountain, Mrs War
rell, Miss Williams, Mrs Harlowe, Miss Stuart, Miss Barnet, Mrs Watts, Miss Fran
cis, Mrs Arnold, Mrs Davenett, Mrs Rock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Ma
sters, Mrs Platt, Mrs Ratchford, Mrs Byrne, Mrs Goodwin; [Cast from text ($T. Ca
dell=, 1791):% Sir Walter Waring-Quick; Fairlop the Woodman-Bannister; Capt. O'D
onnel-Johnstone; Medley-Blanchard; Wilford-Incledon; Bob the Miller-Williamson; 
Filbert the Gardener-Cross; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Webb; Polly-Mi
ss Huntley; Emily-Mme Pieltain [in text: $Miss Dall= (see 10 Mar.)]; Kitty Maple
-Miss Stuart; Bridget-Mrs Cross.  *aTwo Strings to Your Bow.  As 16 Feb.  *cMain
piece [1st time; CO 3, by $Henry Bate=]: With new Music, Scenes, Dresses, and De
corations.  The Music (with a few exceptions) composed entirely new by $Shield=.
  And new Scenery designed and chiefly executed by $Richards=.  Books of the Son
gs to be had at the Theatre.  [$Williamson= was formely a chorus singer at this 
theatre; $Mme Pieltain= had sung at the +king's= in the season of 1788-89.  Afte
rpiece in place of +The Deaf Lover=, advertised on playbill of 25 Feb.]  "The au
thor is very little responsible for his part of the entertainment, which he ackn
owledges was composed chiefly for the purpose of [the music, which] in the taste
 of the present day is almost the only essential part of such an entertainment" 
(+Gazetteer=, 28 Feb.).  +Oracle=, 7 May 1791: Thas Day is published +The Woodma
n= (1s. 6d.).  Receipts: #243 2s. (239.17.6; 3.4.6).  *ppan Armida.  As 17 Feb. 
 *dEnd I: +Divertisement=, as 17 Feb.  *bEnd II: +Amphion et Thalie=.  As 17 Feb
., but Principal dancers-_Fialon, _Duchesne, _Rousseau, _Boisgirard, _St.Aumer, 
_Schweitzer, Mme _Vigano, Mlle _Puisieux, Mlle Bithmer _Cadette; Mme _Didelot; M
lle _Bithmer; Mlle _Rousseau; Nymphes a la suite des Muses-Mlle _Vedie, Mlle _Du
rand.  *c"$Pacchierotti= was taken ill on Saturday and was unable to sing his so
ngs.  An apology was made for him, and he walked on and walked off without dimin
ution of the public pleasure.  Here was an unanswerable argument for the +Panthe
on= as an Opera-House; for the silence of a singer is no injury to the entertain
ment" (+Morning Chronicle=, 28 Feb.).  *p28 dl The Rivals.  As 1 Nov. 1790.  *aN
o Song No Supper.  As 9 Dec. 1790.  *cBy Command of $Their Majesties=.  Receipts
: #311 6s. 6d. (290.17.0; 19.6.0; 1.3.6).  *pcg The Woodman.  As 26 Feb.  *aThe 
Follies of a Day.  As 29 Oct. 1790.  *cLadies and Gentlemen who have Places for 
the succeeding Nights, will please to observe, the New Opera will be performed e
very Night till further Notice.  Receipts: #285 11s. 6d. (281.3.6; 4.8.0).  *p3 
1 dl The Siege of Belgrade.  As 10 Feb.  *aThe Fairy Favour.  As 21 Feb.  *cRece
ipts: #195 9s. 6d. (167.19.0; 25.4.0; 1.11.6; tickets not come in: 0.15.0).  *pc
g The Woodman.  As 26 Feb.  *aThe Little Hunchback.  As 14 Jan., but Jew's Man-_
; Cadi-_.  *cBenefit for the Author [of mainpiece, who is named in the Account-B
ook, but not on the playbill].  Receipts: #217 2s. 6d. (212.17.6; 4.5.0; tickets
: none listed).  *ppan La Bella Pescatrice.  [Principal Characters-Lazzarini, Ci
priani, Agostino Lipparini, Giuseppe Lipparini, Sga Casentini, Sga Calvesi, Sga 
Salimbeni.  [Cast from libretto ($H. Reynell=, 1791):% Cavaliere Cedidoro-Lazzar
ini; Don Alfonso-Cipriani; Conte-Lipparini Sen.; Maccabruno-Lipparini Jun.; Dori
nda-Sga Casentini; Vespina-Sga Calvesi; Lisetta-Sga Salimbeni.  *dAs 17 Feb.  *b
+Amphion et Thalie=.  As 17 Feb.  *cA new Comic Opera; the music by $Guglielmi=,
 with additions and alterations [by $Mazzinghi=].  Under the direction of Mazzin
ghi.  *p2 dl She Wou'd and She Wou'd Not.  As 25 Nov. 1790, but Rosara-Miss Hear
d; Corrigidore-_.  *aThe Devil to Pay.  As 20 Oct. 1790.  *c[+Kemble Mem.=: "$Ki
ng= not strong enough to act +Puff=r in the Critic."  But +The Critic= was nowhe
re advertised for this night.  King is listed in the mainpiece as +Trappanti=r, 
but perhaps he did not act.]  Receipts: #146 13s. (107.5.0; 37.6.6; 1.11.6; tick
ets not come in: 0.10.0).  *pcg The Woodman.  As 26 Feb.  *aThe Midnight Hour.  
As 14 Dec. 1790.  *cReceipts: #221 6s. 6d. (216.8.6; 4.18.0).  *p3 dl The School
 for Scandal.  As 10 Nov. 1790, but Maria-Mrs Crouch[; omitted: +song=%.  *aThe 
Spoil'd Child.  As 16 Sept. 1790.  *cReceipts: #208 16s. (162.19.0; 43.19.6; 1.1
0.0; tickets not come in: 0.7.6).  *pcg The Woodman.  As 26 Feb.  *aThe Maid of 
the Oaks.  As 19 Nov. 1790, but Old Groveby-Wilson.  *dAs 19 Nov. 1790.  *cRecei
pts: #233 11s. 6d. (228.2.0; 5.9.6).  *ppan La Bella Pescatrice.  As 1 Mar.  *dA
s 26 Feb.  *b+Amphion et Thalie=.  As 26 Feb.  *p4 dl The Haunted Tower.  As 20 
Nov. 1790.  *aThe Humourist; or, Who's Who?  Sir Anthony Halfwit-Suett; Beaumont
-Williames; Frolic-Hollingsworth; Dabble-Bannister Jun.; Mrs Matadore-Mrs Hopkin
s; Diana-Miss Heard; Mrs Meddle-Mrs Williames.  *cReceipts: #225 15s. 6d. (185.1
1.0; 36.16.6; 3.8.0).  *pcg The Woodman.  As 26 Feb.  *aLovers' Quarrels.  As 15
 Oct. 1790, but Lopez-Bernard.  *cBenefit for the Author [of mainpiece, who is n
amed in the Account-Book, but not on the playbill].  Receipts: #211 14s. 6d. (20
7.11.6; 4.3.0; tickets: none listed).  *p5 dl The Siege of Belgrade.  As 10 Feb.
  *aDon Juan.  As 12 Feb., but Donna Anna-Miss Heard.  *cReceipts: #244 15s. 6d.
 (203.5.0; 40.4.0; 1.4.0; ticket not come in: 0.2.6).  *pcg The Woodman.  As 26 
Feb.  *aBarataria; or, Sancho Turn'd Governor.  Sancho Pancha-Quick; Duke-Cubitt
; Manuel-Davies; Pedro-Thompson; Recorder-Powel; Don Quixote-Marshall; Lady Tere
za Pancha-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Lefevre; Mary the Buxom-M
rs Rock.  *cReceipts: #246 9s. 6d. (241.15.6; 4.14.0).  *ppan La Bella Pescatric
e.  As 1 Mar.  *dAs 17 Feb.  *b+Amphion et Thalie=.  As 17 Feb.  *p7 dl The Scho
ol for Scandal.  As 3 Mar.  *aThe Deaf Lover.  See 14 Dec. 1790.  *c[As afterpie
ce the playbill announces +The Romp=, but "$Mrs Jordan= ill" (+Kemble Mem.=, whi
ch lists the substitute play).]  Receipts: #245 4s. 6d. (202.8.0; 41.9.6; 1.7.0)
.  *pcg The Woodman.  As 26 Feb.  *aThe Maid of the Oaks.  As 3 Mar., but Musica
l Characters-+Williamson, Miss +Williams, Mrs +Lloyd, Mrs +Warrell, Miss _Franci
s.  *dAs 19 Nov. 1790.  *cBy Command of $Their Majesties=.  Receipts: #386 12s. 
6d. (385.15.0; 0.17.6).  *phay The Busy Body.  Marplot-Lee Lewes; Sir Francis Gr
ipe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir Geor
ge Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1
st appearance on any stage).  *aThe Advertisement; or, A New Way to Get a Husban
d.  Principal Characters-Lee Lewes, Wewitzer, Fennell, Mrs Lee Lewes, Mrs Day, M
rs Everard, Miss Brown; [+Larpent MS= lists the parts: +Alderman Goslin=r, +Youn
g Goslin=r, +Harry=r, +Thomas=r, +Peruque=r%, Mrs O'Trigger-Mrs Lee Lewes (+Orac
le=r, 8 Mar.) [+Mrs Courtney=r, +Kitty=r, +Mrs Snip=r, +Betty=r%.  *e[+Monologue
s=%End IV: +The late King of Prussia and General Ziethen=-Lee Lewes; End: +A Whi
msical Dissertation upon Law=-Lee Lewes.  *cBy Permission of the +Lord Chamberla
in=, and also under the Patronage of their Royal Highnesses the $Prince of Wales
=, the $Duke of York=, and the $Duke of Clarence=.  Benefit for $Lee Lewes=.  Th
e Doors to be opened at 5:15.  To begin at 6:15.  Tickets and Places for the Box
es to be had of Lee Lewes, at Mr +Brough's=, No. 18, +Portland-street=, +Soho=. 
 Afterpiece [1st time; F 2, by $James Fennell=.  +Larpent MS 924=; not published
.  Synopsis of plot in +Morning Post=, 8 Mar.].  *p8 dl The Haunted Tower.  As 2
0 Nov. 1790.  *aThe Critic.  As 20 Nov. 1790, but Signor Pasticio Ritornello-_; 
Italian Girls-Mrs _Bland.  *cReceipts: #239 5s. 6d. (188.6.0; 49.18.6; 1.1.0).  
*pcg The Woodman.  As 26 Feb.  *aTwo Strings to Your Bow.  As 16 Feb.  *cBenefit
 for the Author [of mainpiece, who is named in the Account-Book, but not on the 
playbill].  Account-Book, 14 Mar.: Paid $Bate Dudley=, Author, #341 8s. [i.e. th
e receipts of his three benefits, after deducting the house charges].  Receipts:
 #227 11s. (222.11; 5.0; tickets: none listed).  *ppan La Bella Pescatrice.  As 
1 Mar.  *dAs 17 Feb.  *b+Amphion et Thalie=.  As 17 Feb.  *p9 none Ash Wednesday
.  *p10 dl The Rivals.  As 6 Dec. 1790.  *aNo Song No Supper.  As 9 Dec. 1790.  
*cReceipts: #238 17s. 6d. (188.6.0; 49.8.6; 1.3.0).  *pcg The Woodman.  As 26 Fe
b., but Emily-Miss Dall[in place of $Mme Pieltain=% (1st appearance on any stage
).  *aThe Follies of a Day.  As 29 Oct. 1790.  *cReceipts: #208 6s. 6d. (202.9.6
; 5.17.0).  *pking's Pirro.  As 23 Feb.  *d+Divertisement=, +Orpheus and Eurydic
e=-Vestris Jun., Mlle Hilligsberg [and see 26 Mar.].  *c"Last night the Propriet
ors of this undertaking saw company to the number we imagine of Four Thousand Pe
rsons...$Davide=, in the Opera of +Pirro=, engrossed the whole of the applause t
hat so matchless a singer may well merit" (+Oracle=, 11 Mar.).  *ppan La Bella P
escatrice.  As 1 Mar.  *dAs 26 Feb.  *b+Amphion et Thalie=.  As 26 Feb.  *p11 dl
 [A% Grand Selection 0 [from the Works of Handel%.  Principal Vocal Parts-Spence
 (1st appearance in public), Dignum, Bellamy Jun. (1st appearance), Miss Broadhu
rst (1st appearance in Oratorios), Miss Hagley, Miss Cecilia Davies[, detta $Ing
lesina=% (1st appearance in Oratorios); Conductor-Linley; 1st Violin-Shaw; [Part
 I% Overture-(+Ariadne=); +He smote all the First@born of Egypt=-Chorus (+Israel
 in Egypt=); +Honour and Arms=-Bellamy (+Samson=); +No more shall Edom's Sons=-M
iss Hagley (+Israel in Babylon=); +Hear us O Lord=-Chorus (+Judas Maccabeaus=); 
+O magnify the Lord=-Miss Broadhurst (+Chandos Anthems=); +Total Eclipse=-Spence
; +O first created Beam=-Chorus; +Let the bright Seraphim=-Miss Cecilia Davies (
Samson); +Zadok the Priest=-Chorus (+Coronation Anthems=).  *aGrand Selection 2.
   [Part II% +Ye sons of Israel=-Chorus (+Joshua=); +Tear such as tender Fathers
 shed=-Bellamy (+Deborah=); +O had I Jubal's Lyre=-Miss Broadhurst (Joshua); +Th
ere beneath a lowly shade=-Dignum (+Alexander Balus=); +Concerto  Violin-Master 
Clement (1st appearance at this theatre); +Fallen is the Foe=-Chorus (Judas Macc
abaeus); +Why does the God of Israel sleep?=-Spence (Samson); +O Liberty!=-Miss 
Cecilia Davies (Judas Maccabaeus); [accompanied% violoncello-Mason; +The many re
nd the skies=-Chorus (+Alexander's Feast=).  *aGrand Selection 3.   [Part III% F
ifth Grand Concerto-; +Is not the King most mighty=, +On the Charmer fondly gazi
ng=-Miss Hagley [$Dr Arnold=]; +For unto us a Child is born=-Chorus (+The Messia
h=); +Every Day will I give thanks=-Miss Broadhurst (Chandos Anthems); +Jehovah 
crown'd=-Bellamy; +He comes=-Chorus (+Esther=); +Prophetic Raptures=-Miss Cecili
a Davies (+Joseph=); +O come let us worship=-Spence (Coronation Anthems); +Halle
lujah for the Lord God Omnipotent reigneth=-Grand Chorus (The Messiah).  *cNo Mo
ney to be returned.  Books of the Performance to be had at the Theatre.  Places 
for the Boxes to be taken of $Fosbrook=, at the Theatre.  Boxes 5s. Pit 3s. 1st 
Gallery 2s. 2nd Gallery 1s.  The Doors to be opened a  5:30.  To begin at 6:30 [
same throughout oratorio season].  [$Master Clement= was from the +Imperial Oper
a House, Vienna=.]  *pcg [A% Grand Selection 0  [of Sacred Music, from the Works
 of Handel%.  Principal Vocal Performers-Harrison, Incledon, Griffith, Sale, Mis
s Poole, Mrs Piele, Mrs Billington; Leader of the Band-G. Ashley; The Organ-Knyv
ett.  *aGrand Selection 1.   [Part I Coronation Anthem,%+God save the King=-; Ov
erture-(+Esther=); +Shall I in Mamre's fertile Plain=-Sale; +For all these Merci
es=-Chorus (+Joshua=); +Rise Jephtha=, +Happy Iphis=-Miss Poole; +When his loud 
voice=-Chorus (+Jephtha=); +Total Eclipse=-Harrison; +O first created Beam=-Chor
us (+Samson=); +Holy holy Lord=-Mrs Billington (+Redemption=); +He gave them Hai
lstones=-Double Chorus (+Israel in Egypt=).  *aGrand Selection 2.   [Part II% Fi
fth Grand Concerto-; +Honour and Arms=-Griffith; +Ye Men of Gaza=-Miss Poole; +H
ear Jacob's God=-Chorus; +Justly these evils=, +Why does the God of Israel sleep
?=-Incledon; +Then round about the starry Throne=-Chorus (Samson); +O come let u
s worship=-Harrison (+Coronation Anthems=); +The Mighty Power=-Chorus (+Athalia=
); +O worse than Death= and +Angels ever bright=-Mrs Billington (+Theodora=); +G
ird on thy Sword=-Chorus (+Saul=).  *aGrand Selection 3.   [Part III% +Ye Sons o
f Israel=-Chorus (Joshua); +Rendi il sereno al Ciglio=-Harrison (+Sosarme=); +O 
Lord in thee have I trusted=-Incledon, Chorus (+Te Deum=); +O had I Jubal's Lyre
=-Miss Poole (Joshua); +From the censer=-Chorus (+Solomon=); +Ye sacred Priests=
, +Farewell ye limpid springs=-Mrs Billington (Jephtha); +The Lord shall reign=-
Chorus; +For the Horse of Pharaoh=-Harris; +The Horse and his Rider=-Mrs Billing
ton, Double Chorus (Israel in Egypt).  *cAmong the Instrumental Performers are M
essrs Ashley and Sons, $Patria=, $Sarjant=, $Billington=, $Mahon=, $Boyce=, $Mou
ntain=, $J. Mahon=, $the Leanders=, $Ware=, $Kaye=, $Rawlings=, $Sharp=, $Lyon=,
 &c. &c. &c.  Double Drums by $J. Ashley=.  The Whole under the Direction of $Ha
rrison= and $Ashley=.  No Money to be returned.  Places for the Boxes to be had 
of $Brandon= at the Theatre.  Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s
.  The Doors to be opened at 5:30.  To begin at 6:30 [same throughout oratorio s
eason].  Books of the Performances, with the Names of the Performers to their re
spective Songs, to be had at the Theatre, Price Six-pence.  And to prevent impos
ition in the Streets, the Manager's Books are printed with the following Words a
t the bottom of each Title Page: "Printed by $H. Macleish=, +Duke's-Court=, +Dru
ry-Lane=."  *p12 dl The Siege of Belgrade.  As 10 Feb.  *aDon Juan.  As 5 Mar.  
*cReceipts: #258 1s. 6d. (217.10.0; 38.14.0; 1.17.6).  *pcg The Woodman.  As 10 
Mar.  *aThree Weeks after Marriage.  Sir Charles Racket-Lewis; Lovelace-Farley; 
Woodley-Macready; Drugget-Quick; Dimity-Mrs Rock; Mrs Drugget-Mrs Pitt; Nancy-Mr
s Harlowe; Lady Racket-Mrs Mattocks.  *cReceipts: #219 6s. (213.15.6; 5.10.6).  
*ppan La Bella Pescatrice.  As 1 Mar.  *dAs 26 Feb.  *b+Amphion et Thalie=.  As 
26 Feb.  *c[Opera in place of +Armida=, advertised in +Morning Post=, 11 Mar.]  
*p14 dl The Confederacy.  As 16 Nov. 1790.  *aThe Fairy Favour.  As 21 Feb.  *cR
eceipts: #170 5s. 6d. (134.12.0; 31.12.0; 3.6.6; tickets not come in: 0.15.0).  
*pcg The Woodman.  As 10 Mar.  *aModern Antiques; or, The Merry Mourners.  [Char
acters-Quick, Wilson, Munden, Thompson, Powel, Miss Chapman, Mrs Harlowe, Mrs Ro
ck, Mrs Cross, Mrs Mattocks.  [Cast from +O'Keeffe's Dramatic Works=, Vol. I ($T
. Woodfall=, 1798), which is "shamefully incorrect" (see $Genest=, VII, 29), and
 +Gazetteer=, 15 Mar.:% Cockletop-Quick; Napkin-Wilson [in text: $Cubitt=]; Fran
k-Munden; Thomas-Thompson; Heaty-Powel [in text: Wilson]; Joey-Blanchard (see 15
 Mar.); John-Blurton; Mrs Camomile-Miss Chapman; Belinda-Mrs Harlowe; Flounce-Mr
s Rock; Nan-Mrs Cross [in text: $Mrs Wells=]; Mrs Cockletop-Mrs Mattocks; Betty-
Miss Brangin.  *cAfterpiece [1st time: F 2, by $John O'Keeffe=].  Receipts: #248
 3s. 6d. (247.16.0; 0.7.6).  *p15 dl The Siege of Belgrade.  As 10 Feb.  *aBon T
on.  As 28 Jan.  *cReceipts: #241 6s. 6d. (202.9.0; 36.0.6; 2.4.6; tickets not c
ome in: 0.12.6).  *pcg The Woodman.  As 10 Mar.  *aModern Antiques.  As 14 Mar.,
 but Blanchard.  *cReceipts: #203 0s. 6d. (195.8.0; 7.12.6).  *ppan La Bella Pes
catrice.  As 1 Mar.  *dAs 17 Feb.  *bAmphion et Thalie.  As 17 Feb.  *p16 dl [Th
e% Messiah; Grand Selection 0.  As 11 Mar., but Principal Vocal Parts-_Bellamy J
un., +Reinhold, Mrs +Crouch; Conductor-Dr Arnold; 1st Violin-Shaw.  *pcg [The% M
essiah; GrandSelection 0.  As 11 Mar., but The Organ-Greatorex.  *p17 dl As You 
Like It.  As 27 Oct. 1790, but Phebe-Miss Barnes.  *aThe Critic.  As 8 Mar., but
 Under Prompter-_; Justice's Lady-_; Confidant-_.  *sAs 27 Oct. 1790.  *cReceipt
s: #217 16s. 6d. (170.3.0; 46.7.6; 1.6.0).  *pcg The Woodman.  As 10 Mar.  *aMod
ern Antiques.  As 15 Mar.  *cReceipts: #250 (244.1; 5.19).  *p18 dl Judas Maccab
aeus; Grand Selection 0.  As 11 Mar.   *pcg L'Allegro ed il Penseroso; Grand Sel
ection 0.  As 11 Mar.  *aL'Allegro ed il Penseroso 1.  [PART I.% First Grand Con
certo-; +Hence loathed Melancholy!=-Harrison; +Hence! vain deluding joys=-Mrs Bi
llington; +Come thou goddess=-Harrison; +Come rather goddess=-Mrs Billington; +H
aste thee nymph=-Incledon, Chorus; +Come and trip it=-Mrs Piele, Chorus; +Come p
ensive nun=-Mrs Billingdon; +Join with thee calm peace and quiet=-Chorus; +Mirth
 admit me of thy crew=-Miss Poole; +Sweet bird=-Mrs Billington; +Mirth admit me 
of thy crew= [repeated]-Griffith; +Oft on a plat of rising ground=-Harrison; +Or
 let the merry bells ring round=-Mrs Billington; +And young and old come forth t
o play=-Chorus.  *aL'Allegro ed il Penseroso 2.   [Part II.% +But O! sad virgin=
-Miss Poole; +Populous cities please us then=-Sale, Chorus; +There let Hymen oft
 appear=-Harrison; +Hide me from day's garish eye=-Mrs Billington; +I'll to the 
well@trod stage anon=-Incledon; +And ever against eating cares=-Miss Poole; +As 
steals the morn upon the night=-Mrs Billington, Harrison; +These delights if tho
u canst give=-Incledon, Chorus.  *a[PART III.%A Grand Miscellaneous Act.   Overt
ure (+Ariadne=, $Handel=)-; +The Mansion of Peace=-Harrison ($Webbe=); +Nighting
ale Chorus= (+Solomon=, Handel)-; +Praise the Lord=-Miss Poole; accompanied on t
he harp-Meyer Jun. (+Esther=, Handel); +Pour forth no more=-Sale; +No more to Am
mon's God=-Chorus (+Jephtha=, Handel); +Concerto= Violin-G. Ashley ($Giornovichi
=); +The Soldier tir'd=-Mrs Billington ($Dr Arne=); +Glory be to the Father=-Cho
rus (+Jubilate=, Handel).  *p19 dl The Siege of Belgrade.  As 10 Feb., but Chara
cters-_Haymes, +Fox.  *aDon Juan.  As 5 Mar.  *cReceipts: #214 15s. (181.15; 30.
15; 2.5).  *pcg The Woodman.  As 10 Mar.  *aModern Antiques.  As 15 Mar.  *cRece
ipts: #214 1s. 6d. (207.1.6; 7.0.0).  *ppan La Bella Pescatrice.  As 1 Mar.  *dE
nd I: +Divertisement=, as 17 Feb.; End II: [a Grand Heroic Ballet in 3 acts (1st
 time),% +Telemachus in the Island of Calypso= (composed by $D'Auberval=)-Didelo
t, D'Egville, Mlle Theodore, Mlle Gervaise Troche, Mlle Deligny, Mlle L. Simonet
, Mlle R. Simonet, Mlle Menage.  [For assignment of parts see 22 Mar.]  *cBy Com
mand of $Their Majesties=.  2nd Ballet: With entire new Scenes, Dresses, Machine
ry, &c.  [Synopsis of action ($H. Reynell=, 1791); music by $Mazzinghi=.]  "The 
machinery in this Ballet is highly deserving of praise.  +Calypso's Grotto=v, wh
ich is formed by the wings and a flat scene rising suddenly from the earth, had 
a surprising effect.  The Mechanism by which this change is produced, we apprehe
nd, is wholly new in this country" (+Morning Post=, 21 Mar.).  *p21 dl Jane Shor
e.  Duke of Gloster-Aickin; Lord Hastings-Kemble; Catesby-Phillimore; Sir Richar
d Ratcliffe-Benson; Bellmour-Packer; Dumont-Bensley; Derby-Maddocks; Alicia-Mrs 
Ward; Jane Shore-Mrs Siddons.  *aThe Fairy Favour.  As 7 Feb., but Surgeon Caust
ic-_; Bandage-_; Waiter-_; 2nd Statuary-_; Gardener-_.  *c"$Mrs Siddons='s timid
 approach [in Act V] to the home of a friend whom she had robbed of a lover: 'Sh
e staggers up to the door, timidly lifts the knocker, releases it as if she had 
committed a mortal sin, seizes it a second time and--knocks.  It is impossible t
o describe how she knocked, but I shall never forget her in this situation, neve
r forget the tone of her voice in answer to the servant, never the timidity, the
 anguish of her expression and movements.'" ($F. W. von Hassell= quoted in $J. A
. Kelly=, 144-45).  Receipts: #337 7s. 6d. (321.16.0; 14.6.6; 1.5.0, being the l
argest amount taken at this theatre, on a night not devoted to a benefit, betwee
n 1776 and 4 June of this season, q. v.).  *pcg The Woodman.  As 10 Mar.  *aMode
rn Antiques.  As 15 Mar.  *cReceipts: #288 19s. 6d. (284.7.6; 4.12.0).  *p22 dl 
The Greek Slave; or, The School for Cowards.  Characters-Williames, Palmer, Aick
in, Bannister Jun., Suett, Burton, Bland, R. Palmer, Haymes, Phillimore, Fawcett
, Webb, Mrs Jordan, Mrs Booth, Miss Palmer, Mrs Gawdry; [Partial cast suggested 
by $Genest=, VII, 18:% Antigonus-Williames; Demetrius-Palmer; Leontius-Aickin; H
umourous Lieutenant[in +Larpent MS=: +Vertigo=r]-Bannister Jun.; Celia-Mrs Jorda
n; Leucippe-Mrs Booth;[.  Larpent MS lists the other parts: +Charinthus=r, +Timo
n=r, +Ambassador=r, +Varus=r, +Clodius=r, +Physician=r., but no other female par
ts%; +Epilogue=-Mrs Jordan.  *aThe Pannel.  As 12 Nov. 1790, but Notary-_; Serva
nt-_.  *cBenefit for $Mrs Jordan=.  Part of the Pit will be laid into the Boxes.
  To prevent Confusion Ladies are desired to send their Servants by half past Fo
ur.  Mainpiece [1st time; C 5, by Richard (later) $Sir Richard? Ford=.  +Kemble 
Mem.=: Altered by $R. Ford= from the +Humourous Lieutenant=.  Epilogue by $Henry
 William? Bunbury=.  +Larpent MS 894=; not published]: Altered from $Beaumont= a
nd $Fletcher= (recte Fletcher alone).  +Oracle=, 25 Feb.: Tickets to be had of M
rs Jordan at her house, No. 14, +Somerset-street=, +Portman-square=.  Receipts: 
#346 8s. 6d. (102.18.0; 13.5.0; 3.6.6; tickets: 226.19.0) (charge: free).  *pcg 
The Woodman.  As 10 Mar.  *aModern Antiques.  As 15 Mar.  *cReceipts: #226 3s. (
221.5; 4.18).  *pking's Pirro.  As 23 Feb.  *dAs 10 Mar.  *ppan La Bella Pescatr
ice.  As 1 Mar.  *dEnd I: +Divertisement=, as 17 Feb.  *bEnd II: +Telemachus in 
the Island of Calypso=.  Telemachus-Didelot; Mentor-D'Egville Jun.; Calypso-Mlle
 Leonore Simonet; Eucharis-Mme Theodore D'Auberval; Venus-Mlle Deligny; Cupid-Ml
le Menage; Zelis and Aglae (Nymphs, companions to Calypso)-Mlle Gervaise Troche,
 Mlle Rosine Simonet; Ny`phs in Calypso's Train-Mlle Bithmer Jun., Mlle Bithmer 
Sen., Mlle Puisieux, Mlle Birt, Mlle Vedie, Mlle Durand, Mlle Rousseau, Mlle Jac
obs, Mlle Berry, Mlle Bougier.  *p23 dl Redemption[, Selected from the Great and
 Favourite Works of $Handel= that were performed in +Westminster-Abbey= and at t
he +Pantheon=% [on 26 and 27 May 1784] 0; Messiah; Grand Selection 0.  As 16 Mar
.  *aRedemption 1.  [PART I.% Overture (+Occasional Oratorio=)-; +O first Create
d Beam=-Chorus (+Samson=); +He layeth the Beams=-Reinhold (+Ezio=); +When his lo
ud Voice=-Chorus (+Jephtha=); +Where e'er you Walk=-Mrs Crouch (+Semele=); +How 
excellent thy Name=-Chorus (+Saul=); +Speak ye who best can tall=-Spence (+Ptolo
my=); +Abraham enough=-Miss Broadhurst (+Susanna=); +Jehovah is my shield=-Miss 
Hagley (Occasional Oratorio); +Blest be the Man=-Chorus (+Joseph=); +Pious Orgie
s=-Miss Davies (+Judas Maccabaeus=); +He gave them Hail@stones=-Double Chorus; +
The Lord is a Man of War=-Reinhold, Dignum; +Moses and the children of Israel=-C
horus; +Sing ye to the Lord=-Miss Davies; +The Horse and his Rider=-Double Choru
s (+Israel in Egypt=).  *aRedemption 2.   [PART II.% +Ye sons of Israel=-Chorus;
 +O had I Jubal's Lyre=-Miss Hagley (+Joshua=); +Jehovah crown'd=-Reinhold; +He 
comes=-Chorus (+Esther=); +Angels ever bright and fair=-Miss Davies (+Theodora=)
; +Welcome mighty king=-Chorus (Saul); March (Judas Maccabaeus)-; +In sweetest H
armony=-Mrs Crouch, Chorus (Saul); +Their Bodies are buried in Peace=-Chorus (+F
uneral Anthem=); Dead March (Saul)-; +Lord remember David=-Spence (+Sosarme=); +
The Sword that's drawn=-Reinhold (Occasional Oratorio); +God save the King=-Chor
us (+Coronation Anthems=).  *aRedemption 3.   [PART III.% +Where is this stupend
ous Stranger?=-Mrs Crouch (+Alcina=); +There beneath a lowly Shade=-Dignum (+Ale
xander Balus=); +He was Eyes unto the Blind=-Mrs Crouch (+Siroe=); +Hosannah to 
the Son of David=-Chorus (+Athalia=); +He was brought as a Lamb=-Reinhold (+Deid
amia=); +He sitteth at the Right Hand of God=-Chorus (+Te Deum=); +Holy Lord God
 Almighty=-Miss Davies (+Rodelinda=); +Glory be to the Father=-Chorus (+Jubilate
=).  *mEnd: +concerto= on the hautboy-W. Parke; End II: +concerto= violin-Master
 Clement.  *pcg [A Second% Grand Selection 0 [of Sacred Music, from the Works of
 Handel%.  As 11 Mar., but Principal Vocal Performers-_Sale; [PART I.%  Overture
-(+Berenice=); +Come ever smiling Liberty=-Mrs Piele (+Judas Maccabaeus=); +He m
easureth the waters=, +He layeth the beams=-Griffith (+Redemption=); +O God! who
 in thy heavenly hand=-Griffith (+Joseph=); +Great Jehovah's awful word=-Miss Po
ole (+Israel in Egypt=); +Daughter of Gods=-Harrison (+Hercules=); +Hail! mighty
 Joshua=-Harrison (+Joshua=); +Where e'er you walk=-Mrs Billington (+Semele=); +
He rebuked the Red Sea He led them through the deep=, +But the waters overwhelme
d=-Double Chorus (+Israel in Egypt=).  *aGrand Selection 2.   [PART II.%  Overtu
re and Dead March-(Saul); +In sweetest harmony=-Mrs Billington, Chorus (Saul); +
Gentle Airs=-Harrison; [accompanied on the% violoncello-C. Ashley (+Athalia=); +
The smiling dawn=-Miss Poole (+Jephtha=); +Fallen is the foe=-Chorus (Judas Macc
abaeus); +Blooming virgins=-Incledon (Athalia); +He smote all the First@born=-Ch
orus (Israel in Egypt); +O magnify the Lord=-Mrs Billington ([+Chandos=] +Anthem
s=); +Kings shall be thy nursing fathers=-Chorus (+Coronation Anthems=).  *aGran
d Selection 3.   [PART III.%  Eleventh Grand Concerto-; +Pleasure my former ways
 resigning=-Harrison (+Time and Truth=); +No more shall Edom's sons=-Miss Poole 
(+Israel in Babylon=); +O Baal monarch of the skies=-Chorus (+Deborah=); +His hi
deous love=, +Love sounds the alarm=-Incledon (+Acis and Galatea=); +O Father wh
ose Almighty power=-Chorus; +O let eternal honours=, +From mighty Kings=-Mrs Bil
lington (Judas Maccabaeus); +Fix'd in his everlasting seat=-Chorus (+Samson=).  
*p24 dl The Haunted Tower.  As 20 Nov. 1790.  *aThe Deserter of Naples.  The Des
erter-Palmer; Russet-Williames; Simkin-Suett; Skirmish-Bannister Jun.; Flint-Bur
ton; Louisa (1st time)-Mrs Crouch; Jenny-Miss DeCamp; Margaret-Mrs Booth.  *e[+M
onologue=.% +A Lecture on Oratory=[: +The Pulpit the Senate the Bar and the Stag
e with a Specimen of Scotch Elocution=, written by the late $Samuel Foote, Esq.=
%-Palmer.  *cBenefit for Palmer.  End I afterpiece: A Grand +Representation= of 
+Mount Vesuvius=, at the Time of an Eruption.  +Oracle=, 28 Feb: Tickets to be h
ad of $Palmer=, No. 3, +London Road=, +St. George's Fields=.  Receipts: #340 5s.
 6d. (144.1.0; 22.0.0; 4.4.6; tickets: 170.0.0) (charge: #126 4s. 11d.).  *pcg T
he Woodman.  As 10 Mar.  *aModern Antiques.  As 15 Mar.  *cReceipts: #251 10s. (
246.9; 5.1).  *ppan La Bella Pescatrice.  As 1 Mar.  *b[End I%: +Telemachus in t
he Island of Calypso=.   As 22 Mar.   *uEnd Opera: +The Deserter= (with augmenta
tions, composed by $D'Auberval=).  Skirmish-D'Auberval; Deserter-D'Egville; Simk
in-Vigano; Louisa-Mme Theodore D'Auberval; Nieces-Mlle Gervaise Troche, Mlle Men
age; Duchess-Mlle Leonore Simonet; Invalid-Mons Fialon; Aunt-Mlle Bithmer.  *cBe
nefit for $D'Auberval=.  Tickets to be had of D'Auberval, No. 52, +Poland-street
=.  *p25 dl [A% Grand Selection 0 [from the Works of Handel%.  As 11 Mar., but P
rincipal Vocal Parts-+Kelly, Mrs +Crouch.  *aGrand Selection 1.  As 11 Mar., but
 [PART I.% +Deeper and deeper still=, +Waft her angels=-Kelly (+Jephtha=).  *aGr
and Selection 2.  As 11 Mar., but [PART II.% +How vain is Man=-Dignum (+Judas Ma
ccabaeus=); +There beneath a lowly shade=-_; +What tho' I trace=-Mrs Crouch (+So
lomon=).  *aGrand Selection 3.  As 11 Mar., but [PART III.% +Laughing Song=-Kell
y; +Haste thee Nymph=-Kelly, Chorus (+L'Allegro=); +Ye Sacred Priests=, +Farewel
l ye limpid springs=-Mrs Crouch (Jephtha).  *pcg Alexander's Feast; Grand Select
ion 0.  As 11 Mar.  *aAlexander's Feast 1.   [PART I.% Overture-; +'Twas at the 
Royal Feast=-Harrison; +Happy Pair=-Harrison, Chorus; +The song began from Jove=
-Miss Poole; +The Listening croud=-Chorus; +With ravished ears=-Miss Poole; +The
 praise of Bacchus=-Harrison; +Bacchus ever fair and young=-Sale, Chorus; +Sooth
'd with the sound=-Harrison; +He chose a mournful muse=-Mrs Billington; +He sung
 Darius=-Chorus; +Softly sweet in Lydian measures=-Mrs Billington; +War he sung 
is toil and trouble=-Incledon; +The many rend the skies=-Chorus; +The Prince una
ble to conceal his pain=-Mrs Billington; +The many rend the skies= [repeated%-Ch
orus.  *aAlexander's Feast 2.   [PART II.% +Now strike the golden lyre again=-Ha
rrison; +Revenge! Timotheus cries=, +Behold a ghastly band=-Griffith; +Give the 
vengeance due=-Incledon; +The Princes applaud=-Incledon, Chorus; +Thais led the 
way=-Mrs Billington, Chorus; +Thus long ago=-Harrison; +At last divine Cecilia c
ame=-Chorus; +Let's imitate their notes above=-Mrs Billington, Harrison; +Let ol
d Timotheus yield the prize=-Chorus.   *a[PART III.%A Grand Miscellaneous Act.  
; Overture and Dead March (+Saul=)-; +Balmy sweetness=-Harrison ($Boyce=); +Thou
 shalt bring them in=-Mrs Piele (+Israel in Egypt=); +Disdainful of danger=-Harr
ison, Incledon, Sale (+Judas Maccabaeus=); +The Soldier tir'd of war's alarms=-M
rs Billington ($Dr Arne=); +Bless the true Church and save the King=-Incledon, C
horus (+Athalia=); +There in myrtle shades=-Miss Poole (+Hercules=); +But bright
 Cecilia=, +As from the power of sacred lays=-Mrs Billington; +The dead shall li
ve=-Chorus ($Dryden='s +Ode=).  *p26 dl The Siege of Belgrade.  As 19 Mar.  *aTh
e Devil to Pay.  As 20 Oct. 1790.  *cReceipts: #224 6s. 6d. (192.7.0; 30.2.6; 1.
9.6; tickets not come in: 0.7.6).  *pcg The Woodman.  As 10 Mar.  *aModern Antiq
ues.  As 15 Mar.  *cReceipts: #159 18s. 6d. (156.11.6; 3.7.0).  *pking's Enterta
inments of Music and Dancing.  [PART I. Collection of Serious Music-[by differen
t composers, but particularly by $Paisiello=.  PART II.%; Collection of Comic Mu
sic-[by different composers, but principally by Paisiello.%; Vocal Parts-Alberta
relli (1st appearance), Davide, Sga Cappelletti (1st appearance), Sga Sestini, T
ajana, Mme Lops.  *dEnd I: +Divertisement=-Vestris? Jun., Victor, Vermilly, Mlle
 Hilligsberg, Mlle Mozon, Mlle Dorival; End II: +Orpheus and Eurydice=-Vestris? 
Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival.  *cThe Nobil
ity, Gentry and Public at large are respectfully informed that, in compliance wi
th the wishes of many of the principal Subscribers an  supporters of this undert
aking, and it being found that, without offence to law, the entertainments adver
tised for the +Hanover-square Rooms= may be given at this Place.  The Doors to b
e opened at 6:30.  To begin at 7:30 [same throughout season].  Pit 10s. 6d. Gall
ery 5s.  As the Proprietors would not presume, even to save themselves from utte
r ruin, to offend either the Authority of the $King=, or of the Laws, they forbe
ar all idea of performing Operas until the hardship and justice of their case sh
all produce the proper influence upon $his Majesty='s benevolent mind; and, unde
r the circumstances in which thy stand, with a Company of the most celebrated si
ngers and dances in the world, in their respective departments, engaged at an ex
pense of #18,000, they confide in the liberality to the Public that they will co
untenance and support such an Entertainment as they are legally warranted to giv
e, until they shall recover their just right of performing Operas under his Maje
sty's license.  "From dinner we all went to the $Opera House in the Haymarket=, 
where for the first time they performed for money [see 23 Feb., 10 and 22 Mar.];
 the singers, to avoid the [licensing] Act, coming in their own dresses and conf
ining themselves to the airs.  It will be seen whether this restriction will be 
considered sufficient" (+Windham Diary=, 219).  "The action of +Orpheus and Eury
dice= has been seen before at both the rehearsals [see 10 and 22 Mar.], but the 
scenery could not be then sufficiently displayed.  It was very correctly managed
 on Saturday night...The scene of the +Elysian fields= deserved the most admirat
ion, where, by means of lights placed behind gauze, a filmy hue is thrown over t
he stage, and the figures assume the appearance of aerial beings" (+Gazetteer=, 
28 Mar.).  *ppan La Bella Pescatrice.  As 1 Mar.  *dEnd I: +Divertisement=, as 1
7 Feb.  *uEnd Opera: +The Deserter=.  As 24 Mar.  *p28 dl Othello.  Duke of Veni
ce-Fawcett; Brabantio-Aickin; Gratiano-Phillimore; Lodovico-Packer; Othello-Kemb
le; Cassio-Barrymore; Iago-Bensley; Roderigo-Dodd; Montano-Whitfield; Desdemona-
Mrs Siddons; AEmilia-Mrs Ward.  *aThe Deaf Lover.  As 14 Dec. 1790, but John-_; 
Thomas William-_.  *c[Afterpiece in place of +The Fairy Favour=, advertised on p
laybill of 26 Mar.]  Receipts: #329 13s. 6d. (318.2.0; 11.1.6; 0.10.0).  *pcg Th
e Woodman.  As 10 Mar.  *aModern Antiques.  As 15 Mar.  *cBenefit for the Author
 [of mainpiece, who is named in the Account-Book, but not on the playbill].  Rec
eipts: #295 18s. 6d. (290.16.6; 5.2.0; tickets: none listed).  *p29 dl The Count
ry Girl.  As 24 Jan., but Harcourt-Barrymore.  *aNo Song No Supper.  As 9 Dec. 1
790.  *cReceipts: #275 0s. 6d. (233.15.0; 39.5.6; 2.0.0).  *pcg The Woodman.  As
 10 Mar.  *aModern Antiques.  As 15 Mar.  *cReceipts: #162 13s. 6d. (159.4.6; 3.
9.0).  *pking's Entertainments of Music and Dancing.  As 26 Mar.   *dAs 26 Mar. 
 *c"There is no peace between the opera theatres; the +Haymarket= rather triumph
s.  They have opened twice, taking money in an evasive manner, pretending themse
lves concerts; the singers are in their own clothes, the dancers dressed, and no
 recitative--a sort of opera in deshabille ($Walpole= [31 Mar. 1791], XIV, 399-4
00).  *ppan La Bella Pescatrice.  As 1 Mar.  *dAs 26 Mar.  *u+The Deserter=.  As
 26 Mar.  *p30 dl Redemption 0; Messiah; Grand Selection 0.  [Principal Vocal Pa
rts, Conductor, and Violin as 16 Mar.  PART I, II, III. % As 16 Mar.  *aRedempti
on 1.  As 23 Mar.  *aRedemption 2.  As 23 Mar.  *aRedemption 3.  As 23 Mar.  *mE
nd I: +concerto= on the bassoon-Parkinson; End II: +concerto= violin-Master Clem
ent.  *pcg L'Allegro ed il Penseroso 0; Grand Selection 0.  As 23 Mar., but Inst
rumental Performers-Lavenu.  *aAllegro ed il Penseroso 1 [PART I%.  As 18 Mar., 
but +Let me wander not unseen=-Mrs Billington; +Or let the merry bells ring roun
d=-_; +Come but keep thy wonted state=, +First and chief=-Mrs Billington; +Hence
 loathed melancholy=-Miss Poole [as well as by $Harrison=]; +Mirth admit me of t
hy crew=-Miss Poole [as well as by $Griffith=].  *aL'Allegro ed il Penseroso 2. 
 As 18 Mar., but [PART II.  As 18 Mar., but% +But O! sad virgin=-Mrs Billington;
 +Populous cities please us then=-Griffith, Chorus; +There let Hymen oft appear=
-Miss Poole; +Hence vain deluding joys=, +Me when the sun=-Mrs Billington.  *aA 
Grand Miscellaneous Act.  As 18 Mar., but [PART III.  As 18 Mar., but% +Sound an
 alarm=-Incledon; +We hear the pleasing call=-Chorus (+Judas Maccabaeus=); +Pour
 forth no more=-_; +No more to Ammon's God=-_; accompanied on the harp-_; Concer
to Violin-_.  *mEnd II: +concerto= on the violin-Weichsel.  *p31 dl The School f
or Scandal.  As 10 Nov. 1790, but Joseph Surface-R. Palmer; Trip-Burton.  *aThe 
Critic.  As 16 Feb., but Sneer-Barrymore; Mrs Dangle-Mrs Ward; Italian Girls-Mrs
 +Bland.  *cBenefit for $King= [who is named in the Account-Book, but not on the
 playbill].  Receipts: #296 17s. (255.10.0; 39.6.6; 2.0.6; tickets: none listed)
 (charge: #114 3s. 3d.).  *pcg The Woodman.  As 10 Mar., but the Vocal Parts-Mrs
 _Mountain, Mrs +Lloyd.  *aModern Antiques.  As 15 Mar.  *cReceipts: #211 13s. (
207.15.6; 3.17.6).  *pking's Entertainments of Music and Dancing.  [Collection o
f Comic Music by different composers, but principally by $Paisiello=.%  As 26 Ma
r., but Vocal Parts-Mme _Lops.  *dEnd I: +Divertisement=, as 26 Mar.; End II: +O
rpheus and Eurydice=, as 26 Mar., but Mlle _Dorival, Mlle +St.Amand.  *mII: [a n
ew% +Overture= [by $Haydn=%-.  *p4 1 dl Acis and Galatea 0; Grand Selection 0.  
[PART I.%  As 25 Mar., but Principle Vocal Parts-+Reinhold, A Young +Lady.  *aAc
is and Galatea 1.  O the Pleasures of the Plain!=-Chorus; +For us the Zephyr blo
ws=-Miss Hagley; +Ye verdant plains=, +Hush ye pretty warbling Quire=-Miss Davie
s; +Where shall I seek=-Spence; +Stay Shepherd stay=, +Shepherd what art thou pu
rsuing=-Miss Broadhurst; +Lo! here my Love=, +Love in her Eyes=-Kelly; +O didst 
thou know the Pains=, +As when the Dove=-Mrs Crouch; +Happy we=-Miss Hagley, Dig
num; +Happy we= [repeated]-Chorus.  *aAcis and Galatea 2. [PART II.%  +Wretched 
Lovers=-Chorus; +I rage I melt I burn=, +O Ruddier than the Cherry=-Reinhold; +W
hither fairest=-Bellamy; +The Lion calls not=-Miss Hagley; +Cease to beauty to b
e suing=-Bellamy; +Would you gain the tender creature=-Mrs Crouch; +His hideous 
love=, +Love sounds the alarm=-Kelly; +Consider fond Shepherd=-Miss Hagley; +Cea
se O cease=-Miss Davies; +The Flocks shall leave the Mountains=-Miss Davies, Dig
num, Reinhold; +Help Galatea=-Spence; +Mourn all ye Muses=-Chorus; +Must I my Ac
is=-Mrs Crouch; +Cease Galatea cease to weep=-Chorus; +'Tis done thus I exert=, 
+Heart the seat=-Miss Davies; +Galatea dry thy tears=-Chorus.  *a[PART III.% A G
rand Selection.  +Tyrants would in impious throngs=-Mrs Crouch; +Tyrants ye in v
ain conspire=-Chorus (+Athalia=); +Sin not O King=-Miss Broadhurst (+Saul=); +Th
rice happy the Monarch=-Bellamy [+Alexander Balus=]; +What's sweeter than the ne
w blown rose=-Miss Hagley, Dignum (+Joseph=); +Shake the dome and pierce the Sky
=-Chorus (+Solomon=); +Mad Bess=-Mrs Crouch ($Purcell=); +I sing the produce of 
the vine=, +'Tis mighty wine inspires us=-Reinhold (+Ottone=); +The Trumpet's lo
ud clangor=-Kelly, Chorus (+Dryden's Ode=); +Da forte morir sapro=-Miss Davies (
$Sarti=); +I'll proclaim the wondrous story=-Spence, a Young Lady (1st appearanc
e) (+Esther=); +Worthy is the Lamb=-Grand Chorus (+The Messiah=).  *mAs 23 Mar. 
 *pcg [A% Grand Selection 0[of Sacred Music from the Works of Handel%.  [Princip
al Vocal Performers, Leader, and Organ as 11 Mar.  PARTS I, II, III.%  As 11 Mar
.  *aGrand Selection 1.  As 11 Mar.  *aGrand Selection 2.  As 11 Mar.  *aGrand S
election 3.  As 11 Mar.  *mAs 30 Mar.  *p2 dl The Siege of Belgrade.  As 19 Mar.
, but Characters-+Barrymore, _Palmer, _Hollingsworth.  *aThe Spoil'd Child.  As 
16 Sept. 1790, but Miss Pickle-Mrs Booth; Margery-Mrs Heard.  *cReceipts: #292 4
s. (259.1; 31.12; 1.11).  *pcg The Woodman.  As 31 Mar.  *aModern Antiques.  As 
15 Mar.  *cReceipts: #170 15s. (165.16; 4.19).  *pking's Entertainments of Music
 and Dancing.  [A New Collection (1st time) of Serious and Comic Music-by differ
ent composers, but particularly by $Paisiello=% As 31 Mar.   *dAs 31 Mar.  *mAs 
31 Mar.  *ppan La Bella Pescatrice.  As 1 Mar.  *dAs 22 Mar.  *b+Telemachus in t
he Island of Calypso=.  As 22 Mar.  *p4 dl The Gamester.  Beverly-Kemble; Lewson
-Bensley; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Phillimore; Mrs Be
verly-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard.  *aThe Deuce is in Him.
  As 11 Sept. 1790, but Servant-_.  *cBenefit for $Mrs Siddons=.  Part of the Pi
t [9 rows (+London Chronicle=, 5 Apr.)] will be laid into the Boxes.  To prevent
 Confusion Ladies are desired to send their Servants by half past Four.  +Mornin
g Chronicle=, 4 Apr.: Tickets to be had of Mrs Siddons, No 49, +Marlborough-stre
et=.  Receipts: #412 11s. (212.2.0; 10.18.6; 0.0.6; tickets: 189.10.0) (charge: 
free).  *pcg The Woodman.  As 31 Mar.  *aModern Antiques.  As 15 Mar.  *cReceipt
s: #298 4s. (291.6; 6.18).  *p5 dl The Haunted Tower.  As 20 Nov. 1790.  *aThe M
ayor of Garratt.  Sir Jacob Jollup-Waldron; Major Sturgeon (1st time)-Palmer; Je
rry Sneak (1st time)-Bannister Jun.; Bruin-Phillimore; Lint-Suett; Mrs Sneak-Mrs
 Jordan (1st appearance in that character).  *cBenefit for $Bannister Jun.=  Par
t of the Pit will be laid into the Boxes.  To prevent Confusion Ladies are desir
ed to send their Servants by half past Four.  Afterpiece: Not acted these 3 year
s.  +Public Advertiser=, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, +Fr
ith-street=, +Soho=.  Receipts: #339 3s. 6d. (145.15.0; 13.1.0; 1.12.6; tickets:
 178.15.0) (charge: #132 10s. 2d.).  *pcg Lorenzo.  [Principal Characters by Hol
man, Farren, Harley, Davies, Thompson, Evatt, Miss Brunton, Mrs Pope.  [Cast fro
m text ($T. Cadell=, 1791):% Count Lorenzo-Holman; Don Guzman (Duke of Alba)-Far
ren; Don Fabio (Father of Seraphina)-Harley; Garcias (Friend of Lorenzo)-Davies;
 Gaspero-Thompson; Servant-Evatt; Zoriana-Miss Brunton; Seraphina (Duchess of Al
ba)-Mrs Pope; +Prologue=-Holman; +Epilogue=-Mrs Mattocks; [These were spoken, as
 here assigned, at all subsequent performances.]  *aTwo Strings to Your Bow.  As
 16 Feb.  *cMainpiece [1st time; T 5, by $Robert Merry=.  Prologue by $John Tayl
or=.  Epilogue by $Miles Peter Andrews= (see text)]: With new Scenes and Dresses
.  +Oracle=, 7 May 1791: This Day is published +Lorenzo= (1s. 6d.).  Receipts: #
187 3s. (182.19.6; 4.3.6).  *pking's Entertainments of Music and Dancing.  As 2 
Apr. [Vocal Parts as 31 Mar.%  *dAs 31 Mar.  *mAs 31 Mar.  *ppan La Bella Pescat
rice.  As 1 Mar.  *dAs 22 Mar.  *b+Telemachus in the Island of Calypso=.  As 22 
Mar.  *p6 dl [The% Messiah.  As 16 Mar.  *sEnd I: +Da forte morir sapro=-Miss Da
vies ($Sarti=).  *mEnd II: +concerto= violin-Master Clement.  *pcg L'Allegro ed 
il Penseroso 0; Grand Selection 0.  As 23 Mar., but [PART III. A Grand Miscellan
eous Act.%The Organ-Greatorex.  *aL'Allegro ed il Penseroso 1.  As 30 Mar.  *aL'
Allegro ed il Penseroso 2.  As 30 Mar.  *aA Grand Miscellaneous Act.    Second H
autboy Concerto-; +Resta Ingrata=-Harrison (+Armida=, by $Sacchini=); +How blest
 the Maid=-Miss Poole (+Hercules=); +Together let us range the fields=-Mrs Billi
ngton, Harrison (+Solomon=, by $Boyce=); +Jehovah crowned=-Incledon; +He comes h
e comes=-Chorus (+Esther=); +Quest' alma sventurata=-Mrs Billington (+Creso=, by
 $Sacchini=); +Hallelujah Amen=-Grand Chorus (+Judas Maccabaeus=).  *mAs 30 Mar.
  *p7 dl The School for Scandal.  As 31 Mar.  *aThe Critic.  As 31 Mar.  *cRecei
pts: #254 1s. 6d. (207.14.0; 43.8.0; 2.4.6; tickets not come in: 0.15.0).  *pcg 
Lorenzo.  As 5 Apr.  *aRobin Hood.  As 15 Dec. 1790.  *cReceipts: #192 2s. (175.
11; 16.11).  *pking's Entertainments of Music and Dancing.  As 2 Apr. [Vocal Par
ts as 31 Mar.%  *dAs 31 Mar.  *mAs 31 Mar.  *ppan None.  [On account of the nece
ssary Rehearsals, and the preparations for the new Serious Opera of +Idalide=, t
here will be no performance at this place this Evening.  +Armida= had been adver
tised for performance in +Morning Post=, 6 Apr.]  *p8 dl Redemption 0; Messiah; 
Grand Selection 0.  As 16 Mar.  *aRedemption 1.  As 23 Mar.  *aRedemption 2.  As
 23 Mar.  *aRedemption 3.  As 23 Mar., but +He was Eyes unto the Blind=-Miss Hag
ley.  [Principal Vocal Parts, Conductor as 16 Mar.  Violin as 11 Mar.  PARTS I, 
II.  As 23 Mar., but PART III.%   *mAs 30 Mar.  *pcg [The% Messiah; Grand Select
ion 0.  As 11 Mar.   *mAs 30 Mar.  *p9 dl The Siege of Belgrade.  As 2 Apr.  *aT
he Pannel.  As 12 Nov. 1790.  *cReceipts: #266 5s. 6d. (234.17.0; 29.12.0; 1.16.
6).  *pcg Lorenzo.  As 5 Apr.  *aThe Poor Soldier.  As 17 Dec. 1790, but Norah (
1st time)-Miss Williams.  *cBenefit for the Author [of mainpiece, who is named i
n the Account-Book, but not on the playbill].  Receipts: #188 9s. 6d. (174.0.6; 
14.9.0; tickets: none listed).  *pking's Entertainments of Music and Dancing.  A
s 2 Apr. [Vocal Parts as 31 Mar.%  *dAs 31 Mar.  *mAs 31 Mar.; [Together with% C
horusses in both Parts[, composed by $Haydn=%-; [who will preside at the% Harpsi
chord-Haydn.  *ppan Armida.  As 17 Feb.    *dEnd I: +Amphion et Thalie=-[, reduc
ed to a Divertissement% [See 17 Feb.].  *uEnd Opera: +The Deserter=.  As 24 Mar.
  *p11 dl The Haunted Tower.  As 20 Nov. 1790.  *aThe Fairy Favour.  As 21 Mar. 
 *cReceipts: #220 18s. (183.4.0; 32.15.6; 4.1.0; tickets not come in: 0.17.6).  
*pcg The Earl of Essex.  As 31 Dec. 1790, but Rutland-Miss Brunton (1st appearan
ce in that character); Nottingham-Mrs Rock.  *aHigh Life below Stairs.  Duke's S
ervant (for that night only)-Lewis; Lovell-Munden; Sir Harry's Servant (with a +
Mock Minuet=)-Blanchard; Philip-Wilson; Freeman-Macready; Tom-Cubitt; Robert-Tho
mpson; Coachman-[C.] Powell; Kingston-Cross; Lady Charlotte-Miss Stuart; Cook-Mr
s Davenett; Lady Bab-Mrs Rock; Kitty (with a +song= and +mock Minuet=, for that 
night only)-Mrs Pope.  *dAs 4 Dec. 1790.  *cBenefit for Mrs Pope.  +Public Adver
tiser=, 22 Mar.: Tickets to be had of $Mrs Pope= at her house in +Half Moon-stre
et=, +Piccadilly=.  Receipts: #306 12s. (190.13.6; 10.0.6; tickets: 105.18.0).  
*pking's Entertainments of Music and Dancing.  As 2 Apr. [Vocal Parts as 31 Mar.
%  *dEnd I: +Divertisement=, as 26 Mar.  *bEnd II: +La Mort d' Hercule, and his 
Apotheosis=.  Hercule-Vestris Sen.  [For other parts see 12 Apr.]  *cBenefit for
 $Vestris Sen.=  Tickets to be had of Vestris, No. 2, +Hay-market=.  2nd ballet:
 A new Historical Dance [in 3 acts].  The Music entirely new, composed by $VanEs
ch=.  With new Dresses, Machinery, and Decorations.  [+Morning Chronicle=, 15 Ap
r., printed a letter from Vestris complaining that the manage had not fulfilled 
his promises as regards the scenery.  Vestris outlines what he had planned, and 
concludes with a description of the "3rd and last act, the +Olympus= descending,
 which shall fill the whole stage with clouds, and a Glory in which one shall se
e +Jupiter=r with his whole Celestial Court; +Hercules=r shall appear there moun
ting in the Olympus to receive his Apotheosis; the Ballet shall be concluded by 
a general acclamation of joy and admiration of all the people assembled in the p
lace."]  *p12 dl Love for Love.  As 12 Oct. 1790, but Foresight-Parsons; Traplan
d-Waldron; [+Ben=r's% +song=-_.  *aNo Song No Supper.  As 9 Dec. 1790.  *cReceip
ts: #209 18s. 6d. (153.13.0; 53.18.6; 2.7.0).  *pcg The Woodman.  As 31 Mar.  *a
Modern Antiques.  As 15 Mar.  *cReceipts: #165 9s. (160.2; 5.7).  *pking's Enter
tainments of Music and Dancing.  As 2 Apr. [Vocal Parts as 31 Mar.%  *dEnd I: +D
ivertisement=, as 26 Mar.  *mAs 31 Mar.  *bEnd II: +La Mort d' Hercule, and his 
Apotheosis=.  As 11 Apr., but Hilus-Vestris Jun.; Dejanir-Mlle Dorival; Philotet
e-Vermilly; Hiole-Mlle Hilligsberg; Slaves-Mlle St.Amand, Victor, Mlle Mozon.   
*ppan La Bella Pescatrice.  As 1 Mar., but Sga_ Calvesi.  *dEnd I: +Amphion et T
halie=, as 9 Apr.  *bEnd Opera: +Telemachus in the Island of Calypso=.   *c[The 
playbill retains $Sga Calvesi=, but +Morning Post=, 14 Apr., prints a letter fro
m her dated 13 Apr., stating that "she returns her most grateful thanks to the S
ubscribers and the Public for their indulgence in dispensing with her performanc
e yesterday evening.  She was one of the many unfortunate performers who were le
ft unpaid in the year of 1783 by $Mr Taylor=.  Deprived of resources, she natura
lly contracted debts, for one of which (yesterday evening going to obey her duty
 to the Public) she was arrested, and so expeditiously and secretly hurried away
 as to deprive her of the assistance of the Manager or her Friends to liberate h
er 'till an hour too late for Performance."  The name of the singer who took her
 place is not known.]  *p13 dl Israel in Egypt; Messiah; Grand Selection 0.  [pr
eceded by Overture (Esther)% As 16 Mar., but Overture-.   *aA New Selection.  +C
oncerto= on the violin-Master Clement; +Gentle Airs Melodious Strains=-Miss Broa
dhurst (+Athalia=); +Let me wander not unseen=, +Or let the merry Bells=-Dignum;
 +And young and old=-Chorus; +Sweet bird that shun'st=-Miss Hagley; [accompanied
 on the% violin-Shaw (+L'Allegro=); +Pleasure my former ways resigning=-Spence (
+Time and Truth=); +Solo= on the violoncello-Mason; +From rosy Bowers=-Mrs Crouc
h ($Purcell=); +Ah! d'ascolta gia parmi=-Miss Davies ($Martin y Soler=); +Awake 
Eolian Lyre=-Reinhold ($Dr Arnold=); +Gird on thy Sword=-Chorus (+Saul=).  *cThe
 Choral Band will be considerably augmented this Night by Numbers from the +Hand
elian and Cecilian Societies=, for the Accomodation of which the Orchestra will 
be greatly enlarged.  *pcg [The First Act of% Alexander's Feast; Grand Selection
 0.  [Principal Vocal Performers,% As 23 Mar., [Leader as 11 Mar.% but Organ-Gre
atorex [as 16 March%.  *aAlexander's Feast 1.  As 25 Mar., but +Bacchus ever fai
r and young=-Griffith, Chorus; +Bacchus' blessings=-Chorus; +He chose a mournful
 muse=-_.  *aA Selection from Acis and Galatea.  Overture-; +O the pleasures of 
the plain=-Chorus; +Hush! ye pretty warbling choir=-Mrs Billington; +Where shall
 I seek the charming fair=-Incledon; +Shepherd what art thou pursuing=-Mrs Piele
; +Lo! here my Love=, +Love in her eyes sits playing=-Harrison; +Behold the mons
ter Polypheme=-Chorus; +I rage=, +O ruddier than the cherry=-Griffith; +Consider
 fond shepherd=, +Cease O cease=-Miss Poole; +The flocks shall leave=-Miss Poole
, Incledon, Griffith; +'Tis done=, +Heart the seat of soft delight=-Mrs Billingt
on; +Galatea dry thy tears=-Chorus.  *aA Grand Miscellaneous Act.  Overture (+Oc
casional Oratorio=)-; +Rendi il sereno al Ciglio=-Harrison (+Sosarme=); +For unt
o us=-Chorus (+The Messiah=); +How blest the maid=-Miss Poole (+Hercules=); +Tog
ether let us range the fields=-Mrs Billington, Harrison (+Solomon=, by $Boyce=);
 +Jehovah crowned=-Incledon; +He comes he comes=-Chorus (+Esther=); +The Soldier
 tir'd of war's alarms=-Mrs Billington ($Dr Arne=); +Let their celestial concert
s all unite=-Chorus (+Samson=).  *mAs 30 Mar.  *p14 dl A Trip to Scarborough.  A
s 18 Oct. 1790, but Shoemaker-_; Taylor-_; Hosier-_; Jeweller-_.  *aThe Spoil'd 
Child.  As 16 Sept. 1790.  *cReceipts: #216 (163.4.0; 49.1.6; 3.9.6; tickets not
 come in: 0.5.0).  *pcg Lorenzo.  As 5 Apr.  *aThe Farmer.  As 2 Dec. 1790, but 
Louisa (1st time)-Miss Williames.  *cReceipts: #178 6s. 6d. (167.2.6; 11.4.0).  
*pking's Entertainments of Music and Dancing.  As 2 Apr. [Vocal Parts as 31 Mar.
%  *dEnd I: [a new Dance,% +La Fete des Matelots et des Provencaux=-Vestris? Jun
., Mlle Hilligsberg, all the principal dancers; [in which a% +Provencale=-; End 
II: +Orpheus and Eurydice=, as 31 Mar.  *cBenefit for Mlle Hilligsberg.  Tickets
 to be had of $Mlle Hilligsberg=, No. 11, +Haymarket=.  *ppan Idalide.  [Princip
al Parts by Pacchierotti, Lazzarini, Benigni, Garelli, Mme Mara, Sga Salimbeni. 
 [Cast from libretto ($H. Reynell=, 1791):% Enrico-Pacchierotti; Palmoro-Lazzari
ni; Ataliba-Benigni; Imaro-Garelli; Idalide-Mme Mara; Aliciloe-Sga Salimbeni.  *
dEnd I: +Amphion et Thalie=, as 9 Apr; End Opera: +Telemachus in the Island of C
alypso= [See 22 Mar.]-.  *s[additional %+Songs=-Mme Mara; [accompanied by the% P
edal Harp-.  *cBenefit for $Mme Mara=.  A new Grand Serious Opera, composed by $
Sarti=.  Under the direction of $Mazzinghi=.  With new Scenes, Dresses, and Deco
rations.  Tickets, half a guinea each, to be had of Mme Mara, No. 25, +Queen Ann
-street, East=.  *p15 dl Redemption 0; Grand Selection 0.  [Principal Vocal Part
s, Conductor% As 16 Mar.  [Violin as 11 Mar.%  *aRedemption 1.  As 23 Mar.  *aRe
demption 2.  *aRedemption 3.  As 8 Apr.  *sEnd II: +Da forte morir sapro=-Miss D
avies ($Sarti=).  *mEnd I: +concerto= violin-Master Clement.  *pcg L'Allegro ed 
il Penseroso 0; Grand Selection 0.  As 11 Mar.  *aL'Allegro ed il Penseroso 1.  
As 30 Mar.  *aL'Allegro ed il Penseroso 2.  As 30 Mar.  *aA Grand Miscellaneous 
Act.  +The Mansion of Peace=-Harrison ($Webbe=); +I feel the Deity within=, +Arm
 arm ye brave=-Sale; +We come in bright array=-Chorus (+Judas Maccabaeus=); +Pra
ise the Lord=-Miss Poole; (+Esther=); +My arms=, +Sound an alarm=-Incledon; +We 
hear the pleasing call=-Chorus (Judas Maccabaeus); +The Soldier tir'd of war's a
larms=-Mrs Billington; +Hallelujah! for the Lord God omnipotent reigneth=-Grand 
Chorus (+The Messiah=).  *mEnd I: +1st concerto= [, Op. 3, by $Geminiani=%-G. As
hley.  *p16 dl The Siege of Belgrade.  As 19 Mar., but Characters-_Hollingsworth
.  *aDon Juan.  As 12 Feb.  *cReceipts: #264 11s. 6d. (234.19.0; 26.19.6; 2.3.0;
 tickets not come in: 0.10.0).  *pcg Wild Oats; or, The Strolling Gentlemen.  [P
rincipal Characters by Lewis, Quick, Holman, Blanchard, Wilson, Munden, Hull, Cu
bitt, Macready, Thompson, Powel, Rock, Evatt, Reeve, C. Powell, Cross, Farley, L
edger, Milburne, Master Simmons, Mrs Wells, Miss Chapman, Mrs Pope.[Cast from +O
'Keeffe's Dramatic Works=, Vol. II ($T. Woodfall=, 1798), and text (+Dublin=: Fo
r the Booksellers, 1791):% Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; 
Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-Cubit
t; Muz [in subsequent seasons: +Midge=r]-Macready; Sailors-Thompson, Farley, Mil
burne; Landlord-Powel; Twitch-Rock; Trap-Evatt; Zachariah-Reeve [in text: $Rees=
 (see 12 Oct. 1791)]; Lamp-C. Powell; Sheriff's Officers-Cross, Ledger; Waiter-M
aster Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope; +Pro
logue=-Harley; +Epilogue=-Mrs Pope.  [These were spoken, as here assigned, at th
e 1st 10 performances only (see 30 May).]  *aThe Highland Reel.  As 9 Nov. 1790,
 but Jenny-Miss Broadhurst (1st appearance in that character).  *dAs 4 Dec. 1790
.  *cBenefit for $Lewis=.  Mainpiece [1st time; C 5, by $John O'Keeffe=.  Prolog
ue by $John Taylor=.  Epilogue by $George Colman, ynger= (see text)].  "No piece
 in the remembrance of this writer was ever better acted.  No piece was ever bet
ter cast...The palm of acting, however, must be given to $Blanchard=.  One short
 scene of rustic generoisity, in which he gives his purse to +Farmer Banks=, dis
played finer efforts than we ever saw before" (+Oracle=, 18 Apr.). +Public Adver
tiser=, 15 Apr.: Tickets to be had of Lewis, +Bow-street=.  Receipts: #315 (225.
6.6; 3.15.6; tickets: 85.18.0).  *pking's Entertainments of Music and Dancing.  
[A New Collection of Serious and Comic Music.%  As 26 Mar., but Vocal Parts-Mme 
_Lops, Sga +Maffei.  *dEnd I: +La Fete des Matelots et des Provencaux=, as 14 Ap
r.; [together with a% +terzetto=-Davide, Albertarelli, Sga Sestini; End II: +Orp
heus and Eurydice=, as 31 Mar.  *ppan Idalide.  As 14 Apr.  *dAs 12 Apr.  *b+Tel
emachus in the Island of Calypso=.  As 12 Apr.  *p18[-23% none +Holy Week=.  *p2
5 dl The Siege of Belgrade.  As 16 Apr.  *aThe Deaf Lover.  See 14 Dec. 1790.  *
c[As afterpiece the playbill announces +High Life below Stairs=, but "A Disturba
nce of some length took place on Monday night at +Drury-lane Theatre=, occasione
d by the substitution of +The Deaf Lover= for +High Life below Stairs=; and the 
confusion was augmented by the unadvised introduction of some soldiers into the 
galleries.  The audience properly insisted on their removal, which being complie
d with, the tumult subsided" (+Morning Post=, 27 Apr.).]  On this and every Even
ing for the remainder of the Season, the Doors will not be opened till 5:30, and
 the performance will commence exactly at 6:30.  Receipts: #188 6s. (159.6; 27.8
; 1.12).  *pcg Wild Oats.  As 16 Apr.  *aThe Picture of Paris.  As 11 Feb., but 
Harlequin-Milburne; Dancing Nymphs-Mrs _Boyce.  *cReceipts: #210 10s. (207.14; 2
.16).  *p26 dl The Rivals.  As 1 Nov. 1790, but Sir Anthony Absolute-Bannister J
un.  *aThe Devil to Pay.  As 20 Oct. 1790.  *sEnd: (for this night only) +Mad Be
ss=-Mrs Crouch[, in character%.  *cBenefit for Dodd.  +Gazetteer=, 21 Apr.: Tick
ets to be had of $Dodd=, No. 8, +Southampton-Row=, +Bloomsbury=.  Receipts: #270
 4s. (81.16.0; 19.9.6; 0.7.6; tickets: 168.11.0) (charge: #116 2s. 4d.).  *pcg T
he Woodman.  As 31 Mar.  *aModern Antiques.  As 15 Mar.  *cFor the remainder of 
the Season the Doors to be opened at 5:30.  To begin at 6:30.  Receipts: #137 12
s. 6d. (135.13.0; 1.19.6).  *pking's Entertainments of Music and Dancing.  [A Ne
w% Collection of Serious and Comic Music[by different Composers, under the direc
tion of $Haydn=%-; Overture-(Haydn); a +Song=-Tajana, Sga Sestini, Albertarelli,
 Sga Cappelletti, Davide (Haydn); a +Duetto=-Albertarelli, Sga Cappelletti ($Pai
siello=); an Overture-(Haydn); A +Song=-Sga Sestini, Tajana; +Duetto=-Sga Sestin
i, Albertarelli (Haydn); +Recitative=, Song-Davide (Haydn); +song=-Albertarelli;
 +Terzetto=-Davide, Sga Cappelletti, Tajana ($Tarchi=).  *dEnd I: +Divertisement
=, as 26 Mar.; End II: +Provencale=, as 14 Apr.  *p27 dl The Recruiting Officer.
  Mr Ballance-Packer; Mr Worthy-Williames; Capt. Plume-Bannister Jun.; Capt. Bra
zen-Dodd; Serjeant Kite-Palmer; Bullock-Moody; Coster Pearmain-Parsons; Thomas A
pple@tree-Burton; Melinda-Mrs Ward; Sylvia (1st time)-Mrs Jordan; Lucy-Mrs Edwar
ds; Rose (1st time)-Miss Pope.  *aDon Juan.  As 12 Feb., but Scaramouch [without
 the +song=]-Fairbrother.  *cBenefit for $Miss Pope=.  Mainpiece: Not acted thes
e 14 years [acted 1 June 1786].  +Public Advertiser=, 14 Apr.: Tickets to be had
 of Miss Pope, No. 62, +Great Queen-street=.  Receipts: #264 19s. (91.6; 28.3; 4
.2; tickets: 141.8) (charge: #121 4s. 10d.).  *pcg Lorenzo.  As 5 Apr.  *aA Dive
rtisement.  As 1 Dec. 1790.  *dAs 23 Nov. 1790.  *cReceipts: #149 10s. (138.16.6
; 10.13.6).  *p28 dl Mordecai's Beard.  Mordecai (with a +song= in character)-Ba
ddeley; O'Strap-Moody; Justice-Packer; Mittimus-Maddocks.  *aThe Confederacy.  A
s 20 Oct. 1790, but Gripe (1st time)-Baddeley.  *aArthur and Emmeline.  Arthur-K
emble; Oswald-Barrymore; Conon-Packer; Aurelius-Haymes; Guillamar-Benson; Merlin
-Aickin; Osmond-Phillimore; Honor-Kelly; Grimbald-Sedgwick; Emmeline-Miss Farren
; Matilda-Miss Collins; Venus-Mrs Crouch; Spirit of Light-Mrs Bland; Philidel-Mi
ss Hagley.  *cBenefit for $Baddeley=.  +Morning Chronicle=, 28 Apr.: Tickets to 
be had of Baddeley, No. 10, +New Store-street=, +Bedford-square=.  Receipts: #32
6 17s. (106.4.0; 18.4.6; 1.10.6; tickets: 200.18.0) (charge: #129 2s. 10d.).  *p
cg Inkle and Yarico.  Inkle (with +songs=)-Johnstone; Sir Christopher Curry-Quic
k; Campley-Davies; Medium-Powel; Mate (with +The Wand'ring Sailor=)-Bannister; P
lanters-Rock, Thompson, Evatt; Sailor-Ledger; Waiter-Farley; Trudge (for that ni
ght only)-A Young Gentleman (1st appearance on any stage [$Parys=]); Wowski-Mrs 
Martyr; Narcissa-Mrs Mountain; Patty-Mrs Rock; Yarico-Miss Chapman.  *aThe Minor
.  Shift, Smirk (with a variety of +Imitations=)-Rees (1st appearance in those c
haracters); The Minor-Macready; Sir William Wealthy-Wilson; Mr Wealthy-Thompson;
 Loader-Cubitt; Dick-Blanchard; Lucy-Miss Chapman; Mrs Cole-Mr Bannister.  *dEnd
 II: +Negro Dance=-.  *sEnd: [some of the most favourite% +Catches= and +Glees=-
Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific song
s probably sung, see 17 May].  *e[+Monologue=.% After singing: +A Description of
 the Tombs in Westminster Abbey= (after the manner of the late $Mr Edwin=)-the Y
oung Gentleman who performs Trudge.  *cBenefit for $Bannister=.  [$Parys= is ide
ntified in +Morning Post=, 29 Apr.].  +Oracle=, 7 Apr.: Tickets to be had of Ban
nister, No. 7, +Suffolk-street=, +Charing-cross=.  Receipts: #353 19s. 6d. (194.
10.6; 6.4.0; tickets: 153.5.0).  *ppan La Bella Pescatrice.  See 1 Mar.  *dEnd I
: +Amphion et Thalie=, as 9 Apr.; End Opera: +The Deserter=-[See 24 Mar.].  *p29
 dl As You Like It.  As 27 Oct. 1790, but Orlando-Barrymore; Touchstone-Banniste
r Jun.; Corin-Waldron; Sylvius-Bland; William-Burton; Charles-Phillimore.  *aThe
 Citizen.  As 5 Jan., but Dapper-_.  *dEnd I: +The Russian Minuet=-Master D'Egvi
lle, Miss DeCamp.  *sAs 27 Oct. 1790.  *cBenefit for $Wrighten=, prompter.  [In 
mainpiece the playbill retains $Kemble= as +Orlando=r, but "I had fallen from th
e Ladder in my Book-room, and bruised my Leg.  $Mr Barrymore= acted Orlando for 
me" (+Kemble Mem.=).]  +Oracle=, 29 Apr.: Tickets to be had of Wrighten, next th
e Stage-Door.  Receipts: #328 18s. (63.0.0; 17.3.6; 2.9.6; tickets: 246.5.0) (ch
arge: #116 16s. 10d.).  *pcg  Wild Oats.  As 16 Apr.  *aThe Poor Soldier.  As 17
 Dec. 1790.  *cBenefit for the Author [of mainpiece, who is named in the Account
-Book, but not on the playbill].  Receipts: #244 10s. (241.6; 3.4; tickets: none
 listed).  *p30 dl The Haunted Tower.  As 20 Nov. 1790.  *aAll the World's a Sta
ge.  Sir Gilbert Pumpkin-Waldron; Charles Stanley-Barrymore; Harry Stukely-R. Pa
lmer; William-Lyons; Waiter-Phillimore; Diggery-Suett; Cymon-Burton; Wat-Maddock
s; Miss Bridget-Mrs Hopkins; Miss Kitty Sprightly-Miss Collins.  *c[Afterpiece i
n place of +Who's the Dupe?=, advertised on playbill of 29 Apr.]  Receipts: #156
 7s. (139.3.0; 17.1.6; 0.2.6).  *pcg The Chapter of Accidents.  Woodville-Holman
 (1st appearance in that character); Lord Glenmore-Aickin; Governor Harcourt-Wil
son; Captain Harcourt-Davies; Grey-Hull; Vane-Bernard; Jacob-Blanchard (1st appe
arance in that character); Bridget-Mrs Wells; Miss Mortimer-Miss Chapman; Warner
-Mrs Davenett; Cecilia-Miss Brunton.  *aThe Quaker.  Steady-Bannister; Lubin-Inc
ledon (1st appearance in that character); Easy-Thompson; Solomon-Quick; Floretta
-Miss Williams (1st appearance in that character); Cicely-Mrs Davenett; Gillian-
Mrs Mountain.  *e[+Duologue=. %End: [$Garrick='s% +Ode on Shakespeare=-Holman, M
iss Brunton; Principal Vocal Parts-Incledon, Blanchard, Williamson, Cubitt, Gray
, Miss Broadhurst, Miss Williams, Mrs Martyr.  *cBenefit for Holman.  Ode: The m
usic by $Dr Arne=.  Afterpiece: Not acted these 3 years.  [acted 16 June 1790]. 
 +Public Advertiser=, 28 Apr.: Tickets to be had of $Holman=, No. 2, +Tavistock-
row=, +Covent Garden=.  Receipts: #217 2s. 6d. (121.11.0; 6.15.6; tickets: 88.16
.0).  *pking's Entertainments of Music and Dancing.  As 26 Apr.  *dAs 26 Apr.  *
ppan Idalide.  See 14 Apr.  *dEnd I: +Amphion et Thalie=, as 9 Apr.; End Opera: 
[an entire new Ballet in 2 acts (composed by $D'Auberval=),% +La Fille Mal Garde
e=-[See 10 June].  *c[2nd ballet: 1st produced by $D'Auberval= at +Bordeaux= in 
1786.  This appears to be a new version.]  *p5 2 dl The Siege of Belgrade.  As 1
6 Apr.  *aThe Spoil'd Child.  As 16 Sept. 1790.  *cReceipts: #239 5s. (205.10; 3
3.7; 0.8).  *pcg The Brothers.  Captain Ironsides (1st time)-Wilson; Young Belfi
eld-Farren; Elder Belfield-Davies; Old Goodwin-Hull; Paterson-Macready; Philip-E
vatt; Francis-Thompson; Jonathan-Powel; Skiff-Rock; Sir Benjamin Dove-Quick; Lad
y Dove-Mrs Webb; Violetta-Mrs Wells; Fanny Goodwin-Miss Francis; Lucy Waters-Mis
s Stuart; Sophia-Mrs Pope.  *aAlexander the Little; or, The Rival Queans.  Alexa
nder-Quick; Clytus-Wilson; Cassander-Munden; Polyperchon-Bernard; Philip-Reeve; 
Meleager-Williamson; Hibernian Fortune Teller-Rock; Hephestion and Lysimachus (a
 la Pugilistique)-Cubitt, Marshall; Second to Lysimachus-Follett; Second to Heph
estion-Milburne; The Princess Statira-Mrs Webb; Sysigambis (Mother to the Prince
ss)-Mrs Pitt; Roxana-Mrs Martyr.  *dEnd: +The Jockies=-Ratchford, Platt, Jackson
, Mrs Goodwin.  *sEnd II: +song=-Incledon; Afterpiece: [The Tragedy will be inte
rspersed with% +Airs=, +Duets=, +Glees=, [composed by $Arne=, $Arnold=, $Fischer
=, $Dibdin=, with a Grand% +Overture=(A +Finale=, composed by $Shield=), Triumph
al Entry of Alexander-.  *cBenefit for $Quick=. Mainpiece: Written by $R. Cumber
land, Esq.=  Afterpiece: Written by $Colley Cibber=, with capital Additions by $
Fielding=, $Dean Swift=, $G. A. Stevens=, &c. &c. &c.  +Public Advertiser=, 20 A
pr.: Tickets to be had of Quick, +Broad-court=, +Bow-street=.  Receipts: #327 4s
. (177.2.6; 9.11.6; tickets: 140.10.0).  *p3 dl Know Your Own Mind.  As 5 Nov. 1
790, but Miss Neville-Mrs Crouch (1st appearance in that character); Charles-_. 
 *aThe Cave of Trophonius.  [Characters by Sedgwick, Bannister Jun., Kelly, Suet
t, Dignum, Fox, Sga Storace, Mrs Crouch, Mrs Williames, Mrs Bland, Miss DeCamp. 
 [Cast from Songs (no pub., 1791):% Aristo-Sedgwick; Dorilas-Bannister Jun.; Ami
ntas-Kelly; Dromo-Suett; Corin-Dignum; Trophonius-Fox; Daphne-Sga Storace; Phaed
ra-Mrs Crouch; Dorcas-Mrs Williames; Alinet-Mrs Bland; 1st Spirit-Miss DeCamp.  
*cBenefit for $Mrs Crouch=.  Afterpiece [1st time; CO 2, by $Prince Hoare=, base
d on +La Grotta di Trofonio=, by $Giovanni Battista Casti=.  Not in +Larpent MS=
; not published]; Written by the Author of +No Song No Supper=.  The Music compo
sed principally by $Storace= [partly adapted from $Salieri=, composer of $Casti=
's opera; one song each by $Anna Storace=, $Thomas Attwood=, $Giovanni Paisiello
=, $Richard Suett=].  +Oracle=, 28 Apr.: Tickets to be had of Mrs Crouch, No. 26
, +Bridges-street=.  Receipts: #280 2s. (100.12.0; 33.13.6; 4.13.6; tickets: 141
.3.0) (charge: #119 9s. 8d.).  *pcg Fontainbleau.  As 15 Oct. 1790, but Sir John
 Bull-Powel; [+Col. Epaulette=r's% new +song=-_; [New% +Epilogue Address=-Mrs Ma
ttocks.  *aThe Soldier's Festival; or, The Night before the Battle.  General Wol
fe-Cranfield; Brigadier Moncton-Macready; Brigadier Townshend-King; Brigadier Mu
rray-Ratchford; Adjutant-Lee; Surgeon Adair-Thompson; Aid@de@Camp-Farley; Grenad
ier-Evatt; Indian Chief-Follett; [General Wolfe's favourite song,% +How stands t
he Glass around=-Incledon; Irish Drinking Song [+Of the ancients its speaking=]-
Johnstone; +How merrily we live that Soldiers be=-Bannister, Incledon, Johnstone
; +To arms! Britons strike home=-Bannister, Incledon, Follett, Blurton, Lee, Let
teney, Reeve, Rees; [Conclude with an exact% Representation of the Siege of Queb
ec-; the Death of General Wolfe-.  *aThe Intriguing Chambermaid.  Drunken Colone
l-Bernard; Goodall-Powel; Oldcastle-C. Powell; Valentine-Macready; Slap-Cubitt; 
Mrs Highman-Mrs Webb; Charlotte-Miss Francis; Lettice-Mrs Mattocks.  *cBenefit f
or $Mrs Mattocks=.  [Epilogue by $Miles Peter Andrews= (+Oracle=, 5 May).]  Publ
ic Advertiser, 28 Apr.: Tickets to be had of Mrs Mattocks, No. 7, +King-street=,
 +Covent Garden=.  Receipts: #272 18s. 6d. (170.11.6; 4.3.0; tickets: 98.4.0).  
*pking's Entertainments of Music and Dancing.  As 26 Apr.  *dEnd I: +Divertiseme
nt=, as 26 Mar.; End Part II: +La Mort d' Hercule= [See 12 Apr.]-.  *ppan La Bel
la Pescatrice.  As 28 Apr.  *dEnd I: [a new Divertisement (composed by $D'Auberv
al=)% +Le Triomphe de la Folie=-; End Opera: +La Fille Mal Gardee=-[, as 30 Apr%
.  *p4 dl The Country Girl.  As 14 Sept. 1790, but Harcourt-Barrymore; William-A
lfred.  *aThe Pannel.  As 14 Jan.  *cBenefit for $Barrymore=.  A new Edition of 
[+The Country Girl=] to be had at the Theatre.  +Morning Chronicle=, 27 Apr.: Ti
ckets to be had of Barrymore, No. 11, +Bedford-street=, +Bedford-row=.  Receipts
: #305 0s. 6d. (84.4.0; 25.13.6; 5.0.0; tickets: 190.3.0) (charge: #115 6s. 6d.)
.  *pcg Wild Oats.  As 16 Apr.  *aThe Farmer.  As 2 Dec. 1790.  *cReceipts: #242
 1s. (235.13; 6.8).  *p5 dl The Tempest.  As 24 Nov. 1790, but [The new% +Epilog
ue=-Miss Farren.  *aThe Island of St. Marguerite.  As 19 Nov. 1790, but Thomas-_
; Mob-_; Nuns-_.  *sAs 24 Nov. 1790, but Vocal Parts-Mrs +Bland.  *cBenefit for 
$Mrs Goodall=.  [Epilogue by $John Burgoyne=.]  +Oracle=, 15 Apr.: Tickets to be
 had of Mrs Goodall, No. 16, +Villers-street=, +York-Buildings=.  Receipts: #262
 15s. (102.18.0; 27.1.6; 3.7.6; tickets: 129.8.0) (charge: #112 0s. 3d.).  *pcg 
The Castle of Andalusia.  Ferdinand-Johnstone; Spado-Quick; Pedrillo (1st time)-
Munden; Phillippo-Blanchard; Don Scipio-Wilson; Don Caesar-Bannister; Don Juan-C
ubitt; Rapino-Rock; Sanguina-Thompson; Alphonso (1st time, with an additional +s
ong=)-Incledon; Victoria-Mrs Mountain; Catalina-Miss Stuart; Isabel-Mrs Platt; L
orenzo-Mrs Martyr.  *aLove a-la-Mode.  Sir Archy Macsarcasm-Wilson (1st appearan
ce in that character); Squire Groom-Lewis; Sir Callaghan O'Brallaghan (with +You
 never did hear of an Irishman's fear= and +Let other Men sing of their Goddess'
s bright=, with accompaniments by $Shield=)-Johnstone; Beau Mordecai-Quick; Sir 
Theodore Goodchild-Thompson; Charlotte-Mrs Bernard.  *sEnd I: +Wine cannot cure 
the pain I endure for my Chloe=-Johnstone, Incledon; [with% new accompaniments [
by $Shield=%-; End: +Catches= and +Glees=-Bannister, Johnstone, Incledon, Davies
, Blanchard, Williamson; +The Anacreontic Song=-Bannister; The +Introductory Dia
logue=[, in Irish Character%-Rock.  *cBenefit for Johnstone.  Afterpiece: Not ac
ted these 2 years.  By Permission of $Mr Macklin=.  +Oracle=, 28 Apr.: Tickets t
o be had of $Johnstone=, No. 10, +Great Russel-Street=, +Covent-Garden=.  Receip
ts: #285 1s. 6d. (132.1.6; 2.3.0; tickets: 150.17.0).  *pking's Entertainments o
f Music and Dancing.  As 31 Mar.  *dEnd I: +La Mort d' Hercule=[, as 11 Apr., +H
ercule=r %-Vestris Sen.  *bEnd II: [a new Historical Dance% +L'Amadriade; ou, La
 Nimphe des Bois=.  Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, 
Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesal
ien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; +Minuet de la Cour=-V
estris Sen.  *cBenefit for $Vestris Jun.=  Tickets to be had of Vestris, No. 2, 
+Haymarket=.  *p6 dl She Wou'd and She Wou'd Not.  As 25 Nov. 1790, but Trappant
i-Suett; Alguazile-_; Don Lewis-_; Corrigidore-_.  *aThe Devil to Pay.  As 20 Oc
t. 1790.  *sEnd: +Cou'd a Man be secure=-Dignum, Sedgwick.  *cBenefit for Suett.
  +Oracle=, 5 May: Tickets to be had of $Suett=, No. 21, +King-street=, +Bloomsb
ury-square=.  Receipts: #279 17s. (76.3; 21.8; 1.12; tickets: 180.14) (charge: #
116 7s. 2d.).  *pcg The Widow of Malabar.  As 12 Jan., but Mrs_ Rock.  *aMidas. 
 [The Principal Characters (positively for that night only) will be revers'd.%  
Apollo-Mrs Martyr; Sileno-Davies; Damaetus-Rock; Pan-Cubitt; Jupiter-Williamson;
 Midas-Wilson; Daphne-Mr Munden; Mysis-Mr Johnstone; Nysa-Mr Blanchard.  *aThe D
reamer Awake; or, The Pugilist Matched.  Prolix-Bernard [recte $Wilson=]; Sir Da
vid Drowsy-Munden; Bob Sparwell-Bernard; Lexicon-Marshall; Ormond-Macready; John
-Rock; Standfast-Blanchard; Lady Drowsy-Mrs Webb; Jenny-Miss Stuart; Emma-Miss C
hapman; [New% +Prologue=-Bernard (see text).  *sEnd I 1st piece: +Say Bonny Lass
=[: Highland Lad%-Mrs Martyr, [Highland Lassie-% Mrs Mountain; End I 3rd piece: 
+The Musical Courtship=-Incledon, Mrs Martyr.  *cBenefit for $Mrs Martyr=.  3rd 
piece [1st time: F 2, by $Edmund John Eyre=.  Text (+Shrewsbury=: $P. Sandford=,
 1791) correctly assigns +Prolix=r to $Wilson=.  Prologue by $John Wolcot= (see 
text)].  +Morning Chronicle=, 29 Apr.: Tickets to be had of Mrs Martyr, No. 16, 
+Martlett-court=, +Bow-street=, +Covent Garden=.  Receipts: #318 4s. (153.3; 2.5
; tickets: 162.16).  *p7 dl The Haunted Tower.  As 20 Nov. 1790.  *aBon Ton.  As
 28 Jan., but Sir John Trotley [without the +Prologue=]-Bensley (1st appearance 
in that character).  *cBenefit for Bensley.  +Public Advertiser=, 27 Apr.: Ticke
ts to be had of $Bensley=, No. 21, +Charlotte-street=, +Bloomsbury=.  Receipts: 
#226 12s. 6d. (96.18.0; 30.19.0; 2.15.6; tickets: 96.0.0) (charge: #121 5s.).  *
pcg Lorenzo.  As 5 Apr.  *aRobin Hood.  As 15 Dec. 1790.  *dEnd: +The Jockies=, 
as 2 May, but +Blurton, _Platt.  *cBenefit for the Author [of mainpiece, who is 
named in the Account-Book, but not on the playbill].  Receipts: #114 13s. 6d. (1
07.14.6; 6.19.0; tickets: none listed).  *pking's Entertainments of Music and Da
ncing.  [Vocal Parts% as 31 Mar.  *dEnd I: [A% Provencale=, as 14 Apr.  *bEnd II
: +L'Amadriade=.  As 5 May, but +Minuet de la Cour=-_.  *ppan Idalide.  As 30 Ap
r.  *dAs 3 May.  *p9 dl The Siege of Belgrade.  As 16 Apr.  *aThe Spoil'd Child.
  As 16 Sept. 1790.  *cReceipts: #249 5s. 6d. (213.12.0; 34.1.0; 1.12.6).  *pcg 
Wild Oats.  As 16 Apr.  *aThe Soldier's Festival.  As 3 May, but [Speaking Parts
% General Wolfe-_; Brigadier Moncton-_; Brigadier Townshend-_; Brigadier Murray-
_; Adjutant-_; Surgeon Adair-_; Aid@de@Camp-_; Grenadier-_; Indian Chief-_.  *aT
he Wives Revenged.  As 10 Nov. 1790.  *cReceipts: #216 1s. 6d. (213.0.6; 3.1.0).
  *ppan La Bella Pescatrice.  As 28 Apr.  *dEnd I: +La Fille Mal Gardee=, as 30 
Apr.; End Opera: [a new Pantomime Ballet in 3 acts (composed by $D'Auberval=)% +
Le Siege de Cythere=-Didelot, D'Egville, Vigano, Fialon, Mlle Leonore Simonet, M
lle Troche, Mlle Deligny, Mme Vigano, Mme D'Auberval.  [For assignment of parts 
see 17 May.]  *cBenefit for Mme Theodore D'Auberval.  Tickets to be had of $Mme 
Theodore D'Auberval=, No. 52, +Poland-street=, +Oxford-road=.  2nd ballet: With 
new Decorations painted by $Munich= [recte $Moench=], late painter to the Theatr
e in the +Haymarket=, and new Machinery by $Bernard=.  The Dresses entirely new,
 invented and executed by $Lupino=.  *p10 dl The Belle's Stratagem.  Doricourt-W
hitfield; Hardy-Baddeley; Sir George Touchwood-Wroughton; Flutter-Bannister Jun.
; Saville-Barrymore; Villers-Benson; Courtall-R. Palmer; Silvertongue-Banks; Cro
wquil-Jones; Gentlemen-Phillimore, Haymes; Mountebank-Hollingsworth; French Serv
ant-Maddocks; Porter-Alfred; Dick-Burton; Gibson-Lyons; Letitia Hardy (with a +s
ong= in character)-Mrs Jordan; Mrs Racket-Miss Pope; Lady Touchwood-Mrs Powell; 
Miss Ogle-Miss Tidswell; Kitty Willis-Miss Barnes; Lady-Mrs Hedges; Maid-Miss Pa
lmer.  *aThe Follies of a Day.  Count Almaviva-Bannister Jun.; Figaro-Wroughton;
 Antonio-R. Palmer; Basil-Phillimore; Page (with a +song=)-Mrs Bland; Countess-M
rs Ward; Agnes-Miss Heard; Susan-Miss Farren.  *cBenefit for $Mrs Bland= and $Mr
s Powell=.  Afterpiece: 1st Time this Season [see 9 Oct. 1790].  +Morning Chroni
cle=, 4 May: Tickets to be had of Mrs Bland, No. 93, +Strand=; of Mrs Powell, No
. 12, +Little Russel-street=, +Covent-Garden=.  Receipts: #248 9s. (59.17; 21.19
; 3.7; tickets: 163.6) (charge: #115 16s. 10d.).  *pcg National Prejudice.  [Pri
ncipal Characters-Lewis, Quick, Holman, Farren, Blanchard, Davies, Macready, [C.
] Powell, Mrs Mattocks, Mrs Wells, Miss Chapman, Mrs Harlowe, Mrs Davenett, Mrs 
Pope.  [Cast from +European Magazine=, May 1791, p. 389, and +Larpent MS=:% Sir 
Paul Flippant-Lewis; Mr Tudor-Quick; Egerton-Holman; Frank Tudor-Farren; William
-Blanchard; Marquis Luzan-Davies; Sir Frederick O'Neil-Macready; Henry Tudor-[C.
] Powell; Florizet-Mrs Mattocks; Miss Clerimont-Mrs Wells; Lucy Tudor-Miss Chapm
an; Emma Tudor-Mrs Harlowe; Madame Detour-Mrs Davenett; Harriet Clerimont-Mrs Po
pe; [New% +Prologue=-Harley.  *aThe Poor Soldier.  As 17 Dec. 1790, but [an addi
tional% +song=(for that night only)-Incledon.  *e[+Imitations= %End II: (for tha
t Night only some) +Comic Imitations=-Mrs Wells; End: [instead of an Epilogue, s
ome% +Tragic Imitations=-Mrs Wells.  *cBenefit for $Mrs Wells=.  Mainpiece [1st 
time: C 5, by $Simon=.  Prologue by $John Henniker= (+Town and Country Magazine=
, June 1791, p. 281).  +Larpent MS 906=; not published; synopsis of plot in +Mor
ning Post=, 11 May].  "Scarcely [any] performer in the piece thought it worth wh
ile to charge their memories with words, that they would wish afterwards, if the
y had, to forget as fast as possible...The imitations were some tolerably true, 
and a few excellent.  $Siddons= and $Storace= were outrageous caricatures.  Mrs 
Wells once came infinitely nearer the former.  She is now deficient in tone and 
emphasis--all is shiver and sob.  $Mrs Crawford=, $Mrs Jordan= and $Mrs Abington
= were worthy her talents in the mimetic art" (+Oracle=, 11 May).  +Public Adver
tiser=, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, +Weymouth-street=, +Por
tland-place=.  Receipts: #313 3s. (148.15; 8.7; tickets: 156.1).  *pking's Enter
tainments of Music and Dancing.  [Vocal Parts% As 31 Mar.  *dEnd I: +Divertiseme
nt=, as 26 Mar., but _Vestris? Jun.  *bEnd II: +L'Amadriade=.  As 7 May.  *c$Ves
tris? Sen= being recovered from his indisposition, will appear in the new Ballet
.  *ppan Idalide.  As 30 Apr.  *dEnd I: +Divertisement=, as 17 Feb.; End Opera: 
+La Fille Mal Gardee=, as 30 Apr.  *p11 dl Love for Love.  As 12 Oct. 1790, but 
[+Ben=r's% +song=-_.  *aThe Hue and Cry.  Characters-Whitfield  Hollingsworth, B
land, Bannister Jun., Burton, Suett, Phillimore, Williames, Maddocks, Lyons, Alf
red, Webb, Miss Collins, Mrs Williames; [+Larpent MS= lists the parts: +Count Ab
eville=r, +Don Lewis=r, +Don Juan=r, +Perroquet=r, +Fabio=r, +Sanchez=r, +Correg
idore=r, +Jailor=r, +Grim=r, +Donna Leonora=r, +Inis=r.% +Prologue=-Bannister Ju
n.  *cBenefit for $Whitfield=.  Afterpiece [1st time; F 2] Translated from the +
French= [+La Nuit aux Aventures; on, Les Deux Morts Vivants=, by $Antoine Jean B
ourlin=, dit $Dumaniant=] by $Mrs Inchbald=, the Author of +I'll Tell You What=,
 +Such Things Are=, +A Simple Story=, &c.  [+Larpent MS 900=; not published.  In
 1797 altered by $J. C. Cross= as +An Escape into Prison=.  "In January 1788 Mrs
 Inchbald was translating an unnamed +French play=, acted three years later as +
The Hue and Cry=" (James +Boaden, Memoirs of Mrs Inchbald=, 1833, I, 255-56).  "
Mrs Inchbald is now adapting La Nuit aux Aventures, by Dumaniant" (+World=, 26 J
an. 1788).  In the text of Dumaniant's play the dramatis personae is the same as
 that in the Larpent MS. Author of Prologue unknown.]  +Morning Chronicle=, 30 A
pr.: Tickets to be had of Whitfield, No. 19, +Great Piazza=, +Covent-Garden=.  R
eceipts: #263 13s. (68.19.0; 31.7.6; 3.13.6; tickets: 159.13.0) (charge: #116 4s
. 4d.).  *pcg The Double Gallant; or, The Sick Lady's Cure.  Atall-Lewis; Carele
ss-Farren; Clerimont-Macready; Finder-Bernard; Sir Harry Atall-Thompson; Mr Wilf
ul-Cubitt; Supple-Cross; Sir Solomon Sadlife-Quick; Lady Dainty-Mrs Mattocks; Sy
lvia-Miss Brunton; Clarinda-Mrs Bernard; Wishwell-Mrs Harlowe; Sittup-Miss Stuar
t; Lady Sadlife-Mrs Pope; [Edition of 1792 ($John Bell=) adds:% Dr Blister-Powel
; Rhubarb-C. Powell.  *aRobin Hood.  As 15 Dec. 1790.  *dAs 7 May.  *cBenefit fo
r Farren.  +Public Advertiser=, 15 Apr.: Tickets to be had of $Farren=, No. 14, 
+Lower Charlotte-street=, +Bedford Square=.  Receipts: #335 1s. (81.9; 5.14  tic
kets: 247.18).  *p12 dl The Heiress.  As 16 Sept. 1790.  *aNo Song No Supper.  A
s 9 Dec. 1790.  *e[+Monologue=.% End: +The Picture of a Play@House=[, or, +Bucks
 have at ye all=%-R. Palmer.  *cBenefit for $R. Palmer=.  The Public is respecfu
lly inform'd that the Prelude of +The Hop= formerly advertised for Mr Palmer's B
enefit is on a very particular account withdrawn from the Theatre.  +Oracle=, 7 
May: Tickets to be had of R. Palmer, No. 14, +East Place=, +Lambeth=.  Receipts:
 #292 5s. 6d. (77.13.0; 30.15.6; 2.6.0; tickets: 181.11.0) (charge: #117 0s. 7d.
).  *pcg Wild Oats.  As 16 Apr.  *aRosina.  As 30 Oct. 1790, but Rosina (1st tim
e)-Miss Broadhurst.  *cBenefit for the Author [of mainpiece, who is named in the
 Account-Book, but not on the playbill].  Receipts: #182 6s. (176.15.6; 5.10.6; 
tickets: none listed).  *pking's Entertainments of Music and Dancing.  [A Select
ion of New Music.%  Vocal Parts-Davide, Albertarelli, Sga Cappelletti, Sga Sesti
ni, Mme Phlum (1st appearance on any stage); [$Haydn= has composed a% +song=-; [
for the occasion; also will be performed a% +song= [by $Paisiello=%-[with two or
chestras,%; a +sonata= obligato-; a +quartetto= [by $Guglielmi=%-.  *dEnd II: +O
rpheus and Eurydice=, as 31 Mar.  *bEnd I: +L'Amadriade=.  As 7 May.  *cBenefit 
for Davide.  Tickets to be had of $Davide=, No. 10, +Pall Mall=.  *p13 dl The Co
untry Girl.  As 14 Sept. 1790, but William-Alfred.  *aThe Citizen.  As 22 Feb.  
*dEnd: As 29 Apr.  *sEnd II: +song=-Sedgwick.  *cBenefit for Mrs Ward.  +Oracle=
, 22 Apr.: Tickets to be had of $Mrs Ward=, No. 6, +York-street=, +Covent-Garden
=.  Receipts: #82 19s. (56.7.0; 22.18.6; 3.13.6; tickets: none listed) (charge: 
#115 2s. 2d.).  *pcg Wild Oats.  As 16 Apr.  *aModern Antiques.  As 15 Mar.  *cB
y Command of $Their Majesties=.  Receipts: #328 9s. 6d. (322.16.6; 5.13.0).  *p1
4 dl The Mourning Bride.  Manuel-Aickin; Gonzalez-Packer; Garcia-Barrymore; Pere
z-Haymes; Alonzo-Phillimore; Osmyn-Kemble; Heli-Benson; Selim-Williames; Almeria
-Mrs Powell (1st appearance in that character); Zara-Mrs Siddons (only time of h
er performing [in this play] this season); Leonora-Miss Tidswell.  *aAll the Wor
ld's a Stage.  As 30 Apr.  *cBenefit for a Fund for the Relief of those whose In
firmities oblige them to retire from the Stage.  The whole Pit will be laid into
 the Boxes.  Those Ladies and Gentlemen who have seats in the Pit are earnestly 
requested to be early at the Theatre, and Servants are desired to attend at half
 past Four o'Clock to keep Places.  "The fine tragic powers of [$Mrs Siddons=] a
nd $Kemble= were but wasted on the turgid trumpery of the play...But Kemble in t
his scene [end of Act III] was so impassioned and transcendent that it killed al
l the rest of the piece.  The scorn of Mrs Siddons at his dissimulation--her hau
ghty bearing and marking emphasis, with the piercing powers of her eye, are all 
treasured where they should be" (+Oracle=, 16 May).  Receipts: #117 14s. (107.11
.0; 9.12.6; 0.10.6; tickets: none listed, but +Oracle=, 17 May, reports that tic
kets were purchased for as much as one guinea and a half) (charge: free).  *pcg 
The Earl of Essex.  As 31 Dec. 1790, but Rutland-Miss Brunton.  *aThe Flitch of 
Bacon.  Captain Greville-Johnstone; Captain Wilson-Bannister; Major Benbow-Wilso
n; Justice Benbow-Powel; Kilderkin-Ledger; Ned-Rock; Puttey-Reeve; Tipple-Munden
 (1st appearance in that character); Eliza-Miss Dall (1st appearance in that cha
racter).  *dAfter monologue: +The Jockies=, as 7 May.  *e[+Monologue=.%  End: an
 +Occasional Address=-Miss Brunton.  *cBenefit for $Miss Brunton=.  [Address by 
$Robert Merry= (+Oracle=, 16 May).]  +Oracle=, 27 Apr.: Tickets to be had of Mis
s Brunton, No. 35, +Gerrard-street=, +Soho=.  Receipts: #202 19s. (133.16.6; 7.1
2.6; tickets: 61.10.0).  *pking's Entertainments of Music and Dancing.  [A Colle
ction of New Music, under the Direction of $Federici=.%  As 26 Mar., but Vocal P
arts-_Tajana, Mme _Lops.  *dEnd I: +La Fete Provencale=-; End II: +Orpheus and E
urydice=, as 31 Mar.  *ppan La Molinarella.  [Principal Characters by Lazzarini,
 Agostino Lipparini, Giuseppe Lipparini, Morelli (1st appearance this season), S
ga Casentini, Sga Calvesi.  [Cast from +Larpent MS 1048=:% Don Calloandro-Lazzar
ini; Don Rospolone-Agostino Lipparini; Don Luigino-Giuseppe Lipparini; Don Pisto
folo-Morelli; Rachelina-Sga Casentini; Donna Eugenia-Sga Calvesi.  *dEnd I: [the
 new% Divertissement-[i.e. +Le Triomphe de la Folie=, as 3 May]; End Opera: +La 
Fille Mal Gardee=, as 30 Apr.  *cA new Comic Opera; composed by $Paisiello=, und
er the direction of $Mazzinghi=.  [The full name of this opera is +L'Amore Contr
astato; ossia, La Molinarella= (see +king's=, 6 Dec. 1794).]  *p16 dl The Confed
eracy.  As 20 Oct. 1790, but Money@Trap-Suett.  *aNo Song No Supper.  As 9 Dec. 
1790.  *cReceipts: #131 18s. (90.2; 39.2; 2.14).  *pcg Wild Oats.  As 16 Apr.  *
aThe Soldier's Festival.  As 9 May, but [a% +song=-Cubitt; Irish Drinking Song-_
; +How merrily we live that Soldiers be=-Incledon, Williamson, Davies; +To arms!
 Britons strike home=-[as 3 May %Davies, Cubitt, Williamson, Incledon, Follett, 
Blurton, Lee, Letteney, Reeve, Rees.  *aRose and Colin.  As 25 Nov. 1790.  *cOn 
account of the Benefits +Wild Oats= cannot be repeated till Saturday next.  Rece
ipts: #154 16s. (151.2; 3.14).  *p17 dl The Haunted Tower.  As 20 Nov. 1790.  *a
The Citizen.  As 22 Feb.  *sEnd I: +My Poll and my Partner Joe= (composed by $Di
bdin=)-Dignum.  *cBenefit for $Dignum=.  Part of the Pit will be laid into the B
oxes.  +Public Advertiser=, 14 May: Tickets to be had of Dignum, No. 23, +New No
rth-street=, +Red Lion-square=.  Receipts: #56 16s. (43.1.0; 11.8.6; 2.6.6; tick
ets: none listed) (charge: #121 6s. 4d.).  *pcg Inkle and Yarico.  As 28 Apr., b
ut Trudge-Blanchard (1st appearance in that character); [+Mate=r: With a% favori
te +Sea Song=-Bannister (for that night only); Planters-_.  *aThe Follies of a D
ay.  As 29 Oct. 1790.  *dAs 28 Apr.  *sEnd: [+Catches= and +Glees=:% +When Arthu
r first in court began=, +Jack thou'rt a toper=-Incledon, Reeve, Blanchard; +To 
be jovial and gay=-Johnstone; +The Siege of Troy= ($Dibdin=)-Johnstone; +Goody G
roaner= ($Dr Harington=)-Incledon, Reeve, Blanchard; +Sir you're a comical fello
w=-; +Let's sing old Rose and burn the Bellows=-.  *cBenefit for Blanchard.  +Mo
rning Chronicle=, 16 May: Tickets to be had of $Blanchard=, No. 29, +Bow-street=
, +Covent Garden=.  Receipts: #334 11s. 6d. (118.6.0; 8.16.6; tickets: 207.9.0).
  *pking's Entertainments of Music and Dancing.  [Vocal Parts% As 14 May.  *dEnd
 I: +L'Amadriade=- [See 5 May]; End Part II: +Orpheus and Eurydice=, as 31 Mar. 
 *ppan La Molinarella.  See 14 May.  *dEnd I: +Divertisement=, as 17 Feb.  *bEnd
 Opera: +Le Siege de Cythere=.  Venus-Mlle Leonore Simonet; Adonis-Mlle Gervaise
 Troche; Calysto-Mme Theodore D'Auberval; Brontes, Scythian Chief-D'Egville; Zep
hyre-Didelot; Nymph-Mlle Deligny; Lucanians-Mons and Mme Vigano; Zephyrs, Loves,
 Ionians, Amazons, Thessalians, Scythians, Africans, Indians, Peruvians, Phrygia
ns, Inhabitants of Cythere- [all unassigned].  *p18 dl The Recruiting Officer.  
As 27 Apr., but Serjeant Kite-Sedgwick; +O what a charming things's a battle=-Se
dgwick; Coster Pearmain-Hollingsworth; a +song=-Mrs Jordan.  *aThe Court of Apol
lo [i.e.. +The Sons of Anacreon=].  [In which% +The Anacreontic Song=-Sedgwick; 
+Glorious Apollo=-($Webbe=); +Now is the Month of Maying=-($Morley=); +Fill the 
bowl with rosy wine=-($Dyne=); +Here's a health to all good Lasses=-; +My Poll a
nd my Partner Joe=-Dignum; [a favourite% +Duett=-Dignum, Sedgwick.  *aThe Pannel
.  As 14 Jan., but Notary-_; Servant-_.  *cBenefit for $Sedgwick=.  +Morning Chr
onicle=, 14 May: Tickets to be had of Sedgwick, No. 66, +St. Martin's-lane=.  Re
ceipts: #100 16s. 6d. (65.11.0; 31.9.0; 3.16.6; tickets: none listed) (charge: #
117 13s. 8d.).  *pcg The School for Wives.  Belville-Lewis; General Savage-Wilso
n; Conolly-Aickin; Torrington-Quick; Leeson-Farren; Captain Savage-Davies; Miss 
Walsingham-Mrs Mattocks; Mrs Belville-Mrs Pope.  *aThe Union; or, St. Andrew's D
ay.  Old Quiz-Quick; Easy-Johnstone; Taffy-Blanchard; Scotch Cobler [+Archey McN
ab=r]-Wilson; Young Quiz-Munden; Helm-Incledon; Quotations-Bernard; Plausible-Ma
cready; Long Cork-Bannister; English Girl [+Nancy=r]-Miss Broadhurst; Scotch Gir
l [+Jeannet=r]-Mrs Mountain; Scotch Cobler's Wife [+Mrs McNab=r]-Mrs Webb; Irish
 Girl [+Peggy=r]-Mrs Martyr; [The names in brackets are as specified in the cast
 listed in +Larpent MS=.] +Prologue=-Wilson; [PART I% +A Cruel fate=-Williamson,
 Miss Broadhurst, Mrs Mountain, Mrs Martyr; +I sit on my sunkie=-Mrs Mountain; +
The passion of Love I never felt=-Miss Broadhurst; +To be sure she don't like a 
brisk Irish lad=-Mrs Martyr; +We bipeds made up of frail clay=-Quick; +My Joe Ja
nnet=-Wilson, Mrs Webb; +When Bibo went down=-Bannister; +A Sailor's life's the 
life for me=-Incledon; [PART II% +The charms of my Peggy=-Johnstone; +Farili bo 
boo=-Wilson; +On the lake of Killarney=-Mrs Martyr; +The bells of Aberdovey=-Bla
nchard; +Scotch Song=-Incledon; +Sigh no more Ladies=-Bannister, Johnstone, Incl
edon, Mrs Mountain, Mrs Martyr; +And their aw nodding at our house at hame=-; [P
ART III +The Stranger's at Home=.% President-Bannister; +The Prince and Old Engl
and for ever=-Johnstone; +Comic Constitutional Song=-Bernard; A Stammering Glee 
[+Goody Groaner=]-Incledon, Reeve, Blanchard; +Come come all noble souls=, +Bevi
amo tutti tre=-Bannister, Incledon, Blanchard, Reeve, Williamson, Johnstone.  *d
Afterpiece conclude: +Highland Fling=-the Scotch Characters.  *sEnd II: +Black E
yed Susan=-Incledon.  *mIn afterpiece: [will be introduced the% +Highland Compet
ition Prize=[exactly as represented annually in the City of +Edinburgh=,%-McLane
, McGregor, McTavish; [several% Strathpays, Laments, Pebruchs-several other cele
brated Pipers.  *e[+Monologue= %End: +Epilogue= (riding on an Ass,)-Wilson.  *cB
enefit for $Wilson=.  Afterpiece [1st time; M. ENT 3]: The Dialogue and part of 
the Songs written by $Richard? Wilson=.  The Overture, new Music and accompanime
nts composed by $Reeve=.  The Songs, Duets, Glees compiled from $Arnold=, $Roger
s=, $Giordani=, $Shield=, $Hook=, $Dibdin=, $W. Wilson=, $Stevens=, $Broderip= a
nd $David Rizzio=.  [+Larpent MS 908=; not published.  Prologue probably by $Ric
hard Wilson=.  Epilogue by $Joseph Haynes=.]  +Public Advertiser=, 14 May: Ticke
ts to be had of Wilson.  No. 10, +Bow-street=, +Covent Garden=.  Receipts: #354 
14s. 6d. (165.17.6; 5.4.0; tickets: 183.13.0).  *p19 dl The Strangers at Home.  
Aldobrand-Suett; Regnalto-Haymes; Octavio-Dignum; Montano-Kelly; Fabio-Fawcett; 
Firelock-Sedgwick; Lawrence-Bannister Jun.; Roberto-Jones; Juiseppe-Alfred; Serv
ant to Laura-Lyons; Servant to Octavio-Webb; Viola-Mrs Crouch; Laura-Miss Hagley
; Alice-Mrs Edwards; Rosa-Mrs Jordan.  *aHigh Life below Stairs.  Lovel-Banniste
r Jun.; Freeman-Fawcett; Philip-Baddeley; Duke's Servant-R. Palmer; Sir Harry's 
Servant (1st time)-Burton; Kitty-Miss Pope; Lady Bab's Maid-Miss Tidswell; Lady 
Charlotte's Maid-Miss Collins.  *dIn afterpiece: a +Mock Minuet=-R. Palmer, Miss
 Pope.  *sIn course evening: +Henry's Cottage Maid=-Miss Hagley.  *cBenefit for 
$Fawcett=, $Burton=, $Haymes= & $Miss Hagley=.  Receipts: #39 14s. (32.19.6; 5.5
.6; 1.9.0; tickets: none listed) (charge: #121 7s.).  *pcg He Wou'd be a Soldier
.  Captain Crevelt-Lewis; Sir Oliver Oldstock-Quick; Caleb (with a +song=)-Munde
n (1st appearance in that character); Col. Talbot-Aickin; Mandeville-Farren; Cou
nt Pierpoint-Marshall; Wilkins-Cubitt; Johnson-Bernard; Amber-Thompson; Harriett
-Mrs Wells; Mrs Wilkins-Mrs Rock; Lady Oldstock-Mrs Webb; Nancy-Mrs Cross; Betty
-Mrs Spriggs; Charlotte-Mrs Pope.  *aLove in a Camp.  As 24 Feb., but Darby-Mund
en (1st appearance in that character).  *sEnd IV: +The Group of Lovers=[; or, +B
eauty at her Levee=% (1st time at this theatre)-Munden; End: +The Pleasures of t
he Chace=-Incledon; [after which% +Say Bonny Lass will you lie in a Garrat=-[, b
eing a Parody on +Say Bonny Lass, will you lie in a Barrack=%; Timothy Staytape-
Munden; Miss Tippet-Mrs Martyr.  *cBenefit for $Munden=.  +Morning Chronicle=, 3
0 Apr.: Tickets to be had of Munden, No. 8, +Portsmouth-street=, +Lincoln's-inn-
fields=.  Receipts: #334 17s. (157.19.6; 3.11.6; tickets: 173.6.0).  *pking's A 
New Kind of Concert.  [PART I% +A New Divertisement=-Mlle Dorival, Mlle St.Amand
, Mlle Provert, other Dancers; [to introduce the% +Animated Pictures=-; [A new% 
+Hunting Song=, Chorusses (composed by $Philidor=)-Albertarelli; +A Hunting Symp
hony= by Haydn-; [some favourite% Airs with Variations on the Piano Forte-Master
 Hummel; +Italian Song=-Sga Sestini; +Concerto= on the Violin-Master Clement; [a
t the Harpsichord% [the new% +Song= [by $Haydn=% (composed for his Benefit) [see
 12 May]-Davide; +A Divertisement=-all the Principal Dancers; [with the charming
% +Pas de Deux=-Vestris? Jun, Mlle Hilligsberg; the +Pas Russe=-Vestris? Jun, Ml
le Hilligsberg; [PART II% A +Comic Duetto=-Albertarelli, Sga Sestini; A new +Ove
rture= [in the Tragic Style, with an entire new% +Cantata= (both composed by $Fe
derici=,)-Davide; +Catches and Glees=-the best English Singers; +Orpheus and Eur
ydice=-[see 31 Mar.].  *cBenefit for the Author [i.e. compiler of the entertainm
ent, identified in +Oracle=, 21 May, as $LeTexier=].  The Tickets, engraved by $
Bartolozzi=, will be delivered in +Lisle-street= [LeTexier's home address] only,
 and no where else.  *p20 dl The Suspicious Husband.  Mr Strickland-Bensley; Fra
nkly-Wroughton; Bellamy-Barrymore; Ranger-Palmer; Jack Meggot-Dodd; Buckle-Benso
n; Tester-Burton; Simon-Banks; Mrs Strickland-Mrs Kemble; Clarinda-Miss Farren; 
Jacintha-Mrs Goodall; Lucetta-Miss Tidswell; Landlady-Mrs Booth; [Edition of 179
1 ($John Bell=) adds:% Servant-Phillimore; Milliner-Miss Barnes; Maid-Miss Heard
.  *aThe Deserter.  As 30 Nov. 1790, but Flint-Phillimore; Jenny (1st time)-Miss
 Barnes; Serjeant-_.  *dEnd: [a new Dance, composed by $D'Egville=,% +La Fete Ma
rine=, [in which introduced% +La Cossaque et Le Pas Russe=-the young D'Egvilles,
 Miss D'Egville, Miss DeCamp.  *cBenefit for $Phillimore=, $Miss Tidswell=, $Mis
s Barnes= & $Miss DeCamp=.  [+La Fete Marine= was 1st performed at +king's=, 27 
Apr. 1786.]  +Oracle=, 19 May: Tickets to be had of Phillimore, +Little Russel-s
treet=; of Miss Tidswell, +Stanhope-street=, +Clare Market=; of Miss Barnes, No.
 23, +Clare-street=, +Clare Market=; of Miss DeCamp, No. 64, +Tottenham-court-ro
ad=.  Receipts: #41 14s. (27.4; 11.13; 2.17; tickets: none listed) (charge: #108
 7s. 2d.).  *pcg Love in a Village.  As 11 Dec. 1790, but Young Meadows (with an
 additional song [+When thou art absent=], set to music by $Shield=)-Incledon (1
st appearance in that character [in +London=]); Rosetta-Miss Dall (1st appearanc
e in that character).  *aCatherine and Petruchio.  Petruchio-Lewis; Baptista-Tho
mpson; Hortensio-Evatt; Taylor-Bernard; Music@Master-C. Powell; Pedro-Farley; Gr
umio-Quick; Catherine-Mrs Mattocks.  *sProbably at end: +Black Eyed Susan=-Incle
don; +Wine cannot cure the Pain I endure for my Chloe=-Johnstone, Incledon.  *mB
etween Acts afterpiece: [the favourite air of% +Moggy Lauder= (on the Union Pipe
s)-[the celebrated %Courtney.  *cBenefit for Incledon [who had 1st acted +Young 
Meadows=r at +Bath=, 24 Oct. 1789].  +Oracle=, 2 May: Tickets to be had of $Incl
edon=, No. 19, +Martlet-court=, +Bow-street=.  Receipts: #278 0s. 6d. (126.11.0;
 3.18.0; tickets: 147.11.6).  *p21 dl The Siege of Belgrade.  As 16 Apr.  *aThe 
Spoil'd Child.  As 16 Sept. 1790.  *cThe Public is respectfully informed, that t
he +Cave of Trophonius= performed with universal applause for the Benefit of $Mr
s Crouch= [on 3 May], is now undergoing some Alterations, and will be produced i
n the early part of next Season [see 15 Oct.].  Receipts: #161 15s. 6d. (125.13.
0; 35.2.6; 1.0.0).  *pcg Wild Oats.  As 16 Apr.  *aThe Farmer.  As 2 Dec. 1790. 
 *cReceipts: #149 6s. 6d. (145.16.6; 3.10.0).  *pking's Entertainments of Music 
and Dancing.  [Vocal Parts% As 31 Mar.  *dEnd I: +La Fete Provencale=, as 14 May
.  *bEnd II: +L'Amadriade=.  As 7 May.  *ppan La Molinarella.  As 14 May.  *dEnd
 I: +La Fille Mal Gardee=, as 30 Apr.  *bEnd Opera: +Le Siege de Cythere=.  As 1
7 May.  *cBy Command of $Their Majesties=.  [Opera in place of +Idalide=, advert
ised in +Morning Post=, 20 May.]  2nd ballet: With new Scenes, and considerable 
additions, since the first representation, by $Moench=.  *p23 dl The Haunted Tow
er.  As 20 Nov. 1790.  *aThe Follies of a Day.  As 10 May.  *cBenefit for $Spenc
er= and $Nix=.  Receipts: #118 9s. (97.5; 17.4; 4.0; tickets: none listed) (char
ge: #121 6s. 4d.).  *pcg The Woodman.  As 31 Mar.  *aModern Antiques.  As 15 Mar
.  *cReceipts: #154 (149.17; 4.3).  *pking's Entertainments of Music and Dancing
.  [A new selection of Serious and Comic Music.% As 31 Mar., but [By particular 
Desire, a favourite% +Rondeau=, [and for that night only, a new% +Song=-Sga Sest
ini; [accompanied on the% Pedal Harp-Meyer Jun.; the +Duetto= from the Opera +La
 Buona Figliuola=-Sga Sestini, Davide.  *dEnd I: +Divertissement=-all the Princi
pal Dancers; [will be introduced the favourite% +Pas Russe=, as 19 May; End II: 
+Orpheus and Eurydice=, as 26 Mar., but Mlle +St.Amand.  *cBenefit for Sga Sesti
ni.  Tickets to be had of $Sga Sestini= at No. 17, +Mount-street=, +Berkely-squa
re=.  Tickets delivered for the 19th inst. will be admitted.  *p24 dl The Rivals
.  As 26 Apr.  *aNo Song No Supper.  As 9 Dec. 1790.  *dEnd: +Minuet de la Cour 
and Gavot=-Master D'Egville, Miss DeCamp.  *cBenefit for $Fosbrook=, box-book an
d house-keeper.  Receipts: #79 12s. 6d. (60.10.0; 16.4.6; 2.18.0; tickets: none 
listed) (charge: #126 5s. 1d.).  *pcg Which is the Man?  Beauchamp-Lewis; Fitzhe
rbert-Aickin; Belville-A Young Gentleman (1st appearance on any stage [unidentif
ied]); Lord Sparkle-Bernard; Bobby Pendragon-Quick; Miss Pendragon-Mrs Mattocks;
 Julia Manners-Mrs Bernard; Clarinda-Mrs Rock; Kitty-Mrs Lewis; Tiffany-Mrs Dave
nett; Lady Bell Bloomer-Mrs Pope.  *aPrimrose Green; or, Love in the Country.  P
rincipal Characters-Incledon, Blanchard, Munden, Bernard, Williamson, Wilson, Mr
s Harlowe, Miss Williams, Mrs Warrell.  [+Larpent MS= lists the parts: Sir Jerem
iah Laurel, Abram, Standard, Scipio, Rural, Collin, Lucy, Peggy, Maria.]  *dAfte
r Monologue: +The Jockies=, as 7 May.  *sEnd II: +Black Eyed Susan=-Incledon.  *
e[+Monologue=. %End: +Dissertation on Hobby@Horses=[: +The Statesman's Hobby=; +
The Soldier's Hobby=; +The Beau's Hobby=; +The Lady's Hobby=; +The Fidler's Hobb
y=; +Mrs Mountain's Hobby=; +The Manager's Hobby=; and +His Own Hobby=%-Bernard.
  *cBenefit for $Mr and Mrs Bernard=.  Afterpiece [1st time; CO 2, author unknow
n.  +Larpent MS 909=; not published]: With proper Scenery, Dresses, and Decorati
ons.  The Music entirely new, composed by $M. P. King=.  +Morning Chronicle=, 20
 May: Tickets to be had of Bernard, No. 35, +Bow-street=.  Receipts: #299 2s. 6d
. (120.10.6; 11.8.0; tickets: 167.4.0).  *pking's Entertainments of Music and Da
ncing.  [Serious and Comic Music, by several celebrated composers. % The +Songs=
 (which are all changed for this Evening)-Albertarelli, Tajana, Davide, Sga Capp
elletti, Sga Sestini.  [Under the direction of $Federici=.%  *dAs 21 May.  *b+L'
Amadriade=.  As 21 May.  *ppan La Bella Pescatrice.  As 28 Apr.  *dAs 17 May.  *
b+Le Siege de Cythere=.  As 17 May.  *p25 dl The Heiress.  As 16 Sept. 1790, but
 Lady Emily-Mrs Goodall.  *aThe Island of St. Marguerite.  As 5 May.  *dEnd II: 
+La Fete Marine=- [see 20 May]; End: [a new Dance,% +Cupid Recruiting=[; or, +Th
e Female Volunteer=%-; +La Cossaque et Le Pas Russe=-the two young D'Egvilles, t
he two Miss Blanchards, Miss D'Egville, Miss DeCamp.  *cBenefit for $Fox=, $Chap
man=, $Johnston=, $Dale= & the $young D'Egvilles=.  Receipts: #56 18s. 6d. (40.7
.0; 15.0.0; 1.11.6; tickets: none listed) (charge: #112 2s. 11d.).  *pcg Wild Oa
ts.  As 16 Apr.  *aA Divertisement.  As 1 Dec. 1790.  *dAs 23 Nov. 1790.  *cRece
ipts: #186 12s. 6d. (179.8.6; 7.4.0).  *p26 dl The Belle's Stratagem.  As 10 May
, but Letitia Hardy [without +song=]-Mrs Goodall; Lady Touchwood-Mrs Kemble; Lad
y-Mrs Edwin.  *aThe Padlock.  Don Diego-Williames; Leander-Dignum; Mungo-Suett; 
Leonora-Miss Daniels (1st appearance in that character); Ursula-Mrs Hopkins.  *s
In IV: +Italian Air=-Miss Daniels.  *dEnd I afterpiece: +Hornpipe=-a Young Lady.
  *cTickets delivered for this Evening [Account-Book: by $Alfred=, $Benson=, $Ki
rk=, $Maddocks=, $Walker=, $Whittow=, $Whitmell=, $Mrs Booth=, $Miss Daniels=, $
Mrs Davies=, $Mrs Edwin=, $Mrs Gaudry=, $Mrs Jones=] will be admitted.  Receipts
: #69 9s. (47.0; 19.12; 2.17; tickets: none listed).  *pcg The Castle of Andalus
ia.  As 5 May, but Rapino-Reeve; Lopez-Farley.  *aThe Deaf Lover.  As 26 Jan., b
ut Young Wrongward-Evatt.  *dAs 7 May.  *cAccount-Book: Tickets delivered by $Tr
owion=, $Rock=, $Blurton=, $Ledger=, $Evatt=, $Jackson=, $Ratchford=, $Cross=, $
Letteney=, $Williamson=. $Mrs Davenett=, $Mrs Lefevre=, $Mrs Lloyd=, $Mrs Arnold
=, $Mrs Gray=, $Mrs Masters=, $Mrs Goodwin= will be admitted.  Receipts: #435 9s
. (45.8; 3.2; tickets: 383.19).  *pking's Entertainments of Music and Dancing.  
[+Songs= and Vocal Parts% As 24 May.  *dEnd III: [an entire new Ballet (composed
 by $Vestris Jun.=)% +Les Folies d'Espagne=- [see 10 June]; (for that night only
) +Pas de Trois=-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; +Pas Seul=-Juber (p
rincipal dancer from +France=); a +Pas de Deux=-Juber, Mlle Mozon; [conclude wit
h% +Minuet de la Cour=-[as 5 May%Vestris Sen.  *bEnd I: +L'Amadriade=.  As 17 Ma
y.  *cBenefit for Mlle Mozon.  Tickets, 10s. 6d. each and Boxes, to be had of $M
lle Mozon=, No. 32, +St. Martin-street=, +Leicester-fields=.  *ppan La Molinarel
la.  As 14 May.  *dAs 10 May.  *p27 dl The Siege of Belgrade.  As 16 Apr.  *aThe
 Spoil'd Child.  As 16 Sept. 1790.  *cReceipts: #185 3s. 6d. (151.14.0; 31.8.6; 
2.1.0).  *pcg Rosina.  As 12 May, but Rustic-Williamson; William (1st time, and 
for that night only)-Mrs Mountain.  *aLovers' Quarrels.  As 4 Mar., but Don Alva
rez-_; Don Felix-_.  *aComus.  Comus-Farren; Principal Bacchanals-Bannister, Inc
ledon; [with% +Give me Wine rosy Wine= (composed by $Hook=)-Incledon; Bacchanals
-Cubitt; Williamson; The Lady-Mrs Wells; Principal Bacchant-Mrs Mountain; Pastor
al Nymph-Miss Broadhurst; Sabrina-Miss Williams; Euphrosyne-Mrs Martyr.  *sEnd I
: +The Musical Courtship=, as 6 May; End II 2nd piece: +Say Bonny Lass=, as 6 Ma
y; In 3rd piece: +Sweet Echo=-Mrs Mountain; [accompanied on the% hautboy-W. Park
e; +Nor on beds of fading flowers= (1st time these 7 years)-Incledon; +O! thou w
ert born to please me= (1st time at this theatre)-Incledon, Mrs Mountain.  *cBen
efit for $Mrs Mountain=.  3rd piece: Not acted these 2 years [not acted since 24
 Apr. 1788].  +Oracle=, 14 May: Tickets to be had of Mrs Mountain, No. 9, +Bow-s
treet=, +Covent-Garden=.  Receipts: #171 1s. (71.6; 7.0; tickets: 92.15).  *p28 
dl As You Like It.  As 29 Apr., but [$Barrymore='s name listed in playbill;% Den
nis-Webb.  *aAll the World's a Stage.  As 30 Apr.  *sAs 27 Oct. 1790.  *cBenefit
 for $Wood=, $Percey=, $Cameron=, $Wilson=, $George=, $Woollams=.  +Kemble Mem.=
: Benefit for the Boxkeepers.  A New Edition of the [mainpiece] to be had at the
 Theatre.  "Went to play.  $Mrs Jordan= in '+Rosalind=r.'  I am still of opinion
, there is more in her person and natural manners than in her acting.  Her merit
 lies out of her part.  The words set down by the author she does not repeat wit
h great propriety of tone, emphasis, or gesture, than others.  But she has of th
ese, certain peculiarities, which indicate dispositions, such as take strong hol
d of the affections, at least of the male part of her audience; and therefore, w
hen the part is of a sort to admit a large portion of these, she produces a grea
t effect.  The true acting of the part may, in many instances, not require what 
she throws into it, but it may admit it; and if the expression so thrown in is o
f the sort described, the effect of the whole will be improved, though the part 
is thereby neither better nor worse acted" (+Windham Diary=, 28 May 1791, 227). 
Receipts: #363 4s. 6d. (33.5.0; 9.5.6; 2.13.0; tickets: 318.1.0) (charge: #117 1
s. 7d.).  *pcg Inkle and Yarico.  As 17 May, but Sailor-_; Waiter-_.  *aThe Drea
mer Awake.  As 6 May, but Prolix-Powel; Standfast-[A Young Gentleman,% Author of
 the Piece (1st appearance on any stage [$Eyre=]).  [+Prologue= as 6 May.%  *dAs
 28 Apr.  *sAs 17 May, but +To be jovial and gay=-_; +Beviamo-; A Sea Song=-Incl
edon.  *cBenefit for $Miss Chapman=.  [+Thespian Magazine=, May 1816, p. 390, in
 an obituary of $Eyre=, states that his 1st appearance on the stage wa  at +Wind
sor= in 1789.]  +Oracle=, 11 May: Tickets to be had of Miss Chapman, No. 16, +He
nrietta-street=, +Covent-Garden=.  Receipts: #172 9s. (88.11; 11.1; tickets: 72.
17).  *pking's Entertainments of Music and Dancing.  [+Songs= and Vocal Parts% A
s 24 May.  *dAs 21 May.  *b+L'Amadriade=.  As 21 May.  *ppan Idalide.  As 14 Apr
.  *dEnd I: +Amphion et Thalie=-Duquesney; End Opera: +La Fille Mal Gardee=, as 
30 Apr.  *p30 dl The Tempest.  As 24 Nov. 1790.  *aThe Island of St. Marguerite.
  As 5 May.  *cReceipts: #123 13s. 6d. (90.0.0; 28.18.6; 4.15.0).  *pcg The Deat
h of Captain Cook.  As 6 Nov. 1790.  *aWild Oats.  As 16 Apr., but +Prologue=-_;
 +Epilogue=-_ [thereafter%.  *aThe Wives Revenged.  As 10 Nov. 1790.  *cReceipts
: #178 18s. (178.13.6; 0.4.6).  *p31 dl The Runaway.  Hargrave-Moody; George Har
grave-Barrymore; Drummond-Packer; Sir Charles Seymour-Whitfield; Morley-Aickin; 
Justice-Waldron; Jarvis-R. Palmer; Lady Dinah-Mrs Hopkins; Bella-Mrs Goodall; Em
ily-Miss Collins; Harriet-Mrs Kemble; Susan-Mrs Williames.  *aThe Liar.  As 5 Oc
t. 1790.  *cAccount-Book: Tickets delivered by $Appleby=, $Calkin=, $Daglish=, $
Gillis=, $Gardiner=, $Gregson=, $Henderson=, $Pilsbury=, $Purser=, $Standen=, $S
herratt=, $Thompson= (of box-office), $Mrs Scott=, $Mrs Smith= will be admitted.
  Receipts: #38 1s. 6d. (21.19.0; 13.13.0; 2.9.6; tickets: none listed).  *pcg T
he Midnight Hour.  As 14 Dec. 1790, but Matthias-_; Ambrose-_.  *aThe Comedy of 
Errors.  Dromio of Ephesus-Quick; Antipholis of Syracuse-Macready; Antipholis of
 Ephesus-Bernard; AEgeon-Hull; Duke-Davies; Dromio of Syracuse (1st time)-Blanch
ard; Abbess-Miss Chapman; Luciana-Mrs Mountain; Adriana-Mrs Bernard.  *dAs 7 May
.  *sEnd: +Black Eyed Susan=-Incledon.  *uAfter Dancing: a +Selection of Poetry 
and Music= descriptive of a day.  [Part I: Morning.% +Tantivy the welkin resound
s= (composed by $Hook=)-Mrs Martyr; [PART II: Noon.% +Thou soft flowing Avon= (f
rom $Garrick='s +Ode to Shakespeare=)-Incledon; [PART III: Evening.% +Pastoral D
uet=-Williamson, Mrs Mountain; [PART IV: Night. +The Soldier's Festival=, as 16 
May% +How sleep the brave= (composed by $Dr Cooke=)-Incledon, Williamson, Davies
, a Young Gentleman; introductory Chorus-Hull; +How stands the Glass around=-Inc
ledon; +How merrily we live that Soldiers be=-Bannister, Incledon, Johnstone; +T
o arms! Britons strike home=-Bannister, Incledon, Follett, Blurton, Lee, Lettene
y, Reeve, Rees.  *cBenefit for $Hull=.  Paid $Macleish= for Printing [playbills]
 to 28th Inst. #92 2s. 6d.  +Oracle=, 14 May: Tickets to be had of Hull, No. 31,
 +Bow-street=, +Covent-Garden=.  Receipts: #186 2s. 6d. (89.3.6; 4.10.0; tickets
: 92.9.0).  *pking's Entertainments of Music and Dancing.  [+Songs= and Vocal Pa
rts% As 24 May.  *dAs 21 May.  *b+L'Amadriade=.  As 21 May.  *ppan La Molinarell
a.  As 14 May.  *dEnd I: +Divertisement=, as 17 Feb.; End Opera: +Telemachus in 
the Island of Calypso=, as 14 Apr.  *p6 1 dl Love for Love.  As 11 May, but Vale
ntine-Whitfield.  *aThe Devil to Pay.  As 20 Oct. 1790.  *cBenefit for $Portal=,
 $Shade=, $Hicks=, $J. Shade=, $Gibson=.  +Kemble Mem.=: Benefit for the Boxkeep
ers.  Receipts: #389 4s. 6d. (22.13.0; 10.15.6; 1.8.0; tickets: 354.8.0) (charge
: #116 8s. 4d.).  *pcg The Chances.  Don John-Harley (1st appearance in that cha
racter); Don Frederick-Marshall; Duke-Davies; Petruchio-Macready; Peter-Blanchar
d; Anthony-Cubitt; Surgeon-Powel; Antonio's Man-Rock; Antonio-Quick; First Const
antia-Miss Chapman; Mother-Mrs Webb; Landlady-Mrs Pitt; Niece-Mrs Platt; Second 
Constantia-Mrs Pope.  *aLove in a Camp.  As 19 May.  *dAs 4 Dec. 1790.  *sEnd I:
 +The Group of Lovers=-Munden; End II: [a favourite% +Sea Song=-Incledon.  *cBen
efit for $Harley=.  Mainpiece: As altered from $Beaumont= and $Fletcher= by the 
$Duke of Buckingham= and $D. Garrick, Esq.=  Not acted these 7 years.  +Morning 
Chronicle=, 20 May: Tickets to be had of Harley, No. 22, +Great Queen-street=, +
Lincoln's-inn-fields=.  Receipts: #242 1s. 6d. (84.10.6; 7.5.0; tickets: 150.6.0
).  *p2 dl The Haunted Tower.  As 20 Nov. 1790.  *aThe Pannel.  As 18 May.  *cRe
ceipts: #140 13s. 6d. (111.7.0; 24.1.6; 5.5.0).  *pcg The Chapter of Accidents. 
 As 30 Apr.  *aRobin Hood.  As 15 Dec. 1790.  *cAccount-Book: Tickets delivered 
by $Shuter=, $Simmons=, $Strahan=, $Luxmore=, $Walker=, $Saby=, $Atkins=, $Young
=, $Curteen=, $Hall= [box-keeper], $Hill=, $Combs=, $Heathcot=, $Widow Ansell=, 
$Keys=, $Berecloth=, $Egan= will be admitted.  Receipts: #376 12s. 6d. (29.17.6;
 2.12.0; tickets: 344.3.0).  *pking's Entertainments of Music and Dancing.  A ch
oice Collection of +Songs=-; [entirely new, with% +Italian Catch= [by $Haydn=%-;
 Vocal Parts-Sga Cappelletti, Sga Sestini, Sga Maffei, Cappelletti, Davide, Taja
na, Albertarelli.  *dEnd I: +La Mort d'Hercule=, as 3 May; End II: [a new dance 
(composed by $Vestris Sen.=),% +La Capricieuse=-Casali, Mlle Aime (their first a
ppearance); +The Devonshire Minuet=-Vestris Sen.; +Pas de Trois=, as 26 May.  *p
pan Quinto Fabio.  [Principal Characters by Pacchierotti, Lazzarini, Benigni, Ga
relli, Mme Mara, Sga Salimbeni.  [Cast from libretto ($H. Reynell=, 1791):% Quin
to Fabio-Pacchierotti; Lucio Papirio-Lazzarini; Volunnio-Benigni; Marco Fabio-Ga
relli; Emilia-Mme Mara; Fausta-Sga Salimbeni.  *dEnd I: +Divertisement=, as 17 F
eb; End Opera: +Le Triomphe de la Folie=, as 3 May.  *cBenefit for Pacchierotti.
  Tickets to be had of $Pacchierotti=, No. 17, +Duke-street=, +Manchester-square
=.  A new Grand Serious Opera (1st time [i.e. in 2 acts; originally performed in
 3 acts at +Milan=, 1778, and at +king's=, 22 Jan. 1780]); the music by $Bertoni
=.  [+World= announces the ballets for this night as +La Fille Mal Gardee= and +
Le Siege de Cythere=.]  *p3 dl The Siege of Belgrade.  As 16 Apr.  *aThe Spoil'd
 Child.  As 16 Sept. 1790.  *cReceipts: #163 1s. (135.7.0; 23.10.6; 4.3.6).  *pc
g The Belle's Stratagem.  As 21 Feb., but Villers-_; Courtall-_; French Valet-_;
 Porter-_; Kitty Willis-_.  *aLinco's Travels.  Linco-Blanchard; Old Woman-Mrs D
avenett.  *aThe Cottage Maid.  [Principal Characters by Bannister, Incledon, Mun
den, Bernard, Macready, Mrs Pitt, Mrs Cross, Miss Broadhurst.  [Cast from Songs 
($T. Cadell=, 1791):% Reefwell-Bannister; Wakely-Incledon; Countryman-Munden; Sa
ilor-Bernard; Squire Snareall-Macready; Margery-Mrs Pitt; Country Girl-Mrs Cross
; Lydia-Miss Broadhurst.  *dIn 3rd piece: a +Hornpipe=, +Dance of Sailors=-.  *s
+Masquerade Scene= in 1st piece: +Green Willow= (composed by $Percy=)-Miss Broad
hurst.  *cBenefit for $Miss Broadhurst=.  3rd piece [1st time; M. ENT 1, author 
unknown.  +Larpent MS 910=; not published]: Overture and Music entirely new, com
posed by $Percy=, with some airs from $Andreozzi= and $Stevens=.  Books of the S
ongs to be had at the Theatre.  +Public Advertiser=, 24 May: Tickets to be had o
f Miss Broadhust at Mr Percy's, No. 13, +Tavistock-street=, +Bedford-square=.  R
eceipts: #202 9s. (52.5.6; 3.17.6; tickets: 146.6.0).  *ppan La Bella Pescatrice
.  As 1 Mar.  *dAs 2 June.  *cThe Nobility and Gentry are respectfully acquainte
d that in consquence of $his Majesty='s Birth-day, the Opera intended for tomorr
ow will be performed this Evening.  *p4 dl The Country Girl.  As 13 May.  +Addre
ss=-Palmer.  *aNo Song No Supper.  As 9 Dec. 1790.  *cThe Last Time of Performin
g in This Theatre.  +Kemble Mem.=: $Sheridan= wrote the +Address= [not listed on
 playbill; see +Gazetteer=, 6 June], $Palmer= delivered it.  +Universal Magazine
=, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th ye
ar of her age, died old Madam Drury, who lived through six reigns, and saw many 
generations pass in review before her...She had a rout of near 2000 people at he
r house the very night of her death; and the old lady found herself in so much s
pirits, that she said she would give them 'No Supper' without a 'Song'; which be
ing complied with, she fell back gently in her chair, and expired without a groa
n.  $Dr Palmer=, one of her family physicians, attended her in her last moments,
 and announced her dissolution to the company.  [This was written by $George Col
man, ynger=.]  +Gazetteer=, 6 June: $Samuel Johnson= was powerfully and pathetic
ally shewn the universal horror which men feel of the last even towards things i
ndifferent, or sometimes unpleasant; and there seemed to be some apprehension of
 this sort of pain on Saturday, for a very few attended to take their leave of t
he scene where they have been so often regaled with fictitious sorrow and gladne
ss.  [This theatre was first opened on 26 March 1674.  It has been altered and r
edecorated on several occasions, notably by the architects $Robert and James Ada
m= in the summer of 1775, for which see illustration in +The London Stage=, Part
 IV, Vol. III, 1650.  The new theatre was not in readiness until April, 1794.  T
he principal reason for the delay was that the patent had lapsed, and "it being 
necessary to obtain one previous to the payment of their respective sums on the 
part of the subscribers, application was made to $Mr Harris=, of +Covent Garden 
Theatre=, who possessed a dormant patent."  The price set was #15,000, and the p
atent was sent to a banker for inspection.  A $Mr George White=, who had married
 a daughter of $William Powell=, one of the former patentees, and had thereby a 
financial interest, objected to this price, and "obtained a prohibition in the $
Court of Chancery= which obliged the banker to restore the patent to the Manager
 of Covent Garden Theatre."  The subscribers to the new +Drury Lane= thereupon r
efused to pay their subscriptions, and work on the demolition of the old theatre
 was halted (+London Chronicle=, 30 July 1792).  Sheridan finally offered #20,00
0: #15,000 to Harris and #5,000 to White, which was accepted, and work on the th
eatre was resumed, the cornerstone being laid on 4 Sept. 1792 (+Morning Chronicl
e=, 6 Sept.; +London Chronicle=, 12 Sept. 1792).  The Actual sum eventually paid
 to Harris was #11,667.]  Paid in lieu of Benefits: $Kelly= #100; $Miss Farren= 
#300; $Aickin= #60; $Williames= #42.  Received from $Their Majesties= for Season
 #78.  Paid Renters #20 apiece (Account-Book).  Receipts: #105 5s. 6d. (74.7.0; 
24.0.6; 6.18.0).  *pcg Fontainbleau.  As 2 Nov. 1790, but Nannette (1st time)-Mi
ss Williams; [+Rosa=r with% an additional +Song=-Mrs Warrell.  *aThe Poor Soldie
r.  As 17 Dec. 1790, but Parrick (1st time)-Miss Williams; Norah (1st time)-Mrs 
Warrell.  *sEnd I: +Had I a Heart for Falsehood framed=-Marshall [in imitation o
f $Leoni=%; After Monologue: a +New Song=-Incledon.  *e[+Monologue=. %End: +A Di
ssertation on Hobby@Horses=, as 24 May[ but +Mr Brandon's Hobby= in place of +Mr
s Mountain's Hobby=%; +The Lawyer's Hobby=-Marshall (in the character of a +Jock
ey=r).  *cBenefit for $Marshall=, $Miss Williams= & $Mrs Warrell=.  +Oracle=, 3 
June: Tickets to be had of Marshall, No. 11, +York-street=, +York-buildings=; of
 Miss Williams, No. 14, +Martlett-court=, +Bow-street=, +Covent-Garden=; of Mrs 
Warrell, No. 48, +Carey-street=, +Lincoln's-inn-fields=.  Receipts: #147 9s. 6d.
 (14.16.6; 4.1.0; tickets: 128.12.0).  *pking's Entertainments of Music and Danc
ing.  [+Songs=, +Catch=, and Vocal Parts% As 2 June, but [a new% +Sextette= by F
ederici-.  *dEnd I: +Divertissement=, as 23 May.  *bEnd II: +L'Amadriade=.  As 7
 May, but [in which% +The Devonshire Minuet=-Vestris Sen., Mlle Hilligsberg.  *p
6 cg Double Falsehood; or, The Distrest Lovers.  Julio-Holman; Duke Angelo-Harle
y; Roderick-Davies; Camillo-Munden; Shepherd-Blanchard; Don Bernard-Powel; Maste
r of the Flock-Cubitt; Henriquez-A Gentleman (1st appearance on any stage [$Hoy=
]); Violante-Mrs Wells; Leonora-Mrs Pope.  *aTippoo Saib; or, British Valour in 
India.  English Colonel-Byrne; Lieutenant-Farley; Old Corporal-Rayner; General-C
ranfield; Tippoo Saib-Follett; Ghazidy Cawn-Ratchford; Indian (with a +song= in 
character)-Bannister; Colonel's Lady-Miss Francis; Indian Women-Mrs Watts, Mrs R
atchford, Mrs Invill; Orra (with a +song= in character)-Mrs Mountain.  *aBarnaby
 Brittle.  Barnaby Brittle-Quick; Clodpole-Cross; Sir Peter Pride-Cubitt; Lovemo
re-Davies; Jeremy (1st time)-Blanchard; Lady Pride-Mrs Pitt; Damaris-Miss Stuart
; Mrs Brittle-Mrs Mattocks.  *dIn 2nd piece: +Battle Dance=-[, and a Representat
ion of English and British Grand Martial Procession%.  *sI: +Hark the Lark at He
aven's Gate sings= (set by $Dr Cooke=)-Bannister, Johnstone, Incledon, Mrs Mount
ain; End II: +Black Eyed Susan=-Incledon; IV: +Fond Echo Forbear thy fond sigh= 
(written by $Shakspeare= [recte $Lewis Theobald=], and composed new for the Even
ing's Performance by $Shield=)-Mrs Mountain; In Pantomime: +Poor Orra tink on Ya
nco dear= (the music by $Dibdin=)-Mrs Mountain; +The Gallant Soldier born to Arm
s= (composed by $Hook=)-Incledon; +Indian War Song=-Bannister; +The Tobacco Box=
[: +Tho' the Fate of Battle on Tomorrow wait=%-Johnstone, Mrs Warrell.  *cBenefi
t for $Wild=.  1st piece: Written originally by $Shakspeare= [see $E. K. Chamber
s,@William@Shakespeare=, 1930, I, 539-42], and revised by $Theobald=.  Not acted
 these 26 years [acted 6 May 1767.  $Hoy= is identified in +Not. Dram.=].  2nd p
iece [1st time; P 1, by $Mark Lonsdale=; music by $William Reeve=.  Not in +Larp
ent MS=; not published]: Being partly new, and partly selected from the much adm
ired +Pantomimes of the Rival Knights=, +Provocation=, &c. &c.  +Oracle=, 26 May
: Tickets to be had of Wild, No. 31, +Long-Acre=.  Receipts: #188 15s. (47.5; 7.
16; tickets: 133.14).  *phay The Spanish Barber.  Count Almaviva-Palmer; Doctor 
Bartholo-Parsons; Basil-Aickin; Lazarillo-Bannister Jun.; Argus-Wewitzer; Tallbo
y-R. Palmer; Alcade-Chapman; Notary-Burton; Rosina-Mrs Bannister.  *aKatherine a
nd Petruchio.  Petruchio-Palmer; Baptista-Chapman; Hortensio-Bland; Grumio-Badde
ley; Music Master-Barrett; Biondello-R. Palmer; Pedro-Phillimore; Taylor-Burton;
 Gregory-Lyons; Peter-Abbott; Katharine-Mrs Goodall; Bianca-Miss Palmer; Curtis-
Miss Hale.  *cBoxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.  Places for the 
Boxes to be had of $Rice=, at the Theatre.  The Doors to be opened at 6:00.  To 
begin at 7:00 [same throughout season].  *pking's Entertainments of Music and Da
ncing.  [+Songs= and Vocal Parts% As 24 May.  *dEnd II: +La Capricieuse=-Mlle Ai
me [will perform one principal Character%; +Pas de Trois=, as 26 May; the harp-M
eyer? Jun; End III: +Ninette a la Cour=-(composed by $Vestris Sen.=) Vestris Sen
.; [will perform the principal Character and dance the% +Minuet de la Cour=-Mlle
 Dorival, Vestris Sen.  *bEnd I: +L'Amadriade=.  As 17 May.  *cBenefit for such 
of the Principal Dancers as have not distinct Nights, and all the Figurants.  *p
7 cg Thomas and Sally.  Thomas-Bannister; Squire-Johnstone; Dorcas-Mrs Martyr; S
ally-Mrs Mountain.  *aWild Oats.  As 30 May.  *aTippoo Saib.  As 6 June.  *s3rd 
piece: [as in 2nd piece, 6 June% +Poor Orra tink on Yanco dear=, as 6 June; +The
 Gallant Soldier born to Arms=, as 6 June; +Indian War Song=, as 6 June; +The To
bacco Box=, as 6 June.  *cReceipts: #97 15s. (92.11; 5.4).  *pking's Entertainme
nts of Music and Dancing.  [+Songs=, +Catch=, and Vocal Parts% As 2 June.  *dAs 
2 June.  *ppan La Molinarella.  As 14 May.  *dAs 31 May.  *p8 cg The Suspicious 
Husband.  As 22 Dec. 1790.  *aHob in the Well.  As 12 Jan.  *aTippoo Saib.  As 6
 June.  *sEnd II: +Black Eyed Susan=-Incledon; In 3rd piece: [as in 2nd piece, 6
 June% +Poor Orra tink on Yanco dear=, as 6 June; +The Gallant Soldier born to A
rms=, as 6 June; +Indian War Song=, as 6 June; +The Tobacco Box=, as 6 June.  *c
Benefit for $Brandon=, box-book and house-keeper.  Receipts: #325 9s. 6d. (49.8.
0; 8.3.6; tickets: 267.18.0).  *phay The Battle of Hexham; or, Days of Old.  Mar
quis of Montague-Phillimore; Duke of Somerset-Bland; Egbert-Iliff; La Varenne-Wi
lliamson; Prince of Wales-Miss Gaudry; Gondibert-Palmer; Barton-Aickin; Gregory 
Gubbins-Bannister Jun.; Fool-R. Palmer; Corporal-Baddeley; Drummer-Edwin; Fifer-
Barrett; Robbers-Chapman, Abbott; Villagers-Mrs Bannister, Mrs Iliff, Mrs Taylor
, Mrs Edwards; Queen Margaret-Mrs Kemble; Adeline-Mrs Goodall.  *aWho's the Dupe
?  Doiley-Parsons; Sandford-R. Palmer; Granger-Palmer; Gradus-Bannister Jun.; Mi
ss Doiley-Mrs Brooks; Charlotte-Miss Fontenelle.  *p9 cg The Beggar's Opera.  As
 15 Jan.[, but $Miss Broadhurst='s name listed in playbill.%  *aModern Antiques.
  As 15 Mar.  *dIII: +Hornpipe=-Blurton.  *cAccount-Book: Tickets delivered by $
Brandon=, $Longley=, $Furkins=, $Pilbro=, $Anselmo=, $Copland=, $Rye=, $Pugh=, $
Robson=, $Jealous=, $Noble=, $Varley=, $Wilkinson=, $Little=, $Lamp=, $Plank=, $
Linton=, $Standen=, $the Band= will be admitted.  Receipts: #366 12s. (43.13.6; 
7.4.6; tickets: 315.14).  *p10 cg The Recruiting Officer.  As 8 Oct. 1790, but C
aptain Brazen-Macready.  *aThe Wives Revenged.  As 10 Nov. 1790.  *aTippoo Saib.
  As 6 June, but Indian-_.  *sEnd II: +Stand to your Guns=-Bannister; In 3rd pie
ce: [as in 2nd piece, 6 June% +Poor Orra tink on Yanco dear=-Mrs Mountain; +The 
Gallant Soldier born to Arms=-Incledon.  *cBenefit for $Cubitt=, $Macready=, $Th
ompson= & $Cox=.  [This was $Ryder='s last appearance on the stage.]  Receipts: 
#246 4s. (30.10; 4.13; tickets: 211.1).  *phay Inkle and Yarico.  Inkle-Palmer; 
Sir Christopher Curry-Kemble; Medium-Baddeley; Campley (1st time)-Bland; Trudge-
Bannister Jun.; Mate-Chapman; Planters-Usher, Evatt, Burton; Sailors-Ledger, Abb
ott; Yarico-Mrs Kemble; Narcissa-Mrs Bannister; Wowski-Mrs Bland (1st appearance
 on this stage); Patty-Mrs Edwards.  *aThe Village Lawyer.  Scout-Bannister Jun.
; Snarl-Baddeley; Charles-Bland; Justice Mittimus-Usher; Sheepface-Parsons; Mrs 
Scout-Mrs Webb; Kate-Mrs Edwards.  *c[$Mrs Bland= was from +dl=.]  *pking's Ente
rtainments of Music and Dancing.  [+Songs=, +Catch=, and Vocal Parts% As 2 June,
 but Vocal Parts-_Albertarelli.  *dEnd I: +La Fete Provencale=, as 14 May; [with
% +The Devonshire Minuet=-Vestris Sen., Mlle Dorival; End II: +Les Folies d'Espa
gne=-Victor, Mlle Mozon, Vermilly, Mlle Dorival, Mlle Hilligsberg.  *ppan Idalid
e.  As 14 Apr.  *dEnd I: +Divertisement=, as 17 Feb.; End Opera: +La Fille Mal G
ardee=-Didelot, Vigano, Fialon, Mlle L. Simonet, Mme Theodore D'Auberval, Mlle T
roche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer.  *c2nd ballet: With n
ew Scenes and Decorations $Moench=.  *p11 none +Whitsun Eve=.  *p13 cg The Woodm
an.  As 31 Mar.  *aTippoo Saib.  As 10 June, but Officers-Evatt, Thompson, Ledge
r; Ensigns-Lee, Letteney; Modagee Boosla-Blurton; Holcar-Platt; Sacarem-Jackson;
 Buchava-Basant [recte $Bayzand=].  *aTwo Strings to Your Bow.  As 16 Feb., but 
Mrs Spriggs [i.e. formerly $Miss Brangin=].  *sIn 2nd Piece:[as in 3rd piece, 10
 June% +Poor Orra tink on Yanco dear=-Mrs Mountain; +The Gallant Soldier born to
 Arms=-Incledon.  *cAccount-Book: Tickets delivered by $Follett=, $Warrell=, A G
entleman, $Miss Leserve= will be admitted.  Received of $Their Majesties= for th
e Box #80; for the +Princess Royal='s Box #40; for Her Majesty's Servants #6 6s.
  Receipts: #226 10s. 6d. (104.5.0; 4.3.6; tickets: 118.2.0).  *phay I'll Tell Y
ou What.  Major Cyprus-Palmer; Anthony Euston-Bensley; Colonel Downright-Aickin;
 Charles Euston-Iliff; Sir George Euston-Williamson; Sir Harry Harmless-R. Palme
r; Mr Euston-Parsons; Lady Euston-Mrs Brooks; Lady Harriet-Mrs Whitfield; Bloom-
Mrs Cuyler; Mrs Euston-Mrs Kemble.  *aThe Agreeable Surprise.  Sir Felix Friendl
y-Wilson (1st appearance on this stage these 6 years); Compton-Bannister; Eugene
 (1st time)-Bland; Chicane-Usher; Lingo-Cornellys (from the $Theatre Royal, Dubl
in= [1st appearance on this stage]); Thomas-Burton; John-Phillimore; Laura-Mrs B
annister; Mrs Cheshire-Mrs Webb; Fringe-Mrs Edwards; Cowslip-Mrs Wells.  *c"The 
farce waited some time for $Bannister=, who performed at +Covent-Garden Theatre=
 in +The Woodman=.  An apology was made for his absence, and, in a few minutes a
fter, he came" (+Gazetteer=, 14 June).  *p14 cg The Busy Body.  As 2 Dec. 1790. 
 *aThe Farmer.  As 2 Dec. 1790.  *dAs 4 Dec. 1790.  *cThe Last Night of the Comp
any's Performing.  Account-Book: Tickets delivered by $Green=, $Harris=, $Doe=, 
$Iredale=, $Savery=, $Wilkins=, $Wyat=, $Hall= [carpenter], $Robson= [music port
er], $Mott=, $Rolls=, $Mrs Rock=, $Finley=, $Dosel=, $Sturgeon= will be admitted
.  Account-Book, 18 June: Paid $Hill=, Waxchandler, in full, #143 2s.  Receipts:
 #405 4s. 6d. (39.14.6; after-money: none listed; tickets: 365.10.0).  *phay The
 Spanish Barber.  As 6 June.  *aKatherine and Petruchio.  As 6 June.  *c[Mainpie
ce in place of +Summer Amusement=; afterpiece of +A Mogul Tale=, both advertised
 on playbill of 13 June.]      *pking's Entertainments of Music and Dancing.  [+
Songs=, +Catch=, and Vocal Parts% As 10 June.  *dEnd I: +Les Folies D'Espagne=-M
lle Hilligsberg, Mlle Mozon, Vestris Jun.  *bEnd II: +L'Amadriade=.  As 7 May, b
ut +The Devonshire Minuet=-Vestris Sen. [as 2 June.%  *ppan La Molinarella.  As 
14 May.  *dAs 17 May.  *b+Le Siege de Cythere=.  As 17 May.  *p15 cg The Death o
f Captain Cook.  As 6 Nov. 1790.  *aWild Oats.  As 16 Apr.  *aHob in the Well.  
As 12 Jan., but Sir Thomas Testy-Powel [a misprint for $C. Powell?=; Powel is he
re also retained as Old Hob].  *e[+Monologue=.% End 2nd piece: a +New Epilogue= 
(in Honour of the Fund,)-Mrs Wells; [with an% +Imitation=-.  *c[Extra night] Ben
efit for the Fund for the Relief of those who, through Age of Infirmity, shall b
e obliged to retire from the Stage.  [Epilogue by $Edward Topham= (+European Mag
azine=, Jan. 1792, p. 67).]  Receipts: none listed.  *p16 hay A Quarter of an Ho
ur before Dinner.  Mr Level-Williamson; Colonel Modish-Davies; Lord Simper-R. Pa
lmer; Wealthy-Kemble; Plainwell-Aickin; John-Phillimore; William-Abbott; Mrs Lev
el-Mrs Brooks.  *aThe Battle of Hexham.  As 8 June, but Duke of Somerset-Evatt; 
Robbers-+Bannister, +Davies; Villagers-Mrs +Bland, Mrs +Powell, Miss +Hale, Mrs 
+Edwin.  *aHalf an Hour after Supper.  Mr Sturdy-Kemble; Bentley-Evatt; Captain 
Berry-Iliff; Frank-Farley; Miss Tabitha-Mrs Webb; Mrs Sturdy-Mrs Edwin; Miss Eli
za Sturdy-Miss Heard; Nanny-Mrs Whitfield; Miss Sukey-Mrs Taylor.  *ppan La Loca
nda.  [Principal Characters by Lazzarini, Cipriani, Morelli, Sga Calvesi, Sga Sc
hinotti, Sga Casentini.  [Cast from libretto ($H. Reynell=, 1792):% Riccardo-Laz
zarini; Valerio-Cipriani; Arsenio-Morelli [in libretto: $Lipparini Sen.=]; Marin
etta-Sga Calvesi; Rosaura-Sga Schinotti; Guerina-Sga Casentini.  *dEnd I: +Diver
tisement=, as 17 Feb.; End Opera: +Le Siege de Cythere=- [see 17 May].  *cBenefi
t for $Morelli=.  A new Comic Opera [1st time; COM 2, by $Giovanni Bertati=, ada
pted by $Girolamo Tonioli=]; the music composed on purpose for this Theatre by $
Paisiello=.  With new Scenes and Decorations painted by $Moench=; the dresses in
vented and executed by $Lupino= [from playbill of 28 June].  Under the direction
 of $Mazzinghi=.  Tickets to be had of Morelli, No. 12, +Poland-street=.  Morell
i is happy in having succeeded to bring forward on his Benefit Night (though at 
a considerable expense) such an excellent new Opera for the entertainment of tho
se who shall honor him with their presence; soliciting the kind patronage of the
 Nobility, Gentry and Public accordingly on the occasion.  +Morning Post=, 4 Jun
e: The Subscribers and the Public are respectfully informed that the new Comic O
pera of +La Locanda=, written expressly for this Theatre, and the only Opera eve
r composed by this great Master for an English audience, is some time since arri
ved, and will be brought out shortly.  *p17 hay Summer Amusement; or, An Adventu
re at Margate.  Sir James Juniper-Wilson; Sir Dilberry-Barrett; Captain Surat-Ba
nnister; Melvil-Davies; Lord Random-Palmer; Doctor Cathartic-Baddeley; Spruce-R.
 Palmer; Kit Crab-Phillimore; Etiquette-Bannister Jun.; Lady Juniper-Mrs Webb; A
melia-Mrs Bannister; Fidget-Miss Hale.  *aA Mogul Tale; or, The Descent of the B
alloon.  The Mogul-Williamson; Dr Pedant-Wewitzer; Omar-Chapman; Selim-Abbott; G
uard-Phillimore; Johnny Atkins-Parsons; Zapphira-Miss Heard; Irene-Mrs Whitfield
; Sheba-Mrs Cuyler; Fanny-Mrs Wells.  *dEnd I: [A% +Triple Hornpipe=-Byrn, Mrs G
oodwin, Miss DeCamp.  *pking's Entertainments of Music and Dancing.  [A choice a
nd extraordinary Collection of Serious and Comic +Songs=, some of which will be 
executed by two Magic Flowers, a real Tulip and a real Rose.%  *dEnd I: +Diverti
ssement=, as 23 May.  *bEnd II: +L'Amadriade=.  As 17 May, but +The Minuet de la
 Cour=-Vestris Sen. [as 5 May.%  *cBenefit for $Badini=.  +Gazetteer=, 18 June: 
The novelty of the evening was what was called the singing of a +Tulip=r and a +
Rose=r; that is, of two performers concealed in pedestals, upon which were place
d pots of flowers.  *p18 hay Seeing is Believing[: A Dramatic Proverb%.  Sir Cre
dule-Barrett; Sceptick-Chapman; Captain Nightshade-Iliff; Simon-R. Palmer; Miss 
Die-Miss Heard; Kitty-Mrs Cuyler.  *aWays and Means.  Sir David Dunder-Bannister
 Jun.; Young Random-Palmer; Scruple-Williamson; Old Random-Aickin; Carney-Barret
t; Tiptoe-R. Palmer; Peery-Usher; Roundfee-Kemble; Quirk-Wewitzer; Lady Dunder-M
rs Webb; Harriet-Mrs Kemble; Kitty-Miss Heard; Mrs Peery-Mrs Powell.  *aThe Agre
eable Surprise.  As 13 June, but Eugene-Davies; John-Lyons; Cudden-Ledger.  *pki
ng's Entertainments of Music and Dancing.  [+Songs=, +Catch=, and Vocal Parts% A
s 10 June.  *dEnd I: +La Fete Provencale=, as 10 June; End II: +Orpheus and Eury
dice=, as 31 Mar.  *ppan La Locanda.  As 16 June.  *dEnd I: +Le Triomphe de la F
olie=, as 3 May; End Opera: +The Deserter=, as 28 Apr.  *p20 hay Half an Hour af
ter Supper.  As 16 June, but Miss Sukey-Mrs Kemble.  *aKing Henry the Fourth [Pa
rt I].  King Henry-Williamson; Prince of Wales-Palmer Jun. (1st appearance on th
e stage); Lancaster-Bland; Worcester-Aickin; Northumberland-Chapman; Hotspur-Ben
sley; Douglas-Evatt; Sir Richard Vernon-Davies; Westmoreland-Usher; Sir Walter B
lunt-Iliff; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Ledger; Peto-Far
ley; Bardolph-Rock; Carriers-Wewitzer, Burton; Francis-Barrett; Lady Percy-Mrs C
uyler; Hostess-Mrs Webb; [New% +Occasional Prologue=-Palmer.  *dEnd II: +Triple 
Hornpipe=, as 17 June.  *c[Prologue by $John Peter Roberdeau= (+European Magazin
e=, Aug. 1791, p. 141).]  "Of $Palmer Sen.='s? acting the chief fault is...a man
ner by far too juvenile.  He has very much the turn of countenance and mode of s
peech suitable to +Falstaff=, but his gait has no appearance of debility or infi
rmity, and is such as any man might use, incumbered by the same dress" (+Gazette
er=, 21 June).  *p21 hay Inkle and Yarico.  As 10 June, but Campley-Davies.  *aT
he Village Lawyer.  As 10 June, but Charles-Farley.  *pking's Entertainments of 
Music and Dancing.  [+Songs=, +Catch=, and Vocal Parts% As 2 June, but +Sextette
= by Federici-[as 4 June%.  *dEnd I: +La Fete Provencale=, as 10 June; End II: +
Les Folies d'Espagne=, as 10 June, but +Vestris? Jun.  *ppan La Locanda.  As 16 
June.  *dAs 10 June.  *c[Opera in place of +Idalide=, advertised in +Morning Pos
t=, 20 June.]  *p22 hay Summer Amusement.  As 17 June, but Kit Crab-Barrett; Sir
 Dilberry-_.  *aThe Agreeable Surprise.  As 18 June, but Cudden-_.  *dAs 17 June
.  *cBy Command of $Their Majesties=.  *p23 hay The Young Quaker.  Old Sadboy-Ch
apman; Chronicle-Baddeley; Captain Ambush-Williamson; Young Sadboy-Bannister Jun
.; Shadrach-Wewitzer; Spatterdash-R. Palmer; Clod (1st time)-Parsons; Twig-Barre
tt; Lounge-Lyons; Goliah-Miss Standen; Malachi-Burton; Coachman-Ledger; Waiter-F
arley; Lady Rounceval-Mrs Webb; Araminta (1st time)-Miss Fontenelle; Dinah Primr
ose-Mrs Kemble; Mrs Millfleur-Mrs Powell; Pink-Mrs Cuyler; Judith-Miss Hale.  *a
Gretna Green.  Rory-Wilson; Captain Gorget-Bannister; Tipperary-R. Palmer; Crack
-Abbott; Landlord-Ledger; Anvil-Barrett; Sexton-Burton; Laird Kilcubrie's Servan
t-Farley; Hoof-Lyons; Maria-Mrs Bannister; Signora Figurante-Mrs Iliff; Miss Plu
mb-Miss Fontenelle; Lady Pedigree-Mrs Edwin.  *cMainpiece: Not acted these 2 yea
rs.  *ppan La Bella Pescatrice.  As 28 Apr.  *dEnd I: [the New Divertissement [i
.e.% +Le Triomphe de la Folie=, as 3 May; End Opera: +Telemachus in the Island o
f Calypso=, as 14 Apr.  *p24 hay Half an Hour after Supper.  As 16 June.  *aThe 
Battle of Hexham.  As 16 June, but Marquis of Montague-Cubitt.  *aSeeing is Beli
eving.  As 18 June.  *p25 hay Seeing is Believing.  As 18 June.  *aThe Kentish B
arons.  [Characters by Johnstone (1st appearance on this stage), Aickin, Bannist
er Jun., Mrs Goodall, Chapman, Evatt, Bensley, Mrs Kemble, Mrs Webb, Mrs Taylor.
  [Cast from text ($J. Ridgway=, 1791):% Clifford-Johnstone; Bertram-Aickin; Gam
-Bannister Jun.; Osbert-Mrs Goodall; William-Chapman; Walter-Evatt; Mortimer-Ben
sley; Elina-Mrs Kemble; Susan-Mrs Webb; Beatrice-Mrs Taylor.  *cMainpiece [1st t
ime; MD 3, by the $Hon. Francis North=.  $Johnstone= was from +cg=]: The Music p
artly new by $Gyrowetz=, and partly compiled [by $Miss Monck=, or $Monckton=] fr
om $Paisiello=, $Sacchini=, and $Guglielmi=.  With new Dresses, Decorations, &c.
  Books of the Songs to be had at the Theatre.  +Oracle=, 27 June: The chief exc
ellence of this piece is the preservation of costume.  +Gazetteer=, 27 June: $Be
nsley= disgraced a performance otherwise good by concluding his sentences with a
 rant, and a look at the gallery.  +Times=, 9 July 1791: This day is published +
The Kentish Barons= (1s. 6d.).  *pking's Entertainments of Music and Dancing.  [
A Choice Collection of +Songs=.%  As 24 May, but +The Songs=-+Cappelletti.  *dEn
d I: +La Fete Provencale=, as 10 June; End II: [an entire new dance (composed by
 $Vestris Sen.=)% +La Fete du Seigneur=-Victor, Mlle Mozon, Vermilly, Mlle Doriv
al, Vestris? Jun, Mlle Hilligsberg.  [For assignment of Parts see 28 June.]  *pp
an Idalide.  As 14 Apr., but Aliciloe-Sga Schinotti [in place of $Sga Salimbeni=
%.  *dAs 16 June.  *p27 hay The Kentish Barons.  As 25 June.  *aThe Village Lawy
er.  As 21 June.  *p28 hay The Kentish Barons.  As 25 June, but Beatrice-Miss He
ard [in place of $Mrs Taylor=%.  *aGretna Green.  As 23 June.  *pking's Entertai
nments of Music and Dancing.  [+Songs= and Vocal Parts% As 25 June.  *dEnd I: +D
ivertissement=, as 23 May.  *bEnd II: +La Fete du Seigneur=.  Le Seigneur-Vestri
s Sen.; Colin-Vestris Jun.; Tomas[, pere de +Colin=r%-Casali; Paysiens-Victor, V
ermilly; La Dame-Mlle Dorival; Colette-Mlle Hilligsberg; Cateau[, mere de +Colet
te=r%-Mlle DeLaCroix; Paysiennes-Mlle Mozon, Mlle St.Amand.  *ppan La Locanda.  
As 16 June.  *dAs 30 Apr.  *p29 hay A Quarter of an Hour before Dinner.  As 16 J
une, but Wealthy-Cubitt; Plainwell-Kemble; John-Chapman.  *aKing Henry the Fourt
h [Part I].  As 20 June. [+Prologue= as 20 June.%  *p30 hay The Kentish Barons. 
 As 28 June.  *aThe Son-in-Law.  Cranky-Wilson; Vinegar-Baddeley; Bouquet-Davies
; Bowkitt-Bannister Jun.; Arionelli-Bannister; Idle-R. Palmer; Mum-Barrett; John
-Ledger; Man of the House-Burton; Negro Boy-Miss Standen; Cecilia-Mrs Bannister;
 Dolce-Miss Palmer.  *ppan La Molinarella.  As 14 May.  *dEnd I: +La Fille Mal G
ardee=, as 30 Apr.; End Opera: +Le Siege de Cythere=, as 16 June.  *p7 1 hay The
 Spanish Barber.  As 6 June, but Notary-Cubitt.  *aThe Minor.  Sir William Wealt
hy-Wewitzer; Mr Wealthy-Usher; The Minor-Iliff; Shift, Smirk-Bannister Jun.; Loa
der-R. Palmer; Dick-Burton; Mrs Cole-Mr Bannister; Lucy-Miss Heard.  *dEnd: [a n
ew Dance,% +The Kiss=[; or, +Give and Take=%-Byrn, Platt, Mrs Goodwin, Miss DeCa
mp.  *p2 hay The Kentish Barons.  As 28 June.  *aThe Son-in-Law.  As 30 June.  *
pking's Entertainments of Music and Dancing.  [+Songs= and Vocal Parts% As 25 Ju
ne.  *dEnd I: +Les Folies d'Espagne=, as 21 June, but +Casali.  *bEnd II: +La Fe
te du Seigneur=.  As 28 June.  *ppan La Locanda.  As 16 June.  *dAs 16 June.  *p
4 hay Seeing is Believing.  As 18 June.  *aThe Battle of Hexham.  As 24 June, bu
t Goodman Hobbs-Rock; Rasher-Burton.  *aHalf an Hour after Supper.  As 16 June. 
 *p5 hay The Kentish Barons.  As 28 June.  *aThe Minor.  As 1 July.  *pking's En
tertainments of Music and Dancing.  [+Songs= and Vocal Parts% As 25 June.  *dAs 
2 July.  *b+La Fete du Seigneur=.  As 2 July.  *ppan La Molinarella.  As 14 May.
  *dAs 16 June.  *c[Opera in place of +La Locanda=, advertised in +Morning Post=
, 4 July.]  *p6 hay Inkle and Yarico.  As 21 June.  *aThe Village Lawyer.  As 21
 June.  *p7 hay A Quarter of an Hour before Dinner.  As 29 June.  *aThe Kentish 
Barons.  As 28 June.  *aTaste and Feeling.  Principal Characters-Wilson, Bannist
er Jun., Iliff, Bland, Chapman, Farley, Evatt, Abbott, Lyons, Mrs Brooks, Mrs Po
well, Miss Palmer.  [Cast adjusted from +London Chronicle=, 8 July: Mr Gout-Wils
on; Mr Robert Gout-Bannister Jun.; Ned Howard-Iliff; William-Bland; Landlord-Cha
pman; Harriet-Mrs Brooks; Mrs Gout-Mrs Powell; Lucy-Miss Palmer; Farley, Evatt, 
Abbott, Lyons are unassigned.]  *c3rd piece: Performed but once [on 13 Aug. 1790
].  *p8 hay The Author.  Governor Cape-Usher; Young Cape-R. Palmer; Sprightly-Il
iff; Cadwallader-Bannister; Printer's Devil-Burton; Robin-Chapman; Mrs Cadwallad
er-Mrs Wells; Arabella-Mrs Cuyler.  *aThe Battle of Hexham.  As 4 July.  *p9 hay
 Half an Hour after Supper.  As 16 June.  *aNext Door Neighbours.  [Characters b
y Palmer, Aickin, Palmer Jun., Kemble, Baddeley, Bannister Jun., Evatt, R. Palme
r, Ledger, Abbott, Chapman, Mrs Brooks, Miss Heard, Mrs Edwards, Mrs Kemble.  [C
ast from text ($G. G. J. and J. Robinson=, 1791), and playbill of 16 July 1792:%
 Sir George Splendorville-Palmer; Willford-Aickin; Henry-Palmer Jun.; Mr Manly-K
emble; Mr Blackman-Baddeley; Bluntly-Bannister Jun.; Lord Hazard-Evatt; Mr Lucre
-R. Palmer; Servants-Ledger, Abbott; Shopman-Chapman; Lady Caroline Seymour-Mrs 
Brooks; Lady Bridget Squander-Miss Heard; Evans-Mrs Edwards; Eleanor-Mrs Kemble;
 +Prologue=-Bannister Jun; +Epilogue=-Mrs Kemble.  *aThe Author.  As 8 July.  *c
2nd piece [1st time; C 3, by $Elizabeth Inchbald=, based on +L'Indigent=, by $Lo
uis Sebastien Mercier=, and on +Le Dissipateur; ou, L'Honnete Friponne=, by $Phi
lippe Nericault=, dit $Destouches=.  Prologue and Epilogue by $Thomas Vaughan= (
see text)].  +Morning Chronicle=, 21 July 1791: This Day is published +Next Door
 Neighbours= (1s. 6d.).  *pking's Entertainments of Music and Dancing.  [+Songs=
 and Vocal Parts% As 25 June.  *dEnd I: +Divertisement=, as 26 Mar., but _Vestri
s? Jun., +Casali.  *bEnd II: +L'Amadriade=.  As 17 May, but +Minuet de la Cour=-
[as 6 June%Mlle Dorival, Vestris Sen.  *c[The last night of the season.]  *ppan 
La Locanda.  As 16 June.  *dAs 22 Mar.  *b+Telemachus in the Island of Calypso=.
  As 22 Mar.  *p11 hay Seeing is Believing.  As 18 June.  *aNext Door Neighbours
.  As 9 July. [+Prologue=, +Epilogue= as 9 July.%  *aGretna Green.  As 23 June. 
 *pking's None.  *cThe Nobility and Gentry, Subscribers to this Theatre, are mos
t respectfully acquainted that the engagements of the performers being now at an
 end, it is therefore impossible to complete, this year, the usual number of Sub
scription Nights; but that arrangements are at this time forming for next Season
 (the particulars of which will shortly be laid before them) when the deficient 
representations, unavoidable this year, will be made up by Extra Tickets to each
 Subscriber, to Entertainments which, it is hoped, that they will find more wort
hy of their liberality than those performances which, under the circumstances of
 the present season, have been permitted at this Theatre.  *p12 hay Seeing is Be
lieving.  As 18 June.  *aNext Door Neighbours.  As 9 July. [+Prologue=, +Epilogu
e= as 9 July.%  *aA Mogul Tale.  As 17 June, but Guard-Cubitt.  *ppan La Molinar
ella.  As 14 May.  *dAs 16 June.  *p13 hay The Kentish Barons.  As 28 June.  *aT
he Son-in-Law.  As 30 June.  *p14 hay Next Door Neighbours.  As 9 July, but Sir 
George Splendorville-Williamson [in place of $Palmer=%. [+Prologue=, +Epilogue= 
as 9 July.%  *aA Quarter of an Hour before Dinner.  As 29 June.  *aThe Citizen. 
 Old Philpot-Wilson; Young Philpot-Bannister Jun.; Sir Jasper Wilding-Burton; Yo
ung Wilding-R. Palmer; Beaufort-Evatt; Dapper-Barrett; Quildrive-Powell; William
-Abbott; Maria-Mrs Goodall; Corinna-Miss Palmer.  *c[In mainpiece the playbill r
etains $Palmer=, but "Last night previous to the new play $R. Palmer= came forwa
rd to make an apology for his brother not being able to make his appearance, hav
ing met with an accident in returning from the country in his professional pursu
it.  His place was supplied by $Williamson=" (+Morning Post=, 15 July).  He "was
 thrown out of a chaise on Wednesday evening, by which accident his collar bone 
was broken" (+Gazetteer=, 16 July).  *ppan La Locanda.  As 16 June.  *dAs 16 Jun
e.  *p15 hay The Farm House.  Modely-R. Palmer; Freehold-Aickin; Shacklefigure-B
arrett; Heartwell-Iliff; Sir John English-Usher; Constables-Burton, Ledger; Aura
-Miss Fontenelle; Flora-Miss Heard.  *aThe Battle of Hexham.  As 8 June, but Mar
quis of Montague-Cubitt; La Varenne-Evatt; Gondibert-Williamson; Goodman Hobbs-R
ock; Rasher-Burton; Robbers-+Bannister, +Davies; Villagers-Mrs +Bland, Mrs +Powe
ll, Miss +Hale, Mrs +Edwin.  *p16 hay A Quarter of an Hour before Dinner.  As 29
 June.  *aThe Kentish Barons.  As 28 June.  *aHalf an Hour after Supper.  As 16 
June.  *ppan Idalide.  As 25 June.  *dAs 10 May.  *p18 hay Half an Hour after Su
pper.  As 16 June.  *aNext Door Neighbours.  As 14 July[, but $Williamson='s nam
e listed in playbill.  +Prologue=, +Epilogue= as 9 July.%.  *aThe Son-in-Law.  A
s 30 June.  *ppan La Locanda.  As 16 June.  *dAs 23 June.  *p19 hay Inkle and Ya
rico.  As 21 June, but Inkle (1st time at this theatre)-Johnstone.  *aThe Villag
e Lawyer.  As 21 June.  *c[$Johnstone='s 1st appearance as +Inkle=r was at +cg=,
 22 Oct. 1788.]  *ppan La Bella Pescatrice.  As 1 Mar.  *dAs 30 June.  *cThe las
t Night this Season.  *p20 hay Seeing is Believing.  As 18 June.  *aNext Door Ne
ighbours.  As 18 July. [+Prologue=, +Epilogue= as 9 July.%  *aThe Flitch of Baco
n.  Major Benbow-Wilson; Justice Benbow-Usher; Captain Greville-Johnstone; Capta
in Wilson-Bannister; Tipple-Edwin; Kilderkin-Ledger; Ned-Burton; Putty-Rock; Eli
za-Mrs Bannister.  *p21 hay The Battle of Hexham.  As 15 July.  *aThe Minor.  As
 1 July.  *dAs 1 July.  *p22 hay Two to One.  Dupely-Wilson; Captain Dupely-Aick
in; Sir Thomas Townly-Baddeley; Young Townly-Williamson; Beaufort-R. Palmer; Dic
ky Ditto-Edwin; Crape-Davies; Waiter-Farley; Post@boy-Barrett; Servant-Ledger; C
harlotte-Mrs Bannister; Tippet (1st time)-Miss Fontenelle.  *aThe Village Lawyer
.  As 21 June.  *dAs 1 July.  *cMainpiece: Not acted these 2 years.  *p23 hay Ha
lf an Hour after Supper.  As 16 June.  *aNext Door Neighbours.  As 18 July. [+Pr
ologue=, +Epilogue= as 9 July.%  *aGretna Green.  As 23 June.  *p25 hay A Quarte
r of an Hour before Dinner.  As 29 June.  *aThe Kentish Barons.  As 28 June.  *a
The Village Lawyer.  As 21 June.  *p26 hay She Wou'd and She Wou'd Not.  Don Man
uel-Parsons; Don Phillip-Bensley; Octavio-Williamson; Trappanti-Bannister Jun.; 
Soto-Baddeley; Diego-Burton; Don Lewis-Evatt; Hypolita-Mrs Jordan (1st and only 
time of appearing on this stage); Rosara-Miss Heard; Flora-Miss Fontenelle; Vill
etta-Mrs Whitfield.  *aThe Son-in-Law.  As 30 June.  *dAs 1 July.  *cBenefit for
 Mrs Bannister.  +Public Advertiser=, 21 July: Tickets to be had of $Mrs Bannist
er=, +Frith-street=, +Soho=.  Receipts: #250 (+Gazetteer=, 5 Sept.).  *p27 hay N
ext Door Neighbours.  As 18 July. [+Prologue=, +Epilogue= as 9 July.%  *aA Quart
er of an Hour before Dinner.  As 29 June.  *aThe Flitch of Bacon.  As 20 July.  
*p28 hay Seeing is Believing.  See 18 June.  *aThe Son-in-Law.  As 30 June.  *aN
ext Door Neighbours.  As 18 July, but Eleanor-Mrs Taylor [in place of $Mrs Kembl
e=%; +Epilogue=-_ [and thereafter]. [+Prologue= as 9 July.%  *cIn consequence of
 the Indisposition of a principal Performer [$Mrs Goodall= (+Diary=, 29 July)] +
The Battle of Hexham= [advertised on playbill of 27 July] is unavoidably postpon
ed.  *p29 hay Half an Hour after Supper.  As 16 June.  *aNext Door Neighbours.  
As 28 July. [+Prologue= as 9 July.%  *aThe Minor.  As 1 July.  *p30 hay Half an 
Hour after Supper.  As 16 June.  *aThe Surrender of Calais.  [Characters by Will
iamson, Bland, Usher, Aickin, Farren (1st appearance at this theatre), Bensley, 
Iliff, Evatt, Johnstone, Bannister Jun., Wilson, Parsons, Wewitzer, Burton, Rock
, Chapman, Abbott, Powell, Barrett, Mrs Goodall, Mrs Kemble, Mrs Bland.  Other% 
Vocal Parts-Davies, Cubitt, Kenrick, Willoughby, Linton, Dorion, Aylmer, Little,
 Brown, Lyons, Mrs Bannister, Mrs Iliff, Mrs Edwards, Mrs Taylor, Miss Fontenell
e, Miss DeCamp, Mrs Edwin, Mrs Powell, Miss Hale, Mrs Gaudry; [Cast from text ($
Longman= [et al.], 1808), and +Larpent MS 913=:% King Edward the III-Williamson;
 Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribaumont-Farren
 [in text: $Palmer=]; Eustache de St. Pierre-Bensley; Officer-Iliff [in text: $P
almer Jun.=]; John d'Aire-Evatt; O'Carrol-Johnstone; La Gloire-Bannister Jun.; S
erjeant-Wilson; Workmen-Parsons, Burton; Citizens-Wewitzer, Abbott, Barrett; Cry
er-Rock; Old Man-Chapman [in text: $Johnson=]; Arundel-Powell; Queen-Mrs Goodall
; Julia-Mrs Kemble; Madelon-Mrs Bland; Attendant-Mrs Taylor; Nuns-Miss Fontenell
e, Miss DeCamp, Mrs Edwin, Mrs Powell.  *cMainpiece [1st time; MD 3, by $George 
Colman, ynger=]: The new Musick (with a Martial Overture) by $Dr Arnold=.  The S
cenery by $Rooker=.  The Characters will be dressed [playbill of 6 Aug.: The Dre
sses by $Whitfield=] in the Habits of the Times.  Books of the Songs [$T. Cadell
=, 1791] to be had at the Theatre.  *p8 1 hay Seeing is Believing.  As 18 June. 
 *aThe Surrender of Calais.  As 30 July.  *p2 hay The Country Girl.  Moody-Bensl
ey; Harcourt-Williamson; Sparkish (for that night only)-Bannister Jun.; Belville
-Bland; Footman-Farley; Ralph-Barrett; William-Rock; Alithea-Mrs Whitfield; The 
Country Girl-Mrs Jordan (last appearance on this stage); Lucy-Miss Fontenelle.  
*aThe Village Lawyer.  As 21 June.  *cBenefit for Parsons.  +Morning Chronicle=,
 29 July: Tickets to be had of $Parsons= at his house, near the +Asylum, Lambeth
=.  *p3 hay A Quarter of an Hour before Dinner.  As 29 June.  *aThe Surrender of
 Calais.  As 30 July.  *p4 hay Half an Hour after Supper.  As 16 June.  *aThe Su
rrender of Calais.  As 30 July.  *p5 hay Inkle and Yarico.  As 19 July.  *aThe M
ayor of Garratt.  Sir Jacob Jollup-Usher; Major Sturgeon-Bannister; Jerry Sneak-
Bannister Jun. (1st appearance in that character on this stage); Crispin Heeltap
-Burton; Bruin-Cubitt; Lint-Barrett; Roger-Farley; Snuffle-Lyons; Mob-Ledger, Ab
bott; Mrs Sneak-Mrs Webb; Mrs Bruin-Mrs Powell.  *dAs 1 July.  *cBenefit for $Mr
s Webb=.  "The +Jerry Sneak=r of the younger $Bannister= [whose 1st appearance i
n that part was at +dl=, 5 Apr. 1791] is comic perfection--the purity of his +Co
ckney dialect=, the inanity of his laugh, and the diverting nonsense of his +Duc
kies=, convulsed the audience with their odd effect" (+Oracle=, 18 Aug.).  +Orac
le=, 3 Aug.: Tickets to be had of Mrs Webb, No. 19, +Catherine-street=, +Strand=
.  *p6 hay Seeing is Believing.  As 18 June.  *aThe Surrender of Calais.  As 30 
July.  *p8 hay A Quarter of an Hour before Dinner.  As 29 June.  *aThe Surrender
 of Calais.  As 30 July.  *p9 hay Piety in Pattens.  The Squire-R. Palmer; Butle
r-Cornellys; Polly Pattens (1st time)-Mrs Brooks; Mrs Candy-Mrs Powell.  *aThe S
urrender of Calais.  As 30 July.  *p10 hay Inkle and Yarico.  As 19 July, but Si
r Christopher Curry-Wilson (1st appearance in that character).  *aA Trip to Elys
ium; or, Foote, Weston, Shuter, and Edwin in the Shades.  Foote (in the characte
r of the +Devil=r [in +The Devil upon Two Sticks=])-Bannister; Weston (as +Docto
r Last=r [in the same])-Wewitzer; Shuter (as +Justice Woodcock=r [in +Love in a 
Village=])-Parsons; Edwin (as +Lingo=r [in +The Agreeable Surprise=])-Wilson; Wi
lson-Evatt.  *aPeeping Tom.  Earl of Mercia-Cubitt; Mayor of Coventry-Wewitzer; 
Harold-Davies; Count Louis-Lyons; Tom-Wilson (1st appearance in that character);
 Crazy-Barrett; Godina-Mrs Cuyler; Emma-Mrs Bannister; Mayoress-Mrs Webb; Maud-M
rs Kemble.  *cBenefit for $Wilson=.  [2nd piece: 1st acted at the +hay=, 10 Aug.
 1784, as +A Peep into Elysium=.]  +Oracle=, 6 Aug.: Tickets to be had of Wilson
, +Park-lane=, +Church-lane=, +Chelsea=.  *p11 hay A Quarter of an Hour before D
inner.  As 29 June.  *aThe Surrender of Calais.  As 30 July.  *p12 hay The Young
 Quaker.  As 23 June, but Araminta (1st time)-Mrs Iliff.  *aThe Minor.  As 1 Jul
y, but Mrs Cole-A Gentleman (1st appearance on any stage [unidentified]).  *cBen
eift for $Mr and Mrs Iliff=.  *p13 hay Next Door Neighbours.  As 18 July, but +P
rologue=-_; +Epilogue=-_[and thereafter].  *aThe Padlock.  Don Diego-Bannister; 
Leander-Davies; Mungo-Cornellys; Scholars-Evatt, Farley; Leonora-A Young Lady (1
st appearance on any stage [unidentified]); Ursula-Mrs Webb.  *aThe Irishman in 
Spain.  [Characters by R. Palmer, Evatt, Wewitzer, Farley, Rock, Mrs Goodall, Mi
ss Fontenelle.  [Cast from text ($J. Ridgway=, 1791), and +European Magazine=, A
ug. 1791, p. 142:% Don Carlos-R. Palmer [in text: $Farley= (see 3 Sept.)]; Don F
abio-Evatt; Don Guzman-Wewitzer; Servant-Farley; Kilmainham-Rock; Olivia-Mrs Goo
dall [in text: $Miss Heard= (see 2 Sept.)]; Viletta-Miss Fontenelle; +Prologue=-
R. Palmer.  *c3rd piece [1st time; F 2, by $Charles Stuart=, "from the +Spanish=
"; on 2 Sept. reduced to 1 act.  Prologue by the author (see text)].  "The Piece
, we understand, was originally founded on some topics that have of late engross
ed the conversation of much of the fashionable world...The +Lord Chamberlain= th
ought [it] too delicate a nature to appear with the allusions and title it then 
bore, +She would be a Duchess=.  The consequence was that the offensive bits wer
e expunged and the piece re-christened...It would be unfair to make any observat
ions...in the mutilated stage it was presented" (+Public Advertiser=, 15 Aug.). 
 "Some part of the plot was supposed to allude to the late occurrences in the fa
mily of $General John? Gunning=, who was indulged with the privilege of erasing 
[from the MS] that which he disliked, and who reduced it to its present feeble a
nd unconnected form" (+Gazetteer=, 15 Aug.).  [The reference in the original tit
le is to the simultaneous flirtation of $Miss Elizabeth Gunning=, the General's 
daughter, with the eldest sons of the $Dukes of Marlborough and Argyll= (see +dn
b=, under $Susannah Gunning=).  +She would be a Duchess=: in +Larpent MS 915=.] 
 *p15 hay The Surrender of Calais.  As 30 July.  *aThe Liar.  Sir James Elliot-R
. Palmer; Old Wilding-Aickin; Young Wilding-Palmer; Papillion-Burton; Miss Godfr
ey-Miss Heard; Miss Grantham-Mrs Brooks; Kitty-Miss Hale.  *p16 hay The Battle o
f Hexham.  As 8 June, but Marquis of Montague-Cubitt; La Varenne-Evatt; Prince o
f Wales-Miss Kemble (1st appearance on any stage); Drummer-Chapman; Adeline-Miss
 Heard (1st appearance in that character); Goodman Hobbs-Rock; Rasher-Burton; Ro
bbers-+Bannister, +Davies; Villagers-Mrs +Bland, Mrs +Powell, Miss +Hale, Mrs +E
dwin.  *aThe Northern Inn; or, The Days of Good Queen Bess.  [Characters by R. P
almer, Wilson, Evatt, Bannister Jun., Wewitzer, Abbott, Miss Fontenelle, Mrs Tay
lor.  [Cast adjusted from +Larpent MS=:% Capt. Talbot-R. Palmer; Boastall-Wilson
; Ingram-Evatt; Spruce-Bannister Jun.; Stephen-Wewitzer; Servant-Abbott; Agnes-M
iss Fontenelle; Joan-Mrs Taylor; +Prologue=-Bannister Jun.  *cBenefit for $Mrs K
emble=.  Afterpiece [1st time: F 2, by $Stephen George Kemble=, altered from +Th
e Fair Maid of the West=, by $Thomas Heywood=.  +Larpent MS 914=; not published.
  Author of Prologue unknown].  +Morning Chronicle=, 15 Aug.: Tickets to be had 
of Mrs Kemble, next door to the +Old Slaughter's Coffee-house=, +St. Martin's La
ne=.  "$Miss Kemble=, though only four years of age, drew forth much applause" (
+Diary=, 17 Aug.).  *p17 hay The Surrender of Calais.  As 30 July.  *aThe Mayor 
of Garratt.  As 5 Aug.  *p18 hay The Manager in Distress.  Bustleton-Powell; Man
ager-Aickin; Easy-Iliff; Gentleman in the Balcony-Kean; Irishman in the Pit-R. P
almer; Prompter-Evatt; Actresses-Mrs Cuyler, Mrs Powell, Miss Palmer, Miss Heard
; Lady in the Balcony-Mrs Webb.  *aThe Surrender of Calais.  As 30 July.  *p19 h
ay The Beggar's Opera.  Peachum-Wilson; Lockit-Cubitt; Macheath (for that night 
only)-Mrs Edwards; Filch (for that night only)-Miss Fontenelle; Mat o' th' Mint-
Chapman; Polly-Mr Bannister; Lucy-Mr Johnstone; Diana Trapes-Mr Parsons; Mrs Vix
en-Mr Wewitzer; Mrs Slammekin-Mr Bannister Jun. (The only time of their appearin
g in those characters); Mrs Peachum-Mrs Webb.  *aThe Village Lawyer.  As 21 June
.  *cBenefit for Johnstone.  +Morning Chronicle=, 15 Aug.: Tickets to be had of 
$Johnstone=, No. 10, +Russell-street=, +Covent Garden=.  *p20 hay The Manager in
 Distress.  As 18 Aug.  *aThe Surrender of Calais.  As 30 July.  *p22 hay The Su
rrender of Calais.  As 30 July.  *aThe Village Lawyer.  As 21 June.  *p23 hay Th
e Manager in Distress.  As 18 Aug.  *aThe Surrender of Calais.  As 30 July.  *p2
4 hay King Richard III.  King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke o
f York-Miss Standen; King Richard-Bannister Jun. (1st appearance in that charact
er, and for that night only); Richmond-Palmer; Buckingham-Williamson; Norfolk-Us
her; Ratcliffe-Evatt; Catesby-Davies; Tressel-Bland; Oxford-Farley; Lieutenant-C
ubitt; Stanley-Aickin; Blunt-Lyons; Tyrrel-Rock; Lord Mayor-Chapman; Forest-Ledg
er; Queen-Mrs Whitfield; Lady Anne-Mrs Kemble; Dutchess of York-Mrs Powell.  *aT
he Mayor of Garratt.  As 5 Aug., but [added to +Major Sturgeon=r:% +O! what a ch
ariing Thing's a Battle=-Bannister; [to +Jerry Sneak=r% +What shall we have for 
Dinner Mrs Bond?=-Bannister Jun.; Mob-_.  *sEnd: +The Wolf=-Bannister.  *e[+Mono
logue=.%  Before: +Occasional Address=-Palmer.  *cBenefit for Bannister.  [Addre
ss by $George Colman, ynger= (+European Magazine=, Sept. 1791, p. 227).]  +Oracl
e=, 19 Aug.: Tickets to be had of $Bannister=, No. 7, +Suffolk-street=, +Haymark
et=.  Receipts: #236 (+Gazetteer=, 5 Sept.).  *p25 hay The Author.  As 8 July, b
ut Mrs Cadwallader-Mrs Goodall (1st appearance in that character).  *aThe Surren
der of Calais.  As 30 July.  *p26 hay The Battle of Hexham.  As 16 Aug., but Pri
nce of Wales-Miss Gaudry.  *aThe Catch Club [i.e. +The Sons of Anacreon=].  Pres
ident-Palmer; Vocal Parts-Bannister, Johnstone, Davies, Cubitt, Chapman.  *aWho'
s the Dupe?  As 8 June.  *cBenefit for Palmer.  +Oracle=, 22 Aug.: Tickets to be
 had of $Palmer=, No. 3, +London Road=, +Lambeth=.  *p27 hay Seeing is Believing
.  As 28 July.  *aThe Surrender of Calais.  As 30 July, but John de Vienne-[$Aic
kin='s part read by% Kemble.  *aThe Manager in Distress.  As 18 Aug., but Manage
r (1st time)-Davies [added to +Gentleman in the Balcony=r (with +Imitations=)%. 
 *c"The modest, tender $Mrs Kemble= deserves to be noticed for a faculty which s
he possesses, perhaps, more than any person upon the stage, more even than $Mrs 
Siddons=, who has it, however, in a very great degree.  While she is upon the st
age, she is always enacting, whether in speech or not; and never, for a moment, 
forgets the character, to look at her dress, or at the audience, or to discover 
any appearance of uneasiness at the consciousness of being looked at, when there
 is nothing to be said.  The players call this bye-play; and it is a very import
ant part of their art.  We are perpetually reminding $Bensley= of his want of it
, in speaking to the audience more than to the characters...[The playbill retain
s $Aickin=, but] $Kemble= read the part of the +Governor=r for Aickin, and did n
ot get through it very well" (+Gazetteer=, 29 Aug.).  *p29 hay A Quarter of an H
our before Dinner.  See 29 June.  *aThe Surrender of Calais.  As 27 Aug., but [$
Kemble='s name listed in playbill,% Queen-Mrs Whitfield (in place of $Mrs Goodal
l=; 1st appearance [in that character]).  *aHalf an Hour after Supper.  As 16 Ju
ne.  *p30 hay The Manager in Distress.  As 27 Aug.  *aNext Door Neighbours.  As 
13 Aug., but Willford-Davies (in place of $Aickin=; 1st appearance [in that char
acter]).  *aGretna Green.  As 23 June.  *p31 hay The Surrender of Calais.  As 30
 July, but John de Vienne-Kemble [in place of $Aickin=%; Bland_; Usher_; Iliff_;
 Evatt_; Chapman_; Citizens-_Abbott, _Barrett; Powell_; Vocal Parts-_Willoughby,
 _Linton, _Dorion, _Aylmer, _Little, _Brown, _Lyons, Mrs _Taylor, Miss _Fontenel
le, Miss _DeCamp, Mrs _Edwin, Mrs _Powell, Miss _Hale, Mrs _Gaudry.  *aBon Ton; 
or, High Life above Stairs.  Lord Minikin-R. Palmer; Sir John Trotley (with the 
Original +Epilogue=)-King; Colonel Tivy-Palmer (1st appearance in that character
); Jessamy-Burton; Davy-Parsons; Lady Minikin-Mrs Taylor; Miss Tittup-Mrs Brooks
; Gymp-Mrs Edwards.  *cBenefit for $Bannister Jun.=  [Afterpiece: Prologue by $G
eorge Colman, elder=.]  +Public Advertiser=, 29 Aug.: Tickets to be had of Banni
ster Jun., No. 2, +Frith-street=, +Soho=.  Receipts: #240 (+Gazetteer=, 5 Sept.)
.  *p9 1 hay The Battle of Hexham.  As 16 Aug.  *aKatherine and Petruchio.  As 6
 June, but Pedro-Evatt; Curtis-Mrs Powell.  *p2 hay The Surrender of Calais.  As
 30 July, but John de Vienne-Kemble [in place of $Aickin=%; John d'Aire-Cubitt [
of $Evatt=%; Serjeant-Davies [of $Wilson=%.  *aThe Irishman in Spain.  [Characte
rs by Bland, Wewitzer, Abbott, Lyons, Rock, Miss Heard, Miss Fontenelle.  [Cast 
adjusted from text ($J. Ridgway=. 1791), and +European Magazine=, Aug. 1791, p. 
142:% Don Carlos-Bland; Don Guzman-Wewitzer; Don Fabio-Abbott; Servant-Lyons; Ki
lmainham-Rock; Olivia-Miss Heard; Viletta-Miss Fontenelle.  *cAfterpiece: Reduce
d to One Act [see 13 Aug.].  *p3 hay The Irishman in Spain.  As 2 Sept., but Don
 Carlos-Farley [in place of $Bland=%.  *aThe Surrender of Calais.  As 2 Sept.  *
aThe Manager in Distress.  As 27 Aug.  *p5 hay The Surrender of Calais.  As 30 J
uly, but John de Vienne-Kemble [in place of $Aickin=%; Vocal Parts-_Davies, _Cub
itt.  *aThe Village Lawyer.  As 21 June.  *cBenefit for Jewell, treasurer.  +Pub
lic Advertiser=, 29 Aug.: Tickets to be had of $Jewell=, No, 26, +Suffolk-street
=, +Charing-cross=.  *p6 hay The Surrender of Calais.  As 5 Sept.  *aThe Mayor o
f Garratt.  As 5 Aug., but Mob-_.  *p7 hay The Battle of Hexham.  As 16 Aug., bu
t Barton-Kemble.  *aThe Liar.  As 15 Aug.  *p8 hay The Surrender of Calais.  As 
30 July, but Vocal Parts-_Davies, _Cubitt.  *aThe Son-in-Law.  As 30 June.  *p9 
hay A Quarter of an Hour Before Dinner.  As 29 Aug.  *aThe Surrender of Calais. 
 As 8 Sept.  *aThe Irishman in Spain.  As 3 Sept.  *p10 hay The Surrender of Cal
ais.  As 8 Sept.  *aThe Village Lawyer.  As 21 June.  *p12 hay The Surrender of 
Calais.  As 8 Sept., but Sir Walter Manny-Cubitt [in place of $Usher=%; John d'A
ire-Usher [of $Evatt=%.  *aWho's the Dupe?  As 8 June.  *p13 hay The Surrender o
f Calais.  As 8 Sept., but Madelon-Miss DeCamp [in place of $Mrs Bland=%.  *aThe
 Mayor of Garratt.  As 6 Sept.  *p14 hay Seeing is Believing.  As 18 June.  *aTh
e Spanish Barber.  As 1 July.  *aKatherine and Petruchio.  As 1 Sept.  *p15 hay 
The Surrender of Calais.  As 13 Sept.  *aWho's the Dupe?  As 8 June.  *cLast Nig
ht [of performing this season].  *p16 hay The Manager in Distress.  As 18 Aug., 
but Lady in the Balcony-Mrs Booth; [+Gentleman in the Balcony=: With% +Imitation
s=-Kean; Easy-_; Prompter-_; Actresses-_.  *aThe Spanish Barber.  As 6 June.  *a
Katherine and Petruchio.  As 6 June, but Music Master-_; Pedro-_.  *c[Extra nigh
t] By Permission of the +Lord Chamberlain=.  Benefit for $R. Palmer=.  +Oracle=,
 16 Sept.: Tickets to be had of R. Palmer, No. 14, +East Place=, +Lambeth=.     
                                            *p1791 9 12 cg The Dramatist; or, St
op Him Who Can.  Vapid-Lewis; Lord Scratch-Quick; Ennui-Munden (1st appearance i
n that character); Floriville-Blanchard; Peter-Thompson; Willoughby-Macready; Ne
ville-Holman; Marianne-Mrs Wells; Lady Waitfor't-Mrs Webb; Letitia-Mrs Platt; Mi
ss Courtney-Mrs Merry (late $Miss Brunton=).  *aThe Farmer.  Jemmy Jumps-Munden;
 Valentine-Johnstone; Rundy-Blanchard; Col. Dormant-Hull; Fairly-Thompson; Farme
r Stubble-Powel; Farmer Blackberry-Darley (1st appearance these 2 years); Molly 
Maybush-Mrs Martyr; Louisa-Mrs Mountain; Landlady-Mrs Platt; Betty Blackberry-Mr
s Mattocks.  *dEnd: +The Wapping Landlady=-King, Blurton, Mrs Watts.  *cThe Door
s to be opened at 5:30.  To begin at 6:30 [see 15 Nov.].  No Money to be returne
d.  Places for the Boxes to be taken of $Brandon= at the Theatre.  Boxes 5s. Pit
 3s. 1st Gallery 2s. Upper Gallery 1s.  Receipts: #176 9s. 6d. (169.16.0; 6.13.6
).  *phay The Surrender of Calais.  *aWho's the Dupe?  [See conclusion of preced
ing season.%  *p13 hay The Surrender of Calais.  *aThe Mayor of Garratt.  [See c
onclusion of preceding season.%  *p14 cg Fontainbleau; or, Our Way in France.  L
ackland-Lewis; Lepoche-Quick; Squire Tally@ho-Blanchard; Sir John Bull-Wilson; L
ord Winlove-Davies; Col. Epaulette-Marshall; Henry-Johnstone; Celia-Mrs Martyr; 
Rosa-Mrs Mountain; Lady Bull-Mrs Webb; Mrs Casey-Mrs Cross; Nannette-Miss Stuart
; Miss Dolly Bull-Mrs Mattocks.  *aModern Antiques; or, The Merry Mourners.  Coc
kletop-Quick; Joey-Blanchard; Napkin-Wilson; Frank-Munden; Hearty-Powel; Mrs Cam
omile-Miss Chapman; Belinda-Mrs Harlowe; Flounce-Mrs Rock; Nan-Mrs Cross; Mrs Co
ckletop-Mrs Mattocks.  *cReceipts: #132 11s. 6d. (127.0.6; 5.11.0).  *phay Seein
g is Believing.  *aThe Spanish Barber.  *aKatharine and Petruchio. [See conclusi
on of preceding season.%  *p15 hay The Surrender of Calais.  *aWho's the Dupe?  
[See conclusion of preceding season.%  *p16 cg The Suspicious Husband.  Ranger-L
ewis; Strickland-Farren; Bellamy-Davies; Jack Meggot-Marshall; Tester-Blanchard;
 Buckle-Thompson; Frankly-Holman; Mrs Strickland-Mrs Merry; Jacintha-Mrs Wells; 
Lucetta-Mrs Rock; Milliner-Miss Francis; Clarinda-Mrs Pope.  *aTom Thumb.  Tom T
humb-Master Simmons; Grizzle-Blanchard; Doodle-Davies; Noodle-Cubitt; Ghost-Darl
ey; Arthur-Quick; Huncamunca-Mrs Mountain; Glumdalca-Mrs Webb; Dollalolla-Mrs Ma
rtyr.  *cReceipts: #116 5s. (110.12.6; 5.12.6).  *phay The Manager in Distress. 
 *aThe Spanish Barber.  *aKatharine and Petruchio.  [See conclusion of preceding
 season.%  *p17 cg The Busy Body.  Marplot-Lewis; Sir George Airy-Holman; Sir Je
alous Traffic-Thompson; Charles Gripe-Macready; Whisper-Farley; Sir Francis Grip
e-Munden; Isabinda-Mrs Mountain; Patch-Mrs Harlowe; Scentwell-Mrs Platt; Miranda
-Mrs Pope.  *aLove in a Camp; or, Patrick in Prussia.  Captain Patrick-Johnstone
; Quiz-Quick; Darby-Munden; Marshal Ferbelin-Davies; Father Luke-Rock; Olmutz-Cu
bitt; Rupert-Williamson; Adjutant-Macready; Mabel Flourish-Mrs Webb; Norah-Miss 
Francis; Flora-Mrs Martyr.  *cPaid Music 16th Inst. #7 16s. 6d.; Properties 7s. 
7d.; Wardrobe #6 17s. 9d.; $Cox= for Scenemen #14 18s. 7d.; $Hodgins=, painter, 
#4 4s.: $Pugh=, painter, #4 4s.  Receipts: #142 5s. (137.2.6; 5.2.6).  *p19 cg T
he Count of Narbonne.  Austin-Harley; Theodore-Bloomfield (from the $Theatre Roy
al, Bath=; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt
; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.  *
aA Divertisement.  [The Speaking Characters-Johnstone, Wilson, Blanchard, Incled
on, Darley, Cubitt, Rees, Mrs Martyr, Mrs Arnold.  [Cast adjusted from Songs (Fo
r the Author [1790]):% Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gre
gory-Blanchard; Squire Thicket-Incledon; Clueline-Darley; Flambeau-Cubitt; Whim-
Rees; Peggy-Mrs Martyr; Sophia-Mrs Arnold; Female Indian-Mrs Mountain; [With% Di
alogue-; [to introduce the following favourite +Songs=, selected, written, and c
omposed (with new accompaniments) by $Dibdin=:% The Lamplighter[, +I'm jolly Dic
k the Lamplighter=%-Cubitt; Peggy Perkins[, +Let Bards elate=%-Blanchard; Irish 
Drinking Song[, +Of the Ancients its speaking=%-Johnstone; The Greenwich Pension
er ['+Twas in the good ship Rover=], Tom Bowling [+Here a shere Hulk lies poor T
om Bowling=]-Darley; Comic Song[, +How much I love thee=%-Wilson; Taffy and Grid
dy[, +Abergavenny is fine=%-Mrs Martyr; Hunting Song[, +To Batchelor's Hall=%-In
cledon; Poor Jack[, +Go patter to Lubbers=%-Incledon; The Portrait[, +Come, Pain
ter, with thy happiest flight=%-Incledon; [Conclude Rural Masquerade:% Indian So
ng[, +Dear Yanco say, and true he say=%-Mrs Mountain; Sea Song[, +A Sailor's lif
e's a life of woe=%-Mrs Arnold (1st time); The Masquerade[, +Sure an't the World
 a Masquerade=%-Johnstone, Chorus.  *cReceipts: #174 7s. (168.16.6; 5.10.6).  *p
20 cg The Beggar's Opera.  Capt. Macheath-Incledon (1st appearance in that chara
cter); Peachum-Wilson; Locket-Cubitt; Mat o' the Mint-Darley; Ben Budge-Rock; Fi
lch-Blanchard; Lucy-Mrs Martyr; Mrs Peachum-Mrs Webb; Jenny Diver-Miss Stuart; P
olly-Miss Broadhurst.  *aThe Follies of a Day.  Count Almaviva-Lewis; Figaro-Bla
nchard; Antonio-Quick; Bazil-Powel; The Page (with a +song=)-Mrs Martyr; Countes
s-Miss Chapman; Marcelina-Mrs Webb; Agnes-Miss Francis; Susan-Mrs Pope.  *dIn II
I: a +Hornpipe= [in Character%-Ratchford.  *cReceipts: #151 5s. 6d. (146.6.0; 4.
19.6).  *p21 cg He Wou'd be a Soldier.  Sir Oliver Oldstock-Quick; Colonel Talbo
t-Aickin; Captain Crevelt-Lewis; Caleb (with a +song= in character)-Fawcett (fro
m the $Theatre Royal, York=; 1st appearance on this stage); Mandeville-Farren; C
ount Pierpoint-Marshall; Wilkins-Cubitt; Johnson-Macready; Amber-Thompson; Harri
et-Mrs Wells; Mrs Wilkins-Mrs Rock; Lady Oldstock-Mrs Webb; Nancy-Mrs Cross; Bet
ty-Mrs Davenett; Charlotte-Mrs Pope.  *aCymon.  Cymon-Incledon; Dorus-Quick; Mer
lin-Cubitt; Shepherds-Evatt, Farley; Linco-Blanchard; Shepherdesses-Miss Stuart,
 Miss Francis; Urganda-Mrs Martyr; Fatima-Mrs Wells; Dorcas-Mrs Pitt; Sylvia-Mrs
 Mountain.  *cReceipts: #162 3s. (158.8; 3.15).  *p22 dlking's Poor Old Drury!!!
  [See 27 Sept.%  *aThe Haunted Tower.  Lord William-Kelly; Baron of Oakland-Bad
deley; Edward-Bannister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Hugo
-Moody; Baron de Courcy-Whitfield; Martin-Hollingsworth; Servant-Lyons; Lady Eli
nor-Mrs Crouch; Adela-Sga Storace; Cicely-Mrs Edwards; Maud-Mrs Booth.  *aThe Pa
nnel.  Don Guzman-Baddeley; Don Ferdinand-Barrymore; Don Carlos-Whitfield; Don P
edro-Benson; Octavio-Phillimore; Muskato-Bannister Jun.; Lazarillo-R. Palmer; La
wyer-Fawcett [+Public Advertiser=: $Maddocks=]; Marcella-Mrs Goodall; Aurora-Mrs
 Kemble; Beatrice-Mrs Jordan; Leonarda-Mrs Booth.  *cNo Money to be returned.  B
oxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s.  Plac
es for the Boxes to be taken of $Fosbrook=, at the Theatre.  The Doors to be ope
ned at 5:30.  To begin at 6:30 [see 14 Nov.].  The Avenues to the Boxes, Pit and
 Gallery are all at the Front of the Theatre in the +Hay-Market=, and the Door i
n +Market-Lane= is for Chairs only.  "The short time since it had been determine
d to occupy this theatre had not been sufficient to enable the workmen to perfec
t what was intended so soon as was expected; nor could they be got out in time f
or opening the doors in the afternoon: this delay, and the difficulty of finding
 the way to different parts of the house [see 24 and 27 Sept.], caused some disg
ust" (+Universal Magazine=, Sept. 1791, p. 220).  1st piece [1st time; M. PREL 1
, $James Cobb=; music by $Storace= (+Kemble Mem.=).  +Larpent MS 918=; not publi
shed].  Receipts: #472 8s. 6d. (451.7.6; 20.6.0; 0.15.0).  *p23 cg The Widow of 
Malabar.  [Principal Characters by Holman, Farren, Thompson, Powel, Evatt, Harle
y, Mrs Rock, Mrs Merry.  [Cast from text ($William Lane=, 1791):% Young Bramin-H
olman; Raymond-Farren; Narrain-Thompson; 2nd Bramin-Powel; Albert-Evatt; Chief B
ramin-Harley; Fatima-Mrs Rock; Indamora-Mrs Merry.  *aThe Little Hunchback.  The
 Hunchback-Quick; Taylor-Blanchard; Jew Purveyor-Wilson; French Doctor-Marshall;
 Barber-Macready; Englishman-Powel; Doctor's Man-Rock; Bassa of Bagdad-Davies; D
ora-Mrs Rock; Taylor's Wife-Mrs Webb.  [For specific names of parts see 14 Apr. 
1789.]  *aComus.  Comus-Harley; Spirit-Thompson; Brothers-Macready, Evatt; Bacch
anals-Incledon, Davies, Darley, Cubitt, Williamson; The Lady-Mrs Wells; Bacchant
-Mrs Mountain; Pastoral Nymph-Miss Broadhurst; Sabrina-Miss Barnett; Euphrosyne-
Mrs Martyr.  *sIn 3rd piece: +Sweet Echo=-Miss Broadhurst; accompanied on the ha
utboy-W. Parke.  *c1st piece: With new Scenes and Dresses.  And a +Procession=, 
representing the Ceremonies attending the Sacrifice of an +Indian Woman=r on the
 Funeral Pile of her deceased Husband.  +As You Like It= [advertised on playbill
 of 21 Sept.] is obliged to be deferr'd, on account of the sudden indisposition 
of a Principal Performer.  Receipts: #156 5s. (151.12.6; 4.12.6).  *p24 dlking's
 Poor Old Drury!!!  As 22 Sept.  *aThe Haunted Tower.  As 22 Sept.  *aThe Devil 
to Pay.  Sir John Loverule-Dignum; Butler-Sedgwick; Cook-Fawcett; Footman-Philli
more; Jobson-Moody; Doctor-Benson; Lady Loverule-Mrs Ward; Lettice-Miss Tidswell
; Nell-Mrs Jordan.  *c+The School for Scandal= [advertised on playbill of 22 Sep
t., as was +No Song No Supper= for 3rd piece], intended for this Evening's Repre
sentation, is deferred till Tuesday, the Stage having been so constantly occupie
d by the Workmen preparing and adapting the various Scenes for this Theatre that
 the usual course of Rehearsals has been necessarily impeded.  The Public are mo
st respectfully informed that every Endeavour is exerting to remove all cause of
 Complaints respecting the Entrances and Passages to the different Doors of Admi
ssion.  The large Hall below Stairs will be opened at Five o'Clock, for the  acc
omodation of the Company frequenting the Pit previous to the opening the Office 
Doors.  Receipts: #347 4s. (303.19; 43.2; 0.3).  *p26 cg Romeo and Juliet.  Rome
o-Holman; Capulet-Powel; Benvolio-Davies; Friar Lawrence-Hull; Prince-Macready; 
Tibalt-Cubitt; Paris-Bloomfield; Peter-C. Powell; Balthazar-Evatt; Mercutio-Lewi
s; Lady Capulet-Mrs Platt; Nurse-Mrs Pitt; Juliet-Mrs Merry.  *aA Divertisement.
  As 19 Sept., but Sophia-Mrs Harlowe [in place of $Mrs Arnold=%; Sea Song-_.  *
sEnd IV: +Juliet's Funeral Procession=-; +Solemn Dirge=-; Vocal Parts-Johnstone,
 Incledon, Darley, Cubitt, Rock, Lee, Letteney, Mrs Mountain, Mrs Harlowe, Miss 
Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss L
eserve, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Mrs Byrne,
 Mrs Lloyd, Mrs Martyr.  *cIn I +Masquerade Scene= [incident to the Play%.  Rece
ipts: #212 2s. 6d. (210.11.6; 1.11.0).  *phay The Gentle Shepherd.  Sir William 
Worthy-Sincock; Patie-A Young Gentleman (1st appearance [unidentified]); Roger-B
aker; Symon-Johnson; Glaud (with +The Cries of Edinburgh=)-Shaw; Bauldy-Walker; 
Peggy-A Lady [unidentified]; Jenny-Miss Bonner; Madge, Elspy-Mr Service; Mause-M
r Blair.  *aThe Double Amour.  Capt. Sommerville-Lane; Mr Harley-Havard; Dick-Wr
ight; Mr Sellfield-Johnson; Sir Oliver Oafby-Swords (1st appearance on this stag
e these 3 years); Miss Sommerville-Miss Chatterley (1st appearance on any stage)
; Miss Noel-Mrs Steventon; Dorothy-Mrs Sincock; Maid-Miss Standen.  *dEnd IV: a 
+Dance=-Allison, Pupils of Allison.  *cBenefit for $Walker=.  Mainpiece: +Origin
al Scots Musical Pastoral=.  The Doors to be opened at 5:30.  To begin at 6:30. 
 Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.  *p27 dlking's Poor Old Dru
ry!!!  [Characters by Palmer, Parsons, Barrymore, R. Palmer, Wewitzer, Wrighten,
 Phillimore, Banks, Bland, Burton, Alfred.%  Vocal Parts-Dignum, Sedgwick, Fawce
tt, Chapman, Danby; Muses-Mrs Powell, Mrs Goodall, Miss Hagley, Miss DeCamp, Mis
s Collins, Miss Heard, Mrs Shaw, Mrs Butler, Mrs Brigg; [Cast from +Larpent MS 9
18=, and +London Chronicle=, 23 Sept.:% Palmer, Parsons, R. Palmer, Wrighten, Al
fred [all in their own persons]; French Critic-Wewitzer; Italian Singer-Bland; A
pollo-Dignum; Mercury-Sedgwick; Melpomene-Mrs Powell; Thalia-Mrs Goodall; Terpsi
chore-Miss DeCamp; Euterpe-Miss Collins; Phillimore, Banks, Burton.  *aThe Schoo
l for Scandal.  Sir Peter Teazle-King; Joseph Surface-Palmer; Charles Surface-Ke
mble; Sir Oliver Surface-Aickin; Snake-Phillimore; Rowley-Packer; Moses-Baddeley
; Careless-Barrymore; Trip-R. Palmer; Sir Benjamin Backbite-Dodd; Crabtree-Parso
ns; Lady Teazle-Miss Farren; Lady Sneerwell-Mrs Ward; Mrs Candour-Miss Pope; Mar
ia-Mrs Kemble.  *aNo Song No Supper.  Crop-Dignum;  Frederick-Kelly; Endless-Sue
tt; Robin-Bannister Jun.; William-Sedgwick; Servant-Alfred; Dorothy (1st time)-M
rs Edwards; Louisa-Mrs Crouch; Margaretta-Sga Storace; Nelly-Miss Hagley.  *sIII
 2nd piece: a +song=-Sedgwick.  *cReturn'd $Mr Thornhill= for places he could no
t get to #1 10s.  Receipts: #459 13s. (418.12; 40.5; 0.16).  *p28 cg He Wou'd be
 a Soldier.  As 21 Sept.  *aRobin Hood.  Robin Hood-Darley; Allen o'Dale-William
son; Little John-Quick; Ruttekin-Fawcett; Fitzherbert-Powel; Scarlet-Farley; Bow
man-Cubitt; Edwin-Johnstone; Clorinda-Mrs Martyr; Stella-Miss Francis; Annette-M
rs Rock; Angelina-Mrs Mountain.  *cReceipts: #148 8s. 6d. (140.14.6; 7.14.0).  *
p29 dlking's Poor Old Drury!!!  As 27 Sept.  *aThe Siege of Belgrade.  The Seras
kier-Kelly; Cohenberg-Palmer; Ismael-Benson; Yuseph-Suett; Leopold-Bannister Jun
.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Katherine-Mrs Crouch; F
atima-Miss Hagley; Lilla-Sga Storace; Ghita-Mrs Edwards.  *aAll the World's a St
age.  Sir Gilbert Pumpkin-Waldron; Charles-Barrymore; Harry-R. Palmer; William-L
yons; Hostler-Webb; Waiter-Phillimore; Diggery-Parsons; Cymon-Burton; Watt-Maddo
cks; Miss Bridget Pumpkin-Mrs Hopkins; Kitty Sprightly-Miss Collins.  *c2nd piec
e: The Scenes entirely new, designed and executed by $Greenwood=.  The Music com
posed principally by $Storace=, with a few pieces selected from $Martini= [i.e. 
$Martin y Soler=], $Salieri=, and $Paisiello=.  Receipts: #450 8s. (403.12; 46.1
2; 0.4).  *p30 cg The Castle of Andalusia.  Ferdinand-Johnstone; Spado-Quick; Pe
drillo-Fawcett; Phillippo-Blanchard; Don Scipio-Wilson; Don Caesar-Darley; Don J
uan-Cubitt; Rapino-Rock; Sanguina-Thompson; Lopez-Evatt; Alphonso-Incledon; Vict
oria-Mrs Mountain; Catalina-Miss Stuart; Isabel-Mrs Platt; Lorenza-Mrs Martyr.  
*aThe Mayor of Garratt.  Major Sturgeon-Wilson; Sir Jacob Jollup-Powel; Bruin-Cu
bitt; Heeltap-Rock; Lint-Thompson; Roger-Farley; Jerry Sneak (1st time)-Fawcett;
 Mrs Bruin-Mrs Cross; Mrs Sneak-Mrs Mattocks (1st appearance in that character).
  *cReceipts: #155 10s. (154.2; 1.8).  *p10 1 dlking's Poor Old Drury!!!  As 27 
Sept.  *aThe Rivals.  Sir Anthony Absolute-King; Captain Absolute-Palmer; Faulkl
and-Kemble; Acres-Dodd; Sir Lucius O'Trigger-Moody; Fag-R. Palmer; David-Holling
sworth; Coachman-Phillimore; Mrs Malaprop-Mrs Hopkins; Lydia Languish-Mrs Jordan
; Julia-Miss Farren; Lucy-Mrs Edwards.  *aThe Spoil'd Child.  Little Pickle (wit
h +songs=)-Mrs Jordan; Old Pickle-Suett; Tag-R. Palmer; John-Burton; Miss Pickle
-Mrs Hopkins; Maria-Miss Heard; Margery-Mrs Booth; Susan-Mrs Edwards.  *cPaid $J
ohnston='s bill #7 10s. 6d.; Supernumeraries #6 12s.; Chorus by $R. Shaw= #10; M
antuamaker #13 5s. 4d.; $Foulis= for Music Copying #2 8s.; Land Tax 1 Yr. #79 12
s. 6d.; Billstickers #3 6s.; $Booth=, tailor, #14 13s. 1d.  "$Mrs Jordan= has a 
voice, the tones of which are infinitely more musical and sweet than those of an
y professional singer we have.  There is also an interest about her singing, ari
sing not from what may be called musical feeling, but the impression of the subj
ect. Thus, though sometimes a little untrue, we love her songs, and forbear to w
eigh them in the diatonic or chromatic scales" (+Oracle=, 3 Oct.). Receipts: #45
0 3s. (393.2; 56.3; 0.18).  *p3 dlking's Poor Old Drury!!!  As 27 Sept.  *aAs Yo
u Like It.  Duke-Aickin; Frederick-Packer; Amiens (with +songs=)-Dignum; Jaques-
Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Bois-Benson; Orlando-Barr
ymore; Adam-Moody; Touchstone-King; Corin-Waldron; Silvius-Bland; William-Burton
; Rosalind (with the +Cuckoo Song=)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Col
lins; Audrey-Mrs Edwards.  *aThe Critic.  Dangle-R. Palmer; Sneer-Palmer; Sir Fr
etful Plagiary-Parsons; Signor Ritornello-Hamoir; Interpreter-Baddeley; Puff-Kin
g; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Hagley, Miss DeCamp, Miss Daniels;
 [+Characters of the Tragedy=:% Lord Burleigh-Hollingsworth; Governor-Wrighten; 
Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-W
aldron; Master of the Horse-Alfred; Beef@eater-Phillimore; Justice-Packer; Son-S
uett; Constable-Fawcett; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Hea
rd, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss 
Pope.  *sV 2nd piece: +song=-Miss Hagley.  *c[In 2nd piece the playbill assigns 
+Orlando=r to $Kemble=, but "On account of indisposition, $Barrymore= last night
 performed Orlando for Kemble" (+Oracle=, 4 Oct.).]  3rd piece: To conclude with
 the Glorious Defeat of the +Spanish Armada=, and a Grand +Procession=.  "Equal 
to any actor I ever saw, as far as his line extends, is $Mr Parsons=; his concep
tion and expression of +Sir Fretful Plagiary=r, in $Mr Sheridan='s +Critic=, are
 as strong and masterly as were $Garrick='s in +Kitely=r [in +Every Man in his H
umour=]; and his 'laughing without mirth' therein equally admirable" ($Jonson=, 
ed. $Waldron=, 171).  Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0).  *pcg Th
e Earl of Essex; or, The Unhappy Favourite.  Essex-Holman; Burleigh-Harley; Rale
igh-Macready; Lieutenant-Thompson; Officer-Evatt; Southampton-Farren; Rutland-Mr
s Esten; Nottingham-Mrs Fawcett (1st appearance on this stage); Queen Elizabeth-
Mrs Pope.  *aThe Crusade.  Bantam-Quick; Raymond-Johnstone; Joppa-Blanchard; Alu
ph-Incledon; Sir Troubadour-Munden; Godfrey-Davies; Daran-Darley; Adran-Powel; T
artar Prince-Cubitt; Officer-Williamson; Constantia-Mrs Mountain; Female Prisone
rs-Miss Stuart, Miss Barnett, Miss Francis, Mrs Watts, Mrs Arnold, Mrs Lloyd, Mr
s Byrne, Mrs Gray, Mrs Cross, Mrs Davenett, Mrs Powell, Miss Leserve.  *c[$Mrs F
awcett= was from the +York theatre=.]  Afterpiece: 1st Time as an After Piece.  
With Dresses, Scenes, Machinery, and Decorations.  The Music partly selected fro
m $Cimarosa=, $Gluck=, $Martin=, $Reeve=, and $Dr Arne=.  The rest composed by $
Shield=.  Books of the Songs to be had at the Theatre.  Account-Book, 31 Oct.: P
aid $Reynolds= in full for +The Crusade= #60.  Receipts: #187 13s. (181.16.6; 5.
16.6).  *p4 dlking's Poor Old Drury!!!  As 27 Sept., but Muses-Mrs +Ward.  *aKno
w Your Own Mind.  Millamour-Wroughton; Dashwould-Bannister Jun.; Malvil-Whitfiel
d; Bygrove-Aickin; Captain Bygrove-Bland; Sir John Millamour-Packer; Sir Harry L
ovewit-R. Palmer; Charles-Wewitzer; Lady Bell (with a +song=)-Miss Farren; Lady 
Jane-Mrs Powell; Mrs Bromley-Mrs Ward; Miss Neville-Mrs Kemble; Madame Le Rouge-
Mrs Heard.  *aThe Romp.  Young Cockney-Dodd; Barnacle-Suett; Old Cockney-Fawcett
; Capt. Sightly-Dignum; Richard-Maddocks; Servant-Webb; Priscilla Tomboy-Mrs Jor
dan; Penelope-Miss Hagley; Miss La Blond-Miss Heard.  *cReceipts: #243 0s. 6d. (
198.5.6; 42.18.0; 1.17.0).  *p5 cg Rose and Colin.  Colin-Mrs Martyr; Gregory-Cu
bitt; Higgins-Thompson; Fidget-Mrs Pitt; Rose-Mrs Mountain.  *aThe Dramatist.  A
s 12 Sept.  *aThe Mayor of Garratt.  As 30 Sept.[, but +Jerry Sneak=r (with +son
g= in character).%  *cReceipts: #186 9s. (182.13.6; 3.15.6).  *p6 dlking's Poor 
Old Drury!!!  As 4 Oct., but Muses-Mrs _Goodall.  *aThe Country Girl.  Moody-Kin
g; Harcourt-Palmer; Belville-Whitfield; Sparkish (with a +song=)-Dodd; Footman-W
ebb; Countryman-Jones; William-Alfred; Alithea-Mrs Ward; Miss Peggy-Mrs Jordan; 
Lucy-Mrs Edwards.  *aNo Song No Supper.  As 27 Sept.  *cReceipts: #380 14s. 6d. 
(326.18.6; 53.4.0; 0.12.0).  *pcg As You Like It.  Touchstone-Quick; Orlando-Hol
man; Amiens (with +songs=)-Johnstone; Adam-Hull; Duke Senior-Powel; Oliver-Davie
s; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Corin-Cross; Duke Frederic
k-Thompson; Charles-Williamson; Jaques-Aickin; Caelia-Mrs Mountain; Audrey-Mrs R
ock; Phoebe-Miss Stuart; Rosalind (with the +Cuckoo Song=)-Mrs Esten.  *aThe Cru
sade.  As 3 Oct., but Iman-Thompson; Female Prisoner-Mrs Masters.  *dEnd I: +The
 Irish Lilt=-Mrs Ratchford, Mrs Ratchford; In V: +Dance of Forresters=-.  *cRece
ipts: #85 17s. 6d. (83.13.0; 2.4.6).  *p7 cg Zara.  Osman-A Young Gentleman (1st
 appearance on any stage [$Snow=]); Lusignan-Aickin; Nerestan-Farren; Orasmin-Ma
cready; Chatillon-Hull; Melidor-Thompson; Selima-Miss Chapman; Zara-Mrs Pope.  *
aThe Mayor of Garratt.  As 5 Oct.  *dAs 12 Sept.  *c[$Snow= is identified in +Eu
ropean Magazine=, Oct. 1791, p. 309.]  Receipts: #161 5s. 6d. (152.11.6; 8.14.0)
.  *p8 dlking's Poor Old Drury!!!  As 6 Oct.  *aThe Haunted Tower.  As 22 Sept. 
 *aThe Liar.  Sir James Elliot-R. Palmer; Old Wilding-Aickin; Young Wilding-Palm
er; Papilion-Burton; Miss Grantham-Mrs Kemble; Miss Godfrey-Miss Collins; Kitty-
Miss Tidswell.  *cReceipts: #377 15s. (318.11.6; 58.7.0; 0.16.6).  *p10 dlking's
 Poor Old Drury!!!  As 6 Oct.  *aA Trip to Scarborough.  Lord Foppington-Dodd; Y
oung Fashion-Palmer; Loveless-Wroughton; Col. Townly-Barrymore; Sir Tunbelly Clu
msey-Moody; Probe-Waldron; Lory-Baddeley; Le Varole-Maddocks; Berinthia-Miss Far
ren; Amanda-Mrs Kemble; Mrs Coupler-Mrs Booth; Nurse-Mrs Hopkins; Miss Hoyden-Mr
s Jordan.  *aBon Ton; or, High Life above Stairs.  Lord Minikin-Dodd; Sir John T
rotley (with the original +Prologue=)-King; Colonel Tivy-Barrymore; Jessamy-R. P
almer; Davy-Parsons; Lady Minikin-Miss Pope; Miss Tittup-Miss Farren.  *c[3rd pi
ece: Prologue by $George Colman, elder=.]  Paid Printer's bill [for playbills] t
o 1st Inclusive #21 10s. 6d.  Receipts: #242 7s(209.5; 31.8; 1.14).  *pcg Macbet
h.  Macbeth-Holman; Macduff-Aickin; Banquo-Farren; Duncan-Hull; Malcolm-Macready
; Ross-Davies; Donalbaine-Cross; Seyton-Thompson; Doctor-Powel; Hecate-Darley; W
itches-Blanchard, Munden, Cubitt; Lady Macbeth-Mrs Pope.  *aThe Crusade.  As 6 O
ct.  *sMainpiece: Vocal Parts-Johnstone, Incledon, Marshall, Rock, Williamson, B
lurton, Letteney, Lee, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, 
Miss Barnett, Mrs Watts, Mrs Byrne, Mrs Davenett, Mrs Powell, Miss Francis, Miss
 Leserve, Mrs Cross, Mrs Gray, Mrs Masters, Mrs Martyr.  *cReceipts: #180 5s. (1
75.7; 4.18).  *p11 dlking's Poor Old Drury!!!  As 6 Oct.  *aThe School for Scand
al.  As 27 Sept., but Maid-Mrs Heard.  *aNo Song No Supper.  As 27 Sept.  *sAs 2
7 Sept.  *cReceipts: #365 17s. 6d. (288.6.6; 77.0.0; 0.11.0).  *p12 cg Wild Oats
; or, The Strolling Gentlemen.  Rover-Lewis; Sir George Thunder-Quick; Harry-Hol
man; Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-
Cubitt; Muz [in all playbills beginning 1 Dec. called +Midge=r]-Macready; Men [i
n text: +Sailors=r]-Milburne, Thompson, Farley; Landlord-Powel; Twitch-Rock; Tra
p-Evatt; Zachariah-Rees; Lamp-C. Powell; Sheriff's Officer-Cross; Coachman-Ledge
r; Waiter-Master Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs
 Pope.  *aRobin Hood.  As 28 Sept.  *cMainpiece: 14th Time [i.e. in continuation
 of the reckoning for the previous season].  With new Scenery, &c.  Receipts: #2
12 10s. (207.18; 4.12).  *p13 dlking's Poor Old Drury!!!  As 6 Oct.  *aThe Siege
 of Belgrade.  As 29 Sept.  *aThe Citizen.  Old Philpot-Baddeley; Young Philpot-
Bannister Jun.; Sir Jasper Wilding-Burton; Young Wilding-R. Palmer; Beaufort-Bla
nd; Dapper-Fawcett; Maria-Miss Farren.  *cReceipts: #421 14s. (377.1; 43.2; 1.11
).  *pcg The Tender Husband; or, The Accomplished Fools.  Capt. Clerimont-Lewis;
 Sir Harry Gubbin-Quick; Humphrey Gubbin-Fawcett; Clerimont Sen.-Farren; Tipkin-
Wilson; Pounce-Powel; Servant-Evatt; Mrs Clerimont-Mrs Mattocks; Aunt-Mrs Webb; 
Fainlove-Miss Chapman; Biddy Tipkin-Mrs Esten.  *aThe Farmer.  As 12 Sept.  *cMa
inpiece: By $Sir Richard Steel=.  Receipts: #122 6s. 6d. (112.3.6; 10.3.0).  *p1
4 cg The Castle of Andalusia.  As 30 Sept.  *aThe Mayor of Garratt.  As 5 Oct.  
*cReceipts: #155 16s. 6d. (153.5.0; 2.11.6).  *p15 dlking's The Rivals.  As 1 Oc
t.  *aThe Cave of Trophonius.  Aristo-Sedgwick; Dorilas-Bannister Jun.; Amintas-
Kelly; Dromo-Suett; Corin-Dignum; Trophonius-Caulfield; Priests-Chapman, Danby, 
Reynoldson, Lyons, Brown, Aylmer, Dorion, Guishard, Boyce, Horsfall, Hobler, Wil
loughby; Daemons-Fawcett, Phillimore, Maddocks, Alfred, Shaw, Dorion Jun.; Daphn
e-Sga Storace; Phaedra-Mrs Crouch; Alinet-Mrs Bland; Spirit-Miss DeCamp; Prieste
sses-Mrs Shaw, Mrs Butler, Mrs Edwin, Miss Daniels, Mrs Gaudry, Mrs Davis, Mrs B
ramwell, Miss Kirton.  *cAfterpiece: Written by the Author of +No Song No Supper
= [$Prince Hoare=]; performed but once [on 3 May 1791].  The Music composed prin
cipally by $Storace=.  Receipts: #464 15s. (377.4; 85.15; 1.16).  *p17 dlking's 
The Siege of Belgrade.  See 29 Sept.  *aAll the World's a Stage.  See 29 Sept.  
*c[The playbill announces +King Henry the Fifth= and +The Cave of Trophonius=, b
ut "The performances at this Theatre were changed last night on account of the i
ndisposition of $Kemble=.  +Henry the Fifth= gave way to +The Siege of Belgrade=
, and +The Cave of Trophonius= was also superseded, as it was impossible for the
 vocal performers to sustain the whole effort of the night" (+Morning Post=, 18 
Oct.).  A MS annotation on +Kemble playbill= gives the name of the substitute af
terpiece.]  Receipts: #234 8s. (183.1; 49.18; 1.9).  *pcg Hamlet.  Hamlet-Holman
; King-Hull; Ghost-Aickin; Horatio-Farren; Laertes (1st time)-Harley; Polonius-W
ilson; Ostrick-Marshall; Player King-Thompson; Marcellus-Powel; Bernardo-Evatt; 
Lucianus-Cubitt; Rosencraus-Macready; Guildenstern-Davies; Grave@Diggers-Quick, 
Milburne; Queen-Mrs Fawcett; Player Queen-Mrs Platt; Ophelia-Mrs Esten.  *aThe C
rusade.  As 6 Oct.  *c[Mainpiece in place of +King Lear=, advertised on playbill
 of 14 Oct.]  Receipts: #217 6s. 6d. (215.16.0; 1.10.6).  *p18 dlking's The Haun
ted Tower.  As 22 Sept., but Cicely-Mrs Bland.  *aThe Devil to Pay.  As 24 Sept.
, but Lucy-Mrs Shaw.  *c[Afterpiece in place of +The Humourist=, advertised on p
laybill of 17 Oct.]  Receipts: #285 8s. (223.10; 57.16; 4.2).  *p19 cg Wild Oats
.  As 12 Oct.  *aThe Poor Soldier.  Patrick-Johnstone; Fitzroy-Davies; Dermot-In
cledon; Father Luke-Rock; Bagatelle (with a +song= in character)-Marshall; Darby
-Munden; Norah-Mrs Mountain; Kathlane-Mrs Martyr.  *cReceipts: #234 18s. (228.12
.6; 6.5.6).  *p20 dlking's The Confederacy.  Gripe-Moody; Money@Trap-Parsons; Di
ck-Palmer; Brass-King; Clip-Benson; Jessamin-Burton; Clarissa-Miss Farren; Arami
nta-Mrs Ward; Corinna-Mrs Jordan; Flippanta-Miss Pope; Mrs Amlet-Mrs Hopkins; Mr
s Clogget-Mrs Booth.  *aThe Spoil'd Child.  As 1 Oct.  *c[Mainpiece in place of 
+She Wou'd and She Wou'd Not=, advertised on playbill of 18 Oct.]  Paid $Novosie
lski= for Hire of his Boxes #720.  Receipts: #365 17s. (307.18; 52.8; 5.11).  *p
cg The Conscious Lovers.  Young Bevil-Holman; Myrtle-Farren; Sealand-Aickin; Sir
 John Bevil-Hull; Cimberton-Quick; Humphrey-Thompson; Daniel-Blanchard; Tom-Lewi
s; Phillis-Mrs Mattocks; Lucinda-Mrs Mountain; Mrs Sealand-Mrs Webb; Indiana-Mrs
 Esten; [Edition of 1791 ($John Bell=) adds:% Isabella-Mrs Platt.  *aOscar and M
alvina; or, The Hall of Fingal.  [Characters in the Ballet-Byrne, Mlle St.Amand 
(from the $Opera House, Paris=; 1st appearance on this stage), and the rest of t
he Performers.  [Musical Characters by Munden, Darley, Marshall, Cubitt, Gray, W
illiamson, Linton, Tett, Kenrick, Little, Street, Mrs Mountain, Miss Broadhurst,
 Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Miss Leserve, Mrs Martyr.  
[Cast from Songs ($T. Cadell=, 1791):% Oscar-Byrne; Carrol-Follett; Morven-Farle
y; Draco-Cranfield; Fingal-Blurton; Dermoth-King; Malvina-Mlle St.Amand; Pedlar-
Munden; Farmer-Cubitt; Bards, Peasantry-Darley, Marshall, Gray, Williamson, Mrs 
Mountain, Miss Broadhurst, Miss Stuart, Mrs Martyr; Linton, Tett, Kenrick, Littl
e, Street, Mrs Harlowe, Miss Barnett, Mrs Arnold, Miss Leserve.  *sII: +song=-In
cledon.  *cAfterpiece [1st time; BALL. P 1, by $James Byrne=.  MS of Songs only:
 +Larpent MS 919=; synopsis of action in +Universal Magazine=, Oct. 1791, p. 308
]: Taken from $Ossian=.  With new Music, Airs, Chorusses, new Scenery, Dresses, 
and Decorations.  The Ballet composed by $Byrne=.  The new Music composed, and t
he Ancient +Scots Music= selected and adapted by $Shield=.  The Overture by $Ree
ve=.  The Scenery by $Richards=, $Hodgins=, $Pugh=, &c. &c.  The Dresses by $Dic
k=.  Books of the Songs, &c. to be had at the Theatre.  [For Harp and Pipes see 
24 Oct.]  Account-Book, 22 Nov.: Paid $Byrne= for +Oscar & Malvina= #50; 8 Dec.:
 Paid $Mad. St.Amand= expenses from +Paris= to +London= #14 6s. 8d.  Receipts: #
182 16s. 6d. (177.13.6; 5.3.0).  *p21 cg Rule a Wife and Have a Wife.  Leon-Holm
an; Duke-Macready; Juan-Davies; Cacafogo-Cubitt; Sanchio-Thompson; Alonzo-Powel;
 Copper Captain-Lewis; Margaretta-Mrs Fawcett; Altea-Miss Stuart; Clara-Mrs Plat
t; Old Woman-Mr Quick; Maid-Mr Rock; Estifania-Mrs Esten.  *aOscar and Malvina. 
 As 20 Oct.  *cMainpiece: Not acted these 2 years.  Receipts: #224 18s. (208.13.
6; 16.4.6).  *p22 dlking's The Country Girl.  As 6 Oct.  *aThe Cave of Trophoniu
s.  As 15 Oct.  *cReceipts: #438 2s. (344.18; 88.1; 5.3).  *p24 dlking's The Sie
ge of Belgrade.  As 29 Sept., but Ismael-Caulfield; Ghita-Mrs Bland.  *aWho's th
e Dupe?  Doiley-Parsons; Sandford-R. Palmer; Granger-Barrymore; Gradus-Bannister
 Jun.; Elizabeth-Mrs Kemble; Charlotte-Miss Collins.  *cReceipts: #248 9s. 6d. (
214.2.6; 32.9.0; 1.18.0).  *pcg King Richard the Third.  King Richard-Harley; Ki
ng Henry-Aickin; Buckingham-Farren; Stanley-Hull; Tressel-Macready; Prince Edwar
d-Master Simmons; Duke of York-Miss Standen; Norfolk-Evatt; Lieutenant-Cubitt; C
atesby-Davies; Ratcliffe-Thompson; Lord Mayor-Powel; Oxford-Farley; Richmond-Hol
man; Lady Anne-Mrs Merry; Duchess of York-Mrs Platt; Queen-Mrs Pope.  *aOscar an
d Malvina.  As 20 Oct., but[ added to Characters in the Ballet:% Follett, Farley
, Cranfield, Blurton.  *mIn afterpiece: The Harp and Pipes-Myres [recte $C. Meye
r=], Courtney.  *cReceipts: #243 13s. 6d. (241.8.6; 2.5.0).  *phay Venice Preser
v'd.  Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Le
nnet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvide
ra-Mrs Roberts (1st appearance on this stage).  *aTaste; or, Diversion in the Mo
rning.  Carmine-Martin (1st appearance on any stage [see above]); Brush-A Gentle
man (from the $Theatre Royal, Richmond= [unidentified]); Novice-Scott; Lord Dupe
-Holiday; Alderman Pentweazel-Well; Caleb-Johnson; Boy-Sharp; Puff-Wilkinson; La
dy Pentweazel-Mr Berry (2nd appearance on any stage).  *dI afterpiece: +Mock Min
uet=-Alderman, Lady Pentweazel.  *sEnd: +The Tobacco Box=-Johnson, Miss Chatterl
ey.  *e[+Monologues=% After Singing: +British Loyalty=[; or, +A Squeeze to St. P
aul's=%-Wilkinson; End II afterpiece: +Bucks have at Ye All=-a Gentleman (1st ap
pearance on any stage [unidentified]).  *mBetween Acts: [several pieces of +Mart
ial Music=-[his Royal Highness% the Duke of Gloucester's Band(, in full uniform,
 by Permission).  *cBy Permission of the +Lord Chamberlain=.  Benefit for $Berry
=.  Afterpiece: Written by the late $Samuel Foote, Esq.=  The Doors to be opened
 at 5:30.  To begin at 6:30.  Tickets to be had at $Mrs Richman's@Masquerade@War
ehouse=, +Oxford-street=; of Berry, at the +George= in the +Haymarket=; and of $
Rice= at the Theatre, where Places for the Boxes may be taken.  No Money to be r
eturned.  *p25 dlking's Love for Love.  Sir Samson Legend-Moody; Valentine-Kembl
e; Scandal-Bensley; Tattle-Dodd; Ben-Bannister Jun.; Foresight-Parsons; Jeremy-B
addeley; Trapland-Waldron; Buckram-Phillimore; Angelica-Miss Farren; Mrs Foresig
ht-Mrs Ward; Mrs Frail-Miss Pope; Miss Prue-Mrs Jordan; Nurse-Mrs Booth.  *aThe 
Deserter.  Henry-Kelly; Russet-Chapman; Simkin-Suett; Skirmish-Bannister Jun.; F
lint-Burton; Serjeant-Phillimore; Louisa-Mrs Crouch; Jenny-Mrs Bland; Margery-Mr
s Booth.  *cReceipts: #269 12s. (205.18; 61.12; 2.2).  *p26 dlking's The School 
for Scandal.  As 11 Oct.  *aThe Devil to Pay.  As 18 Oct.  *sIII: a +song=-Dignu
m.  *c[Afterpiece in place of +The Cave of Trophonius=, advertised on playbill o
f 25 Oct.]  Receipts: #196 0s. 6d. (162.13.6; 31.14.0; 1.13.0).  *pcg Wild Oats.
  As 12 Oct.  *aOscar and Malvina.  As 24 Oct.  *mAs 24 Oct.  *cReceipts: #242 1
0s. (239.2; 3.8).  *p27 dlking's The Confederacy.  As 20 Oct.  *aThe Pannel.  As
 22 Sept., but Lawyer-Maddocks; Marcella-Mrs Ward; Notary-Fawcett.  *cReceipts: 
#296 8s. 6d. (253.5.6; 41.6.0; 1.17.0).  *pcg The Provok'd Husband.  Lord Townly
-Holman; Manly-Farren; Sir Francis Wronghead-Wilson; Squire Richard-Blanchard; C
ount Basset-Marshall; John Moody-Quick; Lady Grace-Mrs Mattocks; Lady Wronghead-
Mrs Webb; Miss Jenny-Mrs Fawcett; Myrtilla-Mrs Rock; Mrs Motherly-Mrs Platt; Tru
sty-Miss Stuart; Lady Townly-Mrs Esten.  *aOscar and Malvina.  As 24 Oct., but B
ards, Peasantry-_Marshall.  *mAs 24 Oct.  *cReceipts: #162 18s. (156.15; 6.3).  
*p28 cg The Orphan; or, The Unhappy Marriage.  Castalio-Farren; Acasto-Aickin; P
olydore-Harley; Chaplain-Powel; Ernesto-Thompson; Page-Miss Standen; Chamont-Hol
man; Serina-Miss Francis; Florella-Miss Stuart; Monimia-Mrs Esten.  *aOscar and 
Malvina.  As 27 Oct.  *mAs 24 Oct.  *cReceipts: #218 8s. (210.17; 7.11).  *p29 d
lking's The Rivals.  As 1 Oct.  *aComus.  Comus-Palmer; Spirit-Banks; Brothers-B
enson, Bland; Chief Bacchanals-Kelly, Dignum, Sedgwick; The Lady-Mrs Ward; Euphr
osyne (with +Sweet Echo=, accompanied by Parke)-Mrs Crouch; Bacchants-Mrs Crouch
 [sic], Mrs Bland, Mrs Edwards; Sabrina-Mrs Bland [sic]; Pastoral Nymph-Miss Hag
ley.  *c[Afterpiece in place of +The Cave of Trophonius=, advertised on playbill
 of 27 Oct.]  "In one particular there may be praise given [to +Comus=]: the rev
ellers of the son of Circe were in number fifty, and really produced a fine effe
ct" (+Oracle=, 31 Oct.).  Receipts: #298 9s. (241.15; 52.14; 4.0).  *pcg Rose an
d Colin.  As 5 Oct.  *aThe Dramatist.  As 12 Sept., but Miss Courtney (1st time)
-Miss Chapman.  *aRobin Hood.  As 28 Sept.  *c+Oscar and Malvina= is unavoidably
 deferred.  [+Public Advertiser=, 31 Oct.: On Friday night $Byrne=, exerting him
self in one of the last scenes in the Pantomimical Ballet, missing his guard, re
ceived a dreadful wound on his arm.  (And see 2 Nov.)]  Receipts: #146 14s. (142
.7.6; 4.6.6).  *p31 dlking's King Henry the Fifth.  King Henry-Kemble; Duke of G
loster-Benson; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmorela
nd-Sedgwick; Archb. of Cant.-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scro
op-Chapman; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Bardolph
-Alfred; Fluellen-Baddeley; Pistol-Suett; Boy-Master Gregson; Williams-Whitfield
; Bates-Banks; King of France-Packer; Dauphin-Barrymore; Duke of Burgundy-Philli
more; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of Fra
nce-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.  *aComus.  See
 29 Oct.  *c"The performance of last night boasted some additional impression, b
y the fine imagination of [$Kemble='s] starting at the trumpet from the prayer o
f penitence, and springing up the Hero and the +King=r...[In Act V] the scene wi
th +Katharine=r was as sportive and as easy as possible...+Comus= followed, vice
 the +Critic=, obliged to be postponed from [the] indisposition of $Parsons= (MS
 annotation on +Kemble playbill=)].  Some disapprobation attended the drawing up
 the curtain.  $Palmer= explained, and then, without 'wiping his lips since he s
poke last' began "The Star that bids the Shepherd fold" (+Oracle=, 1 Nov.).  Rec
eipts: #223 5s. 6d. (180.8.6; 41.3.0; 1.14.0).  *pcg The Earl of Essex.  As 3 Oc
t.  *aThe Crusade.  As 6 Oct.  *cReceipts: #156 18s. 6d. (151.9.0; 5.9.6).  *p11
 1 dlking's She Wou'd and She Wou'd Not.  Don Manuel-Waldron; Don Philip-Bensley
; Octavio-Barrymore; Trappanti-King; Soto-Baddeley; Host-Burton; Alguazile-Maddo
cks; Don Lewis-Phillimore; Corrigidore-Fawcett; Hyppolita-Mrs Jordan; Rosara-Mis
s Collins; Flora-Mrs Goodall; Viletta-Miss Pope.  *aThe Citizen.  As 13 Oct., bu
t Maria-Mrs Goodall; Quildrive-Banks; Corinna-Miss Tidswell.  *dEnd: a +Dance=-.
  *cReceipts: #214 18s. (181.17; 30.15; 2.6).  *pcg The Duenna.  Ferdinand-Johns
tone; Isaac-Quick; Don Jerome-Wilson; Anthonio-Marshall; Father Paul-Darley; Lop
ez-Farley; Carlos-Incledon; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bi
llington (1st appearance these 2 years).  *aThe Mayor of Garratt.  As 5 Oct.  *c
"[$Mrs Billington=] possessed not the feeling to give touching expression, even 
when she sung with the utmost delicacy and consummate skill.  Her face was hands
ome, and her countenance full of good humour, but it was incapable of change, an
d she was no actress" ($Mount-Edgcumbe=, 93-94).  Receipts: #223 5s. 6d. (221.18
.6; 1.7.0).  *p2 dlking's Inkle and Yarico.  Inkle-Kelly; Sir Christopher Curry-
Aickin; Medium-Baddeley; Campley-Dignum; Trudge-Bannister Jun.; Mate-Sedgwick; P
lanters-Burton, Phillimore, Benson; Sailors-Danby, Maddocks, Alfred; Yarico-Mrs 
Crouch; Narcissa-Miss Hagley; Wowski-Mrs Bland; Patty-Mrs Edwards.  *aThe Pannel
.  As 22 Sept., but Lawyer-Maddocks; Aurora-Miss Collins; Notary-Fawcett.  *cRec
eipts: #126 16s. (109.0; 15.14; 2.2).  *pcg Inkle and Yarico.  Inkle (with +song
s=)-Johnstone; Sir Christopher Curry-Quick; Campley-Davies; Medium-Powel; Mate-D
arley; Trudge-Fawcett (1st appearance in that character); Wowski-Mrs Martyr; Nar
cissa-Miss Francis; Patty-Mrs Fawcett; Yarico (with additional +songs=)-Mrs Bill
ington.  *aOscar and Malvina.  As 27 Oct., but Oscar-Farley [in place of $Byrne=
%; Morven-King [in place of $Farley=%.  *dEnd II: +Negro Dance=-.  *mAs 24 Oct. 
 *cReceipts: #210 9s. (206.15.6; 3.13.6).  *p3 dlking's The Confederacy.  As 20 
Oct., but Money@Trap-Suett.  *aThe Devil to Pay.  As 18 Oct.  *cReceipts: #226 1
7s. 6d. (192.6.6; 32.4.0; 2.7.0).  *pcg Wild Oats.  As 12 Oct.  *aOscar and Malv
ina.  As 2 Nov.  *mAs 24 Oct.  *cReceipts: #181 12s. 6d. (178.17.0; 2.15.6).  *p
4 dlking's Twelfth Night.  Orsino-Barrymore; Sebastian-Bland; Antonio-Phillimore
; Valentine-Caulfield; Curio-Lyons; Sir Toby Belch-Palmer; Sir Andrew Ague@cheek
-Dodd; Sea Captain-Benson; Fabian-R. Palmer; Malvolio-Bensley; Clown (with the +
Epilogue Song=)-Suett; Priest-Maddocks; Olivia-Mrs Powell; Viola-Mrs Jordan; Mar
ia-Mrs Kemble.  *aThe Humourist.  Sir Anthony Halfwit-Suett; Dabble-Bannister Ju
n.; Frolick-Hollingsworth; Beaumont-Benson; Mrs Matadore-Mrs Hopkins; Diana-Miss
 Collins; Mrs Meddle-Mrs Ward.  *cReceipts: #198 12s. 6d. (161.2.6; 36.5.0; 1.5.
0).  *pcg King Lear.  King Lear-Harley; Bastard-Macready; Gloster-Hull; Kent-Aic
kin; Albany-Davies; Cornwall-Bloomfield; Physician-Rock; Gentleman Usher-Munden;
 Edgar-Holman; Regan-Mrs Fawcett; Goneril-Mrs Platt; Arante-Miss Leserve; Cordel
ia-Mrs Merry.  *aOscar and Malvina.  As 2 Nov.  *mAs 24 Oct.  *cReceipts: #138 1
7s. 6d. (136.13.0; 2.4.6).  *p5 dlking's The Heiress.  Sir Clement Flint-Bensley
; Clifford-Wroughton; Lord Gayville-Palmer; Alscrip-Suett; Chignon-Baddeley; Bla
ndish-Whitfield; Prompt-R. Palmer; Rightly-Aickin; Lady Emily-Miss Farren; Miss 
Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Ward.  *aDon Juan; or
, The Libertine Destroyed.  Don Antonio-Bland; Don Ferdinand-Dignum; Don Juan-Pa
lmer; Don Guzman-Benson; Carlos-Caulfield; Perez-Cooke; Pedrillo-Banks; Lopez-Ly
ons; Gomez-Alfred; Vasquez-Fawcett; Waiter-Phillimore; Masaniello-Whitmill; Scar
amouch-Fairbrother; Alguaziles-Burton, Jones, Webb; Boatswain (with a +song=)-Se
dgwick; Sailors-Danby, Maddocks, Fawcett; Donna Anna-Miss Collins; Isabella-Miss
 Heard; Inis-Miss Palmer; Katharina-Mrs Edwards; Viletta-Mrs Bland; [Edition of 
1791 ($C. Lowndes=) is as above, but +3rd Sailor=r-$Reynoldson=, and adds:% Host
-Fawcett [i.e. doubled +Vasquez=r]; Vocal Parts-Dignum, Sedgwick, Mrs Bland, Mrs
 Edwards, Miss Hagley; +Dances=-Hamoir, Bourk, Fairbrother, Keys, Whitmill, Bido
tti, Giani, Walker, Nicolini, Mrs Davis, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs
 Barrett, Mrs Harris, Miss Jacobs, Miss Bourk, Miss DeCamp.  *sII: a +song=-Mrs 
Crouch.  [This was sung, as here assigned, in all subsequent performances.]  *cA
fterpiece: To conclude with a Superb +Prospect of the Infernal Regions=.  [This 
was included in all subsequent performances.]  Receipts: #237 17s. (170.15; 65.1
7; 1.5).  *pcg Notoriety.  [Principal Characters by Lewis, Quick, Johnstone, Far
ren, Wilson, Munden, Davies, Farley, Mrs Wells, Mrs Webb, Mrs Esten.  [Cast from
 1st authorized text ($T. N. Longman=, 1793):% Nominal-Lewis; Col. Hubbub-Quick;
 O'Whack-Johnstone; Clairville-Farren; Sir Andrew Acid-Wilson; Lord Jargon-Munde
n; Saunter-Davies; James-Farley; Sophia Strangeways-Mrs Wells; Lady Acid-Mrs Web
b; Honoria-Mrs Esten; +Prologue=-Farren; +Epilogue=-Lewis.  [These were spoken, 
as here assigned, at all subsequent performances, except on 14, 17, 25 Jan. and 
28 Apr., when the Prologue was omitted.]  *aLove in a Camp.  As 17 Sept.  *cMain
piece [1st time; C 5, by $Frederick Reynolds=, based partly on +Monsieur Thomas=
, by $John Fletcher=.  Prologue by $Robert Merry=.  Epilogue by $Miles Peter And
rews= (see text)]: With new Scenery, Dresses, &c.  +Public Advertiser=, 24 Apr. 
1793: This Day is published +Notoriety= (1s. 6d.).  Receipts: #228 8s. (224.0; 4
.8).  *p7 dlking's The First Part of King Henry the Fourth.  King Henry-Bensley;
 Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; E
arl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richar
d Vernon-[assigned to $Barrymore=, but see below%; Earl of Westmoreland-Fawcett;
 Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill
-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Bu
rton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell;
 Mrs Quickly-Mrs Hopkins.  *aThe Devil to Pay.  See 18 Oct.  *cMainpiece: Not ac
ted these 10 years [not acted since 2 Oct. 1780].  [As afterpiece the playbill a
nnounces +The Sultan=, but "On Account of the Sudden Indisposition of $Barrymore
= [it] was put off and the Devil to Pay substituted in its stead" (MS annotation
 on +Kemble playbill=) "+The Sultan= was changed to +The Devil to Pay=, and as $
Jordan= remained, the matter was rather mended" (+Oracle=, 8 Nov.).]  Receipts: 
#195 14s. (168.1; 26.3; 1.10).  *pcg Notoriety.  As 5 Nov.  *aThe Highland Reel.
  M'Gilpin-Quick; Shelty-Wilson; Serjeant Jack-Darley; Sandy-Johnstone; Charley-
Blanchard; Capt. Dash-Davies; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Mrs
 Mountain; Moggy-Mrs Martyr.  *cReceipts: #185 1s. (179.4.6; 5.16.6).  *p8 dlkin
g's The Recruiting Officer.  Mr Ballance-Packer; Mr Worthy-Benson; Capt. Plume-B
annister Jun.; Capt. Brazen-Dodd; Serjeant Kite-Palmer; Bullock-Moody; Coster Pe
armain-Hollingsworth; Thomas Apple@tree-Burton; Melinda-Mrs Ward; Sylvia (with a
 +song=)-Mrs Jordan; Lucy-Mrs Edwards; Rose-Miss Pope; [Edition of 1792 ($John B
ell=) added:% Scale-Fawcett; Scruple-Maddocks.  *aThe Deserter.  As 25 Oct., but
 Russet-Sedgwick.  *cReceipts: #179 12s. 6d. (143.15.6; 34.11.0; 1.6.0).  *pcg N
otoriety.  As 5 Nov.  *aThe Crusade.  As 6 Oct.  *cBenefit for the Author [of ma
inpiece, who is named in the Account-Book, but not on the playbill].  Receipts: 
#205 4s. 6d. (200.15.0; 4.9.6; tickets: none listed) (charge: #105).  *p9 dlking
's The Tempest; or, The Enchanted Island.  Prospero-Bensley; Alonzo-Packer; Anto
nio-Phillimore; Ferdinand-Kelly; Gonzalez-Maddocks; Stephano-Moody; Trincalo-Bad
deley; Caliban-Benson; Ariel-Mrs Bland; Hyppolito-Mrs Goodall; Miranda-Mrs Crouc
h; Dorinda-Miss Farren.  *aDon Juan.  As 5 Nov., but Pedrillo-_; Lopez-_; Gomez-
_; Vasquez-_; Waiter-_; Masaniello-_; Alguaziles-_; Sailors-_.  *d[See 5 Nov.%  
[i.e. not listed on playbill].  *sMainpiece: Vocal Parts-Kelly, Dignum, Sedgwick
, Danby, Mrs Crouch, Mrs Bland, Miss Hagley, Mrs Edwards; V: [the% Masque of +Ne
ptune and Amphitrite=-[+Neptune=r %Sedgwick,[; +Amphitrite=r% Mrs Edwards.  *cMa
inpiece: With Additions [by $John Philip Kemble=] from $Dryden=.  The Music by $
Purcell= and $Dr Arne=.  With new Airs and Chorusses by $Linley Jun.=  Receipts:
 #225 8s. 6d. (188.14.6; 34.19.0; 1.15.0).  *pcg Inkle and Yarico.  As 2 Nov., b
ut Narcissa-Mrs Mountain; Planters-Rock, Thompson, Evatt; Sailor-Ledger; Waiter-
Farley.  *aThe Follies of a Day.  As 20 Sept.  *dEnd II: a +Negro Dance=, as 2 N
ov.; End: +The Irish Lilt=, as 6 Oct.  *cReceipts: #252 7s. 6d. (248.6.6; 4.1.0)
.  *p10 dlking's The Country Girl.  As 6 Oct.  *aThe First Floor.  Whimsey-Badde
ley; Monford-Whitfield; Young Whimsey-R. Palmer; Tim Tartlet-Bannister Jun.; Fur
nish-Suett; Simon-Burton; Frank-Banks; Snap-Jones; Landlord-Maddocks; Postboy-Al
fred; Mrs Pattypan-Mrs Booth; Charlotte-Miss Collins; Nancy-Miss Tidswell.  *cRe
ceipts: #239 (208.10; 25.19; 4.11).  *pcg Wild Oats.  As 12 Oct.  *aOscar and Ma
lvina.  As 2 Nov.  *mAs 24 Oct.  *cReceipts: #212 12s. (209.2; 3.10).  *p11 dlki
ng's The Inconstant; or, The Way to Win Him.  Old Mirable-Aickin; Young Mirable-
Wroughton; Captain Duretete-Dodd; Dugard-Whitfield; Petit-R. Palmer; Bravoes-Phi
llimore, Maddocks, Alfred, Webb; Oriana-Miss Collins; Bisarre-Miss Farren; Lamor
ce-Miss Tidswell.  *aThe Follies of a Day.  Count Almaviva-Bannister Jun.; Docto
r Bartholo-Suett; Figaro-Wroughton; Antonio-R. Palmer; Bazil-Phillimore; Page (w
ith a +song=)-Mrs Bland; Countess-Mrs Ward; Marcelina-Mrs Hopkins; Agnes-Miss He
ard; Susan-Miss Farren.  *cReceipts: #169 10s. 6d. (131.10.0; 34.2.0; 3.18.6).  
*pcg Notoriety.  As 5 Nov.  *aThe Poor Soldier.  As 19 Oct.  *cReceipts: #225 9s
. 6d. (217.15.0; 7.14.6).  *p12 dlking's The Rivals.  As 1 Oct.  *aThe Doctor an
d the Apothecary.  Thomaso-Waldron; Sturmwald-Wewitzer; Carlos-Kelly; Juan-Banni
ster Jun.; Guzman-Sedgwick; Dr Bilioso-Suett; Perez-Burton; Shopman-Lyons; Anna-
Mrs Crouch; Isabella-Mrs Bland; Teresa-Mrs Booth.  *cReceipts: #250 7s. 6d. (203
.1.6; 45.17.0; 1.9.0).  *pcg The Beggar's Opera.  As 20 Sept., but Capt. Macheat
h-Johnstone; Polly-Mrs Billington.  *aModern Antiques.  As 14 Sept.  *dIn III: a
 +Hornpipe=-Platt.  *c[Afterpiece in place of +The Midnight Hour=, advertised on
 playbill of 11 Nov.]  Receipts: 215 3s. 6d. (210.18.0; 4.5.6).  *p14 dlking's K
ing Richard the Third.  King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke of
 York-Miss Standen; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmo
nd-Palmer; Duke of Norfolk-Dignum; Sir Richard Ratcliff-Phillimore; Sir William 
Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Fawcett; Sir Robert Brackenbur
y-Benson; Lord Stanley-Aickin; Sir James Blount-Bland; Sir James Tyrrel-Jones; L
ord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Duchess of Yo
rk-Mrs Hopkins.  *aThe Sultan; or, A Peep into the Seraglio.  Solyman-Barrymore;
 Osmyn-Dignum; Elmira-Mrs Cuyler; Ismene-Mrs Bland; Roxalana-Mrs Jordan.  *dAfte
rpiece: +Grand Dance=-[See 10 Dec.].  *c[In mainpiece the playbill omits +Earl o
f Richmond=r.  The assignment is taken from +Oracle=, 14 Nov.] "In the play +Tri
nculo=r's curtain [as used for his 1st scene in +The Tempest=] stood for the +To
wer=, and +Bosworth Field= was a delightful little farm-yard" (+Oracle=, 15 Nov.
).  The Doors to be opened at 5:15.  To begin at 6:15 [see 9 Jan. 1792].  Receip
ts: #189 2". (152.18; 35.1; 1.3).  *pcg Notoriety.  As 5 Nov.  *aOscar and Malvi
na.  As 2 Nov.  *mAs 24 Oct.  *cReceipts: #261 16s. 6d. (256.2.6; 5.14.0).  *p15
 dlking's As You Like It.  As 3 Oct., but [$Barrymore='s name listed in playbill
;% Celia-Miss Collins; Phebe-Miss Heard; Charles-Phillimore.  *aThe Doctor and t
he Apothecary.  As 12 Nov.  *sIn V: As 3 Oct.  *cReceipts: #196 13s. 6d. (166.17
.6; 27.8.0; 2.8.0).  *pcg Love in a Village.  Young Meadows-Incledon; Hawthorn-J
ohnstone (1st appearance in that character); Hodge-Blanchard; Sir William Meadow
s-Powel; Eustace-Davies; Carter-Rees; Cook-Rock; Footman-Blurton; Justice Woodco
ck-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Mountain; Maid-Miss Stu
art; Rosetta-Mrs Billington.  *aThe Follies of a Day.  As 20 Sept.  *cPaid the $
Duke of Bedford= one years Rent #192 10s.  The Doors to be opened at 5:15.  To b
egin at 6:15 [see 26 Apr. 1792].  Receipts: #237 2s. 6d. (235.9.6; 1.13.0).  *p1
6 dlking's The Inconstant.  As 11 Nov.  *aRichard Coeur de Lion.  Richard-Kelly;
 Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Dignum; Seneschal-Phillimore; 
Antonio-Mrs Bland; Guillot-Suett; Mathew-Fawcett; William-Banks; Pilgrim-Webb; M
atilda-Mrs Jordan; Laurette-Mrs Crouch; Dorcas-Mrs Davis; Julia-Miss DeCamp; Cho
rus of Knights-Danby, Cooke, Maddocks, Lyons; Chorus of Soldiers-Fawcett, Alfred
, Shaw, Dorion.  *dIn afterpiece: the young D'Egvilles, Miss DeCamp.  [Included,
 as here assigned, in all subsequent performances.]  *cPaid +Times=, advertising
 opening, #3 7s. 6d.  Afterpiece: With new Dresses and Decorations.  Receipts: #
292 9s. 6d. (200.4.6; 88.3.0; 4.2.0).  *pcg Notoriety.  As 5 Nov.  *aThe Crusade
.  As 6 Oct.  *cBenefit for the Author [of mainpiece, who is named in the Accoun
t-Book, but not on the playbill].  Receipts: #188 5s. (181.13.6; 6.11.6; tickets
: none listed) (charge: #105).  *p17 dlking's Artaxerxes.  Artaxerxes-Dignum; Ar
tabanes-Kelly; Arbaces-Mrs Crouch; Rimenes-Caulfield; Mandane-Mme Mara (1st appe
arance on this theatre); Semira-Mrs Bland.  *aAll the World's a Stage.  As 29 Se
pt., but Diggery-Suett.  *cReceipts: #432 17s. (398.2; 30.19; 3.16).  *pcg Wild 
Oats.  As 12 Oct.  *aOscar and Malvina.  As 2 Nov.  *mAs 24 Oct.  *cReceipts: #1
77 6s. 6d. (173.18.0; 3.8.6).  *p18 dlking's The Confederacy.  As 3 Nov.  *aThe 
Humourist.  See 4 Nov.  *c[As afterpiece the playbill announces +Richard Coeur d
e Lion=, but "On acct. of $Mrs Jordan='s Indisposition [it] was put off and +The
 Humourist= substituted in its stead" (MS annotation on +Kemble playbill=).  +Ke
mble Mem.= lists The Humourist, and notes "Mrs Jordan sent word she cd not act i
n Coeur de Lion, and forced me to change the Farce."]  Receipts: #198 9s. (155.6
; 36.19; 6.4).  *pcg Notoriety.  As 5 Nov.  *aA Divertisement.  As 26 Sept.  *cR
eceipts: #159 10s. (149.0.6; 10.9.6).  *p19 dlking's Artaxerxes.  As 17 Nov.  *a
The Follies of a Day.  As 11 Nov.  *s[the favourite%air from Idalide-Mme Mara [i
n her Character%; accompanied upon the Harp-.  [BUC, 57, identifies this as +Ah!
 could Mandane yield her breath for thee!=, and the harpist as $Meyer Jun.=]  *c
Receipts: #463 18s. (434.1; 27.15; 2.2).  *pcg Artaxerxes.  Arbaces-Incledon; Ar
taxerxes-Gray; Artabanes-Darley; Rimenes-Davies; Semira-Mrs Mountain; Mandane-Mr
s Billington.  *aThe Midnight Hour.  General-Quick; Marquis-Marshall; Sebastian-
Munden; Nicholas-Blanchard; Matthias-Powel; Ambrose-Thompson; Flora-Mrs Mattocks
; Cecily-Mrs Webb; Julia-Mrs Wells.  *cMainpiece: Not performed these 3 years.  
With new Dresses and Decorations.  Receipts: #255 (251.5; 3.15).  *p21 dlking's 
Artaxerxes.  As 17 Nov.  *aThe Citizen.  As 13 Oct., but Corinna-Miss Tidswell. 
 *sAs 19 Nov.  *cOn account of the great number of Ladies and Gentlemen who have
 not been able to obtain places for +Artaxerxes=, $Mme Mara= has very obligingly
 consented to appear this Present as well as To-morrow Evening, being positively
 the Last Nights of her performing before her depature for +Italy=.  [Mainpiece 
in place of +The Heiress=; afterpiece of +The Doctor and the Apothecary=, both a
dvertised on playbill of 19 Nov.]  Receipts: #398 15s. (360.8; 35.5; 3.2).  *pcg
 Notoriety.  As 5 Nov.  *aThe Prussian Festival.  [See below.%  *aThe Farmer.  A
s 12 Sept.  *c2nd piece [1st time; INT 1, author unknown.  Not in +Larpent MS=; 
not published]: An Occasional Interlude of Singing and Dancing.  With new Dresse
s and Decorations.  [This was written as a compliment to the $Duchess of York=, 
daughter of the $King of Prussia=; on 29 Sept. 1791 she had married the $Duke of
 York= (see +European Magazine=, Dec. 1791, p. 459) "It was a pretty, slight com
pliment, touched up by $Byrne=, $St.Amand=, $Incledon= and $Mrs Mountain=, with 
a couple of airs and the +Pas Russe= a little lamed.  Byrne carried his arm in a
 scarf [see 29 Oct.], and Incledon and Mountain their parts in their hands" (+Or
acle=, 22 Nov.).  3rd piece in place of +Oscar and Malvina=, advertised on playb
ill of 19 Nov.]  Receipts: #221 4s. (208.16; 12.8).  *p22 dlking's Artaxerxes.  
As 17 Nov.  *aHigh Life below Stairs.  Lovel-Bannister Jun.; Freeman-Fawcett; Ph
ilip-Baddeley; Tom-Maddocks; Coachman-Alfred; Kingston-Lyons; Duke's Servant-R. 
Palmer; Sir Harry's Servant-Whitfield; Robert-Jones; Kitty-Miss Pope; Cook-Mrs H
eard; Cloe-Miss Heard; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss
 Collins.  *dIn II afterpiece: +Mock Minuet=-R. Palmer, Miss Pope.  [This was da
nced, as here assigned, in all subsequent performances.]  *sAs 19 Nov.; accompan
ied upon the Harp-Meyer Jun.  *cReceipts: #484 13s. (444.11; 39.12; 0.10).  *pcg
 The Prussian Festival.  As 21 Nov.  *aWild Oats.  As 12 Oct.  *aOscar and Malvi
na.  As 2 Nov.  *mIn 3rd piece: As 24 Oct.  *cReceipts: #218 16s. (217.6; 1.10).
  *p23 dlking's The School for Scandal.  As 11 Oct., but Crabtree-Waldron; Maria
-Mrs Crouch.  *aRichard Coeur de Lion.  As 16 Nov.  *sAs 27 Sept.  *cReceipts: #
330 15s. (260.0; 69.2; 1.13).  *pcg Notoriety.  As 5 Nov.  *aThe Prussian Festiv
al.  As 21 Nov.  *aThe Poor Soldier.  As 19 Oct.  *cBenefit for the Author [of 1
st piece, who is named in the Account-Book, but not on the playbill].  Receipts:
 #195 6s. (184.10.6; 10.15.6; tickets: none listed).  *p24 dlking's The Country 
Girl.  As 6 Oct.  *aThe Doctor and the Apothecary.  As 12 Nov.  *cReceipts: #222
 10s. (171.12; 47.10; 3.8).  *pcg The Prussian Festival.  As 21 Nov.  *aThe Firs
t Part of King Henry the Fourth.  Sir John Falstaff-Wilson; King-Aickin; Prince 
of Wales-Lewis; Sir Richard Vernon-Farren; Worcester-Powel; Poins-Davies; Franci
s-Blanchard; Sir W. Blount-Macready; Bardolph-Rock; Douglas-Marshall; Carriers-M
unden, Cross; Hotspur-Holman; Hostess-Mrs Pitt; Lady Percy-Miss Chapman.  *aOsca
r and Malvina.  As 2 Nov.  *mAs 22 Nov.  *cReceipts: #155 12s. 6d. (152.0.6; 3.1
2.0).  *p25 dlking's The Tempest.  As 9 Nov., but Caliban-Sedgwick.  *aDon Juan.
  As 9 Nov., but Boatswain (with a +song=)-Cooke; Perez-_.  *dAs 9 Nov.  *sVocal
 Parts, as 9 Nov., but _Sedgwick, +Caulfield, _Danby; V: The Masque of Neptune a
nd Amphitrite, as 9 Nov., but _Sedgwick, +Caulfield.  *cReceipts: #151 5s. 6d. (
118.9.6; 31.8.0; 1.8.0).  *pcg The Prussian Festival.  As 21 Nov.  *aNotoriety. 
 As 5 Nov.  *aLove and War.  General Howitzer-Quick; Gregory (1st time)-Fawcett;
 Capt. Farquhar-Johnstone; Sulphur-Davies; Commissary-Powel; Rifle-Darley; Corpo
ral-Cubitt; Saib (1st time)-Incledon; Maria-Mrs Mountain; Susan-Miss Stuart; Luc
y-Mrs Martyr.  *c3rd piece: Not acted these 2 years.  Receipts: #186 5s. 6d. (18
0.10.0; 5.15.6).  *p26 dlking's The Heiress.  As 5 Nov.  *aRichard Coeur de Lion
.  As 16 Nov., but Matilda-Mrs Crouch; Laurette-Miss Hagley.  *c[The playbill re
tains $Mrs Jordan= as +Matilda=r and $Mrs Crouch= as +Laurette=r, but Mrs Jordan
 "sent word she was too ill to perform this Evening.  The audience called for Cr
ouch to act Matilda" (+Kemble Mem.=).  "She instantly complied...and was receive
d with the most marked respect" (+Morning Chronicle=, 28 Nov.).  The audience re
fused to believe that Mrs Jordan's illness was genuine, and for several days she
 was treated harshly by letters to and paragraphs in the newspapers.  For her le
tter explaining her "real inability from illness to sustain her part in the ente
rtainment" see $Oulton=, 1796, II, 103-6; see also 10 Dec.  "+Richard Coeur de L
ion= was advertised as the afterpiece; but on account of the sudden illness of M
rs Jordan, +High Life below Stairs= was proposed to be substituted; the house, h
owever, seeming to disapprove of this change, Mrs Crouch kindly undertook the pa
rt of Matilda; $Miss Hagley= took hers of Laurette" (+Public Advertiser=, 28 Nov
.).]  Receipts: #285 10s. (220.3; 64.10; 0.17).  *pcg Artaxerxes.  As 19 Nov.  *
aLove a-la-Mode.  Sir Archy Macsarcasm-Wilson; Squire Groom-Lewis; Sir Callaghan
 O'Brallaghan-Johnstone; Beau Mordecai-Quick; Sir Theodore Goodchild-Thompson; C
harlotte-Miss Chapman.  *cAfterpiece: By $Macklin=.  Receipts: #223 10s. 6d. (21
7.15.6; 5.15.0).  *p28 dlking's Poor Old Drury!!!  As 4 Oct., but Vocal Parts-+C
aulfield, _Chapman, _Danby.  *aKing Henry the Fifth.  As 31 Oct., but Scroop-Coo
ke.  *aComus.  As 29 Oct., but Spirit-Benson; Elder Brother-Banks; Bacchants-Mrs
 _Crouch, Mrs _Bland.  *cReceipts: #156 9s. (125.15; 30.1; 0.13).  *pcg The Prus
sian Festival.  As 21 Nov.  *aRomeo and Juliet.  As 26 Sept.  *aOscar and Malvin
a.  As 2 Nov., but Bards, Peasantry-_Williamson.  *sAs 26 Sept.  *mAs 22 Nov.  *
cMasquerade Scene as 26 Sept.  Receipts: #189 15s. (187.15; 2.0).  *p29 dlking's
 Poor Old Drury!!!  As 28 Nov.  *aThe Wonder.  Don Lopez-Baddeley; Don Felix-Kem
ble; Frederick-Packer; Don Pedro-Parsons; Col. Briton-Wroughton; Gibby-Moody; Li
ssardo-King; Alguazile-Jones; Vasquez-Phillimore; Donna Violante-Miss Farren; Do
nna Isabella-Mrs Ward; Inis-Miss Collins; Flora-Miss Pope.  *aRichard Coeur de L
ion.  As 26 Nov.[, but $Mrs Crouch='s and $Miss Hagley='s names listed in playbi
ll.%  *c2nd piece: Not acted these 3 years.  Receipts: #275 15s. 6d. (226.14.6; 
48.13.0; 0.8.0).  *pcg Love in a Village.  As 15 Nov.  *aLovers' Quarrels.  Sanc
ho-Quick; Don Carlos-Holman; Lopez-Munden; Don Lorenzo-Farren; Don Alvarez-Rock;
 Don Felix-Thompson; Angelina-Miss Chapman; Isabella-Miss Stuart; Jacintha-Mrs M
attocks; Leonora-Mrs Pope.  *cAfterpiece: Taken from $Vanburgh='s [sic] +Mistake
=.  Receipts: #213 17s. 6d. (212.3.6; 1.14.0).  *p30 dlking's The School for Fat
hers.  Sir John Flowerdale-Aickin; Col. Oldboy-Suett; Mr Jessamy-Dodd; Lionel-Ke
lly; Harman-Dignum; Jenkins-Sedgwick; Dinah [recte +Diana=]-Mrs Bland; Clarissa-
Mrs Crouch; Lady Mary Oldboy-Mrs Hopkins; Jenny (1st time)-Mrs Edwards.  *aKatha
rine and Petruchio.  Petruchio-Palmer; Baptista-Packer; Hortensio-Benson; Grumio
-Baddeley [+Public Advertiser=, i.e. playbill erroneouly lists Packer]; Musick M
aster-Fawcett; Biondello-R. Palmer; Pedro-Phillimore; Taylor-Burton; Nathaniel-L
yons; Peter-Alfred; Nicholas-Banks; Joseph-Webb; Katharine-Mrs Goodall; Bianca-M
iss Tidswell; Curtis-Mrs Booth; Milliner-Miss Palmer.  *cReceipts: #110 9s. 6d. 
(85.6.6; 23.1.0; 0.15.0; tickets not come in: 1.7.0).  *pcg The Prussian Festiva
l.  As 21 Nov.  *aNotoriety.  As 5 Nov.  *aA Divertisement.  As 26 Sept.  *cRece
ipts: #182 18s. (178.1; 4.17).  *p12 1 dlking's The Provok'd Husband; or, A Jour
ney to London.  Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wronghead-Parsons; 
Squire Richard-Burton; John Moody-Moody [sic]; Count Basset-Dodd; James-Benson; 
Poundage-Fawcett; Constable-Maddocks; Servant-Lyons; Lady Townly-Miss Farren; La
dy Grace-Mrs Ward;  Lady Wronghead-Mrs Hopkins; Miss Jenny-Miss Collins; Mrs Mot
herly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard [+Kemble playbill= er
roneously lists $Miss Hagley=].  *aRichard Coeur de Lion.  As 29 Nov.  *cReceipt
s: #255 1s. (197.5; 54.15; 2.9; tickets not come in: 0.12).  *pcg The Prussian F
estival.  As 21 Nov.  *aWild Oats.  As 12 Oct., but Midge-Macready [and thereaft
er]; Muz-_.  *aOscar and Malvina.  As 28 Nov.  *mAs 22 Nov.  *cReceipts: #218 10
s. 6d. (216.1.6; 2.9.0).  *p2 dlking's The Clandestine Marriage.  Lord Ogleby-Ki
ng; Sir John Melvil-Whitfield; Sterling-Aickin; Lovewell-Barrymore; Canton-Badde
ley; Brush-Palmer; Serjeant Flower-Packer; Mrs Heidelberg-Mrs Hopkins; Miss Ster
ling-Miss Pope; Fanny-Mrs Kemble; Betty-Miss Tidswell; Chambermaid-Miss Heard; T
rusty-Mrs Heard.  *aDon Juan.  As 9 Nov.  *dIn afterpiece: Hamoir, Miss DeCamp [
and see 5 Nov.].  *cReceipts: #163 4s. (133.2; 28.9; 1.13).  *pcg Inkle and Yari
co.  As 9 Nov.  *aThe Miser.  Lovegold-Quick; Frederick-Farren; Taylor-C. Powell
; James-Rees; Lawyer-Rock; Sparkle-Evatt; Satin-Rowson; Upholsterer-Ledger; Rami
lle-Fawcett; Mariana-Mrs Mountain; Mrs Wisely-Mrs Platt; Lappet-Mrs Mattocks.  *
dAs 9 Nov.   *s[a favourite%Air from Idalide-Mrs Billington; [accompanied on the
% harp-Meyer.  *cReceipts: #204 14s. (198.6.6; 6.7.6).  *p3 dlking's The School 
for Scandal.  As 11 Oct.  *aRichard Coeur de Lion.  As 29 Nov., but Guillot-Blan
d.  *sAs 27 Sept.  *cReceipts: #249 10s. (213.11; 34.17; 0.19; ticket not come i
n: 0.3).  *pcg A Day in Turkey; or, The Russian Slaves.  [Principal Characters b
y Holman, Farren, Munden, Fawcett, Cubitt, Macready, Thompson, Farley, C. Powell
, Cross, Incledon, Mrs Esten, Mrs Mattocks, Mrs Martyr, Mrs Pope.  [Cast from te
xt ($G. G. J. and J. Robinson=, 1792):% Ibrahim-Holman; Orloff-Farren; Mustapha-
Munden; A La Greque-Fawcett; Azim-Cubitt; Muley-Macready; Old Man-Thompson; Isma
el-Farley; 2nd Turk-C. Powell [in text: $Evatt= (see 30 Dec.)]; Son-Cross; Selim
-Incledon; Paulina-Mrs Esten; Lauretta-Mrs Mattocks; Fatima-Mrs Martyr; Alexina-
Mrs Pope; Female Slaves-Mrs Fawcett, Mrs Rock; +Prologue=-Harley; +Epilogue=-Mrs
 Pope.  [These were spoken, as here assigned, at the first 9 performances only (
see 20 Jan. 1792).]  *aHob in the Well.  Hob-Blanchard; Sir Thomas Testy-Thompso
n; Dick-Farley; Old Hob-Powel; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Mis
s Stuart; Flora-Mrs Martyr.  *cMainpiece [1st time; CO 5, by $Hannah Cowley=.  A
uthor of Prologue unknown.  Epilogue by the author (see text)]: With Songs, Duet
ts, and Chorusses composed by $Mazzinghi=.  With new Scenery, Dresses, and Decor
ations.  Books of the Songs, &c. to be had at the Theatre.  [Afterpiece in place
 of +The Padlock=, advertised on playbill of 2 Dec.]  +Morning Herald=, 23 Feb. 
1792: This day is published +A Day in Turkey= (1s. 6d.).  Receipts: #263 16s. (2
61.15.6; 2.0.6).  *p5 dlking's The First Part of King Henry the Fourth.  As 7 No
v., but Sir Richard Vernon-Barrymore; Francis-Suett.  *aThe Doctor and the Apoth
ecary.  As 12 Nov.  *cReceipts: #159 13s. 6d. (121.8.6; 36.4.0; 2.1.0).  *pcg A 
Day in Turkey.  As 3 Dec.  *aOscar and Malvina.  As 28 Nov.  *mAs 24 Oct.  *cRec
eipts: #219 13s. 6d. (216.2.0; 3.11.6).  *p6 dlking's The Careless Husband.  Lor
d Morelove-Wroughton; Lord Foppington-Dodd; Sir Charles Easy-Kemble; Lady Betty 
Modish-Miss Farren; Lady Easy-Mrs Powell; Lady Graveairs-Mrs Ward; Edging-Miss P
ope.  *aRichard Coeur de Lion.  As 3 Dec.  *cReceipts: #176 11s. (131.12; 43.12;
 1.7).  *pcg A Day in Turkey.  As 3 Dec.  *aThe Farmer.  As 12 Sept.  *cBenefit 
for the Author [of mainpiece, who is named in the Account-Book, but not on the p
laybill].  Receipts: #157 3s. (152.9.6; .4.13.6; tickets: none listed) (charge: 
#105).  *p7 dlking's The Rivals.  As 1 Oct., but Lydia Languish-Mrs Goodall.  *a
The Flitch of Bacon.  Major Benbow-Hollingsworth; Justice Benbow-Packer; Captain
 Greville (1st time)-Kelly; Captain Wilson-Sedgwick; Tipple-Bannister Jun.; Eliz
a-Mrs Crouch.  *cReceipts: #198 11s. (156.7; 39.19; 1.13; tickets not come in: 0
.12).  *pcg Notoriety.  As 5 Nov.  *aThe Miser.  As 2 Dec.  *cBy Command of $The
ir Majesties=.  Receipts: #408 9s. 6d. (402.10.6; 5.19.0).  *p8 dlking's The Pro
vok'd Husband.  As 1 Dec.  *aRichard Coeur de Lion.  As 3 Dec.  *cReceipts: #205
 5s. 6d. (157.13.6; 45.12.0; 2.0.0).  *pcg The Beggar's Opera.  As 12 Nov., but 
Lucy-Mrs Harlowe.  *aOscar and Malvina.  As 28 Nov.  *dAs 12 Nov.  *mAs 24 Oct. 
 *c+The Duenna= [advertised on playbill of 7 Dec.] is obliged to be deferred on 
account of the Indispoaition of $Quick=.  [In mainpiece the playbill retains $Mr
s Martyr= as +Lucy=r, but she "had kibes, and accordingly $Mrs Harlowe= was draw
n out in Lucy" (+Oracle=, 9 Dec.).  Afterpiece in place of +Two Strings to Your 
Bow=, advertised on playbill of 7 Dec.] Receipts: #193 9s. 6d. (188.14.6; 4.15.0
).  *p9 dlking's Know Your Own Mind.  As 4 Oct.  *aRichard Coeur de Lion.  As 3 
Dec.  *cReceipts: #122 17s. 6d. (93.8.6; 27.1.0; 2.8.0).  *pcg A Day in Turkey. 
 As 3 Dec.  *aA Divertisement.  As 26 Sept.  *cReceipts: #141 8s. (134.8.6; 6.19
.6).  *p10 dlking's The School for Scandal.  As 11 Oct.  *aThe Sultan.  As 14 No
v.  *dIn afterpiece: Hamoir, Miss DeCamp.  *sAs 27 Sept.  *c"$Mrs Jordan= made a
n Apology this Night, and all is well again" (MS annotation on +Kemble playbill=
) [see 26 Nov.].  Receipts: #421 3s. 6d. (310.2.6; 108.12.0; 2.9.0).  *pcg The W
oodman.  [Principal Characters-Quick, Johnstone, Darley, Blanchard, Incledon, Gr
ay, Cross, Mrs Martyr, Mrs Webb, Miss Barnett, Mrs Billington (with additional m
usic)[+Together let us range the fields= ($Crouch=, II, 129), a duet with Incled
on; +Se ti perdo= (see 22 May 1792); +Court me not to scenes of pleasure= (BUC, 
1089)]; (1st appearance in this opera); Rest of the Vocal Parts-Mrs Mountain, Mi
ss Broadhurst, Mrs Harlowe, Miss Stuart, Mrs Watts, Miss Francis, Mrs Arnold, Mr
s Davenett, Mrs Bock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Platt, M
rs Ratchford, Mrs Byrne, Miss Leserve.  [Cast adjusted from text ($T. Cadell=, 1
791):% Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop-Darley; Medley
-Blanchard; Wilford-Incledon; Bob-Gray; Filbert-Cross; Dolly-Mrs Martyr; Miss Di
 Clackit-Mrs Webb; Polly-Miss Barnett; Emily-Mrs Billington; Kitty Maple-Miss St
uart; Bridget-Mrs Cross.  *aModern Antiques.  As 14 Sept.  *cMainpiece: 32nd Nig
ht [i.e. in continuation, erroneously, of the reckoning for the preceding season
, when it was acted 28 times].  With new Music, Scenes, Dresses, and Decorations
.  The Music (with a few Exceptions) composed entirely new by $Shield=.  And new
 Scenery designed and chiefly executed by $Richards=.  Books of the Songs to be 
had at the Theatre.  "+Covent-garden= is the National Theatre.  I was there on 1
0th Dec. and saw an opera called +The Woodman=.  It was the very day on which th
e life story of $Madam Billington=, both from the good as well as from the bad s
ides was announced [i.e. +Memoirs of Mrs Billington=, and +An Answer to the Memo
irs of Mrs Billington=, both anonymous, both predated 1792]...She sang rather ti
midly this evening, but very well all the same.  The first tenor [$Incledon=] ha
s a good voice and quite a good style, but he uses the falsetto to excess.  He s
ang a trill on high C and ran up to G.  The 2nd tenor [$Johnstone=] tries to imi
tate him, but could not make the change from the falsetto to the natural voice, 
and apart from that is most unmusical...But the cast is entirely used to him.  T
he leader is $Herr Baumgartner= [sic], a $German= who, however, has almost forgo
tten his mother-tongue.  The Theatre is very dark and dirty, and is almost as la
rge as the +Vienna Court Theatre=.  The common people in the galleries of all th
e theatres are very impertinent; they set the fashion with all their unrestraine
d impetuosity, and whether something is repeated or not is determined by their y
ells.  The parterre and all the boxes sometimes have to applaud a great deal to 
have something good repeated.  That was just what happened this evening, with th
e Duet in the 3rd Act, which was very beautiful; and the pro's and contra's went
 on for nearly a quarter of an hour, till finally the parterre and the boxes won
, and they repeated the Duet.  Both the performers stood on the stage quite terr
ified, first retiring, then again coming forward.  The orchestra is sleepy" ($Ha
ydn=, 273-74).  Receipts: #194 11s. (191.8; 3.3).  *p12 dlking's The Revenge.  D
on Alonzo-Wroughton; Don Carlos-Barrymore; Don Alvarez-Packer; Don Manuel-Philli
more; Zanga-Kemble; Leonora-Mrs Powell; Isabella-Miss Tidswell.  *aThe Humourist
.  As 4 Nov., but Blunt-Alfred; John-Banks.  *cMainpiece: Not acted these 2 year
s.  Receipts: #130 2s. 6d. (102.10.6; 25.6.0; 2.1.0; tickets not come in: 0.5.0)
.  *pcg The Prussian Festival.  As 21 Nov.  *aThe Dramatist.  As 12 Sept.  *aOsc
ar and Malvina.  As 28 Nov.  *mAs 22 Nov.  *c+Wild Oats= [advertised on playbill
 of 10 Dec.] is obliged to be deferred on account of the Indisposition of a Prin
cipal Performer.  Receipts: #173 7s. (162.14; 10.13).  *phay Douglas.  Glenalvon
-Wilkinson; Lord Randolph-Turner; Old Norval-Walker; Officer-Wilson; Servant to 
Douglas-Wright; Douglas-Baker; Anna-Mrs Taylor; Lady Randolph-Mrs Murray.  *aThe
 Gentle Shepherd.  Sir William Worthy-Gray; Patie-Hunter; Roger-Wilson; Symon-Jo
hnson; Glaud-Shaw; Bauldy-Walker; Peggy-A Lady; Jenny-Mrs Bonner; Madge, Elspa-M
r Service; Mause-Mr Sinclair.  *dEnd 1st song: +The Dance in Fetters=-Allison.  
*sEnd: +The Cries of Edinburgh=-Shaw; End I afterpiece: +Hark hark to the Woodla
nds=-Miss Thompson (1st appearance).  *cBy Permission of the +Lord Chamberlain=.
  Benefit for $Baker= and $Murray=.  The Doors to be opened at 5:30.  To begin a
t 6:30.  The Public are respectfully apprized that every Exertion will be used t
o render the Evening's Entertainment worthy their Patronage and Support.  *p13 d
lking's As You Like It.  As 3 Oct., but [$Barrymore='s name listed in playbill;%
 Charles-Phillimore.  *aThe Doctor and the Apothecary.  As 12 Nov.  *sAs 3 Oct. 
 *cReceipts: #244 16s. 6d. (203.13.6; 39.12.0; 1.11.0).  *pcg The Woodman.  As 1
0 Dec., but Principal Characters-+Linton; Rest of the Vocal Parts-Mrs +Lloyd.  *
aAnimal Magnetism.  Doctor-Quick; La Fleur-Blanchard; Marquis D'Lancy-Macready; 
Jeff'ry-Cross; Picard-Blurton; Constance-Mrs Wells; Lisette-Mrs Mattocks.  *cRec
eipts: #159 12s. 6d. (157.2.0; 2.10.6).  *p14 dlking's The Tempest.  As 25 Nov. 
 *aThe First Floor.  As 10 Nov., but Mrs Pattypan-Mrs Hopkins.  *sVocal Parts, a
s 25 Nov., but +Cooke; The Masque of Neptune and Amphitrite, as 25 Nov.  *cRecei
pts: #153 14s. 6d. (117.9.6; 32.12.0; 3.13.0).  *pcg The Prussian Festival.  As 
21 Nov.  *aNotoriety.  As 5 Nov.  *aOscar and Malvina.  As 27 Oct., but Bards, P
easantry-_Williamson.  *mAs 22 Nov.  *cReceipts: #236 0s. 6d. (230.15.0; 5.5.6).
  *p15 dlking's The Inconstant.  As 11 Nov., but Oriana-Mrs Goodall.  *aThe Pann
el.  As 22 Sept., but Lawyer-Maddocks; Notary-Fawcett.  *cReceipts: #157 5s. 6d.
 (111.11.6; 44.0.0; 1.14.0).  *pcg The Prussian Festival.  As 21 Nov.  *aWild Oa
ts.  As 1 Dec., but Lady Amaranth-Mrs Merry (1st appearance in that character). 
 *aThe Jovial Crew.  Justice Clack-Quick; Oliver-Johnstone; Hilliard-Incledon; V
incent-Davies; Hearty-Darley; Springlove-Macready; Oldrents-Powel; Martin-Evatt;
 Patrico-Thompson; Meriel-Mrs Martyr; Amie-Miss Stuart; Rachel-Mrs Mountain.  *d
In II 3rd piece: [the original% +Crutch Dance=-.  *c3rd piece: Books of the Song
s to be had at the Theatre.  Receipts: #189 3s. (185.13.6; 3.9.6).  *p16 dlking'
s The Heiress.  As 5 Nov., but Alscrip-Parsons.  *aRichard Coeur de Lion.  As 29
 Nov., but Seneschal-Benson.  *cReceipts: #221 11s. (172.12; 47.17; 1.2).  *pcg 
The Prussian Festival.  As 21 Nov.  *aNotoriety.  As 5 Nov.  *aLove and War.  As
 25 Nov.  *cReceipts: #182 15s. 6d. (178.1.6; 4.14.0).  *p17 dlking's The Confed
eracy.  As 20 Oct.  *aThe Devil to Pay.  As 18 Oct.  *cReceipts: #248 10s. (199.
5; 47.19; 1.6).  *pcg Artaxerxes.  As 19 Nov.  *aLove a-la-Mode.  As 26 Nov.  *c
Receipts: #212 17s. 6d. (206.15.0; 6.2.6).  *ppan La Pastorella Nobile.  [Princi
pal Parts by Lazzarini, Cipriani, the Messrs Lipparini, Sga Casentini, Sga Calve
si.  [Cast from libretto ($H. Reynell=, 1791):% Il Marchese-Lazzarini; Don Callo
andro-Cipriani; Don Polibio-Lipparini Sen.; Don Astianatte-Lipparini Jun.; Euril
la-Sga Casentini; Donna Florida-Sga Calvesi.  *dEnd I: [a new Ballet Demi-Caract
ere, composed by $D'Auberval=,% +La Fontaine d'Amour=-.  *bEnd II: [a new Pantom
imic, Anacreontic Ballet, composed by D'Auberval,% +L'Amant Deguise=.  Alcindor-
Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Eg
ville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage.  *cA New Comic Opera; compsoed
 by $Pietro Guglielmi=; under the direction of $Mazzinghi=.  Pit Half a Guinea. 
Gallery 5s.  No Money to be returned.  The Doors to be opened at 6:30.  To begin
 at 7:30 precisely [see 14 Feb. 1792].  The Nobility and Gentry are intreated to
 give particular Orders to their Coachmen to set down and take up with their Hor
ses' Heads towards +Hyde Park=.  The Door in +Blenheim Mews= will be shut during
 the Performance and opened only for the Company to go in Chairs.  Subscriptions
 are received at Messrs +Ransom, Morland and Hammersly's=, No. 57, +Pall-mall=. 
 And the Nobility and Gentry are earnestly requested to send a complete List of 
the Subscribers to their respective Boxes as soon as possible, since (by express
 Orders) no Person, on any account, can be admitted without producing a proper T
icket.  *p19 dlking's Love for Love.  As 25 Oct., but Valentine-Whitfield; Buckr
am-Benson; Nurse-_.  *aRichard Coeur de Lion.  As 3 Dec., but Seneschal-Benson. 
 *c[Mainpiece in place of +The Way to Keep Him=, advertised on playbill of 17 De
c.]  Receipts: #176 5s. 6d. (134.3.6; 41.12.0; 0.10.0).  *pcg The Prussian Festi
val.  As 21 Nov.  *aWild Oats.  As 15 Dec.  *aOscar and Malvina.  As 14 Dec.  *m
In 3rd piece: The Harp and Pipes-Weippert, Courtney.  *cReceipts: #202 3s. (198.
14; 3.9).  *p20 dlking's Poor Old Drury!!!  As 28 Nov.  *aA Trip to Scarborough.
  As 10 Oct.  *aDon Juan.  As 9 Nov.  *dAs 2 Dec.  *cReceipts: #169 9s. 6d. (137
.14.6; 30.12.0; 0.17.0; tickets not come in: 0.6.0).  *pcg The Duenna.  As 1 Nov
.  *aThe Midnight Hour.  As 19 Nov.  *cReceipts: #166 10s. (163.10.6; 2.19.6).  
*ppan La Pastorella Nobile.  See 17 Dec.  *dEnd I: +La Fontaine d'Amour=, as 17 
Dec.; End Opera: +L'Amant Deguise=- [See 17 Dec.].  *p21 dlking's The Country Gi
rl.  As 6 Oct., but Moody-Bensley.  *aRichard Coeur de Lion.  As 3 Dec.  *c[Main
piece in place of +The Heiress=; afterpiece of +The Sultan=, both advertised on 
playbill of 20 Dec.]  Receipts: #223 3s. (172.9; 47.3; 1.15; tickets not come in
: 1.16).  *pcg Tancred and Sigismunda.  Tancred-Holman (1st appearance in that c
haracter); Siffridi-Hull; Rodolpho-Macready; Officer-Evatt; Osmond-Farren; Laura
-Mrs Fawcett; Sigismunda-Mrs Merry (1st appearance in that character).  *aBlue B
eard; or, The Flight of Harlequin.  Principal Characters-Byrne, Follett, Farley,
 C. Powell, Rees, Milburne, Rowson, Simmons, Blurton, Letteney, Master Webb, Mrs
 Watts, Mrs Rock, Miss Leserve, Miss Francis, Miss Birt, Mrs Ratchford, Mlle St.
Amand; Vocal Parts-Munden, Fawcett, Davies, Marshall, Gray, Powel, Cross, Miss S
tuart, Mrs Arnold, Mrs Masters, Mrs Davenett, Miss Barnett.  [Playbill of 22 Dec
. lists a full cast, but has so many changes of all sorts that no assignment of 
parts for this present night is possible.]  *d[see 11 Jan. 1792%.  *cMainpiece: 
Not acted these 5 years [acted 16 Jan. 1789].  Afterpiece [1st time at a public 
theatre (1st acted at $Lord Barrymore='s private theatre at +Wargrave=, 13 Apr. 
1791); P 2, by $Carlo Antonio Delpini=.  Not published]: With entire new Music, 
Scenery, Machinery, Dresses, and Decorations.  The Music composed by $Baumgarten
=.  The Scenes painted by $Richards=, $Hodgins=, $Pugh=, $Walmsley=, and other a
ssistants.  Books of the Songs [$W. Woodfall=, 1791] to be had at the Theatre.  
Nothing under Full Price will be taken.  "The Piece was last night very incorrec
tly exhibited...The scenes of the destruction of the cottage by fire, the view o
f +Strawberry-hill=, and +Blue Beard's infernal palace=...are worthy of commenda
tion.  The last scene was not grand enough: the wings were by no means in unison
" (+Public Advertiser=, 22 Dec.).  Receipts: #279 13s. (249.19; 29.14).  *p22 dl
king's The Heiress.  As 16 Dec.  *aThe Sultan.  As 14 Nov.  *dAs 10 Dec.  *cRece
ipts: #180 (135.1; 42.2; 2.14; ticket not come in: 0.3).  *pcg The Conscious Lov
ers.  As 20 Oct.  *aBlue Beard.  Harlequin-Byrne; Blue Beard-Darley; Clown-Folle
tt; Brothers to Colombine-Farley, King; Assassins-Rowson, Powers; Haggard-Gray; 
Sligo-Rock; Swagger-Davies; M'Carney-Powel; Bounce-Marshall; Waiter-Cross; Docto
r-C. Powell; Sailor-Rees; Footboy-Simmons; Tipy Bob-Munden; Daemons of Revenge-R
atchford, Platt, Rayner, Jackson, Wild, Bayzand; Sister Ann-Miss Leserve; Lady D
ash-Miss Stuart; Mrs Fussick-Mrs Davenett; Miss Common-Mrs Rock; Mrs Hoplove-Mrs
 Cross; Widow Giggle-Mrs Gray; Colombine-Mlle St.Amand; Aerial Spirits-Mrs Watts
, Mrs Arnold, Mrs Masters, Miss Birt, Miss Francis, Mrs Lloyd, Mrs Ratchford, Mi
ss Rowson, Miss Taylor, Miss Barnett.  [And see 21 Dec.]  *sAs 20 Oct.  *cReceip
ts: #171 7s. (161.3; 10.4).  *p23 dlking's Poor Old Drury!!!  As 28 Nov.  *aKnow
 Your Own Mind.  As 4 Oct.  *aRichard Coeur de Lion.  As 29 Nov.  *cReceipts: #1
54 1s. (117.18; 35.5; 0.18).  *pcg Inkle and Yarico.  As 2 Nov., but Narcissa-Mr
s Mountain.  *aBlue Beard.  As 22 Dec., but Little Old Man-Master Webb.  *dAs 2 
Nov.  *cReceipts: #228 9s. (216.7; 12.2).  *p26 dlking's She Wou'd and She Wou'd
 Not.  As 1 Nov., but Trappanti-Suett.  *aRichard Coeur de Lion.  As 29 Nov.  *c
Receipts: #391 4s. 6d. (344.10.0; 44.14.0; 2.0.6).  *pcg Jane Shore.  Hastings-H
olman; Gloster-Aickin; Belmour-Hull; Catesby-Thompson; Ratcliffe-Macready; Derby
-Evatt; Porter-Rock; Shore-Farren; Alicia-Mrs Merry; Jane Shore-Mrs Pope.  *aBlu
e Beard.  As 23 Dec., but Aerial Spirits-Miss _Barnett, Miss +Broadhurst.  *cRec
eipts: #260 3s. (255.14; 4.9).  *phay King Henry II; or, The Death of Fair Rosam
ond.  King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-R
undell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker;
 Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the
 $Theatre Royal, York=).  *aThe Humours of Sir John Brute.  Sir John Brute (for 
that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholl
s; Col. Bully (with +songs=)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with +Hi
ppisley's Drunken Man=)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Bel
inda-A Young Lady (1st appearance [unidentified]).  *e[+Monologue=% End: +The Mo
nody on the Death of Mr Henderson= (3rd time at this theatre)-Baker.  *cBy Permi
ssion of the +Lord Chamberlain=.  Under the Patronage of several Persons of Dist
inction.  Beneath the immediate Direction of a Venerable Veteran of the Stage.  
Afterpiece [1st time; C 2, author unknown.  Not in +Larpent MS=; not published]:
 Reduced into Two Acts, from +The Provok'd Wife=.  *p27 dlking's The Tempest.  A
s 9 Nov., but Caliban-Bannister (1st appearance on this stage these 5 years).  *
aDon Juan.  As 9 Nov.  *dAs 2 Dec.  *sVocal Parts, as 14 Dec.; Masque of +Neptun
e and Amphitrite=, as 9 Nov.  *c"Had $Mr Bannister, sen= (whose merit as a singe
r is pre-eminent) never played any other character than that of +Caliban=r, he w
ould, by so capital, so unique, so unparalleled a performance, have deserved to 
be ranked with the foremost" ($Jonson=, ed. $Waldron=, 178). Receipts: #182 15s.
 (145.11; 36.2; 1.2).  *pcg The Earl of Essex.  As 3 Oct.  *aBlue Beard.  As 26 
Dec.  *c[Mainpiece in place of +The Grecian Daughter=, advertised on playbill of
 26 Dec.]  Receipts: #245 8s. (238.16; 6.12).  *p28 dlking's The Confederacy.  A
s 3 Nov., but Brass-Bannister Jun.  *aThe Doctor and the Apothecary.  As 12 Nov.
  *cReceipts: #276 12s. (239.9; 34.19; 1.15; tickets not come in: 0.9).  *pcg Th
e Duenna.  As 1 Nov.  *aBlue Beard.  As 26 Dec.  *cBy Command of $Their Majestie
s=.Receipts: #445 18s. (441.13; 4.5).  *p29 dlking's The Inconstant.  As 15 Dec.
  *aRichard Coeur de Lion.  As 29 Nov.  *cReceipts: #178 13s. 6d. (129.19.6; 45.
7.0; 2.18.0; tickets not come in: 0.9.0).  *pcg The Provok'd Husband.  As 27 Oct
.  *aBlue Beard.  As 26 Dec.  *cReceipts: #226 10s. (221.5; 5.5).  *p30 dlking's
 The Heiress.  As 5 Nov., but Lady Emily-Mrs Goodall.  *aThe Devil to Pay.  As 1
8 Oct.  *cReceipts: #136 12s. 6d. (93.7.6; 41.18.0; 1.7.0).  *pcg A Day in Turke
y.  As 3 Dec., but Evatt.  *aBlue Beard.  As 26 Dec., but Harlequin-Bayzand? (se
e 31 Dec.).  *c[The playbill retains $Byrne= as +Harlequin=r, but "We were sorry
 to find a substitute for Byrne in Harlequin, but more particularly to understan
d that he had again [see 29 Oct.] unfortunately broken his right arm" (+Public A
dvertiser=, 31 Dec.).]  Receipts: #249 19s. (248.3; 1.16).  *p31 dlking's Cymon.
  Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bann
ister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge
-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima 
(1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr
 Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; [In T
ournament:% Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen o
f the Amazons-Miss Blanchet.  *aAll the World's a Stage.  As 17 Nov.  *cMainpiec
e: In 5 Acts, altered from the Dramatic Romance by $David Garrick, Esq.=  With a
 new Overture and new additional Musick by $Storace= [on 2 Jan. 1792 and thereaf
ter, added: $Shaw=] and other Eminent Masters.  Entirely new Scenery by $Greenwo
od=, and new Dresses, Decorations and Machinery.  To conclude with a +Grand Proc
ession of the Hundred Knights of Chivalry=, and the +Representation of an Ancien
t Tournament=.  [These were included in all subsequent performances.] Books of t
he Songs to be had at the Theatre.  +Morning Post=, 3 Jan. 1792, prints a full d
escription of the Procession of over 100 persons: 1st, +Anglo-Saxon Knights and 
banners=; then ancient +British knights=, +Norman knights=, $Indians=, $Turks=, 
$Scythians=, $Romans=, a dwarf, a giant; at end, "soldiers drawing a superb pict
ure of +St. George=, knights in chain mail, a cupid leading a knight covered wit
h a silver net, +Hymen=r, piping fauns, bands of cupids drawing an altar--flame 
burning, cupids hovering over it, and others feeding doves below, a troop of +Ar
cadian shepherds= drawing the car of +Cymon=r and +Sylvia=r, characters of the d
rama, and chorus."  "At the conclusion of the procession, a tournament took plac
e of both horse and foot, between several combatants in armour, who fought with 
lances, swords and battle-axes: three of $Hughes=' horses [from the +Royal Circu
s=] were introduced, and managed with much dexterity; the $Prince of Wales=' $Hi
ghlander= made one of the procession, and entered the lists as a champion, fight
ing with an enormous club; against him a small female warrior was opposed, by wh
om he was subdued.  It was by far the grandest spectacle ever seen upon the stag
e.  Many of the characters were taken from $Sir Philip Sydney='s +Arcadia=, in w
hich the scene of the piece was laid; and the dresses of the knights, armour, &c
. from the drawings and descriptions of the best antiquarians" ($Oulton=, 1796, 
II, 215).  [This was $Edmund Kean='s 1st appearance on the stage; he was about f
our years old.  He personated a cupid lying in Cymon and Sylvia's car (+Kelly, R
eminiscences=, II, 21-22).]  Account-Book, 13 Jan. 1792: Paid Hughes for his Hor
ses #16 19s. 10d.; 23 Jan.: Paid $Gough= for his Greyhounds in Cymon #5 19s. 6d.
  Receipts: #420 6s. (385.0; 35.5; 0.1).  *pcg The Beggar's Opera.  As 12 Nov.  
*aBlue Beard.  As 26 Dec., but Harlequin-Bayzand; +Daemons of Revenge=-_Bayzand.
  *dAs 12 Nov.  *cReceipts: #221 19s. (220.0; 1.19).  *ppan La Pastorella Nobile
.  As 20 Dec.  *dEnd I: +La Fontaine d'Amour=, as 17 Dec.; End Opera: +La Fete V
illageoise=-(composed by $D'Auberval= [with music by $Mazzinghi=])DeLaChapelle (
his 1st appearance).  [For other performers see +hay=, 14 Feb. 1792.]  *c"On 31s
t Dec. I was with $Pleyel= in the +Pantheon Theatre=. They gave +La Pastorella N
obile= by $Guglielmi=.  $Mad. Casentini= played the leading role and $Lazarini?=
 the primo huomo; the thin $Calvesi= had l'ultima parte.  The opera did not plea
se.  Neither did the ballet, even though the great $Hilligsburg= [sic] danced" (
$Haydn=, 266).  *p1792 1 2 dlking's Cymon.  As 31 Dec. 1791.  *aThe Humourist.  
As 4 Nov. 1791.  *c"The +Pageant= had some additional embellishments.  The horse
s had complete dresses in the style of chivalry.  The unhorsing of +St. James= w
as dexterously performed.  He fell so as to give the impression of reality to ev
ery heart.  The rearing and plunging of the black horse was admirable.  He is th
e best disciplined animal we ever saw" (+Morning Chronicle=, 3 Jan.).  Account-B
ook: Paid $Barratt=, Wax Chandler #178 2s. 3d.  Receipts: #401 9s. (362.8; 38.14
; 0.7).  *pcg A Day in Turkey.  As 30 Dec. 1791.  *aBlue Beard.  As 31 Dec. 1791
.  *cReceipts: #228 13s. (225.12; 3.1).  *ppan None.  *cThe Nobility and Gentry 
are respectfully acquainted that, on account of the absence from town of many Su
bscribers, there will be no Opera at the above Theatre until Saturday next, Janu
ary 7.  *p3 dlking's Cymon.  As 31 Dec. 1791.  *aThe First Floor.  As 10 Nov. 17
91.  *cReceipts: #366 6s. (321.19; 41.16; 1.16; tickets not come in: 0.15).  *pc
g Love in a Village.  As 15 Nov. 1791.  *aBlue Beard.  As 31 Dec. 1791.  *cRecei
pts: #257 1s. (255.9; 1.12).  *p4 dlking's Cymon.  As 31 Dec. 1791, but Dorilas-
_.  *aThe Doctor and the Apothecary.  As 12 Nov. 1791.  *cBy Command of $Their M
ajesties=.  "The crowd and the tumult at the doors of the Theatre last Wednesday
 [raised the question] why the Box and Pit passages, which were the same last ye
ar, are now separated.  The answer is because at the Opera, the Boxes and the Pi
t are for the same price and company; at the Playhouse they are different in bot
h respects.  Repeated notices were sent by $Kemble= both to those on foot and in
 carriages that the house was full; and the doors were actually closed before th
e house was really filled in the hope of dispersing the crowd--but they were a s
econd time forced open" (+Morning Chronicle=, 7 Jan.).  Receipts: #582 8s. 6d. (
552.15.6; 26.14.0; 2.19.0, being the largest amount received at this theatre dur
ing its occupancy by the +dl company=).  *pcg Notoriety.  As 5 Nov. 1791.  *aBlu
e Beard.  As 31 Dec. 1791.  *cReceipts: #343 12s. (340.4; 3.8).  *p5 dlking's Cy
mon.  As 4 Jan.  *aThe Deaf Lover.  Meadows-R. Palmer; Young Wrongward-Bland; Ol
d Wrongward-Waldron; Canteen-Benson; Sternhold-Maddocks; Groom-Fawcett; Sophia-M
iss Collins; Betsey Blossom-Mrs Bland; Maid-Miss Tidswell.  *cReceipts: #369 4s.
 (325.2; 42.1; 0.17; tickets not come in: 1.4).  *pcg A Day in Turkey.  As 30 De
c. 1791.  *aBlue Beard.  As 31 Dec. 1791, but 2nd Brother-Letteney.  *cReceipts:
 #215 18s. (212.11; 3.7).  *p6 dlking's Cymon.  As 4 Jan.  *aThe Apprentice.  Wi
ngate-Hollingsworth; Dick-Bannister Jun.; Gargle-Fawcett; Simon-Suett; Scotchman
-Banks; Irishman-Phillimore; Catchpole-Maddocks; Charlotte-Miss Collins.  *cRece
ipts: #295 15s. 6d. (253.19.6; 40.3.0; 1.13.0).  *pcg The Farmer.  See 12 Sept. 
1791.  *aModern Antiques.  See 14 Sept. 1791, but Cockletop-Waldron [of +dl=]; B
elinda-Mrs Watts.  *aBlue Beard.  As 5 Jan.  *c[In lieu of 1st two pieces the pl
aybill announces +Macbeth=, but "$Holman= was disabled by illness; +Macbeth=r wa
s allotted to $Harley=...who was also indisposed."  +The Farmer= and +The Merry 
Mourners= [i.e. +Modern Antiques=] were acted, but "$Quick=, in hurrying to the 
theatre, fell, and materially bruised his knee.  $Waldron= played Quick's charac
ter.  $Mrs Watts=...took the part which belongs to $Mrs Harlowe=" (+London Chron
icle=, 7 Jan.).]  Receipts: #132 19s. (132.4; 0.15).  *p7 dlking's Cymon.  As 4 
Jan.  *aThe Miller of Mansfield.  King-Whitfield; Miller-Moody; Richard-R. Palme
r; Lord Lurewell-Benson; Courtiers-Phillimore; Lyons; Joe-Dignum; Keepers-Fawcet
t, Alfred, Jones; Peggy-Miss Collins; Margery-Mrs Hopkins; Kate-Miss Heard; Pheb
e-Miss Palmer.  *cReceipts: #439 11s. 6d. (391.15.6; 45.7.0; 2.9.0).  A tally sh
eet in +BM= ($Burney= 937. c. 10) for this night itemizes the number of spectato
rs and the receipts as follows: 1st Account Boxes 660, #198.0.0 Pit 745, #130.7.
6 Gallery 634, #63.8.0 Total 2,039, #391.15.6 Half Price Boxes 215, #32.5.0 Pit 
27, #2.14.0 Gallery 208, #10.8.0 Total 450, #45.7.0 Boxes 875, #230.5.0 Pit 772,
 #133.1.6 Gallery 842, #73.16.0 Total 2,489, #437.2.6  The total receipts here s
et forth do not include the After Money of 2.9.0.  *pcg Artaxerxes.  As 19 Nov. 
1791.  *aBlue Beard.  As 5 Jan.  *cReceipts: #199 16s. (195.7; 4.9).  *ppan La P
astorella Nobile.  As 20 Dec. 1791.  *dAs 31 Dec. 1791.  *p9 dlking's Cymon.  As
 4 Jan.  *aCross Purposes.  Mr Grub-Hollingsworth; Consol-Suett; J. Bevil-Benson
; H. Bevil-Bland; G. Bevil-Whitfield; Chapeau-R. Palmer; Robin-Burton; Mrs Grub-
Mrs Hopkins; Emily-Miss Collins; Housemaid-Mrs Edwards.  *cThe Doors to be opene
d at 5:00.  To begin at 6:15 [see 25 Apr.].  Receipts: #317 7s. (273.14; 41.7; 2
.6).  *pcg Wild Oats.  As 1 Dec. 1791.  *aBlue Beard.  As 5 Jan.  *cReceipts: #2
22 6s. (219.12; 2.14).  *p10 dlking's Cymon.  As 4 Jan.  *aThe Humourist.  As 12
 Dec. 1791.  *cPaid +Secret Service= Money #40.  Receipts: #317 19s. (278.16; 35
.11; 3.12).  *pcg A Day in Turkey.  As 30 Dec. 1791.  *aBlue Beard.  As 5 Jan.  
*cReceipts: #190 14s. (188.17; 1.17).  *ppan None.  *cThe Subscribers to the Ope
ra are respectfully acquainted that, on account of the preparations for +La Disc
ordia Conjugale=, there will be no Opera till Saturday next, the 14th, when the 
above Opera will be performed.  *p11 dlking's Cymon.  As 4 Jan.  *aThe Virgin Un
mask'd.  Goodwill-Fawcett; Blister-Suett; Coupee-Bannister Jun.; Quaver-Dignum; 
Thomas-Phillimore; Miss Lucy-Mrs Bland.  *cReceipts: #346 10s. (305.11; 38.14; 1
.16; tickets not come in: 0.9).  *pcg The Woodman.  As 13 Dec. 1791.  *aBlue Bea
rd.  As 5 Jan.  *dIn afterpiece: Byrne, Mlle St.Amand.  *cReceipts: #232 7s. (22
9.19; 2.8).  *p12 dlking's Cymon.  As 4 Jan.  *aThe Citizen.  As 21 Nov. 1791.  
*cReceipts: #386 14s. (337.18; 47.11; 1.5).  *pcg Notoriety.  As 5 Nov. 1791, bu
t Sir Andrew Acid-Powel (in place of $Wilson=; 1st time).  *aBlue Beard.  As 5 J
an.  *dAs 11 Jan.  *cReceipts: #224 17s. (220.12; 4.5).  *p13 dlking's Cymon.  A
s 4 Jan.  *aThe Pannel.  As 22 Sept. 1791, but Don Ferdinand-Benson; Don Pedro-C
aulfield; Octavio-Hollingsworth; Lawyer-Maddocks; Notary-Fawcett.  *c[Afterpiece
 in place of +The Devil to Pay=, advertised on playbill of 12 Jan.]  Receipts: #
420 15s. 6d. (371.6.6; 46.17.0; 2.12.0).  *pcg A Day in Turkey.  As 30 Dec. 1791
.  *aBlue Beard.  As 5 Jan.  *dAs 11 Jan.  *cReceipts: #158 6s. (156.4; 2.2).  *
p14 dlking's Cymon.  As 4 Jan.  *aThe Miller of Mansfield.  As 7 Jan., but Court
iers-+Webb, _Phillimore.  *cReceipts: #279 14s. 6d. (222.18.6; 54.17.0; 1.19.0).
  *pcg Notoriety.  As 12 Jan., but Honoria-Miss Chapman [in place of $Mrs Esten=
%; +Prologue=-_.  *aBlue Beard.  As 5 Jan.  *dAs 11 Jan.  *c[In mainpiece the pl
aybill retains $Mrs Esten=, but she "being indisposed, $Davies= apologized for h
er absence, and $Miss Chapman= sustained the part with...good sense, delicacy an
d feeling" (+Morning Herald=, 16 Jan.).]  Receipts: #194 2s. (189.17; 4.5).  *pp
an None.  *c[+La Pastorella Nobile=, with +La Fontaine d'Amour= and +La Fete Vil
lageoise= announced, in place of +La Discordia Conjugale=, "unavoidably postpone
d," but not performed.  "On Saturday last [the +Pantheon=] was burnt to the grou
nd.  The fire broke out about two o'clock in the Painter's room...The building b
efore seven in the morning was a mere shell" (+Morning Herald=, 18 Jan.).  For c
ontinuation of opera season see +hay=, 14 Feb.]  *p16 dlking's Cymon.  As 4 Jan.
, but Dorus-Wewitzer.  *aThe Humourist.  As 12 Dec. 1791.  *cReceipts: #354 5s. 
6d. (302.8.6; 50.2.0; 1.15.0).  *pcg Romeo and Juliet.  As 26 Sept. 1791.  *aBlu
e Beard.  As 5 Jan.  *dAs 11 Jan.  *sJuliet's Funeral Procession, as 26 Sept. 17
91; Solemn Dirge, as 26 Sept. 1791; Vocal Parts, as 26 Sept., but _Lee, +Rowson,
 Mrs _Davenett.  *cMasquerade Scene as 26 Sept. 1791.  [Mainpiece in place of +A
 Day in Turkey=, advertised on playbill of 14 Jan.]  Receipts: #197 13s. (195.7;
 2.6).  *pcii Inkle and Yarico.  Inkle-Egerton; Sir Christopher Curry-Meadows; M
edium-Parsons; Campley-Bowman; Planter-Murphy; Trudge-Johnson; Wowski-Miss Chatt
erley; Narcissa-Mrs Johnson; Patty-Miss Hamilton (1st appearance on this stage);
 Yarico-Mrs Parsons.  *aMiss in her Teens; or, The Medley of Lovers.  Flash-John
son; Captain Loveit-Bowman; Puff-Meadows; Jasper-Egerton; Fribble-Parsons; Tag-M
rs Hilton; Miss Biddy-Miss Chatterley.  *cParticular Care is taken to keep the T
heatre well aired.  The Doors to be opened at 6:00.  To begin at 6:30 precisely.
  Pit 2s Gallery 1s.  *p17 dlking's Cymon.  As 16 Jan.  *aThe Virgin Unmask'd.  
As 11 Jan., but Thomas-_.  *cReceipts: #397 6s. (344.17; 48.19; 3.4; tickets not
 come in: 0.6).  *pcg Notoriety.  As 14 Jan.[, but $Miss Chapman='s name listed 
in playbill.%  *aBlue Beard.  As 5 Jan.  *dAs 11 Jan.  *cReceipts: #182 5s. (174
.16; 7.9).  *p18 dlking's Huniades.  [The +Christian Characters=r by Kemble, R. 
Palmer, Wroughton, Barrymore, Aickin, Dignum, Whitfield, Maddocks, Packer, Bland
, Jones, Cooke, Lyons, A Young Lady (Author of the Tragedy; 1st appearance on an
y stage), Miss Collins.  The +Mahometan Characters=r by Palmer, Benson, Webb, Se
dgwick, Caulfield.  [Cast from +London Chronicle=, 21 Jan.: +Hungarians=r:% Huni
ades-Kemble; Vilach-R. Palmer; Corvinus-Wroughton; Count of Cilley-Barrymore; Ca
mpestran-Aickin; Zilugo-Whitfield; Old Officer-Packer; Agmunda-Miss Brand; Ella-
Miss Collins; [+Turks=r:% Mahomet II-Palmer; Mustapha-Benson; Zoganus-Webb; Aga-
Sedgwick; Chusanes-Caulfield; Dignum, Maddocks, Bland, Jones, Cooke, Lyons; +Pro
logue=-Miss Farren; +Epilogue=-Bannister Jun.  *aThe Deaf Lover.  As 5 Jan., but
 Groom-Banks.  *cMainpiece [1st time in +London=; T 5, by $Hannah Brand=, 1st ac
ted at +Norwich=, 7 Apr. 1791.  Again acted at +king's= on 2 Feb. as +Agmunda=; 
text 1st published in $Miss Brand's@Plays@and@Poems= (Norwich: $Beatniffe= and $
Payne=, 1798) as +Huniades; or, The Siege of Belgrade=.  Prologue and Epilogue b
y the author (+London Chronicle=, 19 Jan. 1792)]: The Dresses, Decorations, &c. 
entirely new.  Receipts: #367 1s. 6d. (314.2.6; 51.8.0; 1.11.0).  *pcg Wild Oats
.  As 1 Dec. 1791.  *aBlue Beard.  As 5 Jan.  *dAs 11 Jan.  *cReceipts: #203 15s
. (202.2; 1.13).  *p19 dlking's Cymon.  As 4 Jan.  *aThe First Floor.  As 14 Dec
. 1791.  *cReceipts: #413 15s. 6d. (351.11.6; 59.10.0; 2.2.0; tickets not come i
n: 0.12.0).  *pcg The Woodman.  As 13 Dec. 1791, but Principal Characters-Mrs +D
avenett, [in place of% Mrs _Webb.  *aBlue Beard.  As 5 Jan.  *dAs 11 Jan.  *cRec
eipts: #229 (227.14; 1.6).  *p20 dlking's Cymon.  As 4 Jan.  *aHigh Life below S
tairs.  As 22 Nov. 1791, but Freeman-Benson.  *cReceipts: #371 12s. (315.19; 53.
0; 2.10; ticket not come in: 0.3).  *pcg A Day in Turkey.  As 30 Dec. 1791, but 
+Prologue=-_; +Epilogue=-_[and thereafter].  *aBlue Beard.  As 5 Jan.  *dAs 11 J
an.  *cReceipts: #180 19s. (178.6; 2.13).  *p21 dlking's Isabella; or, The Fatal
 Marriage.  Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palme
r; Sampson-Phillimore; Child-Master Harlowe; Bellford-R. Palmer; Pedro-Alfred; G
entlemen-Bland, Caulfield; Servant-Webb; Officer-Maddocks; Isabella-Mrs Siddons 
(1st appearance this season); Nurse-Mrs Booth.  *aThe Virgin Unmask'd.  As 11 Ja
n., but Goodwill-Packer; Thomas-Cooke.  *sIn III: +Epithalamium=[. Vocal Parts%-
Mrs Bland, Miss Hagley.  *c"When [$Mrs Siddons='s] approach was known from the w
ords of the play, and almost before she was within view of the audience, the app
lause commenced on all sides, and continued for some minutes" (+London Chronicle
=, 23 Jan.).  "The same bold, nervous articulation, with the same violent bursts
 of passion--bursts that confound criticism, though they harrow up the soul...Th
ere is a dignified deportment even in her shocks of surprise--her starts of horr
or--her agonies of death.  She never descends to a superfluous motion" (+Morning
 Chronicle=, 23 Jan.).  Receipts: #432 8s. 6d. (393.12.6; 35.8.0; 3.8.0).  *pcg 
Artaxerxes.  As 19 Nov. 1791.  *aBlue Beard.  As 5 Jan.  *dAs 11 Jan.  *cReceipt
s: #216 3s. (212.3; 4.0)   *p23 dlking's The Country Girl.  As 21 Dec. 1791.  *a
The Apprentice.  See 6 Jan.  *c[As afterpiece the playbill announces +Katharine 
and Petruchio=, in place of +Richard Coeur de Lion=, advertised on playbill of 2
1 Jan., but "On Acct. of the sudden Indisposition of $Mrs Goodall= Katharine & P
etruchio was put off and +The Apprentice= substituted in its stead" (MS annotati
on on +Kemble playbill=).]  Receipts: #236 5s. (189.8; 45.1; 1.16).  *pcg Macbet
h.  As 10 Oct. 1791.  *aBlue Beard.  As 5 Jan.  *dAs 11 Jan.  *sVocal Parts, as 
10 Oct. 1791, but +Gray, _Williamson, +Rowson, _Lee.  *cReceipts: #247 2s. (244.
14; 2.8).  *p24 dlking's Jane Shore.  Duke of Gloster-Aickin; Lord Hastings-Kemb
le; Catesby-Phillimore; Sir Richard Ratcliffe-Benson; Bellmour-R. Palmer; Dumont
-Bensley; Darby-Maddocks; Alicia-Mrs Powell; Jane Shore-Mrs Siddons.  *aThe Citi
zen.  As 21 Nov. 1791, but Quildrive-Banks; Tom-Alfred.  *cReceipts: #449 6s. 6d
. (421.4.6; 26.6.0; 1.16.0).  *pcg Love in a Village.  As 15 Nov. 1791.  *aLove 
a-la-Mode.  As 26 Nov. 1791.  *cReceipts: #224 11s. 6d. (221.11.6; 3.0.0).  *p25
 dlking's The Confederacy.  As 20 Oct. 1791, but Brass-Bannister Jun.; Mrs Amlet
-Mrs Booth; Mrs Clogget-Miss Tidswell.  *aThe Virgin Unmask'd.  As 21 Jan.  *cRe
ceipts: #155 (124.16; 28.0; 2.4).  *pcg Notoriety.  As 5 Nov. 1791, but Lady Aci
d-Mrs Powell [in place of $Mrs Webb=%; +Prologue=-_.  *aOscar and Malvina.  As 2
7 Oct. 1791, but King; Miss Francis; Byrne_.  *mIn afterpiece: As 19 Dec. 1791. 
 *c[In afterpiece the playbill retains $Farley= and $Mlle St.Amand=, but they "b
eing indisposed, the hero and heroine were submitted to other hands" (+Morning H
erald=, 26 Jan); probably to $King= and $Miss Francis= (see 28 Jan.).]  Receipts
: #247 10s. (233.15; 13.15).  *p26 dlking's Cymon.  As 4 Jan., but Urganda-Mrs P
owell.  *aThe Devil to Pay.  As 18 Oct. 1791, but Footman-_; Doctor-_.  *c[In ma
inpiece the playbill retains $Mrs Crouch= as +Urganda=r, but "Owing to the sudde
n indisposition of Mrs Crouch [the] part of Urganda was read by $Mrs Powell=" (+
Morning Herald=,27 Jan.).]  Receipts: #334 0s. 6d. (286.14.6; 44.1.0; 3.5.0).  *
pcg Wild Oats.  As 1 Dec. 1791.  *aThe Poor Soldier.  As 19 Oct. 1791.  *cReceip
ts: #164 6s. 6d. (158.1.6; 6.5.0).  *p27 dlking's Cymon.  As 26 Jan., but Fatima
 (1st time)-Mrs Goodall.  *aThe Humourist.  As 12 Dec. 1791, but Mrs Matadore-Mr
s Booth.  *c[In mainpiece the playbill retains $Mrs Crouch= as +Urganda=r, but $
Mrs Powell= probably acted it (see 26 and 30 Jan.).  Mrs Crouch was absent from 
the theatre from 21 Jan. to 5 Feb.]  Receipts: #357 5s. 6d. (296.11.6; 55.4.0; 5
.4.0; tickets not come in: 0.6.0).  *pcg A Day in Turkey.  As 20 Jan.  *aBlue Be
ard.  As 5 Jan., but Colombine-Mrs Watts.  *cReceipts: #166 6s. (162.1; 4.5).  *
p28 dlking's Venice Preserved.  Duke of Venice-Maddocks; Priuli-Aickin; Bedamar-
R. Palmer; Jaffier-Kemble; Pierre-Bensley; Renault-Packer; Elliot-Fawcett; Spino
sa-Benson; Theodore-Alfred; Durande-Cooke; Mezzano-Caulfield; Officer-Phillimore
; Belvidera-Mrs Siddons.  *aThe Englishman in Paris.  Buck-Palmer; Sir John Buck
-Phillimore; Subtle-Waldron; Classic-Packer; Marquis-Wewitzer; Kitteau-Banks; Ro
ger-Hollingsworth; Solitaire-Maddocks; Dauphine-Caulfield; Gamut-Fawcett; Servan
t-Webb; Mrs Subtle-Mrs Booth; Lucinda (with a +song=)-Miss DeCamp (1st appearanc
e in that character).  *dIn II afterpiece: a +Minuet=-Hamoir, Miss DeCamp.  [Thi
s was danced, as here assigned, in all subsequent performances.]  *cMainpiece: N
ot acted these 3 years.  Receipts: #468 18s. 6d. (426.11.6; 41.9.0; 0.15.0; tick
et not come in: 0.3.0).  *pcg The Woodman.  As 19 Jan., but Rest of the Vocal Pa
rts-Mrs _Byrne.  *aOscar and Malvina.  As 14 Dec. 1791, but Morven-King [in plac
e of $Farley=%; Malvina-Miss Francis [of $Mlle St.Amand=%.  *mAs 25 Jan.  *cRece
ipts: #220 3s. 6d. (214.9.0; 5.14.6).  *p30 dlking's Cymon.  As 27 Jan.[, but $M
rs Powell='s name listed in playbill.%  *aThe Englishman in Paris.  As 28 Jan.  
*c[This is the only occasion in the 18th century when a play was acted in +Londo
n= on this date.  "The performance at the +Haymarket= on the 30th of January has
 been noticed by $his Majesty= in a manner which is still a topic of conversatio
n in the higher circles...There will be no more theatrical performances on the 3
0th of January" (+London Chronicle=, 28 Feb.).  On 3 Feb. the +Lord Chamberlain=
 wrote to $Sheridan= as follows: "Sir--Information has been received at this Off
ice that Theatrical Entertainments were exhibited at the Theatre, under your dir
ection, in St. James's Haymarket on the 30th of Last Month, contrary to all prec
edent, and repugnant to Decency, being the Anniversary of the Martyrdom of King 
+Charles the First=.  I do not know by what Authority such a Step was taken but,
 as Chamberlain of His Majesty's Household, think it my Duty to desire that you 
will be pleased to Cause the Practice to be discontinued in future.  I am, Sir, 
Your Obedient, Humble Servant, $Salisbury=" (MS +Letters to Sheridan from Variou
s Correspondents=,II, 64, in +Harvard Theatre Collection=).  The +Morning Chroni
cle= on 31 Jan. offered another opinion: "It gave us infinite pleasure that last
 night we happily broke through one of the most absurd fasts in the calendar.  T
he Managers of +Drury Lane=, with proper regard to the public, rescued them from
 the common dullness of a 30th of January."  But the absurd fast remained in for
ce until 1843.]  Receipts: #339 18s. (291.4; 40.0; 8.11; ticket not come in: 0.3
).  *phay None.  *cThe Nobility and Gentry are most respectfully informed that, 
in consequence of the calamity that has befallen the +Pantheon= [see 14 Jan.], t
he +Italian Operas= are necessarily removed for the remainder of the present sea
son to this Theatre, where preparations are now making to accomodate the Subscri
bers; and of the first Representation notice will be given in a few days [see 14
 Feb.].  *p31 dlking's The Fair Penitent.  Sciolto-Aickin; Altamont-Barrymore; H
oratio-Bensley; Lothario-Palmer; Rossano-Caulfield; Servants-Phillimore, Alfred,
 Lyons; Calista-Mrs Siddons; Lavinia-Mrs Powell; Lucilla-Miss Palmer.  *aKathari
ne and Petruchio.  As 30 Nov. 1791.  *cMainpiece: Not acted these 3 years.  Rece
ipts: #447 11s. (402.9; 43.7; 1.9; tickets not come in: 0.6).  *pcg Notoriety.  
As 5 Nov. 1791, but Lady Acid-Mrs Powell [in place of $Mrs Webb=%.  *aOscar and 
Malvina.  As 14 Dec. 1791, but Morven-King [in place of $Farley=%.  *mAs 25 Jan.
  *cReceipts: #245 19s. (232.0; 13.19).  *p2 1 dlking's Cymon.  As 30 Jan.  *aTh
e Virgin Unmask'd.  As 21 Jan.  *c[Afterpiece in place of +The Sultan=, advertis
ed on playbill of 31 Jan.]  A New Edition of +Cymon= to be had at the Theatre.  
Receipts: #340 18s. 6d. (292.14.6; 44.18.0; 3.6.0).  *pcg A Day in Turkey.  As 2
0 Jan.  *aOscar and Malvina.  As 31 Jan.  *mAs 25 Jan.  *cReceipts: #173 12s. (1
68.7; 5.5).  *p2 dlking's Agmunda; Huniades.  As [+Huniades=% 18 Jan., but Chris
tian Characters-Bensley; Kemble_; R._ Palmer; Barrymore_; Mahometan Characters-P
hillimore; Epilogue-Bannister Jun., Suett.  *aThe Humourist.  As 27 Jan.  *cMain
piece: Altered from the Tragedy of +Huniades=.  [Afterpiece in place of +The Pan
nel=, advertised on playbill of 1 Feb.]  +Morning Herald=, 3 Feb., refers to the
 "new epilogue [probably written by $Miss Brand=]: a sort of dialogue between an
 undertaker and a brave $British= tar."  Receipts: #141 12s. 6d. (105.2.6; 32.12
.0; 3.18.0).  *pcg The Magician no Conjurer.  [Principal Characters by Quick, Bl
anchard, Wilson, Munden, Fawcett, Powel, Thompson, Cross, Rees, Rowson, Incledon
, Mrs Martyr, Mrs Mountain, Mrs Webb, Mrs Billington.  [Cast from Songs ($T. Cad
ell=, 1792):% Talisman-Quick; Peter Panick-Blanchard; Sammy Sapling-Wilson; Grub
-Munden; Dareall-Fawcett; Innkeeper-Powel; Countrymen-Thompson, Cross, Rees; Som
erville-Incledon; Peggy-Mrs Martyr; Nelly-Mrs Mountain; Miss Talisman-Mrs Webb; 
Theresa-Mrs Billington; Rowson.  *aThe Deaf Lover.  Meadows-Munden; Groom-Blanch
ard; Young Wrongward-Macready [+Public Advertiser=: Evatt]; Canteen-Cubitt; John
-Thompson; Sternhold-Powel; William-Cross; Old Wrongward-Wilson; Sophia-Miss Cha
pman; Maid-Mrs Rock; Betsey Blossom-Mrs Martyr.  *cMainpiece [1st time; CO 3, by
 $Robert Merry=.  +Larpent MS 933=; not published]: With entire new Music, Scene
ry, and Dresses.  The Overture and the whole of the Music composed new by $Mazzi
nghi=.  Books of the Songs to be had at the Theatre.  Receipts: #284 1s. (281.14
; 2.7).  *p3 dlking's Cymon.  As 30 Jan.  *aThe Apprentice.  As 6 Jan., but Iris
hman-Benson.  *cReceipts: #230 12s. (178.5; 46.19; 5.8).  *pcg The Magician no C
onjurer.  As 2 Feb.  *aLovers' Quarrels.  As 29 Nov. 1791.  *cReceipts: #160 4s.
 (154.3; 6.1).  *p4 dlking's The Gamester.  Beverley-Kemble; Lewson-Bensley; Stu
kely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Phillimore; Mrs Beverley-Mrs Si
ddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard; [Edition of 1792 ($John Bell=) adde
d:% Waiter-Lyons.  *aHigh Life below Stairs.  As 22 Nov. 1791.  *cReceipts: #529
 13s. 6d. (490.7.6; 36.14.0; 2.6.0; tickets not come in: 0.6.0).  *pcg The Magic
ian no Conjurer.  As 2 Feb.  *aThe Follies of a Day.  As 20 Sept. 1791.  *cBenef
it for the Author [of mainpiece].  Receipts: #224 15s. (220.10; 4.5; tickets non
e listed) (charge: #105).  *p6 dlking's Cymon.  As 4 Jan., but Fatima-Mrs Goodal
l.  *aThe Virgin Unmask'd.  As 21 Jan.  *cReceipts: #322 6s. 6d. (271.0.6; 48.15
.0; 2.11.0).  *pcg The Belle's Stratagem.  Doricourt-Lewis; Sir George Touchwood
-Farren; Saville-Aickin; Flutter-Fawcett; Villers-Macready; Courtall-Davies; Fre
nch Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady To
uchwood-Miss Chapman; Miss Ogle-Mrs Harlowe; Kitty Willis-Miss Stuart; Letitia H
ardy-Mrs Pope.  *aBlue Beard.  As 5 Jan.  *cBy command of $Their Majesties=.  Re
ceipts: #369 15s. (368.3; 1.12).  *phay Othello.  Othello-Baker; Duke-Miller; Br
abantio-Sinclair; Cassio-Wilson; Roderigo-Mansill; Lodovico-King; Gratiano-Hunte
r; Montano-Thompson; Officers-Johnson, Collings; Iago-Wilkinson; Emilia-Mrs Murr
ay; Desdemona-Mrs Churton.  *aMiss in her Teens.  Captain Flash-Wilkinson; Capta
in Loveit-Hunter; Puff-Dawson; Jasper-King; Fribble-Baker; Tagg-Mrs Taylor; Miss
 Biddy-Mrs Churton.  *dEnd: +Pas Seul=-a Performer from the Opera House.  *cBy P
ermission of the +Lord Chamberlain=.  Benefit for $Mrs Churton=.  The Doors to b
e opened at 5:15.  To begin at 6:15.  Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Ga
llery 1s.  Tickets to be had of Mrs Churton, No. 33, +New-Bond-street=; of $Wye=
, +Masquerade Warehouse=, +Panton-street=; and of $Rice=, at the Theatre, where 
Places for the Boxes may be taken.  *p7 dlking's King Richard the Third.  As 14 
Nov. 1791, but [$Palmer='s name listed in playbill as +Richmond=r;% Queen Elizab
eth-Mrs Siddons (1st appearance in that character [in +London=]); Lady Anne-Miss
 Collins; Duchess of York-Mrs Ward.  *aThe Waterman.  Tug-Bannister; Bundle-Holl
ingsworth; Robin-Suett; Mr Wick-Lyons; Mrs Bundle-Mrs Shaw; Wilhelmina-Mrs Bland
.  *c[$Mrs Siddons='s 1st appearance as +Queen Elizabeth=r was at +Liverpool=, 1
0 Sept. 1777.]  Receipts: #317 9s. 6d. (334.2.6; 36.2.0; 1.2.0; ticket not come 
in: 0.3.0).  *pcg The Magician no Conjurer.  As 2 Feb.  *aThe Midnight Hour.  As
 19 Nov. 1791, but Julia-Miss Chapman.  *cReceipts: #140 5s. 6d. (131.16.6; 8.9.
0).  *p8 dlking's The Jealous Wife.  Oakly-Wroughton; Major Oakly-Baddeley; Char
les-Barrymore; Russet-Aickin; Sir Harry Beagle-R. Palmer; Lord Trinket-Dodd; Cap
tain O'Cutter-Moody; Paris-Maddocks; Mrs Oakly-Mrs Ward; Lady Freelove-Mrs Booth
; Harriet-Mrs Kemble; Toilette-Miss Tidswell; Chambermaid-Mrs Heard.  *aThe Doct
or and the Apothecary.  As 12 Nov. 1791, but Carlos-Dignum; Anna-Miss Hagley.  *
c[Mainpiece in place of +The Inconstant=, advertised on playbill of 7 Feb.]  Rec
eipts: #117 1s. 6d. (82.13.6; 30.0.0; 3.13.0; tickets not come in: 0.15.0).  *pc
g Notoriety.  As 5 Nov. 1791, but Sophia Strangeways-Mrs Harlowe; Honoria-Miss C
hapman.  *aThree Weeks after Marriage.  Sir Charles Racket-Lewis; Lovelace-Farle
y; Woodley-Macready; Drugget-Quick; Dimity-Mrs Rock; Mrs Drugget-Mrs Pitt; Nancy
-Mrs Harlowe; Lady Racket-Mrs Mattocks.  *dAs 12 Sept. 1791.  *cBenefit for the 
Author [of mainpiece, who is named in the Account-Book, but not on the playbill]
.  "A considerable tumult prevailed last night among the audience of this Theatr
e, on account of the unavoidable substitution of $Miss Chapman= and $Mrs Harlowe
= for $Mrs Esten= and $Mrs Wells= (who are both indisposed).  It was not that th
e audience objected to the former two, but because the names of Mrs Esten and Mr
s Wells were printed in the bills usually sold about the Theatre, though not in 
those properly issued from the House.  [Mrs Esten's name, however (but not Mrs W
ells'), is listed in the "House" playbill for this night.]  The audience were ve
ry violent, and the actors, after having nearly finished the first Act twice, we
re obliged to begin the Comedy a third time, before it was suffered quietly to p
roceed" (+Morning Herald=, 9 Feb.).  "The fracas at +Covent-garden= Theatre on W
ednesday evening was occasioned by the dexterity of certain +Lottery Office= kee
pers, who, in order to give notoriety to their shops, daily cause spurious Drama
tis Personae of the theatres to be circulated; and on the reverse of these bills
 is conspicuously held forth the advantages of the  public paying their cash int
o their gambling treasuries" (+Morning Herald=, 10 Feb.).  Receipts: #191 17s. 6
d. (187.2.6; 4.15.0; tickets: none listed).  *p9 dlking's Cymon.  As 6 Feb.  *aT
he Englishman in Paris.  As 28 Jan.  *cReceipts: #293 13s. (242.0; 49.15; 1.15; 
ticket not come in: 0.3).  *pcg Wild Oats.  As 1 Dec. 1791, but Jane (1st time)-
Mrs Harlowe.  *aOscar and Malvina.  As 2 Nov. 1791.  *mAs 25 Jan.  *cReceipts: #
204 15s. (201.10.6; 3.4.6).  *p10 dlking's Cymon.  As 6 Feb.  *aThe First Floor.
  As 10 Nov. 1791.  *cReceipts: #287 1s. (242.16; 41.19; 2.3; ticket not come in
: 0.3).  *pcg The Woodman.  As 13 Dec. 1791.  *aModern Antiques.  As 14 Sept. 17
91.  *cReceipts: #181 13s. 6d. (176.18.6; 4.15.0).  *p11 dlking's The Grecian Da
ughter.  Evander-Bensley; Philotas-Whitfield; Melanthon-Packer; Phocion-Barrymor
e; Dionysius-Palmer; Arcas-Caulfield; Greek Herald-Benson; Calippus-Bland; Greek
 Soldier-Phillimore; Euphrasia-Mrs Siddons; Erixene-Miss Tidswell.  *aThe Quaker
.  Steady-Bannister; Solomon-Suett; Easy-Burton; Lubin-Dignum; Gillian-Miss Hagl
ey; Cicely-Mrs Edwards; Floretta-Mrs Bland.  *cReceipts: #480 4s. 6d. (435.16.6;
 39.4.0; 3.17.0; tickets not come in: 1.7.0).  *pcg Notoriety.  As 5 Nov. 1791, 
but Sophia Strangeways-Mrs Harlowe [in place of $Mrs Wells=%.  *aOscar and Malvi
na.  As 2 Nov. 1791.  *mAs 25 Jan.  *cReceipts: #221 5s. (214.17; 6.8).  *p13 dl
king's Cymon.  As 6 Feb.  *aThe Pannel.  As 15 Dec. 1791, but Octavio-Hollingswo
rth.  *cReceipts: #331 12s. (270.10; 53.13; 6.8; tickets not come in: 1.1).  *pc
g The Dramatist.  As 12 Sept. 1791, but Marianne-Mrs Harlowe.  *aThe Little Hunc
hback.  As 23 Sept. 1791, but Cadi-Evatt.  *cBy Command of $Their Majesties=.  R
eceipts: #328 15s. 6d. (318.14.6; 10.1.0).  *p14 dlking's Othello.  Duke of Veni
ce-Fawcett; Brabantio-Aickin; Gratiano-Phillimore; Lodovico-Packer; Othello-Kemb
le; Cassio-Barrymore; Iago-Bensley; Roderigo-Dodd; Montano-Whitfield; Desdemona-
Mrs Siddons; AEmilia-Mrs Ward.  *aThe Citizen.  As 21 Nov. 1791, but Quildrive-B
anks.  *cReceipts: #398 6s. 6d. (362.4.6; 33.18.0; 2.1.0; ticket not come in: 0.
3.0).  *pcg Love in a Village.  As 15 Nov. 1791, but Madge-Mrs Cross.  *aThe Mis
er.  As 2 Dec. 1791.  *cReceipts: #203 10s. 6d. (201.16.0; 1.14.6).  *phay Le Tr
ame Deluse.  [Principal Characters by Lazzarini,  Cipriani, Lipparini, Sga Casen
tini, Sga Calvesi, Sga Salimbeni.  [Cast from +Larpent MS 934=:% Don Nardo-Lazza
rini; Don Artabano-Cipriani; Clicerio-Lipparini; Ortensia-Sga Casentini; Dorinda
-Sga Calvesi; Olimpia-Sga Salimbeni.  *dEnd I: [a new% +Divertisement=-[, compos
ed by $D'Auberval=%; End Opera: +La Fete Villageoise=[, composed by D'Auberval,%
-Mlle Hilligsberg, Mme D'Auberval, DelaChapelle, D'Egville, Les Demoiselles Simo
net, Laborie.  *cThis Theatre will open with [as above; and see 30 Jan.].  A Com
ic Opera, composed by $Cimarosa=; under the Direction of $Mazzinghi=.  Pit half 
a guinea.  1st Gallery 5s. 2nd Gallery 3s.  The Doors will be opened at 6:30.  T
o begin at 7:30 exactly [see 12 Apr.].  *p15 dlking's The School for Scandal.  A
s 11 Oct. 1791.  *aThe Devil to Pay.  As 18 Oct. 1791, but Coachman-Alfred.  *sA
s 27 Sept. 1791.  *cReceipts: #231 1s. (178.16; 49.4; 3.1).  *pcg Wild Oats.  As
 9 Feb.  *aOscar and Malvina.  As 14 Dec. 1791.  *mAs 25 Jan.  *cReceipts: #201 
10s. (197.10.6; 3.19.6).  *p16 dlking's Cymon.  As 6 Feb.  *aHigh Life below Sta
irs.  As 22 Nov. 1791.  *cReceipts: #252 15s. 6d. (205.6.6; 44.19.0; 2.10.0).  *
pcg Notoriety.  As 11 Feb.  *aOscar and Malvina.  As 14 Dec. 1791.  *mAs 25 Jan.
  *c[Afterpiece in place of +The Positive Man=, advertised on playbill of 15 Feb
.]  Receipts: #157 13s. 6d. (146.15.6; 10.18.0).  *phay Le Trame Deluse.  As 14 
Feb.  *dAs 14 Feb.  *p17 dlking's Cymon.  As 6 Feb.  *aThe Sultan.  As 14 Nov. 1
791.  *dAs 10 Dec. 1791.  *cPaid Rent of +king's?= +Haymarket Theatre= #2,890.  
Receipts: #257 12s. 6d. (199.8.6; 53.13.0; 4.8.0; ticket not come in: 0.3.0).  *
pcg Artaxerxes.  As 19 Nov. 1791.  *aBlue Beard.  As 5 Jan.  *cReceipts: #178 15
s. (173.0; 5.15).  *p18 dlking's Macbeth.  Duncan-Packer; Malcolm-Palmer Jun. (1
st appearance on that stage); Donalbain-Bland; Macbeth-Kemble; Banquo-Bensley; L
enox-Whitfield; Macduff-Wroughton; Rosse-Barrymore; Fleance-Master Gregson; Sewa
rd-Fawcett; Seyton-Phillimore; Doctor-Jones; Captain-Benson; Messenger-Banks; Mu
rderer-Webb; Hecate-Bannister; Witches-Aickin, Moody, Burton; Lady Macbeth-Mrs S
iddons; Gentlewoman-Miss Tidswell.  *aThe Virgin Unmask'd.  As 21 Jan.  *sIn: Th
e original Music [by $Matthew Locke=, with full Chorusses and additional Accompa
niments%-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred,
 Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Ed
win, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton.  *cMainpiece: Not acted 
these 3 years.  With new Dresses and Decorations.  The Characters dressed in the
 Habits of the Times.  [$Palmer Jun.= was from the +hay=.]   "It is necessary to
 remind both +Macbeth=r and his Lady that there is a measured declamation, of wh
ich the natural utterance of passion knows nothing, and that words and syllables
 may be divided and subdivided till the fatigue of the ear overcome every other 
feeling...Between the first and second acts Ca ira was loudly called for from th
e pit and gallery.  The clamour, after preventing the first part of the second a
ct from being heard, subsided as unaccountably as it rose.  The performers, in c
ompliance with an admonition from the pit, began the act again, and proceeded wi
thout further interruption" (+Morning Chronicle=, 20 Feb.).  "In +Macbeth= there
 was too much that was not $Shakespeare=, too much bad taste and shabbiness in t
he costumes of the +witches=r, and all in all too much claptrap.  He found it in
sufferable that +Banquo=r should take the part of his own ghost and felt that th
e audience should behold the specter only in Macbeth's terror, as was the case w
ith the banquet guests.  '$Mr Kemble= has desired on several occasions to suppre
ss the ghost,' Meister says, 'but has never had the courage to do so.'"  ($J. H.
 Meister= quoted in $J. A. Kelly=, 134).  For Kemble's eventual courage in this 
matter see +dl=, 21 Apr. 1794.]  Receipts: #425 6s. (383.2; 40.4; 2.0).  *pcg Th
e Road to Ruin.  [Principal Characters by Lewis, Quick, Holman, Wilson, Munden, 
Harley, Macready, Thompson, Powel, Rock, Evatt, Farley, C. Powell, Cross, Ledger
, Rees, Simmons, Mrs Merry, Mrs Harlowe, Mrs Powell, Mrs Mattocks.  [Cast from t
ext ($J. Debrett=, 1792):% Goldfinch-Lewis; Mr Silky-Quick; Harry Dornton-Holman
; Mr Sulky-Wilson; Mr Dornton-Munden; Mr Milford-Harley; Hosier-Macready; Sherif
f's Officer-Thompson; Mr Smith-Powel; Jacob-Rees; Waiter, Clerks, Servants, Post
illions, Tradesmen, Tennis Markers [all unassigned in text]-Rock, Evatt, Farley,
 C. Powell, Cross, Ledger, Simmons; Sophia-Mrs Merry; Jenny-Mrs Harlowe; Mrs Led
ger-Mrs Powell; Mrs Warren-Mrs Mattocks; [Text adds, unassigned:% Milliner-; Man
teau@maker-; +Prologue=-Fawcett; +Epilogue=-Mrs Mattocks.  [These were spoken, a
s here assigned, at the 1st 21 performances only (see 9 Apr.).]  *aBlue Beard.  
As 5 Jan.  *cMainpiece [1st time; C 5 by $Thomas Holcroft=.  Prologue and Epilog
ue by the author (+London Chronicle=, 21 Feb.)].  +Morning Herald=, 29 Feb. 1792
: This day is published +The Road to Ruin= (1s. 6d.).  Receipts: #233 5s. (231.1
; 2.4).  *phay Le Trame Deluse.  As 14 Feb.  *dAs 14 Feb.  *p20 dlking's Twelfth
 Night.  As 4 Nov. 1791.  *aThe Pannel.  As 13 Feb.  *cBy Command of $Their Maje
sties=.  Ladies and Gentlemen are respectfully informed that no Places can be ke
pt after their Majesties are seated; in order to prevent confusion they are like
wise requested to send their Servants to the Theatre by half past four o'Clock. 
 Receipts: #292 2s. (264.17; 22.12; 4.13).  *pcg The Road to Ruin.  As 18 Feb.  
*aThe Highland Reel.  As 7 Nov. 1791.  *cReceipts: #228 15s. 6d. (222.11.0; 6.4.
6).  *phay The Merchant of Venice.  Bassanio-Baker; Anthonio-A Gentleman [uniden
tified]; Gratiano-[Lee] Lewes; Launcelot-Gull; Lorenzo (with +songs=)-Tanner; Sh
ylock-Wilkinson; Nerissa-Miss Chatterley; Portia-A Young Lady [probably Miss Tho
mpson].  *aThe Busy Body.  Marplot-Wilkinson; Sir F. Gripe-Gull; Isabinda-Mrs Ch
urton; Miranda-The Young Lady.  *sEnd: [a favourite% +song=-Tanner.  *e[+Monolog
ue=.% End III: a +Comic Sketch of the Times=-Ryder.   *cBy Permission of the +Lo
rd Chamberlain=.  Benefit for $Wilkinson=.  [For $Miss Thompson= see +DNB=, unde
r $Mary Anne Clarke=.]  Tickets to be had of Wilkinson, No. 33, +Warwick-street=
, +Golden-square=.  The Doors to be opened at 5:30.  To begin at 6:30.  *p21 dlk
ing's The Gamester.  As 4 Feb.  *aThe Quaker.  As 11 Feb.  *cReceipts: #415 6s. 
(382.0; 29.19; 2.12; tickets not come in: 0.15.0).  *pcg The Road to Ruin.  As 1
8 Feb.  *aThe Poor Soldier.  As 19 Oct. 1791.  *cBenefit for the Author [of main
piece, who is named in the Account-Book, but not on the playbill].  Receipts: #2
24 1s. 6d. (217.15.6; 6.6.0; tickets: none listed) (charge: #105).  *phay Le Tra
me Deluse.  As 14 Feb.  *dAs 14 Feb.  *p22 none +Ash Wednesday=.  *p23 dlking's 
Douglas.  Lord Randolph-Aickin; Glenalvon-Palmer; Norval-Kemble; Stranger-Bensle
y; Donald-Phillimore; Officer-Caulfield; Servant-Maddocks; Prisoner-Alfred; Mati
lda-Mrs Siddons; Anna-Mrs Ward.  *aThe Author.  Governor Cape-Packer; Young Cape
-Whitfield; Sprightly-R. Palmer; Cadwallader-Bannister; Poet-Waldron; Printer's 
Devil-Burton; Robin-Maddocks; Mrs Cadwallader-Mrs Goodall; Miss Arabella-Miss He
ard.  *cMainpiece: Not acted these 3 years.  [$Genest=, VII, 51, remarks that "T
he bill is rightly printed as the characters were called originally," i.e., on t
he playbills it had become customary to call +Norval=r +Douglas=r, +Stranger Nor
val=r or +Old Norval=r, and +Matilda=r +Lady Randolph=r.]  Receipts: #308 (276.1
7; 26.15; 3.19; tickets not come in: 0.9).  *pcg The Road to Ruin.  As 18 Feb.  
*aThe Positive Man.  Sir Toby Tacet-Quick; Bellcamp-Davies; Lake-Macready; Grog-
Wilson; Maurice-Rock; Sam Stern-Munden; Cable-Darley; Rupee-Blanchard; Cornelia-
Mrs Martyr; Florimel-Miss Chapman; Nancy-Miss Stuart; Lady Tacet-Mrs Webb.  *cAf
terpiece: Not acted these 2 years.  Receipts: #246 17s. (260.14.6; 4.2.6).  *p24
 king's Redemption 0[, Selected from the Works of $Handel= by $Dr Arnold=%.  Pri
ncipal Vocal Parts-Kelly, Reinhold, Incledon, Master Welsh (from +Bath=), Dignum
, Sedgwick, Morelli, Miss Barclay (pupil of $Linley=; 1st appearance in public),
 Mrs Bland, Miss Hagley, Mrs Crouch; Leader of the Band-Shaw.  *aRedemption 1.  
Overture-(+Occasional Oratorio=); +O! First created beam=-Chorus (+Samson=); +He
 layeth the beams=-Reinhold (+Ezio=); +When his loud voice=-Chorus (+Jephtha=); 
+Lord what is man=-Mrs Crouch (+Semele=); +How excellent thy name=-Chorus (+Saul
=); +Speak ye who best can tell=-Kelly (+Ptolomy=); +Abraham enough=-Mrs Bland (
+Susanna=); +Jehovah is my shield=-Miss Hagley (+Occasional Oratorio=); +Blest b
e the man=-Chorus (+Joseph=); +Pious orgies=-Miss Barclay (+Judas Maccabaeus=); 
+He gave them hail@stones=-Chorus; +The Lord is a man of war=-Reinhold, Dignum; 
+Moses and the Children of Israel=-Chorus (+Israel in Egypt=).  *aRedemption 2. 
 +Ye sons of Israel=-Chorus; +Oh! had I Jubal's lyre=-Miss Barclay (+Joshua=); +
Jehovah crown'd=-Reinhold, Chorus (+Esther=); +Angels ever bright and fair=-Mast
er Welsh (+Theodora=); +Welcome mighty king=-Chorus (Saul); March-(Judas Maccaba
eus); +In sweetest harmony=-Mrs Crouch, Mrs Bland, Chorus (Saul); +Their bodies 
are buried in peace=-Chorus (+Funeral Anthem=); Dead March-(Saul); +Lord remembe
r David=-Kelly (+Sosarmes=); +The sword that's drawn=-Reinhold (Occasional Orato
rio); +God save the King=-(+Coronation Anthem=).  *aRedemption 3.  +Where is thi
s stupendous stranger?=-Master Welsh (+Alcina=); +There beneath a lowly shade=-M
rs Bland (+Alexander Balus=); +He was eyes unto the blind=-Incledon (+Siroe=); +
Hosannah to the Son of David=-Chorus (Athalia); +He was brought as a lamb=-Reinh
old (+Deidamia=); +He Sitteth at the right hand of God=-Chorus (+Te Deum=); +Hol
y Lord God Almighty=-Mrs Crouch (+Rodelinda=); +Glory be to the Father=-Chorus (
+Jubilate=).  *mEnd I: +concerto= on the bassoon-Parkinson; End II: +concerto= o
n the violin-Master Bridgetower.  *cAmong the instrumental performers are $Shaw=
, $W. Parke=, $Mason=, $Parkinson=, $Hyde=, $A. Shaw=, $Archer=, $Corfe=, $C. Pa
rkinson=, $Dressler=, $Flack Sen.=, $Flack Jun.=, $Zwingman=.  Under the directi
on of $Linley=.  At Play-house Prices.  No Money to be returned.  Boxes 6s. Pit 
3s. 6d. Gallery 2s.  Places for the Boxes to be taken of $Fosbrook=, at the Thea
tre.  The Doors to be opened at 5:30.  To begin at 6:30 [same throughout oratori
o season].  *pcg L'Allegro ed il Pensieroso 0.  Principal Vocal Parts-Harrison, 
Bartleman, Page, Champness, Mrs Second, Mrs Addison, Mrs Billington; Leader of t
he Band-G. Ashley; Organ-Knyvett.  *aL'Alegro ed il Pensieroso 1.  First Grand C
oncerto-; +Hence! loathed melancholy=-Harrison; +Hence! vain deluding joys=-Mrs 
Billington; +Come thou Goddess fair and free=-Harrison; +Come rather Goddess sag
e and holy=-Mrs Billington; +Haste thee nymph=-Page, Chorus; +Come and trip it a
s you go=-Mrs Addison, Chorus; +Come pensive nun=, +Come but keep thy wonted sta
te=-Mrs Billington; +Join with thee calm peace=-Chorus; +Mirth admit me of thy c
rew=-Mrs Second; +Sweet bird=-Mrs Billington; [accompanied on the% violin-G. Ash
ley; +Mirth admit me of thy crew= [repeated]-Bartleman; +Oft on a plat of rising
 ground=-Harrison; +Let me wander not unseen=-Mrs Billington; +And young and old
=-Chorus.  *aL'Allegro ed il Pensieroso.  +Hence vain deluding joys=, +But O! sa
d virgin=-Mrs Billington; +Populous cities please me then=-Bartleman, Chorus; +T
here let Hymen oft appear=-Mrs Second; +Me when the sun=, +Hide me from day's ga
rish eye=-Mrs Billington; +I'll to the well@trod stage anon=-Page; +And ever aga
inst eating cares=-Mrs Second; +As steals the morn upon the night=-Mrs Billingto
n, Harrison; +These delights if thou canst give=-Page, Chorus.  *aGrand Miscella
neous Act.  Overture-(+Ariadne=); +Wise men flattering=-Mrs Addison (+Judas Macc
abaeus=); +Rendi il sereno=-Harrison (+Sosarmes=); +Nightingale Chorus=-(+Solomo
n=); +Praise the Lord=-Mrs Second; [accompanied on the% organ-Knyvett (+Esther=)
; +When storms the proud=-Bartleman; +O Judah! boast his matchless law=-Chorus (
+Athalia=); +Let the bright seraphim=-Mrs Billington; [accompanied on the% trump
et-Sarjant; +Let their celestial concerts all unite=-Chorus (+Samson=).  *cOrato
rio: Written by $Milton=.  Set to Music by $Handel=.  Among the instrumental per
formers are Messrs $Ashley andSons=, $Patria=, $Sarjant=, $Billington=, $Mahon=,
 $Boyce=, $Mountain=, $Howard=, $Lavenu=, $Simpson=, $Gwilliam=, $Purney=, $Munr
o=, $Leander=, $Kaye=, $Sharp=, $Lyon=, &c. Double Drums by $J. Ashley=.  The wh
ole under the direction of $Harrison= and $Ashley=.  At Play-house Prices.  No m
oney to be returned.  Places for the Boxes to be had of $Brandon= at the Theatre
.  The Doors to be opened at 5:30.  To begin precisely at 6:30 [same throughout 
oratorio season].  Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s.  Books of the
 Performance, with the names of the performers to their respective songs, price 
6d., may be had at the Theatre, and to prevent imposition in the streets, the Ma
nager's books are printed with the following words at the bottom of each title-p
age, "Printed by $H. Macleish=, +Duke's court=, +Drury-Lane=."  *p25 dlking's Cy
mon.  As 6 Feb.  *aThe Devil to Pay.  As 18 Oct. 1791.  *cReceipts: #275 8s. 6d.
 (226.13.6; 39.15.0; 3.18.0; tickets not come in: 5.2.0).  *pcg The Road to Ruin
.  As 18 Feb.  *aMarian.  Edward-Johnstone; Sir Henry Freeman-Incledon; Robin-Bl
anchard; Thomas-Darley; Jamie-Powel; Oliver-Thompson; Peggy-Mrs Mountain; Patty-
Mrs Martyr; Marian-Mrs Billington.  *cAfterpiece: Not acted these 2 years.  Rece
ipts: #295 15s. (289.15.6; 5.19.6).  *phay Le Trame Deluse.  As 14 Feb.  *dAs 14
 Feb.  *p27 dlking's The Grecian Daughter.  As 11 Feb.  *aThe Mayor of Garratt. 
 Sir Jacob Jollup-Waldron; Major Sturgeon-Bannister; Jerry Sneak-Bannister Jun.;
 Heeltap-Burton; Bruin-Phillimore; Lint-Suett; Roger-Hollingsworth; Mrs Sneak-Mr
s Goodall (1st appearance in that character); Mrs Bruin-Miss Tidswell.  *c[Mainp
iece in place of +King Lear=, advertised on playbill of 25 Feb.]  Receipts: #317
 15s. 6d. (271.4.6; 38.10.0; 7.18.0; ticket not come in: 0.3.0).  *pcg The Road 
to Ruin.  As 18 Feb.  *aThe Farmer.  As 12 Sept. 1791.  *cBenefit for the Author
 [of mainpiece, who is named in the Account-Book, but not on the playbill].  Rec
eipts: #302 18s. 6d. (295.7.6; 7.11.0; tickets: none listed) (charge: #105).  *p
28 dlking's Cymon.  As 6 Feb.  *aThe Sultan.  As 14 Nov. 1791.  *dAs 10 Dec. 179
1.  *cReceipts: #294 15s. (236.19; 54.15; 2.18; ticket not come in: 0.3).  *pcg 
Orpheus and Eurydice.  [Principal Characters by Incledon, Gray, Darley, Mrs Moun
tain, Mrs Billington.  [Cast from libretto ($T. Cadell=, 1792):% Orpheus-Incledo
n; Hymen-Gray; Pluto-Darley; Cupid-Mrs Mountain; Eurydice-Mrs Billington; Shephe
rds Furies and Shades of departed Heroes-Linton, Rowson, Tett, Kenrick, Street, 
Watson, Clark, Hart, Dixon, Letteney, Dawes, Rowe, Master Craig, Master Davis, M
aster Pulley; Principal Shepherdesses Furies and Shades of departed Heroines-Mis
s Stuart, Mrs Watts, Mrs Powell, Miss Francis, Mrs Arnold, Miss Leserve, Mrs Mas
ters, Mrs Lloyd, Miss Barnett, Mrs Cross, Mrs Davenett, Mrs Gray, Miss Broadhurs
t.  *aRosina.  Belville-Johnstone; Captain Belville-Marshall [+Public Advertiser
=: $Cubitt=]; William-Blanchard; Rustic-Davies; Irish Haymaker-Rock; Phoebe-Mrs 
Martyr; Dorcas-Mrs Pitt; Rosina-Mrs Billington.  *s+Sweet Bird=(by $Handel=)-Mrs
 Billington; accompanied on the violin-Weichsel.  *cBenefit for $Mrs Billington=
.  Mainpiece: 1st time at this Theatre [1st performed at $Smock Alley Theatre, D
ublin=, 3 Jan. 1784].  The Music by $Gluck= [whose opera this actually was, with
 additions by] $Handel=, $Bach=, $Sacchini=, $Reeve=, and $Mazzinghi=.  With an 
entire new Overture composed by $Gyrowetz=.  In II $Weichsel= will accompany an 
obligato +song= on the violin.  +Dances= by $Byrne= and $Mlle St.Amand=.  With n
ew Scenery, Dresses, and Decorations.  Afterpiece: Not acted these 2 years [acte
d 27 May 1791].  +Morning Herald=, 9 Feb.: Tickets to be had of Mrs Billington, 
No. 53, +Poland-street=.  Receipts: #371 15s. (257.18.6; 8.15.6; tickets: 105.1.
0) (charge: #105).  *phay La Locanda.  [Principal Characters by Lazzarini, Agost
ino Lipparini, Cipriani, Sga Casentini, Sga Calvesi, Sga Schinotti.  [Cast from 
libretto ($H. Reynell=, 1792):% Riccardo-Lazzarini; Arsenio-Lipparini Sen.; Vale
rio-Cipriani; Guerina-Sga Casentini; Marinetta-Sga Calvesi; Rosaura-Sga Schinott
i.  *dAs 14 Feb.  *cA Comic Opera, composed by $Paisiello=; direction of $Mazzin
ghi=.  "The original score of this beautiful opera was destroyed in the conflagr
ation at the +Pantheon= [see 14 Jan.].  Mazzinghi and $Cramer= have been able, f
rom recollection, to bring it again before the public" (+Morning Herald=, 5 Mar.
).  *p29 king's Acis and Galatea 0; Redemption 0.  As 24 Feb.  *aAcis and Galate
a 1.  +O the pleasures of the plains!=-Chorus; +For us the zephyr blows=-Mrs Bla
nd;  +Ye verdant plains=, +Hush ye pretty warbling choir=-Mrs Crouch; +Where sha
ll I seek?=-Incledon; +Stay shepherd stay=, +Shepherd what art thou pursuing?=-M
iss Barclay; +Lo! here my love=, +Love in her eyes=-Incledon; +Didst thou know t
he pains=, +As when the dove=-Mrs Crouch; +Happy we=-Miss Hagley, Dignum, Chorus
.  *aAcis and Galatea 2.  +Wretched lovers=-Chorus; +I rage I melt I burn=, +O! 
ruddier than the cherry=-Reinhold; +Whither fairest?=-Reinhold, Mrs Crouch; +Cea
se to beauty to be suing=-Reinhold; +Would you gain the tender creature=-Master 
Welsh; +His hideous love=, +Love sounds the alarm=-Incledon; +Consider fond shep
herd=-Master Welsh; +Cease O cease=-Mrs Bland; +The Flocks shall=-Reinhold, Dign
um, Mrs Bland; +Help Galatea!=-Dignum; +Mourn all ye Muses=-Chorus; +Must I my A
cis=-Mrs Bland; +Cease Galatea=-Chorus; +'Tis done thus I exert=, +Heart the sea
t=-Mrs Crouch; +Galatea dry thy tears=-Chorus.  *aA Miscellaneous Act.  +Sono im
brogliato gia=-Morelli ($Paisiello=); +Fallen is the foe=-Chorus (+Judas Maccaba
eus=); +Let the bright Seraphim=-Miss Barclay (+Samson=); +Concerto= violin-Mast
er Bridgetower; +Awake! Awake! Aeolian lyre=-Reinhold (+Alexander's Feast=, by $
Dr Arnold=); +O Liberty=-Miss Hagley; accompanied on the violoncello-Mason (Juda
s Maccabaeus); +Gird on thy sword=-Chorus (+Saul=); +Shall I in Mamre's fertile 
plain=-Morelli, Chorus (+Joshua=); +Sin not O King=-Mrs Bland (Saul); +The many 
rend the skies=-Chorus (Alexander's Feast, by $Handel=); +What tho' I trace=-Mrs
 Crouch (+Solomon=); Coronation Anthem-Chorus.  *mEnd I: +concerto= on the hautb
oy-[J.] Parke.  *pcg The Coronation Anthem.  *aThe Messiah; L'Allegro ed il Pens
ieroso 0.  As 24 Feb., but Organ-Greatorex.  *p3 1 dlking's King John.  King Joh
n-Kemble; Arthur-Miss DeCamp; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfi
eld; Hubert-Bensley; Faulconbridge-Palmer; R. Faulconbridge-Waldron; J. Gurney-L
yons; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulph
o-Packer; Chatillon-Benson; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Mi
ss Collins; Lady Faulconbridge-Mrs Cuyler.  *aThe Humourist.  As 4 Nov. 1791.  *
cMainpiece: Not acted these 5 years [not acted since 22 Nov. 1785].  Receipts: #
278 10s. 6d. (239.11.6; 36.0.0; 2.19.0).  *pcg The Road to Ruin.  As 18 Feb.  *a
Marian.  As 25 Feb., but William-Gray.  *cReceipts: #330 2s. 6d. (322.18.6; 7.4.
0).  *phay La Locanda.  As 28 Feb.  *dAs 14 Feb.  *p2 king's The Messiah; Redemp
tion 0.  As 24 Feb.  *pcg [The First% Grand Selection 0 [of Sacred Music from th
e Works of $Handel=%; L'Allegro ed il Pensieroso 0.  As 24 Feb., but Principal V
ocal Parts- Mrs _Addison.  *aGrand Selection 1.  Overture (+Occasional Oratorio=
)-; +Loathsome urns=-Bartleman (+Time and Truth=); +Great Jehovah's awful word=-
Mrs Second (+Israel in Egypt=); +Lord of eternity=-Chorus; +Behold the nations=-
Bartleman; +O Baal=-Chorus (+Deborah=); +Total eclipse=-Harrison; +O first creat
ed beam=-Chorus (+Samson=); +From mighty Kings=-Mrs Billington (+Judas Maccabaeu
s=); +He gave them hailstones=-Chorus (Israel in Egypt).  *aGrand Selection 2.  
Overture and Dead March (+Saul=)-; +In sweetest harmony=-Mrs Billington; +O fata
l day=-Chorus (Saul); +The smiling dawn=-Mrs Second (+Jephtha=); +Fallen is the 
foe=-Chorus (Judas Maccabaeus); +Gentle airs=-Harrison (+Athalia=); +Then round 
about the starry throne=-Chorus (Samson); +O worse than death=, +Angels ever bri
ght and fair=-Mrs Billington (+Theodora=); +Fix'd in his everlasting seat=-Choru
s (Samson).  *a Grand Selection 3.  Fifth Grand Concerto-; +Tyrants would=-Mrs B
illington, Chorus (Athalia); +Pleasure my former ways=-Harrison (Time and Truth)
; +No more to Ammon's God=-Chorus; +Ye sacred priests=, +Farewell ye limpid spri
ngs=-Mrs Billington (Jephtha); +He layeth the beams=-Bartleman (+Ezio=); +The Lo
rd shall reign=-Chorus; +For the horse of Pharaoh=-Harrison; +Sing ye to the Lor
d=-Mrs Billington; +The horse and his rider=-Chorus (Israel in Egypt).  *p3 dlki
ng's The School for Scandal.  As 11 Oct. 1791 but Sir Benjamin Backbite-Benson. 
 *aThe Pannel.  As 13 Feb., but Leonarda-Miss Tidswell.  *sAs 27 Sept. 1791.  *c
Receipts: #217 15s. (176.0; 40.0; 1.15).  *pcg The Road to Ruin.  As 18 Feb.  *a
Rosina.  As 28 Feb.[, but +Sweet Bird=-_.%  *cReceipts: #309 7s.  6d. (300.16.6;
 8.11.0).  *phay La Locanda.  As 28 Feb.  *dAs 14 Feb.  *p5 dlking's Cymon.  As 
6 Feb.  *aThe Mayor of Garratt.  As 27 Feb., but Heeltap-Benson; Roger-_.  *c[Af
terpiece in place of +The Sultan=, advertised on playbill of 3 Mar.]  Receipts: 
#255 10s. (205.8; 48.4; 1.6; tickets not come in: 0.12).  *pcg The Road to Ruin.
  As 18 Feb.  *aA Divertisement.  As 26 Sept. 1791.  *cBenefit for the Author [o
f mainpiece, who is named in the Account-Book, but not on the playbill].  The Pu
blic are respectfully informed, that on account of the preparation for the New T
heatre [i.e. the alterations in +cg=, for which see 1792-93], the Great Door in 
+Hart-Street= is unavoidably obliged to be shut up for the remainder of the Seas
on.  Receipts: #289 17s. 6d. (284.1.0; 5.16.6; tickets: none listed) (charge: #1
05).  *p6 dlking's King Lear.  King Lear-Kemble; Duke of Burgundy-Caulfield; Duk
e of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of 
Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gent. Usher-R. Palmer; Esquire-D
ignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old M
an-Hollingsworth; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cord
elia-Mrs Siddons.  *aThe Deserter.  As 25 Oct. 1791, but Russet-Bannister; Flint
-Benson; Margery-Mrs Davis.  *cMainpiece: [With alterations by $John Philip Kemb
le=] Not acted these 4 years.  [In his prompt copy (1808) now in +Harvard Theatr
e Collection= Kemble's annotation lists the following as needed in the opening s
cene: 10 principals, Captain of the Guard, 3 Knights, 2 Pages, 2 Gentlemen with 
Crown, 2 Gentlemen with Map, Physician, Herald, 2 Ladies with Goneril, 2 Ladies 
with Regan, 2 Standard Bearers, 12 Guards.  Nearly every scene opens or closes w
ith drums and trumpets.  In the storm scene, "Thunder and lightning; lamps down,
" i.e. the footlights lowered out of sight into a shallow trough.  It is not unl
ikely that these arrangements were adhered to in this present revival.]  "Kemble
 said that, however singular it might be, in +Lear=r an audience quite unsettled
 him; the noise of the box-doors caught his ear, and routed all his meditated ef
fects; and he found it absolutely impossible to do that at night which he had th
rown out during the rehearsal in the morning" (+Boaden, Siddons=, II, 376).  Rec
eipts: #350 9s. 6d. (310.9.6; 38.12.0; 1.8.0).  *pcg Orpheus and Eurydice.  As 2
8 Feb.  *aThe Prisoner at Large.  Muns-Fawcett; Lord Edmond-Bloomfield; Jack Con
nor-Macready; Count Fripon-Marshall; Tough-Rock; Frill-Farley; Father Frank-Rees
; Landlord-Thompson; Trap-Powel; Phelim-Ledger; Dowdle-Wilson; Rachael-Mrs Harlo
we; Mary-Miss Stuart; Adelaide-Miss Chapman.  *cMainpiece: With additional Music
 by $Reeve=.  Afterpiece: 1st Time at this Theatre [1st acted at the +hay=, 2 Ju
ly 1788].  Receipts: #174 14s. 6d. (158.0.6; 16.14.0).  *phay La Locanda.  As 28
 Feb.  *dAs 14 Feb.  *p7 king's Acis and Galatea 0; Redemption 0.  As 24 Feb.  *
aAcis and Galatea 1.  As 29 Feb.  *a Acis and Galatea 2.  As 29 Feb.  *aA Grand 
Miscellaneous Act.  Awake! Awake! Aeolian lyre-Reinhold ($Arnold=); +Ye sons of 
Israel=-Chorus (+Joshua=); +Let the bright Seraphim=-Miss Barcly (+Samson=); +Co
ncerto= on the violoncello-Lindley (1st performance at this theatre); +Ask if yo
n damask rose be sweet=-Mrs Bland (+Susanna=); +The many end the skies=-Chorus (
+Alexander's Feast=); +Angels ever bright and fair=-Master Welsh (+Theodora=); +
Search round the world=-; +May no rash intruder=-Chorus (+Solomon=); +Ye sacred 
priests=-Mrs Crouch (+Jephtha=); +Glory be to the Father=-Chorus (+Jubilate=).  
*mAs 29 Feb.  *cInstrumental performers as 24 Feb., but added: Cantelo.  *pcg Al
exander's Feast 0; Redemption 0; L'Allegro ed il Pensieroso 0. As 2 Mar., but Or
gan-Greatorex [, As 29 Feb.%.  *aAlexander's Feast 1.  +'Twas at the royal feast
=-Harrison; +Happy happy pair=-Harrison, Chorus; +Timotheus placed on high=-Harr
ison; +The song began from Jove=-Mrs Second; +The list'ning croud=-Chorus; +With
 ravish'd ears=-Mrs Second; +The praise of Bacchus=-Harrison; +Bacchus ever fair
 and young=-Bartleman; +Bacchus' blessings=-Chorus; +Sooth'd with the sound=-Har
rison; +He chose a mournful muse=, +He sung Darius=-Mrs Billington; +With downca
st looks the joyless victor sat=, +Behold Darius great and good=-Chorus; +The mi
ghty master=, +Softly sweet in Lydian measure=-Mrs Billington; +War he sung=-Mrs
 Second; +The many rend the skies=-Chorus; +The prince unable=-Mrs Billington; +
The many rend the skies= [repeated]-Chorus.  *aAlexander's Feast 2.  +Now strike
 the golden lyre=-Harrison; +Break his bands of sleep asunder=-Chorus; +Hark har
k the horrid sound=-Harrison; +Revenge revenge Timotheus cries=, +Behold a ghast
ly band=-Bartleman; +Give the vengeance due=, +The princes applaud=-; +Thais led
 the way=-Mrs Billington; +The princes applaud= [repeated]-Chorus; +Thus long ag
o=-Harrison; +At last divine Cecilia came=-Chorus; +Your voices tune=-Mrs Billin
gton; +Let's imitate her notes above=-Harrison, Bartleman; +Let old Timotheus=-C
horus.  *aGrand Miscellaneous Act.  Overture-(+Berenice=, $Handel=); +The Mansio
n of Peace=-Harrison ($Webbe=); +Mad Bess=-Mrs Billington ($Purcell=); +The migh
ty power=-Chorus (+Athalia=, Handel); +Se constanta per timore=-Mrs Second ($Car
uso=); +Together let us range=-Mrs Billington, Harrison ($Boyce=); +Shall I in M
amre's=-Bartleman (+Joshua=, Handel); +Bravura song=-Mrs Billington ($Sacchini=)
; +Gloria Patri=-Chorus.  *p8 dlking's The Confederacy.  As 20 Oct. 1791, but Mr
s Clogget-Miss Tidswell; Jessamin-_.  *aRichard Coeur de Lion.  As 29 Nov. 1791,
 but Sir Owen-Bannister.  *c[Mainpiece in place of the +The Country Girl=, adver
tised on playbill of 6 Mar.]  Receipts: #235 12s. (185.19; 56.4; 3.9).  *pcg The
 Road to Ruin.  As 18 Feb.  *aMarian.  As 1 Mar.  *cReceipts: #319 3s. (314.7; 4
.16).  *phay La Locanda.  As 28 Feb.  *dAs 14 Feb.  *p9 king's Judas Maccabaeus;
 Redemption 0.  As 24 Feb.  *mEnd Part I: +concerto= on the violoncello-Lindley.
  *pcg [A Second% Grand Selection 0 [of Sacred Music from the Works of $Handel=%
.  As 2 Mar.  *aGrand Selection 1.  Overture-(+Esther=); +Tears such as tender f
athers shed=-Bartleman (+Deborah=); +When his loud voice=-Chorus (+Jephtha=); +H
ow blest the maid=-Mrs Second (+Hercules=); +Hail mighty Joshua=-Chorus (+Joshua
=); +Softly rise O southern breeze=-Harrison; +Ye southern breeze=-Chorus (+Solo
mon=, by $Boyce=); +Holy holy Lord=-Mrs Billington (+Rodelinda=); +Gird on thy s
word=-Chorus (+Saul=).  *aGrand Selection 2.  Fourth Hautboy Concerto-; +O sing 
unto the Lord=-Mrs Second; +Declare his honour=-Chorus; +He was eyes unto the bl
ind=-Mrs Billington; +For the Lord is great=-Chorus; +The waves of the sea=-Page
; +O worship the Lord=-Mrs Billington, Harrison; +Let the whole earth stand in a
we=-Chorus; +Every day will I give thanks=-Harrison (+Chandos Anthems=); +I feel
 the Deity within=, +Arm arm ye brave=-Bartleman; +We come in bright array=-Chor
us (+Judas Maccabaeus=); +Let the bright Seraphim=-Mrs Billington; [accompanied 
on the% trumpet-Sarjant (+Samson=); +Kings shall be thy nursing fathers=-Chorus 
(+Coronation Anthems=).  *aGrand Selection 3.  +Ye sons of Israel=-Chorus (Joshu
a); +O sing praises=-Harrison (1st time); accompanied on the violoncello-C. Ashl
ey (+Admetur=); +See the conquering hero comes=-Chorus [with March% (Judas Macca
baeus); +Honour and arms=-Champness (Samson); '+Tis done=, +Heart the seat=-Mrs 
Billington; +Galatea dry thy tears=-Chorus (+Acis and Galatea=); +Ye men of Gaza
=-Mrs Second (Samson); +But bright Cecilia=, +As from the power of sacred lays=-
Mrs Billington; accompanied on the trumpet-Sarjant; +The dead shall live=-Chorus
 (+Dryden's Ode=).  *p10 dlking's The Merchant of Venice.  Duke of Venice-Packer
; Anthonio-Bensley; Bassanio-Wroughton; Salanio-Whitfield; Solarino-Barrymore; G
ratiano-R. Palmer; Lorenzo (with +songs=)-Dignum; Shylock-Kemble; Tubal-Waldron;
 Launcelot-Suett; Gobbo-Jones; Leonardo-Cooke; Balthazar-Maddocks; Portia-Mrs Si
ddons; Nerissa-Mrs Goodall; Jessica (with a +song=)-Mrs Bland.  *aSelima and Azo
r.  Azor-Kelly; Scander-Bannister; Ali-Hollingsworth; Selima-Mrs Crouch; Fatima-
Mrs Bland; Lesbia-Miss Hagley.  *cReceipts: #317 7s. (268.0; 48.1; 1.6).  *pcg T
he Road to Ruin.  As 18 Feb.  *aThe Romp.  Watty Cockney-Blanchard; Capt. Sightl
y-Marshall; Old Cockney-Thompson; Barnacle-Cubitt; Penelope-Miss Stuart; Miss La
 Blonde-Miss Leserve; Priscilla Tomboy-Mrs Davis (from the $Theatre Royal, Manch
ester=; 1st appearance in +London=).  *cReceipts: #301 9s. 6d. (292.18.0; 8.11.6
).  *phay La Locanda.  As 28 Feb.  *dEnd I: +La Fete Villageoise=-[see 14 Feb.];
 End Opera: [a new Pantomime Ballet, in I act,% +Le Volage Fixe= (composed by $D
'Auberval= [the music by $Mazzinghi=])-Mlle Hilligsberg, Mme D'Auberval, DeLaCha
pelle, D'Egville, Les Demoiselles Leonore et Rosine Simonet, Mlle Menage, Labori
e; [end Pas de Cinque, entirely new,% +Le Menuet du Volage=-.  *p12 dlking's She
 Wou'd and She Wou'd Not.  As 1 Nov. 1791, but Host-Hollingsworth.  *aComus.  As
 29 Oct. 1791, but Spirit-Benson; Elder Brother-Banks.  *cReceipts: #242 14s. (1
88.9; 49.9; 4.16).  *pcg The Road to Ruin.  As 18 Feb.  *aOscar and Malvina.  As
 14 Dec. 1791.  *mAs 25 Jan.  *cReceipts: #320 16s. (317.7.6; 3.8.6).  *p13 dlki
ng's Mary Queen of Scots.  Duke of Norfolk-Kemble; Sir William Cecil-Aickin; Lor
d Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Benson; Earl of Huntingd
on-Phillimore; Sir Amias Paulet-Fawcett; Beton-Whitfield; Nawe-Alfred; Lieutenan
t-Maddocks; Sheriff-Lyons; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Ward; Lad
y Douglas-Mrs Powell; Lady Scroop-Miss Tidswell.  *aBon Ton.  As 10 Oct. 1791, b
ut Lord Minikin-Whitfield; Davy-Suett.  *cReceipts: #308 (270.0; 31.17; 6.3).  *
pcg The Road to Ruin.  As 18 Feb.  *aOrpheus and Eurydice.  As 28 Feb., but Darl
ey_.  *cAfterpiece: Compressed [from 4 acts] into 3 short Acts.  Receipts: #296 
6s. (290.9.6; 5.16.6).  *phay La Locanda.  As 28 Feb.  *dAs 10 Mar.  *p14 king's
 [A% Grand Selection 0[, Composed by $G. F. Handel=%; Redemption 0.  As 24 Feb. 
 *aGrand Selection 1.  Overture-(+Samson=); +Total eclipse=-Kelly; +O! first cre
ated beam=-Chorus (Samson); +Ah chi sa=-Kelly, Mrs Crouch, Morelli ($Mozart= [re
cte $Paisiello=, +Il Barbiere di Siviglia=]); +Concerto= oboe-W. Parke; +O come 
let us worship=-Incledon (+Coronation Anthems=); +O magnify the Lord=-Mrs Crouch
 [+Chandos Anthems=]; +For unto us a child is born=-Chorus (+The Messiah=).  *aG
rand Selection 2.  Second Oboe Concerto-; +The soldier tir'd=-Miss Barclay ($Arn
e=); +Shake the dome=-Chorus (+Solomon=); +Let me wander not unseen=, +Or let th
e merry bells=-Master Welsh; +And young and old=-Chorus (+L'Allegro=); +Serbo in
 petto=-Mrs Bland ($Attwood=); +I come not=, +Honour and arms, Canst thou for th
is, Go baffled coward=-Incledon, Reinhold (Samson); +Softly sweet=-Mrs Crouch (+
Alexander's Feast=); +Hallelujah for the Lord God omnipotent reigneth=-Chorus (T
he Messiah).  *aGrand Selection 3.  +Concerto= bassoon-Parkinson; +Is not the Ki
ng most Mighty?=, +On the charmer fondly gazing=-Miss Hagley [$Arnold=]; +Fair R
osale=-Master Welsh ($Linley=); +I'll proclaim the wondrous story=-Miss Hagley, 
Dignum (+Esther=); +Sweet bird=-Mrs Crouch (L'Allegro); +Awake! the trumpet's lo
fty sound=-Chorus (Samson); +Con un moro orrendore strano=-Morelli ($Marcello=);
 +Worthy is the lamb=-Chorus (The Messiah).  *cInstrumental performers as 7 Mar.
, but omitted: $Archer=, $Corfe=, $C. Parkinson=, $Dressler=, $Flack Sen.=.  *pc
g L'Allegro ed il Pensieroso 0.  As 2 Mar.  *aL'Allegro ed il Pensieroso 1.  As 
24 Feb., but +Come and trip it as you go=-Mrs _Addison, Mrs +Second.  *aL'Allegr
o ed il Pensieroso 2.  As 24 Feb.  *aGrand Miscellaneous Act.  Overture and Marc
h (+Scipio=, $Handel=)-; +The mansion of peace=-Harrison ($Webbe=); +Nightingale
 Chorus= (+Solomon=, $Handel=)-; +Not unto us=-Mrs Second; [accompanied on the% 
clarionet-Mahon ($Arne=); +Together let us range the fields=-Mrs Billington, Har
rison ($Boyce=); +I rage I melt I burn=, +O ruddier than the cherry=-Bartleman; 
+Wretched lovers=-Chorus (+Acis and Galatea=, Handel); +The soldier tir'd=-Mrs B
illington ($Arne=); +God save the King=-Chorus.  *p15 dlking's Cymon.  As 6 Feb.
, but Dorus-Wewitzer.  *aThe Devil to Pay.  As 18 Oct. 1791.  *cReceipts: #310 1
9s. (253.17; 55.1; 2.1).  *pcg The Road to Ruin.  As 18 Feb.  *aRosina.  As 3 Ma
r.  *cAccount-Book: Present $Their Majesties=.  [Their attendance this night is 
not indicated on the playbill, but "Though the Royal Command was not communicate
d to this Theatre till late yesterday morning, and consequently but a small part
 of the public could have notice of the public could have notice of the intentio
n of Their Majesties to honour the house with their presence, yet it was crouded
 in all parts" (+Morning Herald=, 16 Mar.).]  Receipts: #347 12s. (344.3.6; 3.8.
6).  *phay La Locanda.  As 28 Feb.  *dAs 10 Mar.  *p16 king's Redemption 0.  As 
24 Feb.  *aRedemption 1.  As 24 Feb.  *aRedemption 2.  As 24 Feb.  *aRedemption 
3.  As 24 Feb.  *mAs 29 Feb.  *cInstrumental performers as 14 Mar.  *pcg [A% Gra
nd Selection 0[of Favourite Songs and Chorusses from the Works of $Handel=%.  As
 2 Mar., but Principal Vocal Parts-+Hindle.  *aGrand Selection 1.  As 2 Mar., bu
t +Disdainful of danger=-Harrison, Hindle, Bartleman (+Judas Maccabaeus=).  *aGr
and Selection 2.  As 2 Mar., but +Thou shalt bring them in=-Hindle.  *aGrand Sel
ection 3.  As 2 Mar.  *p17 dlking's The Regent.  Manuel-Kemble; Ansaldo-Barrymor
e; Carlos-Master Gregson; Gomez-Wroughton; Solerno-Aickin; Gerbin-Packer; Diego-
Caulfield; Pedro-Benson; Servant-Webb; Banditti-Phillimore, Maddocks, Alfred; So
ldier-Cooke; Dianora-Mrs Siddons; Paula-Mrs Ward.  *aThe Algerine Slave.  Aldobr
and-Suett; Regnalto-Caulfield; Octavio-Dignum; Montano-Kelly; Fabio-Phillimore; 
Laurence-Bannister Jun.; Viola-Mrs Crouch; Laura-Mrs Bland; Alice-Mrs Edwards; R
osa-Mrs Jordan.  *cAfterpiece [1st time; CO 3, by $James Cobb=]: Taken from [his
] +The Strangers at Home=.  [Not in +Larpent MS=; not published.]  Receipts: #37
9 18s. (314.12; 61.15; 3.8; ticket not come in: 0.3).  *pcg The Road to Ruin.  A
s 18 Feb.  *aThe Poor Soldier.  As 19 Oct. 1791.  *c[Afterpiece in place of +The
 Maid of the Oaks=, advertised on playbill of 15 Mar.]  Receipts: #291 12s. (284
.7.6; 7.4.6).  *phay La Locanda.  As 28 Feb.  *dEnd I: +Divertisement=, as 14 Fe
b.; End opera: +La Fete Villageoise=, as 14 Feb., but _Laborie.  *p19 dlking's T
he Rivals.  As 1 Oct. 1791.  *aThe American Heroine; or, Ingratitude Punished.  
Principal Characters-Palmer, Phillimore, Maddocks, Caulfield, Alfred, Fawcett, F
airbrother, Cooke, Duranci, Webb, Bourk, Palmer Jun., Miss Blanchet.  *dIn after
piece: the +Dances= (composed by $Hamoir=,)-Hamoir, Bidotti, Keys, Nicolini, Wal
ker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs H
askey, Miss Jacobs, Miss DeCamp.  *cBenefit for $Palmer=.  Afterpiece [1st time;
 P 3, author unknown.  "Founded on the Tale of +Inkle & Yarico=" (+Kemble Mem.=)
, by $Sir Richard Steele=, in +The Spectator=, No. II, 13 March 1710-11.  Not in
 +Larpent MS=; not published]: The Music by $Gluck= and $Martini= [i.e. $Martin 
y Soler=].  +Morning Herald=, 9 Mar.: Tickets to be had of Palmer, No. 3, +Londo
n-road=, +St. George's Fields=.  Receipts: #452 16s. (169.17; 47.13; 2.11; ticke
ts: 232.15) (charge: #169 5s. 8d.).  *pcg The Road to Ruin.  As 18 Feb.  *aOscar
 and Malvina.  As 14 Dec. 1791.  *mAs 25 Jan.  *cReceipts: #300 14s. 6d. (295.3.
6; 5.11.0).  *p20 dlking's Macbeth.  As 18 Feb., but 3rd Witch-Suett.  *aThe Des
erter.  As 25 Oct. 1791, but Russet-Bannister.  *sAs 18 Feb.  *cReceipts: #352 (
307.14; 41.18; 2.8).  *pcg The Road to Ruin.  As 18 Feb.  *aMarian.  As 1 Mar.  
*cReceipts: #265 4s. 6d. (260.3.6; 5.1.0).  *phay La Locanda.  As 28 Feb.  *dAs 
10 Mar.  *p21 king's [A% Grand Selection 0[ Principally from the Works of $Hande
l=%; Redemption 0.  As 24 Feb.  *aGrand Selection 1.  As 14 Mar., but +He gave t
hem hailstones=-Chorus (+Israel in Egypt=); +For unto us a child is born=-_.  *a
Grand Selection 2.  As 14 Mar., but Fourth Oboe Concerto-; Second Oboe Concerto-
_.  *aGrand Selection 3.  As 14 Mar., but +Concerto= violoncello-Mason; +Concert
o= bassoon-_; +Non era ancora sorta l'Aurora=-Morelli ($Paisiello=); +Con un mor
o orrendore strano=-_; +The horse and his rider=-Chorus (Israel in Egypt); +Wort
hy is the lamb=-_; +Sing ye to the Lord=-Mrs Crouch (Israel in Egypt).  *cInstru
mental performers as 7 Mar.  *pcg L'Allegro ed il Pensieroso 0; Grand Selection 
0.  As 16 Mar.  *aL'Allegro ed il Pensieroso 1.  As 24 Feb., but +Come and trip 
it as you go=-Mrs _Addison, Mrs +Second, Chorus.  *aL'Allegro ed il Pensieroso 2
.  As 24 Feb., but +These delights if thou canst give=-_Page, +Hindle; +There le
t the pealing organ=-Chorus; +These pleasures melancholy give=-Mrs Billington; +
I'll to the well@trod stage anon=-_.  *aGrand Miscellaneous Act.  Overture (+Ari
adne=)-; +The mansion of peace=-Harrison ($Webbe=); +Jehovah crown'd=-Hindle; +H
e comes=-Chorus (+Esther=, $Handel=); +O had I Jubal's Lyre=-Mrs Second ($Joshua
=, Handel); +Together let us range the fields=-Mrs Billington, Harrison ($Boyce=
); +I rage I melt I burn=, +O ruddier than the cherry=-Bartleman; +Wretched love
rs=-Chorus (+Acis and Galatea=, $Handel=); +The soldier tir'd=-Mrs Billington ($
Arne=); +Let their celestial concerts=-Chorus (+Samson=, Handel).  *p22 dlking's
 The Country Girl.  As 6 Oct. 1791.  *aRichard Coeur de Lion.  As 29 Nov. 1791. 
 *c[Mainpiece in place of +Cymon=; afterpiece of +The Sultan=, both advertised o
n playbill of 20 Mar.]  Receipts: #270 1s. (209.12; 51.0; 9.6; ticket not come i
n: 0.3).  *pcg The Road to Ruin.  As 18 Feb.  *aThe Maid of the Oaks.  Hurry-Qui
ck; Dupely-Macready; Old Groveby-Wilson; Oldworth-Thompson; Sir Harry Groveby-Da
vies; Musical Characters-Gray, Miss Barnett, Miss Stuart; Maria (with the origin
al +song=)-Mrs Mountain; Lady Bab Lardoon-Mrs Esten.  *dIn I afterpiece: a +Danc
e=-.  *cReceipts: #274 3s. (270.9.6; 3.13.6).  *phay La Locanda.  As 28 Feb.  *d
As 10 Mar.  *p23 king's [A% Grand Selection 0[Principally from the Works of $Han
del=%; Redemption 0.  As 24 Feb.  *aGrand Selection 1.  Overture (+Esther=)-; +T
yrants would=-Mrs Crouch; +Tyrants ye in vain=-Chorus (+Athalia=); +How willing=
-Sedgwick (+Samson=); +What's sweeter=-Miss Hagley, Dignum (+Joseph=); +The smil
ing dawn=-Master Welsh (+Jephtha=); +Solo= (on the harp)-Meyer; +Deeper and deep
er still=-Kelly; +Waft her angels=-Chorus (Jephtha); +Lord in thee=-Incledon, Ch
orus (+Te Deum=).  *aGrand Selection 2.  +Concerto= bassoon-Parkinson; +Ye men o
f Gaza=-Miss Barclay (Samson); +And in that air behold! God is my salvation=, +T
herefore with joy=-Reinhold; +And in that day=, +Call upon his name=-Mrs Bland; 
+Sing unto the Lord=-Mrs Crouch, Reinhold; +Cry out and shout=-Chorus (+New Anth
em=, $Shaw=); +Ah chi sa=-Kelly, Morelli, Mrs Crouch [+Il Barbiere di Siviglia=,
 $Paisiello=]; +With ravish'd ear=-Miss Hagley (+Alexander's Feast=); +But brigh
t Cecilia=, +As from the power=-Mrs Crouch (+Dryden's Ode=).  *aGrand Selection 
3.  +Cantata=-Reinhold ($Giordani=); +But thou didst not leave=-Master Welsh (+T
he Messiah=); +Trio=-Kelly, Morelli, Mrs Crouch; +Song=-Mrs Bland ($Attwood=); +
Shake the dome=-Chorus (+Solomon=); +Song=-Mrs Crouch; [accompanied on the% harp
-Meyer; +Little these evils=, +Why does the God of Israel sleep?=-Incledon (Sams
on); +Worthy is the lamb=-Chorus (The Messiah).  *cInstrumental performers as 7 
Mar.  *pcg Alexander's Feast 0; Grand Selection 0.  [No individual numbers speci
fied, but see 7 Mar.]  As 16 Mar.  *aAlexander's Feast 3; Grand Miscellaneous Ac
t.   As 7 Mar., but +The Mansion of Peace=-_; +Rendi il sereno=-Harrison (+Sosar
mes=); +Love in her eyes=-Hindle (+Acis and Galatea=).  *p24 dlking's Isabella. 
 As 21 Jan., but Gentlemen-_Caulfield, +Fawcett.  *aThe Devil to Pay.  As 18 Oct
. 1791.  *sAs 21 Jan.  *cReceipts: #431 7s. 6d. (390.0.6; 38.13.0; 2.11.0; ticke
t not come in: 0.3).  *pcg The Road to Ruin.  As 18 Feb.  *aRosina.  As 3 Mar.  
*cReceipts: #276 2s. 6d. (271.7.0; 4.15.6).  *phay La Locanda.  As 28 Feb.  *dEn
d I: +Divertisement=, as 14 Feb.; End Opera: +Le Volage Fixe=, as 10 Mar.  *p26 
dlking's King Henry the VIII.  King Henry-Palmer; Cardinal Wolsey-Bensley; Campe
ius-Packer; Capucius-Phillimore; D. of Buckingham-Wroughton; E. of Surrey-Barrym
ore; Lord Chamberlain-R. Palmer; Gardiner-Suett; Lord Sands-Baddeley; Sir Thomas
 Lovel-Fawcett; Cromwell-Kemble; Doctor Butts-Waldron; Surveyor-Benson; Brandon-
Banks; Serjeant-Lyons; Doorkeeper-Jones; Cryer-Alfred; Cranmer-Aickin; Duke of N
orfolk-Whitfield; Queen Katharine-Mrs Siddons; Anne Bullen-Mrs Powell; Gentlewom
an-Mrs Booth; Patience (with a +song=)-Mrs Bland; Agatha-Miss Collins.  *aSelima
 and Azor.  As 10 Mar., but Ali-Dodd;[ added to Selima:% +Sweet Bird=-Mrs Crouch
; accompanied-Shaw.  *e[+Monologue=.% End: Collins's +Ode on the Passions= (for 
this night only)-Mrs Siddons.  *cBenefit for $Mrs Siddons=.  To prevent Confusio
n, Ladies and Gentlemen are desired to send their Servants by Half past Four o'C
lock.  Mainpiece: In I +The Cardinal's Banquet=.  In II the Court for the Trial 
of +Queen Katharine=r.  In V a Grand Procession to the Christening of +Princess 
Elizabeth=r.  +Morning Herald=, 7 Mar.: Tickets to be had of Mrs Siddons, No. 49
, +Great Marlborough-street=.  Receipts: #493 16s. (258.15.6; 25.13.0; 1.16.0; t
ickets: 207.11.6) (charge: #159 8s. 10d.).  *pcg Medea.  Jason-Holman; Eason-Hul
l; Creon-Harley; 1st Colchian-Macready; Hecate-Thompson; Child-Miss Standen; Lyc
ander-Farren; Theno-Miss Chapman; Medea-Mrs Pope.  *aThe Mermaid.  [Principal Ch
aracters by Wilson, Fawcett, Marshall, Macready, Powel, Cross, Rees, Munden, Mrs
 Webb, Mrs Harlowe, Mrs Mountain.  [Cast from text (+Dublin=: $P. Wogan= [et al]
, 1792):% Sir Gregory Gander-Wilson; Lord Crop-Fawcett; Raymond (disguised as Bo
wsprit)-Marshall; Feignwell-Macready; Proteus-Munden; Lady Gander-Mrs Webb; Susa
n-Mrs Harlowe; Belinda-Mrs Mountain [in text: $Miss Chapman=]; Powel, Cross, Ree
s.  *cBenefit for $Mrs Pope=.  Mainpiece: Not acted these 20 years [not acted si
nce 12 Mar. 1771].  Afterpiece [1st time; F 2, by $Andrew Franklin=].  +Morning 
Chronicle=, 5 Mar.: Tickets to be had of Mrs Pope at her house, +Half-Moon-stree
t=, +Piccadilly=.  Receipts: #272 14s. (151.14; 5.3; tickets: 115.17) (charge: #
105).  *p27 dlking's Cymon.  As 6 Feb.  *aNo Song No Supper.  As 27 Sept. 1791, 
but Dorothy-Mrs Bland; Louisa-Miss Hagley; Margaretta (for this night only)-Mrs 
Crouch; Nelly-_.  *cBenefit for $Mrs Crouch=.  +Morning Herald=, 5 Mar.: Tickets
 to be had of Mrs Crouch, No. 4, +Pall-Mall=.  Receipts: #455 1s. 6d. (166.0.0; 
45.2.6; 3.11.6; tickets: 240.7.6) (charge: #175 7s. 6d. ).  *pcg The Road to Rui
n.  As 18 Feb.  *aMarian.  As 1 Mar.  *cReceipts: #262 7s. 6d. (258.4.6; 4.3.0).
  *p27 hay La Locanda.  As 28 Feb., but Guerina-Sga Salimbeni [in place of $Sga 
Casentini=%.  *dAs 24 Mar.  *cOn account of the sudden indisposition of $Sga Cas
entini= +La Discordia Conjugale= [advertised in +Morning Chronicle=, 26 Mar.] mu
st be postponed till further notice [see 31 Mar.].  *p28 king's [A% Grand Select
ion 0[Principally from the Works of $Handel=%; Redemption 0.  As 24 Feb.  *aGran
d Selection 1.  Overture (+Occasional Oratorio=)-; +O had I Jubal's=-Miss Hagley
 (+Joshua=); +His mighty arm=-Kelly (+Jephtha=); +Che vi par=-Morelli, Kelly, Mr
s Crouch ($Sarti=); +Would you gain=-Master Welsh (+Acis and Galatea=); +Wake so
ns=-Sedgwick ($R. J. Stevens=); +Mary's dream=-Miss Barclay ($Relfe=); +For unto
 us a child=-Chorus (+The Messiah=).  *aGrand Selection 2.  Hautboy +concerto= (
$Handel=)-; +Blooming virgins=-Incledon (+Athalia=); +And in that air Behold! Go
d is my salvation=-Reinhold; +Therefore with joy=-Reinhold; +And in that Day=-Mr
s Bland; +Call upon his name=-Mrs Bland; +Sing unto the Lord=-Mrs Crouch, Reinho
ld; +Cry out and shout=-Chorus (+New Anthem=, $Shaw=); +Fair Rosale=-Master Wels
h ($Linley=); +Let's imitate=-Dignum, Miss Hagley (+Alexander's Feast=); +What t
hough I trace=-Mrs Crouch (+Solomon=); +Zadock the Priest=-Chorus (+Coronation A
nthems=).  *aGrand Selection 3.  +Eternal God=-Reinhold (+Isaac=, $Giordani=); +
The Prince unable=-Mrs Bland (Alexander's Feast); +Non piu andrai=-Morelli ($Pai
siello= [recte +Le Nozze di Figaro=, $Mozart=]); +Softly rise=-Dignum, Chorus (S
olomon, $Boyce=); +Sweet bird=-Mrs Crouch (+L'Allegro=); +Every day will I give 
thanks=-Incledon (+Chandos Anthems=); +I know that my Redeemer liveth=-Master We
lsh; +Hallelujah for the Lord God=-Chorus (The Messiah).  *cInstrumental perform
ers as 7 Mar.  *pcg The Messiah; Grand Selection 0.  As 16 Mar., but Organ-Great
orex.  *aThe Coronation Anthem.  *p29 dlking's The Surrender of Calais.  King Ed
ward-Barrymore; Harcourt-Bland; Sir Walter-Webb; John de Vienne-Aickin; Ribbeaum
ont-Palmer; Eustache de St. Pierre-Bensley; Officer-Caulfield; John D'Aire-Benso
n; Citizens-Wewitzer, Waldron, Banks, Jones, Maddocks; O'Carrol-Johnstone (of +c
g=); La Gloire-Bannister Jun.; Crier-Hollingsworth; Carpenters-Parsons, Alfred; 
Serjeant-Suett; Queen-Mrs Goodall; Julia-Mrs Powell; Madalon-Mrs Bland; Other Vo
cal Parts-Caulfield, Phillimore, Fawcett, Danby, Cooke, Maddocks, Lyons, Alfred,
 Shaw, Dorion, Miss Hagley, Mrs Edwards, Miss DeCamp, Mrs Butler, Mrs Edwin, Mrs
 Gawdry, Mrs Bramwell, Mrs Shaw, Miss Kirton.  *aThe Minor.  Sir William Wealthy
 Wealthy-Baddeley; Mr Wealthy-Maddocks; The Minor-Whitfield; Shift, Smirk-Bannis
ter Jun.; Loader-R. Palmer; Dick-Benson; Mrs Cole-Mr H. Angelo (1st and only app
earance); Lucy-Miss Collins.  *e[+Monologue=.% +Occasional Prologue=-Bannister J
un.  *cBenefit for $Bannister Jun.=  Mainpiece: By Permission of $George Colman 
Jun.=, Esq. [Prologue by George Colman Jun. (+Kemble Mem.=), printed in $Henry A
ngelo,@Reminiscences=, 1828, I, 331-32.]  +Morning Herald=, 29 Mar.: Tickets to 
be had of Bannister Jun., No. 2, +Frith-street=, +Soho=.  Receipts: #538 18s. 6d
. (251.19.6; 32.18.0; 3.0.0; tickets: 251.1.0) (charge: #163 9s. 2d.).  *pcg The
 Road to Ruin.  As 18 Feb.  *aRosina.  As 3 Mar.  *cReceipts: #331 14s. (325.13.
6; 6.0.6).  *phay La Locanda.  As 27 Mar.  *dAs 24 Mar.  *p30 king's [A% Grand S
election 0[Principally from the Works of $Handel=%; Redemption 0.  As 24 Feb.  *
aGrand Selection 1.  Overture (+Esther=)-; +Tyrants=-Mrs Crouch, Chorus [+Athali
a=]; +How willing=-Sedgwick (+Samson=); +What's sweeter=-Miss Hagley, Dignum (+J
oseph=); +Let me wander=, +Or let the merry bells=-Master Welsh; +And young and 
old=-Chorus (+L'Allegro=); +The Prince=-Mrs Bland (+Alexander's Feast=); +Deeper
 and=-Kelly; +Waft her angels=-Chorus (+Jephtha=); +Lord in thee=-Incledon, Chor
us (+Te Deum=).  *aGrand Selection 2.  +Justly these evils=, +Why does the God?=
-Incledon; +Ye men of=-Miss Barclay (Samson); +And in that air Behold! God is my
 salvation=-Reinhold; +Therefore with joy=-Reinhold; +And in that Day=-Mrs Bland
; +Call upon his name=-Mrs Bland; +Sing unto the Lord=-Mrs Crouch, Reinhold; +Cr
y out and shout=-Chorus (+New Anthem=, $Shaw=); Dead March (+Saul=)-; +Lord reme
mber David=-Kelly [+Sosarme=]; +Ah chi sa=-Kelly, Mrs Crouch, Morelli; +Consider
 found shepherd=-Master Welsh (+Acis and Galatea=); +But bright Cecilia=, +As fr
om the pow'r=-Mrs Crouch (+Dryden's Ode=).  *aGrand Selection 3.  +Behold! I tel
l=, +The trumpet shall sound=-Reinhold (+The Messiah=); +Is not the King?=, +Nn 
the charmer fondly gazing=-Miss Hagley ($Arnold=); +Non vi par=-Morelli, Kelly, 
Mrs Crouch ($Sarti=); +Fair Rosale=-Master Welsh ($Linley=); +Softly rise=-Dignu
m; +Ye southern breezes=-Chorus (+Solomon=, $Boyce=); +O magnify the Lord=-Mrs C
rouch; +Every day will I give thanks=-Incledon (+Coronation Anthems=); +Worthy i
s the lamb=-Chorus (+The Messiah=).  *sEnd II: +Mad Bess=-Mrs Crouch ($Purcell=)
.  *cInstrumental performers as 7 Mar.  *pcg L'Allegro ed il Pensieroso.  As 16 
Mar., but Organ [as 29 Feb.%-Greatorex.  *aL'Allegro ed il Pensieroso 1.  As 21 
Mar.  *aL'Allegro ed il Pensieroso 2.  As 21 Mar.  *aGrand Miscellaneous Act.  A
s 21 Mar.  *cAccount-Book, 9 Apr.: Received the Oratorio Rent #550 [i.e. #50 a n
ight for 11 performances].  *p31 dlking's Coriolanus; or, The Roman Matron.  Cai
us Marcius Coriolanus-Kemble; Attius Tullus Aufidius-Wroughton; Menenius Agrippa
-Baddeley; Cominius-Aickin; Sicinius Velutus-Barrymore; Junius Brutus-Whitfield;
 Volusius-Benson; Young Marcius-Master Chatterley; Roman Officer-Caulfield; Vols
cian Officer-Alfred; Citizens-Suett, Maddocks, Fawcett, Jones; Volumnia-Mrs Sidd
ons; Virgilia-Mrs Powell; Valeria-Mrs Ward; Gentlewoman-Miss Tidswell.  *aThe De
vil to Pay.  As 18 Oct. 1791, but Butler-Maddocks.  *cMainpiece: In II an Ovatio
n, or, Entry of +Coriolanus=r into +Rome=.  In V A Procession of Roman Matrons t
o the Volscian Camp.  A new Edition of +Coriolanus= to be had at the Theatre.  [
Afterpiece in place of +The Pannel=, advertised on  playbill of 29 Mar.  +Diary=
, 2 Apr. states that this was $Kemble='s benefit, but it is not referred to as s
uch on the playbill, in the Account-Book or in +Kemble Mem.=]  Receipts: #377 13
s. (333.13; 42.13; 1.7).  *pcg Fashionable Levities.  Welford-Lewis; Mr Ordeal-A
ickin; Captain Douglas-Farren; Nicholas-Munden; Cheaterly-Macready; Colonel Staf
f-Evatt; Sir Buzzard Savage-Quick; Clara (with a +song= in character)-Mrs Esten;
 Constance-Miss Chapman; Widow Volatile-Miss Stuart; Grace-Mrs Harlowe; Mrs Musl
in-Mrs Platt; Lady Flippant Savage-Mrs Pope.  *aA Peep behind the Curtain; or, T
he New Rehearsal.  Glib (the Author)-Lewis; Sir Toby Fuz-Wilson; Sir Macaroni Vi
rtu-Fawcett; Wilson-Macready; Patent-Powel; Mervin-Evatt; Prompter-Farley; Carpe
nter-Rock; Lady Fuz-Mrs Webb; Sweepers-Mrs Powell, Mrs Davenett; Miss Fuz-Mrs Da
vis; [+Characters in the Burletta=:% Orpheus-Davies; Shepherds-Powel, Follett, L
inton, Cross, Rees, Noble, Letteney, Rowson, Blurton, Milburne, Simmons, Coombes
; Old Shepherd-Munden; Rhodope-Mrs Martyr.  *aRobin Hood.  As 28 Sept. 1791, but
 Allen o'Dale-Gray; Angelina-Mrs Billington.  *cBenefit for $Lewis=.  1st piece:
 In 3 Acts [i.e. abridged from the original 5].  +Morning Herald=, 19 Mar.: Tick
ets to be had of Lewis, +Bow-street=.  Receipts: #347 5s. 6d. (234.1.0; 4.14.6; 
tickets: 108.10.0) (charge: #105).  Pencilled in the Account-Book.  234.1.0-mone
y [taken at the doors] 4.14.6-after money [taken at the doors] 238.15.6 105-char
ge 133.15.6-owing Lewis [on 18 Apr. he was paid 133.14.0]  [The amount of his ti
ckets, 108.10.0, he retained; hence his profit on this night was #242 4s.]  *pha
y La Discordia Conjugale.  [Principal Characters by Lazzarini, Agostino Lipparin
i, Cipriani, Giuseppe Lipparini; Sga Casentini, Sga Calvesi, Sga Salimbeni.  [Ca
st from libretto ($H. Reynell=, 1792):% Don Ridolfo-Lazzarini; Don Polibio-Lippa
rini Sen.; Don Trifone-Cipriani; Don Gerundio-Lipparini Jun.; Donna Aurora-Sga C
asentini; Cardellina-Sga Calvesi; Doralba-Sga Salimbeni.  *dAs 10 Mar.  *cA New 
Comic Opera composed by $Paisiello= [but not recorded in any list of his operati
c works]; under the direction of $Mazzinghi=.  [Originally ententitled +Le Vane 
Gelosie=, this was 1st performed at +Naples= in 1790.  Its libretto, by $G. B. L
orenzi=, was re-set in 1793 by $G. Astarita=, and performed at +Venice= as +Le F
allaci Apparenze=.  The characters in all these versions are identical.  See $E.
 Faustini-Fasini=, +Opere Teatrali di Paisiello=, 1940, 137-38, and +Morning Her
ald=, 2 Apr. 1792.]  *p4 2[-7% none +Holy Week=.  *p9 dlking's As You Like It.  
As 13 Dec. 1791, but Touchstone-Dodd.  *aRichard Coeur de Lion.  As 8 Mar., but 
William-_; Pilgrim-_; Chorus of Knights-_; Chorus of Soldiers-_.  *sAs 3 Oct. 17
91.  *e[+Monologue=.% End I afterpiece: +Easter Monday=[; or, +A Description of 
The Cockney Hunt=%-Dodd.  *cBenefit for Dodd.  +Morning Herald=, 20 Mar.: Ticket
s to be had of $Dodd=, No. 8, +Southampton-row=, +Bloomsbury=.  Receipts: #418 1
1s. 6d. (134.1.0; 26.15.6; 4.7.0; tickets: 253.8.0) (charge: #168 0s. 10d.).  *p
cg The Road to Ruin.  As 18 Feb., but +Prologue=-_; +Epilogue=-_ [and thereafter
].  *aOscar and Malvina.  As 14 Dec. 1791.  *mAs 25 Jan.  *cReceipts: #252 0s. 6
d. (248.15.6; 3.5.0).  *p10 dlking's The Double Gallant.  Sir Solomon Sadlife-Pa
rsons; Clerimount-Barrymore; Careless-Wroughton; Atall-Palmer; Old Sir Wilfull-B
urton; Sir Harry Atall-Hollingsworth; Supple-Suett; Dr Blister-Waldron; Rhubarb-
Jones; Finder-Benson; Lady Dainty-Miss Pope; Lady Sadlife-Miss Farren; Clarinda-
Mrs Goodall; Sylvia-Mrs Kemble; Wishwell-Mrs Edwards; Situp-Miss Tidswell.  *aTh
e Court of Apollo [i.e. +The Sons of Anacreon=].  [In which the% +Anacreontic So
ng=-Bannister; +My Poll and my Partner Joe=-Dignum; +Could a Man be Secure=-Sedg
wick, Dignum; +Catches=, +Glees=-; The President-Palmer.  *aThe Critic.  As 3 Oc
t. 1791, but Dangle-Benson; Italian Girls-Mrs +Bland, Miss _Daniels; [In the Tra
gedy% Governor-Maddocks; Sir Christopher Hatton-_; Master of the Horse-_; Beef@e
ater-_; Justice-_; Son-_; Constable-_; Nieces-_; Justice's Lady-_; Confidant-_. 
 *cBenefit for Miss Pope.  1st piece: Not acted these 8 years [acted 8 Nov. 1788
].  3rd piece: To conclude as 3 Oct. 1791.  +Morning Herald=, 24 Mar.: Tickets t
o be had of $Miss Pope=, No.62, +Great Queen-street=, +Lincoln's Inn-fields=.  R
eceipts: #336 19s. (95.15.6; 35.7.0; 2.15.0; tickets: 203.1.6) (charge: #168 4s.
).  *pcg Such Things Are.  Twineall-Lewis; Sir Luke Tremor-Quick; Elvirus-Holman
; Haswell-Harley; Sultan-Farren; Lord Flint-Davies; Meanright-Macready; Zadan-Po
wel; 1st Keeper-Cubitt; Prisoner-Thompson; Lady Tremor-Mrs Mattocks; Aurelia-Mrs
 Mountain; Female Prisoner-Mrs Pope.  *aTony Lumpkin's Ramble to Town.  Tony Lum
pkin (with his +Adventures=, and the +Disaster of Bet Bouncer=, who on that occa
sion will make her 1st Appearance upon the Stage)-Quick; Bet Bouncer-Mrs Cross. 
 *aThe Cozeners.  Aircastle-Munden; Toby-Fawcett; O'Flannagan-Rock; Col. Gorget-
Macready; Flaw-Thompson; Tom-Marshall; Doctor Hellebore-Powel; Paul Prig-Quick; 
Mrs Fleece'm-Mrs Webb; Mrs Aircastle-Mrs Platt; Lilley-Mrs Harlowe; Betsey Bloss
om-Mrs Martyr.  *dEnd 1st piece: +A Divertisement=-Byrne, Ratchford, Mrs Ratchfo
rd, Mlle St.Amand.  *cBenefit for $Quick=.  1st piece: Written by $Mrs Inchbald=
.  2nd piece: For that night only.  3rd piece: Written by $Foote=; 1st time at t
hat Theatre.  +Morning Herald=, 28 Mar.: Tickets to be had of Quick, No. 98, +Hi
gh Holborn=.  Receipts: #325 4s. 6d. (152.3.0; 5.10.6; tickets: 167.11.0) (charg
e: #105).  *phay La Discordia Conjugale.  As 31 Mar.  *dAs 10 Mar.  *p11 dlking'
s The Surrender of Calais.  As 29 Mar., but Carpenters-_Alfred, +Burton.  *aThe 
Spoil'd Child.  As 1 Oct. 1791, but Tag-Benson; John-_; Margery-_; Susan-_.  *cB
enefit for Bensley.  +Morning Herald=, 23 Mar.: Tickets to be had of $Bensley=, 
No. 21, +Charlotte-street=, +Bloomsbury=.  Receipts: #410 11s. (178.12; 41.14; 4
.13; tickets: 185.12) (charge: #167 1s. 8d.).  *pcg The Road to Ruin.  As 9 Apr.
  *aRobin Hood.  As 31 Mar.  *cReceipts: #207 5s. 6d. (203.16.0; 3.9.6).  *p12 d
lking's The Tempest.  As 27 Dec. 1791.  *aThe Swindlers.  Characters-Palmer, Bad
deley, Barrymore, Benson, Burton, Banks, Maddocks, Bannister Jun., Caulfield, Ph
illimore, Packer, Alfred, Webb, Lyons, Mrs Goodall, Mrs Powell, Mrs Booth.  [+La
rpent MS 374= (for 1st performance, 1774) lists the parts: Bubblewell, Isaac Isr
ael, Harry, Lord Smallwitt, Jacob, Alderman Cornish, Doctor Addlebrain, Staytape
, Stretch, Constable, Servants, Clerk, Mrs Bubblewell, Miss Bilkall.]  *sVocal P
arts, as 14 Dec. 1791; Masque of +Neptune= and +Amphitrite=, as 9 Nov. 1791.  *c
Benefit for $Baddeley=.  +Kemble Mem.=: I believe this is a Farce of Mr Baddeley
's writing [which it was].  +Morning Herald=, 21 Mar.: Tickets to be had of Badd
eley, No. 10, +New Store-street=, +Bedford-square=. Receipts: #356 12s. (113.3.6
; 33.5.0; 3.1.0; tickets: 207.2.6) (charge: #153 18s.).  *pcg Alexander the Grea
t.  Alexander-Holman (1st appearance in that character); Lysimachus-Farren; Heph
estion-Davies; Cassander-Cubitt; Polyperchon-Macready; Thessalus-Evatt; Clytus-A
ickin; Statira-Mrs Merry; Sysigambis-Mrs Platt; Parisatis-Miss Chapman; Roxana-M
rs Pope.  *aModern Antiques.  As 14 Sept. 1791.  *sII: +Grand Triumphal Entry= o
f Alexander into Babylon-; Vocal Parts-Johnston, Incledon, Darley, Cubitt, Marsh
all, Gray, Rock, Rowson, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, M
iss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs W
atts, Mrs Gray, Miss Francis, Mrs Masters, Miss Taylor, Mrs Lloyd, Mrs Martyr; E
nd: +Wine cannot cure the Pain I endure=-Johnstone, Incledon; [with% new Accompa
niments [by $Shield=%-.  *cBenefit for $Holman=.  Mainpiece: Not acted these 3 y
ears.  In IV a Grand Banquet.  +Morning Herald=, 28 Mar.: Tickets to be had of H
olman at his chambers, No. 14  +John-street=, +Adelphi=.  "There is a deficiency
 in the length of [Holman's] upper lip that continually exposes his teeth to the
 audience...He has a method of hurrying over the latter part of a sentence, as i
f to give it more effect, but in reality destroys the intention and solemnity of
 the scene" (+Candid Strictures=,45-46).  Receipts: #280 11s. 6d. (188.10.6; 3.1
6.0; tickets: 88.5.0) (charge: #105).  *phay La Bella Pescatrice.  [Principal Ch
aracters by Lazzarini, Agostino Lipparini, Giuseppe Lipparini, Lorenzo Cipriani,
 Sga Casentini, Sga Calvesi.  [Cast from liberetto ($H. Reynell=, 1791):% Cavali
ere Celidoro-Lazzarini; Conte-Lipparini Sen.; Maccabruno-Lipparini Jun.; Don Alf
onso-Cipriani; Dorinda-Sga Casentini; Vespina-Sga Calvesi.  *dAs 10 Mar.  *cA Co
mic Opera; composed by $Guglielmi=.  Under the direction of $Mazzinghi=.  The Do
ors to be opened at 7:00.  To begin (by particular desire) exactly at 8:00 [same
 for rest of season].  *p13 dlking's The Rivals.  As 1 Oct. 1791, but Captain Ab
solute-Wroughton; Fag-Benson.  *aRichard Coeur de Lion.  As 9 Apr.  *cBenefit fo
r $Wrighten=, prompter.  +Morning Herald=, 10 Apr.: Tickets to be had of Wrighte
n, No. 84, +Hay-market=.  Receipts: #384 16s. (79.8.6; 37.15.0; 6.2.0; tickets: 
261.10.6) (charge: #177 13s. 6d.).  *pcg The Road to Ruin.  As 9 Apr.  *aRosina.
  As 3 Mar.  *cReceipts: #231 14s. (228.18.6; 2.15.6).    *p14 dlking's Venice P
reserved.  As 28 Jan., but Bedamar-Benson; Jaffier-Whitfield; Spinosa-Caulfield;
 Mezzano-Lyons.  *aThe Deserter.  As 20 Mar.  *c[In mainpiece the playbill retai
ns $Kemble= as +Jaffier=r, but "On Saturday evening $Whitfield= played the part 
of Jaffier in the room of Kemble, at four hours notice, and happy it was for Whi
tfield that an opportunity offered to prove how much his talents have been kept 
in the shade; his conception of the part was critically without error, his deliv
ery of $Otway='s language with good emphasis and his pathos extremely natural an
d interesting" (+Diary=, 16 Apr.).]  Receipts: #296 6s. 6d. (254.14.6; 38.14.0; 
2.18.0).  *pcg A Day in Turkey.  As 20 Jan.  *aThe Highland Reel.  As 7 Nov. 179
1, but Moggy (for that night only)-Mrs Esten; Laird of Col-Powel.  *e[+Monologue
=.% End: (for that night only) Collins's +Ode on the Passions=-Mrs Esten.  *cBen
efit for Mrs Esten.  +Morning Herald=, 26 Mar.: Tickets to be had of $Mrs Esten=
, No. 5, +Nassau-street=, +Soho=.  Receipts: #311 3s. (155.14.6; 5.5.6; tickets:
 150.3.0) (charge: #105).  *phay La Discordia Conjugale.  As 31 Mar.  *dEnd I: +
Divertisement=, as 14 Feb.  *bEnd Opera: [an entire new Grand Pantomimic Ballet 
(1st time; composed by $D'Auberval= [music by $Mazzinghi=]),% +La Foire de Smirn
e; ou, Les Amans Reunis=.  Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaCha
pelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora
-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-M
lle Menage.  *c2nd ballet: With new Dresses, Scenes and Decorations.  "$The Simo
nets= were very unexpectedly introduced as vocal performers; they sung a duet in
 the +Seraglio Scene=, accompanied on the harp by $young Meyer=, which was very 
pleasing" (+Morning Herald=, 16 Apr.).  *p16 dlking's The Country Girl.  As 6 Oc
t. 1791.  *aThe Village Coquette.  Principal Characters-Bannister Jun., Suett, M
addocks, Caulfield, Cooke, Master Gregson, Mrs Ward, Mrs Jordan, Miss DeCamp, Mr
s Bramwell.  [+Larpent MS= lists only four parts: +Rubin=r, +Pertinent=r, +Agnes
=r, +Sallinet=r.]  *cBenefit for $Mrs Jordan=.  Afterpiece [1st time; F 2, by $S
imon=, based partly on +La Bonne Mere=, by $Jean Pierre Claris deFlorian=; incid
ental music by $Johann Gottlieb Nicolai=.  +Larpent MS 940=; not published]: To 
conclude with a +Rural Breakfast= [a representation of that given by the $Counte
ss of Buckinghamshire= for the $Prince of Wales= at her villa near +London= ($Ge
nest=, VII, 53)], and a +Dance= by the Characters.  +Morning Herald=, 31 Mar.: T
ickets to be had of Mrs Jordan, No. 14, +Somerset-street=, +Portman-square=.  Re
ceipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5
s. 10d.).  *pcg The Road to Ruin.  As 9 Apr.  *aOscar and Malvina.  As 14 Dec. 1
791.  *mAs 25 Jan.  *cReceipts: #297 10s. 6d. (291.1.0; 6.9.6).  *phay Richard I
II.  Richard-T. Morris; Lieutenant of the Tower-A. Morris; King Henry-Horwell; T
ressel-Birch; Richmond-Crewe; Catesby-Uncle; Buckingham-Meredith; Stanley-Webber
; Prince Edward-Miss S. Francis; Queen-Mrs Hunter; Lady Anne-Mrs Pollard; Duches
s of York-Mrs McGeorge; +Prologue=-T. Morris; +Epilogue=-Mrs Pollard.  *aThe Cit
izen.  Old Philpot-Hurlstone; Young Philpot-Hewardine; Old Wilding-Hurlstone Jun
.; Young Wilding-Crewe; Quildrive-Ridgway; Dapper-Lane; Maria-Mrs Pollard; Corin
na-Miss S. Francis.  *cBy Permission of the +Lord Chamberlain=.  Benefit for +Th
e Literary Fund=.  [In this performance the male parts were acted chiefly by ama
teurs; the female parts were acted by professionals.  Prologue and Epilogue by $
Thomas Morris= (+Morning Herald=, 17 Apr.).]  The +Committee for the Management 
of the Literary Fund= respectfully inform the Public that affecting instabces of
 Merit in distress exceed their power of relief by the ordinary Subscription; an
d that they wish to have recourse to every honourable expedient to increase that
 power.  The Admission will be by Tickets, at the Opera Prices.  Boxes and Pit 1
0s. 6d. 1st Gallery 5s. 2nd Gallery 3s.  No more Company will be admitted than t
he House will hold with perfect convenience; and when the proper number of Ticke
ts is issued, no means of admission can be obtained.  The Doors to be opened at 
6:00.  To begin at 7:00 precisely.  Registers: $Thomas Dale=, M. D.; $Mr Deputy 
Nichols=.  Treasurers: $Thomas Morris, Esq.=; $Mr E. Brooke=.  "In the course of
 the play we observed several restorations of $Shakespeare='s text, with some in
terpolations.  The boldest of the latter was the introduction of Richard's son t
o him in the tent, the night befiredthedbefore the +Battle of Bosworth field=.  
This scene was borrowed, as we believe, from Thomas? +Hull's Legendary Tale of R
ichard Plantagenet=.  It was well written, and produced a considerable degree of
 effect.  The +Ghosts=r were banished, and the start and stagger of +Richard=r, 
heretofore the theatrical trick of the scene, necessarily omitted" (+Diary=, 17 
Apr.).  *p17 dlking's King Henry the VIII.  As 26 Mar., but Lord Chamberlain-Ben
son; Surveyor-Webb; D. of Suffolk-Caulfield.  *aComus.  As 12 Mar.  *cMainpiece:
 +Banquet=, +Trial=, +Procession= as 26 Mar.  Reciepts: #221 15s. (178.6; 39.5; 
2.17; tickets not come in: 1.7).  *pcg The Road to Ruin.  As 9 Apr.  *aZelma; or
, The Will o' th' Wisp.  [Principal Characters by Incledon, Munden, Hull, Davies
, Thompson, Mrs Martyr, Miss Chapman, Mme Carnevale (1st appearance on the +Engl
ish stage= [i.e. in a speaking part]).  The other% Musical Characters-Miss Broad
hurst, Miss Stuart, Mrs Watts, Mrs Arnold, Miss Francis, Miss Yeoens, Miss Barne
tt, Miss Leserve, Mrs Masters, Mrs Mountain; [Cast from Songs ($T. Cadell=, 1792
):% Hazem-Incledon; Darif-Munden; Nouri-Hull; Aleddin-Davies; Captain-Thompson; 
Barbara-Mrs Martyr; Nerimana-Miss Chapman; Zelma-Mme Carnevale; Virgins, Genii, 
and her Attendants-Miss Broadhurst, Miss Yeoens, Miss Barnett, Mrs Mountain.  *c
Afterpiece [1st time; MD 2, by $Jeremiah Meyer= and $William Hayley=, "from the 
+German=."  +Larpent MS 941=; not published; synopsis of plot in +Morning Herald
=, 18 Apr.]: With new Scenery, Machinery, Dresses and Decorations.  The Music se
lected from $Ditteus= [i.e. $Dittersdorf=], $Rauzzini= and $Salieri=; the Overtu
re and new Music by $Reeve=.  Book of the Songs to be had at the Theatre.  [$Mme
 Carnevale= had 1st appeared at +king's= in 1783.]  Receipts: #252 3s. 6d. (242.
19.6; 9.4.0).  *phay La Locanda.  As 28 Feb.  *dEnd I: +Divertisement=, as 14 Fe
b.  *bEnd Opera: +La Foire de Smirne=.  As 14 Apr, but Harp-Charles Meyer.  *p18
 dlking's The Confederacy.  As  20 Oct. 1791, but Jessamin-Alfred.  *aThe Humour
ist.  As 4 Nov. 1791, but Mrs Matadore-Mrs Booth.  *c[Mainpeice in place of +The
 Fugitive=; afterpiece of +All the World's a Stage=, both advertised on playbill
 of 17 Apr.]  Receipts: #154 14s. 6d. (119.12.6; 26.1.0; 9.1.0).  *pcg The Child
 of Nature.  Count Valentia-Lewis; Duke Mercia-Wilson; Albetto-Aickin; Marquis A
lmanza-Farren; Seville-Hull; Marchioness Merida-Mrs Mattocks; Amanthis-Mrs Merry
; +Epilogue=-Mrs Mattocks.  *aThe Soldier's Festival; or, The Night before the B
attle.  [In the course of which: Generla Wolfe's favourite song,% +How stands th
e Glass around?=-Incledon; Irish Drinking Song [+Of the Ancients its speaking=]-
Johnstone; +How merrily we live that Soldiers be=-Darley, Incledon, Johnstone; [
$Purcell='s Grand Duet and Chorus,% +To Arms! Britons strike home!=-Incledon, Da
rley, Follett, Blurton, Letteney, Linton, Rees; [The whole to conclude with% Rep
resentation of the Siege of $Quebec=-; the Death of $General Wolfe=-.  *aThe Int
rigues of a Morning; or, An Hour in Paris.  [Principal Characters by Quick, Wils
on, Fawcett, Macready, Thompson, Evatt, Rock, Rees, Munden; Miss Chapman, Mrs Ma
ttocks.  [Cast from text ($William Lane=, 1792):% Squire Lubberly-Quick; Physici
ans-Wilson, Thompson; Carlos-Fawcett; Erastus-Macready; 1st Tradesman-Evatt; Apo
thecary-Rees; Closefist-Munden; Julia-Miss Chapman; Nerina-Mrs Mattocks; Rock.  
*aThe Wives Revenged.  Deputy Dimity-Quick; Mr Vermillion-Davies; Alderman Tokay
-Wilson; Mrs Tokay-Mrs Mountain; Mrs Dimity-Miss Stuart; Mrs Vermillion-Mrs Mart
yr.  *cBenefit for $Mrs Mattocks=.  [1st piece: Epilogue by $Miles Peter Andrews
=.]  3rd piece [1st time; F 2, by $Eliza Parsons=, based on +Monsieur de Pourcea
ugnac=, by $Moliere=].  +Morning Herald=, 27 Mar.: Tickets to be had of Mrs Matt
ocks, No. 8, +Great Russel-street=, +Covent Garden=.  Receipts: #269 11s. 6d. (1
74.14.0; 4.16.6; tickets: 90.1.0) (charge: #105).  *p19 dlking's Love for Love. 
 As 25 Oct. 1791, but Buckram-_; Nurse-_.  *aThe Festive Board [i.e. +The Sons o
f Anacreon=].  +Non andrai farfalone amoroso=, +Donne donne chi vi crede=-Morell
i; +Quatro e quatro otto=, +Cara sei tu il mio bene=, +Son Perfetta cacciatrice=
-Morelli, Garelli; President-Palmer; Vocal Characters-Bannister, Bannister Jun.,
 Sedgwick, Barrymore, Suett, Dignum, Caulfield; [In which some of the most celeb
rated% +Catches=, +Glees=-.  *aRichard Coeur de Lion.  As 8 Mar.  *cBenefit for 
Bannister.  +Morning Herald=, 2 Apr.: Tickets to be had of $Bannister=, No. 7, +
Suffolk-street=, +Charing-cross=.  Receipts: #340 0s. 6d. (114.14.0; 40.4.0; 2.4
.0; tickets: 182.18.6) (charge: #164 16s. 6d.).  *pcg The Road to Ruin.  As 9 Ap
r.  *aZelma.  As 17 Apr.  *cReceipts: #188 1s. (181.0.6; 7.0.6).  *phay La Bella
 Pescatrice.  As 12 Apr.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Apr.  *p2
0 dlking's The Fugitive.  [Characters by Dodd, Bensley, King, Wroughton, Parsons
, Palmer, Barrymore, Maddocks, Wewitzer, Phillimore, Benson, Banks, Mrs Hopkins,
 Miss Farren, Mrs Jordan, Mrs Kemble, Mrs Ward, Miss Pope.  [Cast from text ($J.
 Debrett=, 1792):% Lord Dartford-Dodd; Sir William Wingrove-Bensley; Admiral Cle
veland-King; Mr Wingrove-Wroughton; Old Manly-Parsons; Young Manly-Palmer; Mr We
lford-Barrymore; Jenkins-Maddocks; Larron-Wewitzer; O'Donnel-Phillimore; William
-Benson; Servant-Banks; Mrs Manly-Mrs Hopkins; Miss Herbert-Miss Farren; Miss Ju
lia Wingrove-Mrs Jordan; Miss Manly-Mrs Kemble; Mrs Rachel Cleveland-Mrs Ward; M
rs Larron-Miss Pope; +Prologue=-Bannister Jun; +Epilogue=-Mrs Jordan.  [These we
re spoken, as here assigned, at all subsequent performances, except on 14 and 16
 May.]  *aAll the World's a Stage.  As 17 Nov. 1791, but Harry-Benson; Cymon-Alf
red.  *cMainpiece [1st time; C 5, by $Joseph Richardson=, based on +The Coxcomb=
, $Francis Beaumont= and $John Fletcher=.  Prologue by $Richard Tickell=.  Epilo
gue by $John Burgoyne= (see text)]: With new Dresses, Decorations, &c.  +Morning
 Herald=, 1 May 1792: This Day is published +The Fugitive= (1s. 6d.).  Receipts:
 #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6).  *pcg The Road to Ruin.  As 9 Apr.  *aTh
e Farmer.  As 12 Sept. 1791, but Landlady-_.  *dEnd: +A Divertisement=, as 10 Ap
r.  *cReceipts: #199 5s. 6d. (193.4.0; 6.1.6).    *p21 dlking's Coriolanus.  As 
31 Mar., but Citizens-_Fawcett, +Webb.  *aSelima and Azor.  As 10 Mar., but Scan
der-Sedgwick; Ali-Dodd.  *cMainpiece: +Ovation=, +Procession= as 31 Mar.  Receip
ts: #269 11s. (216.1; 43.9; 5.5; tickets not come in: 4.16).  *pcg Love in a Vil
lage.  As 15 Nov. 1791, but Madge (1st time)-Mrs Martyr; Carter-_; Cook-_; Footm
an-_.  *aThe Irishman in London; or, The Happy African.  [Principal Characters b
y Johnstone, Blanchard, Wilson, Fawcett, Harley, Macready, Miss Chapman, Mrs Faw
cett, Mrs Mattocks.  [Cast adjusted from text ($T. N. Longman=, 1793):% Murtoch 
Delany-Johnstone; Cymon-Blanchard; Mr Frost-Wilson; Edward-Fawcett; Captain Seym
our-Harley; Mr Colloony-Macready; Caroline-Miss Chapman; Cubba-Mrs Fawcett; Loui
sa-Mrs Mattocks.  *dI: a Fair Scene-; +Statute Dance=-; End: As 10 Apr.  *sIn af
terpiece: a Planxty[, descriptive of +Ireland= [+If you travel the wide world al
l over= (+Morning Herald=, 23 Apr.)%-Johnstone [in Character%.  *cBenefit for $J
ohnstone=.  Afterpiece [1st time; F 2, by $William Macready=, based partly on th
e anonymous +The Intriguing Footman=].  +Morning Herald=, 30 Mar. 1793: This day
 is published +The Irishman in London= (1s.).  Ibid, 29 Mar. 1792: Tickets to be
 had of Johnstone, No. 19, +Piazza=, +Covent Garden=.  Receipts: #389 14s. (155.
15; 5.5; tickets: 228.14) (charge: #105).  *phay Le Trame Deluse.  As 14 Feb.  *
dAs 10 Mar.  *p23 dlking's The Fugitive.  As 20 Apr.  *aThe Virgin Unmask'd.  As
 21 Jan.  *cReceipts: #372 13s. (332.5; 38.2; 1.17; tickets not come in: 0.9).  
*pcg The Road to Ruin.  As 9 Apr.  *aOscar and Malvina.  As 14 Dec. 1791.  *mAs 
25 Jan.  *cReceipts: #226 6s. (220.0.6; 6.5.6).  *p24 dlking's Douglas.  As 23 F
eb.  *aKatharine and Petruchio.  As 30 Nov. 1791, but Musick Master-Banks; Biond
ello-Maddocks; Taylor-Hollingsworth; Peter-_; Nicholas-_.  *cReceipts: #264 1s. 
(222.12; 36.2; 5.4; ticket not come in: 0.3).  *pcg The Road to Ruin.  As 9 Apr.
  *aMarian.  As 1 Mar.  *cReceipts: #176 14s. 6d. (169.13.0; 7.1.6).  *phay La L
ocanda.  As 28 Feb.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Apr.  *p25 dlk
ing's Othello.  As 14 Feb., but Duke of Venice-Maddocks.  *aThe Devil to Pay.  A
s 18 Oct. 1791, but Cook-Jones; Footman-_.  *cBenefit for a Fund for the Relief 
of those whose Infirmities oblige them to retire from the Stage.  The Doors to b
e opened at 5:30.  To begin at 6:30 [same for rest of season].  Receipts: #372 1
s. (224.10; 44.7; 1.10; tickets: 101.14) (charge: free).  *pcg Inkle and Yarico.
  As 23 Dec. 1791.  *aThe Follies of a Day.  As 20 Sept. 1791.  *dEnd II: +Negro
 Dance=, as 2 Nov. 1791; End: A +Divertisement=, as 10 Apr.  *sEnd I: +Charmante
 Petite Fille=-Incledon; II: +Sweet Bird=, as 28 Feb.  *cBenefit for Mrs Martyr.
  +Morning Chronicle=, 10 Apr.: Tickets to be had of $Mrs Martyr=, No. 16, +Mart
lett-court=, +Bow-street=, +Covent-Garden=.  Receipts: #334 4s. 6d. (163.4.0; 4.
19.6; tickets: 166.1.0) (charge: #105).  *p26 dlking's She Wou'd and She Wou'd N
ot.  As 12 Mar., but Trappanti-Benson; Corrigidore-Banks.  *aThe Follies of a Da
y.  As 11 Nov. 1791, but Susan-Mrs Goodall.  *dEnd: a +Dance=-.  *cBenefit for $
Mrs Goodall=.  [In mainpiece the playbill retains $King= as +Trappanti=, but "Ki
ng being indisposed, Trappanti...was represented by $Benson=" (unidentified clip
ping on playbill of 27 Apr., +BM=: $Harris=, Vol. III).] +Morning Herald=, 9 Apr
.: Tickets to be had of Mrs Goodall, No. 13, +Great Russell-street=, +Covent-gar
den=.  Receipts: #364 8s. 6d. (125.13.6; 36.15.0; 4.7.0; tickets: 197.13.0) (cha
rge: #157 11s. 2d.).  *pcg The Road to Ruin.  As 9 Apr.  *aZelma.  As 17 Apr.  *
cThe Doors to be opened at 5:30.  To begin at 6:30 [same for rest of season].  R
eceipts: #183 3s. 6d. (177.13.6; 5.10.0).  *phay La Bella Pescatrice.  As 12 Apr
.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Apr.  *p27 dlking's The Fugitive
.  As 20 Apr., but Admiral Cleveland-Kemble [in place of $King=%; O'Donnal-Alfre
d [of $Phillimore=%.  *aHigh Life below Stairs.  As 20 Jan.  *cBenefit for the A
uthor [of mainpiece, who is named in +Kemble Mem.=, but not on the playbill.  In
 mainpiece the playbill retains King, but "$Mr King= being ill I acted his Part 
to-night" (Kemble Mem.).].  Account-Book, 12 May: Author's Charge 3rd night of +
Fugitive= enter'd short by error #12 16s.  Receipts: #408 5s. (365.1; 41.0; 2.4;
 tickets: none listed) (charge: #147).  *pcg Wild Oats.  As 9 Feb.  *aThe Poor S
oldier.  As 19 Oct. 1791.  *cReceipts: #132 6s. 6d. (128.3.0; 4.3.6).  *p28 dlki
ng's The Jealous Wife.  As 8 Feb., but Oakly-Kemble; Major Oakly-Palmer (Their 1
st appearance in those characters); Paris-Wewitzer; Mrs Oakly-Mrs Siddons (1st a
ppearance in that character [in +London=]); Lady Freelove-Mrs Hopkins; William-M
addocks; John-Webb; Tom-Alfred; Robert-Lyons.  *aThe First Floor.  As 10 Nov. 17
91, but Simon-Benson; Nancy-_.  *c[$Mrs Siddons='s 1st appearance as +Mrs Oakly=
r was at +Manchester=, 21 Mar. 1777.]  Receipts: #241 14s. 6d. (199.1.6; 39.17.0
; 2.16.0).  *pcg Notoriety.  As 11 Feb., but +Prologue=-_.  *aRobin Hood.  As 31
 Mar.  *e[+Monologues=% Preceding: [a New Address,% +She Couldn't Help It=-[by $
Harley=]; End: Collins's +Ode on the Passions=-Mrs Esten; [+Imitations=% End II:
 +Dramatic Imitations= [Comic, Vocal and Tragic,%-Mrs Wells.  *cBenefit for $Mrs
 Wells=.  [New Address by $Edward Topham= (+European Magazine=, May 1792, p. 389
, which also identifies the speaker).]  Receipts: #202 19s. (137.12.6; 6.3.0; ti
ckets: 59.4.0) (charge: #105).  *phay La Discordia Conjugale.  As 31 Mar.  *dAs 
17 Apr.  *b+La Foire de Smirne=.  As 17 Apr.  *p30 dlking's Cymon.  As 15 Mar., 
but Knights-_Duranci, +Bourk.  *aThe Virgin Unmask'd.  As 21 Jan.  *c$Hughes= [s
ee 31 Dec. 1791] to pay for all the Tickets he sends in on this Night above #40.
  Receipts: #322 (263.10.6; 53.18.0; 4.11.6).  *pcg The Road to Ruin.  As 9 Apr.
  *aOscar and Malvina.  As 14 Dec. 1791.  *mAs 25 Jan.  *cPaid Poor Rate for the
 Theatre #21 16s.; $Macleish=, printer [of the playbills], to 7th Inst. #67 1s. 
 Receipts: #210 13s. 6d. (207.17.0; 2.16.6).  *p5 1 dlking's Twelfth Night.  As 
4 Nov. 1791, but Priest-_.  *aRichard Coeur de Lion.  As 9 Apr., but Matthew-Mad
docks; Julia-_.  *s[for this Night only% a new +Song= [by $Suett=%-Mrs Jordan [I
n Character of +Viola=r%; accompaniments for the Oboe and Grand Piano Forte-; En
d: [a favourite% +Song= [by $Dibdin=%-Suett.  *cBenefit for $Suett=.  +Morning H
erald=, 21 Apr.: Tickets to be had of Suett, No. 21, +King-street=, +Bloomsbury-
square=.  Receipts: #406 9s. 6d. (106.10.0; 42.14.0; 6.14.0; tickets: 250.11.0) 
(charge: #166 17s. 10d.).  *pcg Artaxerxes.  As 19 Nov. 1791.  *aLovers' Quarrel
s.  As 29 Nov. 1791.  *cTickets delivered by $Rock=, $Follett= will be admitted.
  Receipts: #215 13s. 6d. (126.10.0; 6.4.0; tickets: 82.19.6).  *phay La Bella P
escatrice.  As 12 Apr.  *dAs 10 Mar.  *p2 dlking's The Fugitive.  As 20 Apr.  *a
The Doctor and the Apothecary.  As 8 Feb., but Perez-Benson.  *cReceipts: #354 1
9s. 6d. (303.8.6; 47.9.0; 4.2.0).  *pcg The Rivals.  Captain Absolute-Farren; Fa
ulkland-Holman (Their 1st appearance in those characters); Sir Anthony Absoulute
-Wilson; Sir Lucius O'Trigger-Johnstone; David-Munden (1st appearance in that ch
aracter); Fag-Cubitt; Coachman-Thompson; Acres-Quick; Julia-Mrs Merry; Mrs Malap
rop-Mrs Webb; Lucy-Miss Stuart; Lydia Languish-Mrs Pope.  *aThe Irishman in Lond
on.  As 21 Apr.  *dAs 20 Apr.  *sAs 21 Apr.  *cBenefit for Farren.  +Morning Her
ald=, 14 Apr.: Tickets to be had of $Farren=, No. 85, +Gower-street=, +Bedford-s
quare=.  Receipts: #361 9s. 6d. (102.5.0; 3.16.6; tickets: 255.8.0) (charge: #10
5).  *p3 dlking's A Trip to Scarborough.  As 10 Oct. 1791.  *aThe Sultan.  As 14
 Nov. 1791, but [+Ismene=r: With% a new +Song=-Mrs Bland.  *dAs 10 Dec. 1791.  *
cBenefit for Barrymore.  +Morning Herald=, 25 Apr.: Tickets to be had of $Barrym
ore=, No. 11, +Bedford-street=, +Bedford-row=.  Receipts: #393 19s. 6d. (86.13.0
; 37.14.6; 4.2.0; tickets: 265.10.0) (charge: #159 5s. 4d.).  *pcg The Road to R
uin.  As 9 Apr.  *aZelma.  As 17 Apr.  *cReceipts: #203 6s. (199.0.6; 4.5.6).  *
phay La Locanda.  As 28 Feb.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Apr. 
 *p4 dlking's The Fugitive.  As 20 Apr.  *aThe Mayor of Garratt.  As 5 Mar., but
 Jerry Sneak-Dodd.  *cReceipts: #327 15s. 6d. (293.13.6; 32.18.0; 1.4.0).  *pcg 
Love in a Village.  As 15 Nov. 1791, but Carter-_; Cook-_; Footman-_.  *aModern 
Antiques.  As 14 Sept. 1791, but Napkin-Cross.  *cReceipts: #128 5s. (125.2; 3.3
).  *p5 dlking's The Jealous Wife.  As 28 Apr., but Robert-_.  *aThe Quaker.  As
 11 Feb., but Easy-Maddocks.  *cThe Last time of $Mrs Siddons='s Performance thi
s Season.  Receipts: #363 13s. 6d. (316.11.6; 44.1.0; 3.1.0).  *pcg Love Makes a
 Man; or, The Fop's Fortune.  Clodio-Lewis; Don Louis-Quick; Sancho-Blanchard; A
nthonio-Thompson; Charion-Powel; Don Duart-Macready; Governor-Davies; Don Manuel
-Evatt; Carlos-Holman; Louisa-Mrs Fawcett; Elvira-Miss Chapman; Angelina-Mrs Mer
ry.  *aLinco's Travels.  Linco (with +songs=)-Blanchard.  *aThe Padlock.  Leande
r (1st time)-Incledon; Don Diego-Davies; Scholars-Farley, Evatt; Mungo-Blanchard
; Ursula-Mrs Webb; Leonora-Mrs Blanchard (1st appearance on this stage).  *sEnd 
IV: +Wine cannot cure the Pain I endure=, as 12 Apr.  *cBenefit for Blanchard.  
+Morning Herald=, 2 May: Tickets to be had of $Blanchard=, No. 11, +Beaufort's-b
uildings=, +Strand=.  Receipts: #254 18s. 6d. (103.14.6; 3.3.0; tickets: 148. .0
) (charge: #105).  *phay Le Trame Deluse.  As 14 Feb.  *dAs 10 Mar.  *p7 dlking'
s The Fugitive.  As 20 Apr.  *aThe Humourist.  As 4 Nov. 1791.  *cBenefit for th
e Author [of mainpiece, who is named in +Kemble Mem.=, but not on the playbill].
  Paid $Wrighten=, prompter, from beginning of season to 29th April #43 16s. 2d.
  Receipts: #350 8s. (308.19; 39.9; 2.0; tickets: none listed) (charge: #168 10s
. 6d.).  *pcg The Road to Ruin.  As 9 Apr., but Mr Sulky-Cubitt [in place of $Wi
lson=%.  *aOscar and Malvina.  As 14 Dec. 1791.  *mAs 25 Jan.  *cReceipts: #226 
16s. 6d. (223.14.6; 3.2.0).  *p8 dlking's The Tempest.  As 27 Dec. 1791, but Mir
anda-Miss Collins (1st appearance in that character); Dorinda-Mrs Powell (1st ap
pearance in that character).  *aThe Spoil'd Child.  As 1 Oct. 1791, but Tag (1st
 time)-Bland; John-Benson; Maria (1st time)-Mrs Bland; [an additional% +Song= (f
or that night only)-Mrs Jordan.  *sVocal Parts, as 9 Nov. 1791, but _Sedgwick, M
rs _Crouch; Masque of Neptune and Amphitrite, as 25 Nov. 1791.  *cBenefit for $M
rs Bland= and $Mrs Powell=.  +Morning Herald=, 17 Apr.: Tickets to be had of Mrs
 Bland, +St. Alban's-street=, +Pall-mall=; of Mrs Powell, No. 12, +Little Russel
l-street=, +Covent-Garden=.  Receipts: #369 9s. (125.15.0; 52.0.6; 3.5.0; ticket
s: 188.8.6) (charge: #164 4s.).  *pcg Fashionable Levities.  As 31 Mar.  *aRosin
a.  As 3 Mar.  *aModern Antiques.  As 4 May.  *cBenefit for $Wilson=.  Wilson's 
most violent and sudden Indisposition will prevent his having the honor of appea
ring before the Public and his Friends this Evening, and sincerely hopes the Pie
ces he is under the necessity of substituting will meet their approbation. [2nd 
piece in place of +Hail Fellow Well Met=; 3rd piece of +The Rights of Woman=, bo
th advertised on playbill of 7 May.  A 4th (and new) play, +The Point of Honor=,
 by $John Peter Roberdeau=, was also advertised on playbill of 7 May.  It was ne
ver acted.  Hail Fellows [sic] Well Met and The Rights of Women [sic] were 1st a
cted, for Wilson's benefit, at the +hay=, 9 Aug. 1792.]  +Morning Herald=, 24 Ap
r.: Tickets to be had of Wilson at his house, +Park-lane=, +Church-lane=, +Chels
ea=.  Receipts: #285 5s. (93.17; 1.14; tickets: 189.14) (charge: #105).  *phay L
a Locanda.  As 28 Feb.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Apr.  *p9 d
lking's The Fugitive.  As 20 Apr.  *aKatharine and Petruchio.  As 24 Apr., but B
iondello-R. Palmer.  *cReceipts: #294 8s. (244.2; 45.3; 5.3).  *pcg The Beggar's
 Opera.  As 20 Sept. 1791, but Peachum-Powel; Polly-Mrs Billington.  *aLove in a
 Camp.  As 17 Sept. 1791, but Captain Patrick-Incledon (1st appearance in that c
haracter; in which he will introduce a +song= set to music by $Rauzzini=); Ruper
t-Rowson.  *dIn III: a +Hornpipe=-Byrne.  *sEnd: +Black Eyed Susan=-Incledon.  *
cBenefit for $Incledon=.  [Afterpiece in place of +The Positive Man=, advertised
 on playbill of 8 May.]  +Morning Herald=, 20 Apr.: Tickets to be had of Incledo
n, No. 5, +Bow-street=, +Covent-Garden=.  Receipts: #399 6s. (170.15.6; 3.15.6; 
tickets: 224.15.0) (charge: #105).  *p10 dlking's The Rivals.  As 7 Dec. 1791, b
ut David-_; Coachman-_.  *aBon Ton.  As 10 Oct. 1791.  *dEnd: a +Dance=-.  *cBen
efit for $Sedgwick=.  Sedgwick's Illness depriving him of the Power of appearing
 this Evening, he trusts his Friends and the Public will, with their usual Liber
ality, admit of his Indisposition as an Apology.  +Morning Herald=, 17 Apr.: Tic
kets to be had of Sedgwick, No. 66, +St. Martin's-lane=, +Long-acre=.  Receipts:
 #394 18s. 6d. (83.5.0; 43.7.0; 8.16.0; tickets: 259.10.6) (charge: #157 7s.).  
*pcg Just in Time.  [Principal Characters by Quick, Blanchard, Munden, Powel, Ma
rshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, 
Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall
 (1st appearance this season).%  The other Vocal Parts-Mrs Arnold, Miss Francis,
 Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Ba
rnett, Mrs Masters, Mrs Cross; [Cast from +London Chronicle=, 12 May 1792:% Sir 
Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr
 Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; J
udith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cr
oss, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton [and th
e Vocal Parts are unassigned%.  *aThe Deaf Lover.  As 2 Feb., but Old Wrongward-
Powel; Meadows-_; [here called% The Deaf Lover-Munden.  *dIn: +Dance= [incidenta
l to the piece,%-Byrne, Mlle St.Amand.  *e[+Monologue=% End: (by way of Epilogue
) [Poetical Sketch,% +Jemmy Jumps in the Dumps=[; or, +A Sunday Lounge in Hyde P
ark=%-Munden.  *cBenefit for $Munden=.  Mainpiece [1st time; CO 3, by $Thomas Hu
rlstone=.  Text ($J. Debrett= [1792]) gives cast for season of 1792-93.  Poetica
l Sketch by $John Wolcot= (+Morning Herald=, 11 May)]: With new Scenery, Dresses
, and other Decorations.  The Overture and Music entirely new, composed by $Cart
er=.  +Morning Herald=, 13 Apr.: Tickets to be had of Munden, No. 15, +Catherine
-street=.  Ibid, 1 Dec. 1792: This Day is published +Just in Time= (1s. 6d.).  R
eceipts: #415 3s. (126.4.6; 4.9.6; tickets: 284.9.0) (charge: #105).  *phay La B
ella Pescatrice.  As 12 Apr.  *dAs 10 Mar.  *p11 dlking's The Fugitive.  As 20 A
pr.  *aThe Quaker.  As 5 May.  *cReceipts: #257 10s. 6d. (227.2.6; 27.5.0; 3.0.0
; ticket not come in: 0.3.0).  *pcg The Winter's Tale.  Florizel-Holman; Polixen
es-Aickin; Camillo-Hull; Cleomenes-Powel; Clown-Quick; Autolicus (with +songs=)-
Munden; Leontes-Harley; Perdita (with +Come, come, my good Shepherds=) (1st time
)-Mrs Mountain; Paulina-Mrs Fawcett; Dorcas-Miss Stuart; Mopsa-Mrs Harlowe; Herm
ione (for that night only)-Mrs Pope.  *aThe Irishman in London.  As 21 Apr., but
 Mr Frost-Cross [in place of $Wilson=%.  *aThe Golden Pippin.  Mercury-Incledon;
 Paris-Marshall; Jupiter-Darley; Momus-Fawcett; Venus-Mrs Mountain; Iris-Mrs Har
lowe; Pallas-Mrs Arnold; Juno-Mrs Martyr.  *sIn 2nd piece: As 21 Apr.; End II: [
a Selection of the most favourite% +Catches= and +Glees= from Harrison and Knyve
tt's Vocal Concert-; +O let the merry peal go on=-($Danby=); +When Arthur first 
in Court began=-($Callcott=); Tweedside +What beauties does Flora=-($Corfe=); +C
ome let us all a Maying go=-($Hilton=).  *cBenefit for $Mrs Mountain=.  1st piec
e: Not acted these 4 years [acted 22 May 1789].  3rd piece: Not acted these 18 y
ears [acted 3 June 1783].  +Morning Herald=, 27 Apr.: Tickets to be had of Mrs M
ountain, No. 9, +Bow-street=, +Covent Garden=.  Receipts: #119 10s. (117.12.6; 1
.17.6; tickets: none listed) (charge: #105).  *p12 dlking's The Fugitive.  As 20
 Apr.  *aThe Englishman in Paris.  As 28 Jan.  *cBenefit for the Author [of main
piece, who is named in +Kemble Mem.=, but not on the playbill].  Receipts: #299 
6s. (253.7; 42.18; 3.1; tickets: none listed) (charge: #168 11s. 6d.).  *pcg Lov
e Makes a Man.  As 5 May.  *aTom Thumb.  As 16 Sept. 1791.  *dEnd: +The Jockey D
ance=-Ratchford, Blurton, Jackson, Mrs Watts, Mrs Ratchford; finish: a +Reel=-. 
 *cTickets delviered for +The Merry Wives of Windsor= will be admitted.  Account
-Book: Tickets delivered by $Rowson=, $Blurton=, $Evatt=, $Jackson=, $Ratchford=
, $Cross=, $Letteney=, $C. Powell=, $Little=, $Hall= [box-keeper], $Mrs Masters=
, $Egan=, $Mrs Rock=, $Mrs Harris=, $Mrs Lefevre= will be admitted.  Receipts: #
397 7s. (55.4.6; 4.7.6; tickets: 337.15).  *phay La Discordia Conjugale.  As 31 
Mar.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Apr.  *p14 dlking's The Fugit
ive.  As 20 Apr., but Mrs Rachel Cleveland-Mrs Booth; +Prologue=-_; +Epilogue=-_
.  *aThe Virgin Unmask'd.  See 21 Jan.  *c[As afterpiece the playbill announces 
+The Doctor and the Apothecary=, but "On Acct. of the sudden Indisposition of $M
iss Hagley= [it] was put off and the +Virgin Unmask'd= substituted in its stead"
 (MS annotation on +Kemble playbill=).  +Kemble Mem.= notes the same change.]  R
eceipts: #218 14s. 6d. (181.6.6; 34.14.0; 2.14.0).  *pcg The Road to Ruin.  As 7
 May.  *aOscar and Malvina.  As 14 Dec. 1791.  *mAs 25 Jan.  *cReceipts: #241 17
s. (239.8; 2.9).  *p15 dlking's Cymon.  As 6 Feb., but Daemon of Revenge-Caulfie
ld; Urganda-Mrs Powell.  *aThe Devil to Pay.  As 31 Mar., but Lady Loverule-Miss
 Tidswell; Lettice-_.  *cBenefit for $Fosbrook=, box-book and house-keeper.  Rec
eipts: #554 0s. 6d. (138.15.0; 28.13.0; 8.9.0; tickets: 378.3.6) (charge: #185 7
s. 6d.).  *pcg The Widow of Malabar.  As 23 Sept. 1791, but Thompson_; Powel_; E
vatt_; Mrs_ Rock.  [The rest of the parts are assigned.%  *aCatherine and Petruc
hio.  Petruchio-Lewis; Grumio-Quick; Taylor-Munden; Catherine-Miss Chapman (1st 
appearance in that character).  *aA Cure for a Coxcomb; or, The Beau Bedevil'd. 
 Speaking Character-Johnstone, Incledon, Wilson, Fawcett, Davies, Powel, Darley,
 Munden, Mrs Davis, Mrs Harlowe, Miss Leserve, Miss Chapman.  [Cast from +Larpen
t MS=: Darby-Johnstone; Ramble-Incledon; Townly-Davies; Williams-Powel; Capt. Cr
acker-Munden; Sophia-Mrs Davis; Winifred-Miss Leserve; Eliza-Miss Chapman.  Wils
on, Fawcett, Darley, Mrs Harlowe are unassigned.]  *sIn 3rd piece: [will be intr
oduced the following Favorite songs:% +When virtue forms=-Mrs Davis; +The Bottle
=-Davies; +The Pleasures of the Chace=-Incledon; +Farewell each Tonish Life=-Mun
den; [Bucket of Water,% +'Tis a mighty fine thing=-Johnstone; [Kitty Grogan,% +T
ho' I'm no dancing master=-Johnstone; +Anna's Love=-Incledon; [The Pig,% +You al
l must have heard=-Fawcett; [To-morrow,% +In the downhill of life=-Darley; +You 
are aw nodding=-Mrs Harlowe; [Coach box,% +You may feast your ears=-Cubitt.  *cB
enefit for $Miss Chapman=.  Tickets delivered for +The Toy= will be admitted.  3
rd piece [1st time; D 1, author unknown.  +Larpent MS 950=; not published.  Song
s by $John Collins= and $Charles Dibdin= ($MacMillan=, +Larpent Catalogue=, 157-
58)].  +Morning Herald=, 14 May: Tickets to be had of Miss Chapman, No. 16, +Hen
rietta-street=, +Covent-Garden=.  Receipts: #244 18s. (122.10; 13.5; tickets: 10
9.3) (charge: #105).  *phay La Bella Pescatrice.  As 12 Apr.  *dEnd I: +La Fete 
Villageoise=, as 10 Mar.  *bEnd Opera: +La Foire de Smirne=.  As 17 Apr.  *cLast
 Night of the Subscription.  "Last night $Cipriani= personating a +Frenchman=r, 
appeared with the national cockade in his hat; the audience expressed their disa
pprobation by violent hissing, and the actor was obliged to cast down his hat, w
hich a gentleman behind the scenes took up, and tearing out the offensive ensign
 of sedition, threw it away--the audience warmly applauding" (+Morning Herald=, 
16 May).  *p16 dlking's The Fugitive.  As 20 Apr., but +Prologue=-_; +Epilogue=-
_.  *aThe Apprentice.  As 6 Jan.  *cReceipts: #194 16s. (165.17; 25.18; 3.1).  *
pcg Fashionable Levities.  As 31 Mar., but Grace-Mrs Fawcett.  *aThe Farmer.  As
 12 Sept. 1791, but Jemmy Jumps (for that night)-Fawcett (1st appearance in that
 character in +London=).  *aThe Irishman in London.  As 11 May.  *sIn 3rd piece:
 As 21 Apr.  *e[+Monologue=%End II: [a% +Jeu D'Esprit=[; or, +Jerry Sneak's inte
nded Law Suit with the Major=%-Fawcett; [My] +Little Pig lays without any Straw=
-Fawcett.  *cBenefit for $Fawcett= [who had 1st acted +Jemmy Jumps=r at +York=, 
28 Apr. 1788].  Tickets delivered for +The Female Pursuit= will be admitted.  +M
orning Herald=, 5 May: Tickets to be had of Fawcett, No. 153, +Drury-lane=, faci
ng +Long-Acre=.  Receipts: #282 4s. 6d. (155.1.6; 6.17.0; tickets: 120.6.0) (cha
rge: #105).  *p17 dlking's The Belle's Stratagem.  Doricourt-Whitfield; Hardy-Ba
ddeley; Sir George Touchwood-Wroughton; Flutter-Bannister Jun.; Saville-Barrymor
e; Villers-Benson; Courtall-R. Palmer; Silvertongue-Banks; Crowquill-Jones; Moun
tebank-Maddocks; French Servant-Wewitzer; Porter-Alfred; Dick-Hollingsworth; Gib
son-Lyons; Letitia Hardy (with a +song=)-Mrs Jordan; Mrs Racket-Miss Pope; Lady 
Touchwood-Mrs Kemble; Miss Ogle-Miss Tidswell.  *aThe Citizen.  As 21 Nov. 1791,
 but Sir Jasper Wilding-Hollingsworth; Dapper-_.  *dConclude: [with a% +Country 
Dance=-the Characters.  *cBenefit for $Whitfield=.  Mainpiece: In Act V a +Masqu
erade=.  +Morning Herald=, 30 Apr.: Tickets to be had of Whitfield, No. 19, +Pia
zza=, +Covent Garden=.  Receipts: #416 13s. (80.1; 34.8; 7.2; tickets: 295.2) (c
harge: #157 18s.).  *pcg The Duenna.  As 1 Nov. 1791, but Don Jerome (1st time)-
Powel.  *aThe Intrigues of a Morning.  As 18 Apr., but Physicians-_Wilson, +Powe
l (1st time).  *dAs 20 Apr.  *sEnd I afterpiece: +Wine cannot cure the Pain I en
dure=, as 12 Apr.  *cBenefit for Hull.  +Morning Herald=, 14 May: Tickets to be 
had of $Hull=, No. 31, +Bow-street=, +Covent Garden=.  Receipts: #235 11s. 6d. (
143.1.6; 6.1.0; tickets: 86.9.0) (charge: #105).  *p18 dlking's The Fugitive.  A
s 20 Apr.  *aHigh Life below Stairs.  As 22 Nov. 1791.  *cReceipts: #206 5s. (17
0.12; 31.11; 3.16; tickets not come in: 0.6).  *pcg The Comedy of Errors.  Dromi
o of Ephesus-Quick; Antipholis of Syracuse-A Young Gentleman (1st appearance on 
any stage [unidentified]); Antipholis of Ephesus (1st time)-Harley; Duke-Davies;
 Angelo-Powel; Dr Pinch-Cubitt; AEgeon-Hull; Dromio of Syracuse-Blanchard; Abbes
s-Miss Chapman; Luciana-Mrs Mountain; Adriana-Mrs Fawcett.  *aThree Weeks after 
Marriage.  As 8 Feb., but Lovelace-Evatt.  *aComus.  As 23 Sept. 1791, but Bacch
anals-_Williamson.  *dAs 10 Apr.  *sEnd II 1st piece: [a new Comic Song,% +The U
ps and Downs of Life=-Munden; in 3rd piece: +Give me Wine rosy Wine=, +Nor on be
ds of fading flowers=-Incledon.  *cBenefit for $Harley=.  1st piece: In Three Ac
ts.  +Morning Herald=, 7 May: Tickets to be had of Harley, No. 51, +Great Queen-
street=, +Lincoln's-inn-fields=.  Receipts: #308 14s. 6d. (104.2.0; 6.13.6; tick
ets: 197.19.0) (charge: #105).  *p19 dlking's Cymon.  As 4 Jan., but Dorus-Wewit
zer; Daemon of Revenge-Caulfield; Urganda-Mrs Powell; Fatima-Mrs Goodall.  *aThe
 First Floor.  As 14 Dec. 1791, but Simon-Benson; Frank-_; Snap-_; Landlord-_; P
ostboy-_.  *cReceipts: #207 5s. (150.1; 49.14; 7.4; tickets not come in: 0.6).  
*pcg Cymbeline.  Posthumus-Holman; Bellarius-Aickin; Guiderius-Harley; Arviragus
-Davies; Cymbeline-Powel; Pisanio-Hull; Cloten (1st time)-Marshall; Iachimo-Farr
en; Queen-Mrs Platt; Helen-Mrs Watts; Imogen-Mrs Pope.  *aA Divertisement.  As 1
9 Sept. 1791, but Sir Fidget Fearful-Powel [in place of $Wilson=%; Sophia-Mrs Ha
rlowe [of $Mrs Arnold=%; Sea Song-Mrs Harlowe; Comic Song [+How much I love thee
=%-_.  *dEnd III: A +Divertisement=, as 10 Apr.; In afterpiece: the +Dances=-Byr
ne, Mlle St.Amand.  *sII: [+Masquerade=, in which% +Hark! the Lark at Heaven's G
ate sings=-Incledon, Marshall, Gray, Linton, Darley, Mrs Mountain, Mrs Martyr; E
nd II: (for that night only) +The Lucky Escape=[; or, +The Ploughboy's return fr
om the Sea=% (composed by $Dibdin=)-Mrs Harlowe [in Character%.  *e[+Monologue=%
End: +Jeu D'Esprit=, as 16 May; +Little Pig lays without any Straw=, as 16 May. 
 *cBenefit for $Marshall= and $Mrs Harlowe=.  Mainpiece: In Act V +a Grand Battl
e between the Britons and Romans=.  +Morning Herald=, 17 May: Tickets to be had 
of Marshall, No. 17, +Crown-court=, +Bow-street=, +Covent-Garden=; of Mrs Harlow
e, No. 54, +Drury-lane=.  Receipts: #256 7s. (104.2; 1.10; tickets: 150.15) (cha
rge: #105).  *phay La Locanda.  As 28 Feb.  *dAs 10 Mar.  *p21 dlking's The Fugi
tive.  As 20 Apr.  *aNo Song No Supper.  As 27 Sept. 1791, but William-Caulfield
; Dorothy-Mrs Bland; Louisa-Miss Hagley; Nelly-Mrs Shaw.  *cReceipts: #354 17s. 
6d. (274.11.6; 78.0.0; 2.6.0).  *pcg The Road to Ruin.  As 7 May.  *aOscar and M
alvina.  As 14 Dec. 1791.  *mAs 25 Jan.  *cReceipts: #195 3s. (190.18; 4.5).  *p
22 dlking's The Country Girl.  As 6 Oct. 1791.  *aWho's the Dupe?  As 24 Oct. 17
91, but Elizabeth-Miss Heard.  *aThe Deserter of Naples; or, Royal Clemency.  He
nry-Palmer; Louisa-Mme Ferrere.  *cBenefit for R. Palmer.  +Morning Herald=, 17 
May: Tickets to be had of $R. Palmer=, +Marlborough-place=, +Kennington=.  Recei
pts: #345 5s. (81.12; 35.13; 8.18; tickets: 219.2) (charge: #173 5s. 8d.).  *pcg
 Lionel and Clarissa.  Lionel-Johnstone; Colonel Oldboy-Quick; Sir John Flowerda
le-Hull; Harman-Davies; Jenkins-Darley; Jessamy-Marshall; Diana-Mrs Mountain; La
dy Oldboy-Mrs Webb; Jenny-Mrs Martyr; Clarissa (1st time)-Mrs Billington.  *aThe
 Deserter.  Henry-Johnstone; Russet-Darley; Simkin-Cubitt; Skirmish-Blanchard (1
st appearance in that character); Jenny-Mrs Martyr; Margaret-Mrs Davenett; Louis
a (with +Auld Robin Gray=) (1st time)-Mrs Billington.  *sIn: [an additional% +Ob
ligato Bravura Song= (composed by $Sacchini=,)-Mrs Billington; [accompanied on t
he% violin-Weichsel; [the favorite Rondo,% +Se Ti Perdo= (composed by $Guglielmi
=)-Mrs Billington (as introduced in +The Woodman=).  *mEnd II: a +concerto= on t
he Grand Piano Forte-Mrs Billington.  *cBenefit for $Mrs Billington=.  Mainpiece
: Not acted these 3 years [acted 13 May 1790].  +Public Advertiser=, 28 Apr.: Ti
ckets to be had of Mrs Billington, No. 53, +Poland-street=, +Oxford-road=.  Rece
ipts: #320 4s. 6d. (205.14.6; 3.10.0; tickets: 111.0.0) (charge: #105).  *phay L
a Bella Pescatrice.  As 12 Apr.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Ap
r.  *p23 dlking's Dido Queen of Carthage.  AEneas-Mrs Crouch; Iarbas-Kelly; Almi
dah-Sedgwick; Abdallah-Dignum; Dido-Mme Mara; Anna-Miss Barclay (1st appearance 
on any stage [see 24 Feb.]); Chorus-Alfred, Aylmer, Boyce, Brown, Cooke, Danby, 
Denman, Dorion, Dorion Jun., Fawcett, Hobler, Horsfall, Lyons, Maddocks, Phillim
ore, Reynoldson, Shaw, Tett, Wilkin, Willoughby, Mrs Bramwell, Mrs Butler, Mrs G
awdry, Miss Gawdry, Mrs Shaw, Mrs Davis, Miss Edwin, Miss Kirton, [with the Assi
stance of% additional Voices.  *u[To Conclude Masque,% +Neptune's Prophecy=.  Tr
itons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Maste
r Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Gra
ces-Miss DeCamp, Miss Jacobs, Miss Heard.  *aThe Miller of Mansfield.  As 14 Jan
.  *cMainpiece [1st time; DO 3, by $Prince Hoare=, based on +Didone Abbandonata=
, by $Pietro Metastasio=]: The Musick is chiefly new, and composed by $Storace=.
  The Selections are made from the most celebrated works of $Salieri=, $Paer=, $
Rampini=, $Sacchini=, $Sarti=, $Giordani=, $Cimarosa=, $Schuster=, $Andreozzi=. 
 The Scenery and Machinery designed by $Greenwood= and executed by himself and h
is Pupils.  The Dresses of the $Tyrians=, $Trojans= and $Africans= entirely new,
 and taken from the most accurate descriptions of the Habits of their respective
 Nations.  [Both $Miss Barclay= and $Master Welsh= had 1st appeared at the +king
's= oratorios, 24 Feb.].  "A +procession= was introduced in which an +Ostrich=r,
 a +Dromedary=r and an +Elephant=r marched to slow music.  The +Masque=, which c
oncluded the opera, was some insipid stuff about +Neptune=r and +Nereids=r, with
 a representation of the +Temple of Neptune=.  Young Welsh sang prettily in this
 said Masque" (+Morning Herald=, 24 May).  "[$Mara=] retained only one song of h
er +Didone=r [see +king's=, 14 Feb. 1786]; the brilliant bravura, +Son Regina=r,
 of $Sacchini=" ($Mount-Edgcumbe=, 80).  +Morning Herald=, 28 May 1792: This Day
 is published +Dido= (price not listed).  Receipts: #244 8s. 6d(213.14.5; 28.15.
0; 1.19.0).  *pcg The Castle of Andalusia.  As 30 Sept. 1791, but Catalina-Mrs H
arlowe.  *aThe Midnight Hour.  As 19 Nov. 1791.  *dAs 20 Apr.  *cBenefit for $Da
rley=.  Receipts: #186 19s. 6d. (56.1.0; 5.3.6; tickets: 125.15.0) (charge: #105
).  *p24 dlking's The Heiress.  As 16 Dec. 1791.  *aThe Spoil'd Child.  As 1 Oct
. 1791, but John-Benson.  *dEnd: a +Dance=-.  *cBenefit for Mrs Ward.  +Morning 
Herald=, 3 May: Tickets to be had of $Mrs Ward=, No. 6, +York-street=, +Covent-g
arden=.  Receipts: #479 15s. 6d. (106.9.0; 48.1.0; 5.15.0; tickets: 319.10.6) (c
harge: #158 6s. 3d.).  *pcg The Earl of Essex.  As 3 Oct. 1791.  *aThe Farmer.  
As 20 Apr.  *dAfter Singing: +A Pastoral Dance=-Byrne, Mlle St.Amand.  *sEnd: +B
lack Eyed Susan=-Incledon.  *cBenefit for $Brandon=, box-book and house-keeper. 
 Tickets delivered for +The Rivals= will be taken.  Tickets sold at the Doors wi
ll not be admitted.  Receipts: #358 5s. 6d. (73.16.6; 12.4.0; tickets: 272.5.0) 
(charge: #105).  *phay La Locanda.  As 28 Feb.  *dAs 10 Mar.  *p25 dlking's Dido
 Queen of Carthage.  As 23 May, but Chorus-_Hobler, _Horsfall.  *aThe Virgin Unm
ask'd.  As 21 Jan.  *u+Neptune's Prophecy=.  As 23 May.  *cReceipts: #178 3s. 6d
. (146.1.6; 30.4.0; 1.18.0).  *pcg A Day in Turkey.  As 20 Jan.  *aRosina.  As 3
 Mar.  *cAccount-Book: Tickets delivered by $Shuter=, $Simmons=, $Strahan=, $Wal
ker=, $Saby=, $Green=, $Young=, $Hall=, $Coombes=, $Keys=, $Heathcot=, $Hill=, $
Wyatt=, $Street=, $Hall= will be admitted.  Receipts: #448 1s. (48.19.6; 3.10.6;
 tickets: 395.11.0).  *p26 none Whitsun Eve.  *p28 dlking's Dido Queen of Cartha
ge.  As 25 May.  *aKatharine and Petruchio.  As 9 May, but Petruchio-Kemble.  *u
+Neptune's Prophecy=.  As 23 May.  *cBenefit for the Author [of mainpiece, who i
s named in the Account-Book, but not on the playbill.  In afterpiece the playbil
l retains $Palmer= as +Petruchio=r, but "Mr Palmer not coming to the Theatre ton
ight, I acted Petruchio for him" (+Kemble Mem.=).]  Receipts: #231 14s. 6d. (186
.3.6; 40.1.0; 5.10.0; tickets: none listed) (charge: #178 17s. 6d.).  *pcg Inkle
 and Yarico.  As 23 Dec. 1791.  *aThe Irishman in London.  As 11 May.  *aA Masqu
erade Anticipated.  [Following sung and recited in Character:% Vauxhall Watch[, 
+My name's Ted Blarney=%-Rock; +The Link Boy=-Gray; a +Duetto= on the Union Pipe
s and Harp-Courtney, Weippert; +Jeu D'Esprit=-Fawcett; +Little Pig lays without 
Straw=-Fawcett; +The Lucky Escape=-Mrs Harlowe; +Scotch Duetto=-Incledon, Mrs Mo
untain; accompanied on the Pipes and Harp-Courtney; The Waggoner[, +I Whistle an
d drive my team=% (composed by $Dibdin=)-Blanchard; +The Ups and Downs of Life=(
, in the character of +Folly=r,)-Munden; +A Divertisement=-Byrne, Mlle St.Amand;
 Illumination-.  *dIn: As 2 Nov. 1791.  *sIn 2nd piece: As 21 Apr.; End I: +Blac
k Eyed Susan=-Incledon; II: +Sweet Bird=-; III: +Can a Lover Pleasure find= (com
posed by $Sacchini=)-Mrs Billington.  *cBenefit for $Wild=.  +Morning Herald=, 1
9 May: Tickets to be had of Wild, No. 46, +Drury-lane=.  Receipts: #385 13s. (23
0.10; 4.8; tickets: 150.15). (charge: #105).  *p29 dlking's She Wou'd and She Wo
u'd Not.  As 12 Mar., but Don Manuel-Parsons.  *aThe Dupes of Fancy; or, Every M
an his Hobby.  [Principal Characters by Baddeley, Suett, Dignum, Bannister Jun.,
 Miss Collins, Miss Pope.  [Cast from text ($Alex. Hogg= [et al], 1792):% Tintem
-Baddeley; Grub-Suett; Willingford-Dignum; Gaby-Bannister Jun.; Miss Tintem-Miss
 Collins; Dolly-Miss Pope.  *sEnd II: +The Race Horse=-Dignum; End: +Cheerily Me
rrily or The Sailor's Life at Sea=-Dignum; In course afterpiece: +Sally in our A
lley=, +The Poor Recruit=-Dignum.  *cBenefit for $Dignum=.  Afterpiece [1st time
; F 2]: Written by $George Saville Carey=.  +Morning Herald=, 15 May: Tickets to
 be had of Dignum, No. 23, +North-street=, +Red Lion-square=.  Receipts: #525 15
s. (67.15; 22.19; 5.10; tickets: 429.11) (charge: #173 6s. 10d.).  *pcg The Busy
 Body.  As 17 Sept. 1791, but Sir Francis Gripe-Quick; William-Ledger.  *aThe Po
or Soldier.  As 19 Oct. 1791.  *cTickets delivered for +She Stoops to Conquer= w
ill be admitted: Account-Book: Tickets delivered by $Brandon=, $Curteen=, $Furki
ns=, $Anselmo=, $Robson= [door-keeper], $Paskin=, $Gawdry=, $Sturgeon=, $Roberts
=, $Linton=, $Standen=, $Rye=, $Doe=, $Berecloth=, $Gray=, $Ledger= will be admi
tted.  Receipts: #426 13s. 6d. (59.19.6; 5.2.0; tickets: 361.12.0).  *phay La Be
lla Pescatrice.  As 12 Apr.  *dAs 17 Apr.  *b+La Foire de Smirne=.  As 17 Apr.  
*p30 dlking's The Siege of Belgrade.  As 24 Oct. 1791.  *aThe Apprentice.  As 6 
Jan., but Watchman-Alfred.  *cBenefit for Sga Storace.  +Morning Herald=, 17 May
: Tickets to be had of $Sga Storace=, No. 36, +Howland-street=, +Rathbone-place=
.  Receipts: #486 8s. (239.1; 28.5; 6.14; tickets: 212.8) (charge: #159 15s. 4d.
).  *pcg Oroonoko; or, The Royal Slave.  Oroonoko-Holman (1st appearance in that
 character); Governor-Davies; Blandford-Macready; Capt. Driver-Cubitt; Stanmore-
Evatt; Jack Stanmore-Bloomfield; Hotman-Thompson; Daniel-Quick; Aboan-Aickin; Ch
arlotte Weldon (1st time)-Mrs Harlowe; Lucy-Mrs Davis; Widow Lackit-Mrs Webb; Im
oinda-Mrs Pope.  *aThe Irishman in London.  As 11 May.  *dII: a +Negro Dance=-. 
 *sIn afterpiece: As 21 Apr.; End: +The Group of Lovers=[; or, +Beauty at her Le
vee=%-Munden.  *e[+Monologue=% End IV: +Jeu D'Esprit=, as 16 May; +Little Pig la
ys without any Straw=-Fawcett.  *cBenefit for $Cubitt=, $Macready=, $Thompson= &
 $Cox=.  Mainpiece: Not acted these 5 years [acted 24 Mar. 1788].  Receipts: #32
6 6s. (85.7.6; 5.2.6; tickets: 235.16.0) (charge: #105).  *p31 dlking's Twelfth 
Night.  As 4 Nov. 1791, but Maria-Miss Tidswell.  *aThe Doctor and the Apothecar
y.  As 8 Feb., but Perez-_; Shopman-_.  *sEnd II: [a favourite% +Duett=(composed
 by $Florio Jun.=)-Miss Hagley, Mrs Bland.  *cBenefit for $Burton=, $Fawcett=, $
Phillimore=, $Miss Tidswell= & $Miss Hagley=.  Receipts: #516 6s. 6d. (57.19.0; 
16.11.0; 4.2.0; tickets: 437.14.6) (charge: #159 1s. 8d.).  *pcg The Road to Rui
n.  As 7 May.  *aOscar and Malvina.  As 14 Dec. 1791.  *mThe Harp and Pipes, as 
25 Jan., but _Courtney.  *c[In afterpiece the playbill retains $Courtney=, but "
+Oscar and Malvina=, May 31, went off remarkably well, though Courtney, the pipe
r, was not present.  $Weippert=, with his harp, undertook the whole piece by him
self, with wonderful execution and taste" (+Morning Herald=, 2 June).]  Receipts
: #238 11s. (235.11.6; 2.19.6).  *p6 1 dlking's The Country Girl.  As 6 Oct. 179
1.  *aNo Song No Supper.  As 21 May, but William-Sedgwick.  *cReceipts: #250 18s
. 6d. (178.8.6; 59.6.0; 13.4.0).  *pcg The Suspicious Husband.  As 16 Sept. 1791
.  *aRosina.  As 3 Mar.  *cAccount-Book: Paid $Lewis= in full for management #10
0.  Tickets delivered by $Savery=, $Iredale=, $Robson=, $Way=, $Finley=, $Dosel=
, $Kelm=, $Goodwin=, $Lamp=, $Wilkins=, $Varley=, $Jealous=, $Longley=, $Powell=
, $Plank=, $Atkins=, $Pilbro= will be admitted.  The Last Night of the Company's
 performing this Season.  Receipts: #421 16s. (48.18; 2.10; tickets: 370.8).  *p
2 dlking's Dido Queen of Carthage.  As 25 May.  *aHigh Life below Stairs.  As 22
 Nov. 1791.  *u+Neptune's Prophecy=.  As 23 May.  *cReceipts: #193 4s. 6d. (152.
18.6; 33.0.0; 7.6.0).  *pcg The Beggar's Opera.  As 12 Nov. 1791, but Peachum-Po
wel; [New Occasional% +Prologue=-Holman.  *aBarataria; or, Sancho Turned Governo
r.  Sancho Pancha-Quick; Duke-Cubitt; Manuel-Davies; Pedro-Thompson; Recorder-Po
wel; Don Quixotte-Marshall; Lady Tereza Pancha-Mrs Webb; Spanish Lady-Mrs Pitt; 
Duchess-Mrs Platt; Mary the Buxom-Mrs Rock.  *dAs 9 May.  *eAs 14 Apr.; [+Imitat
ions=% End I: several +Imitations= [entirely New,%-Mrs Wells; [+Monologue=%.  *c
[Extra night] Benefit for a Fund, established for the Relief of those Performers
 who through Infirmity shall be obliged to retire from the Stage.  [Author of Pr
ologue unknown.  This was $Mrs Pitt='s last appearance on the stage.]  Received 
for the $King='s box #50; for the +Princess Royal='s box #25; for $Their Majesti
es=' Servants' box #2 2s.; from $Cadell= for Books #30 0s. 6d.  Receipts: none l
isted.  *phay La Locanda.  As 28 Feb.  *dAs 10 Mar.  *p4 dlking's The Haunted To
wer.  As 18 Oct. 1791.  *aThe Irish Widow.  Sir Patrick O'Neale-Moody; Whittle-W
aldron; Nephew-Benson; Bates-Packer; Kecksey-Dodd; Thomas-Suett; Footman-Webb; B
lack Boy-Master Gregson; Widow Brady (with the +Epilogue Song=)-Mrs Goodall.  *c
Receipts: #322 18s. 6d. (273.13.6; 44.7.0; 4.18.0).  *p5 dlking's The Belle's St
ratagem.  As 17 May, but Letitia Hardy [without the +song=]-Mrs Goodall.  *aNo S
ong No Supper.  As 1 June.  *cMainpiece in place of +She Wou'd and She Wou'd Not
=, advertised on playbill of 4 June.]  Receipts: #194 9s. (119.8; 60.13; 14.8). 
 *phay La Bella Pescatrice.  As 12 Apr.  *dAs 17 Apr.  *b+La Foire de Smirne=.  
As 17 Apr.  *p6 dlking's The Siege of Belgrade.  As 24 Oct. 1791.  *aThe First F
loor.  As 14 Dec. 1791, but Simon-Benson; Snap-_.  *c[Afterpiece in place of +Hi
gh Life below Stairs=, advertised on playbill of 5 June.]  Receipts: #233 2s. (1
80.16; 47.8; 4.15; ticket not come in: 0.3).  *p7 dlking's As You Like It.  As 1
3 Dec. 1791, but Corin-_; Silvius-_; William-_; Charles-_.  *aBon Ton.  As 10 Oc
t. 1791, but Davy-Suett; Gymp-Miss Tidswell.  *dEnd: [a new Dance,% +Provision f
or the Convent=[; or, +The Fryars' Frolick=%-G. D'Egville, Hamoir, Miss Fanny D'
Egville, Sophia D'Egville, Miss DeCamp.  *sAs 3 Oct. 1791.  *bEnd I: [a new Danc
e,% +The Martial Nymph; or, The Conquered Scythian=.  The Scythian-George D'Egvi
lle; Nymphs-Miss DeCamp, Miss Fanny D'Egville; The Victorious Nymph-Miss Sophia 
D'Egville.  *cBenefit for the $young D'Egvilles=, $Johnstone=, $Nix= & $Dale=.  
+Morning Herald=, 7 June: Tickets to be had of the young D'Egvilles, No. 18, +Br
oad-street=; of Johnston, No. 15, +Martlet-court=, +Bow-street=, +Covent-Garden=
; of Nix, No. 8, +Little Russel-street=, +Covent-garden=; of Dale, No. 26, +Stan
hope-street=, +Claremarket=.  Receipts: #518 6s. (86.14.6; 29.1.0; 10.8.0; ticke
ts: 392.2.6) (charge: #171 15s.).  *phay La Locanda.  As 28 Feb.  *dEnd I: +Le V
olage Fixe=-[see 10 Mar.].  *bEnd Opera: +La Foire de Smirne=.  As 17 Apr.  *p8 
dlking's The Haunted Tower.  As 18 Oct. 1791.  *aThe Author.  As 23 Feb., but Pr
inter's Devil-Banks.  *cReceipts: #254 9s. (196.10; 54.13; 3.6).  *p9 dlking's T
he Siege of Belgrade.  As 24 Oct. 1791.  *aKatharine and Petruchio.  As 30 Nov. 
1791, but Taylor-Hollingworth; Nicholas-_.  *cReceipts: #208 10s. 6d. (163.5.6; 
37.19.0; 7.6.0).  *phay La Bella Pescatrice.  As 12 Apr.  *dAs 7 June.  *b+La Fo
ire de Smirne=.  As 7 June.  *cThe Last Opera this Season.  "+La Bella Pescatric
e= terminated the season at this place, on Saturday last, before an audience whi
ch fully occupied the house in all parts.  The stage overflowed with nobility" (
+Morning Herald=, 11 June).  *p11 dlking's Dido Queen of Carthage.  As 23 May, b
ut Chorus-_.  *aThe Citizen.  As 13 Oct. 1791, but Sir Jasper Wilding-Hollingswo
rth.  *u+Neptune's Prophecy=.  As 23 May.  *cBenefit for Mme Mara.  +Morning Chr
onicle=, 4 June; Tickets to be had of $Mme Mara=, No. 25, +Queen Anne-street, Ea
st=.  Receipts: #233 5s. 6d. (170.5.6; 56.9.0; 6.11.0; tickets: none listed) (ch
arge: #161 10s.).  *p12 dlking's The Haunted Tower.  As 18 Oct. 1791.  *aThe Eng
lishman in Paris.  As 28 Jan.  *cReceipts: #197 9s. (142.0; 50.17; 4.12).  *p13 
dlking's The Constant Couple.  Sir Harry Wildair-Dodd (1st appearance in that ch
aracter these 5 years); Col. Standard-Wroughton; Vizard-Whitfield; Alderman Smug
gler-Waldron; Clincher-Bannister Jun.; Clincher Jun.-Suett; Dickey-Benson; Tom E
rrand-Hollingsworth; Lurewell-Miss Collins; Lady Darling-Mrs Booth; Angelica-Mis
s Heard; Parley-Mrs Edwards; Errand's Wife-Mrs Heard.  *aThe Doctor and the Apot
hecary.  As 2 May.  *dEnd: +Allemande=-Whitmill, Miss Jacobs, Miss DeCamp.  *cAc
count-Book: Tickets delivered by $Alfred=, $Appleby=, $Benson=, $Banks=, $Cooke=
, $Daglish=, $Mrs Edwin=, $Mrs Gawdry=, $Master Gregson=, $Miss Jacobs=, $Jones=
, $Lyons=, $Maddocks=, $Pilsbury=, $Walker=, $Whitmill= will be admitted.  Recei
pts: #459 9s. 6d. (53.2.6; 46.6.0; 7.5.0; tickets: 352.16.0).  *p14 dlking's Kno
w Your Own Mind.  As 4 Oct. 1791, but Mrs Bromley-Miss Tidswell; Miss Neville-Mi
ss Collins.  *aThe Quaker.  As 5 May.  *cBenefit for $Wood=, $Percey=, $Cameron=
, $Wilson=, $George=, $Woollams=.  +Kemble Mem.=: Bt. the box-keepers.  Receipts
: #98 6s. (59.6.6; 26.0.6; 12.19.0; tickets: none listed) (charge: #147 12s.).  
*p15 dlking's The Beaux Stratagem.  Aimwell-Barrymore; Archer-Palmer; Sullen-Phi
llimore; Sir Charles Freeman-Benson; Foigard-Moody; Gibbet-Suett;  Hounslow-Madd
ocks [+Public Advertiser=: $Alfred=]; Bagshot-Webb; Boniface-Aickin; Scrub-Dodd;
 Lady Bountiful-Mrs Booth; Dorinda-Miss Heard; Mrs Sullen-Mrs Goodall; Gipsey-Mi
ss Tidswell; Cherry-Miss Collins.  *aThe Englishman in Paris.  As 28 Jan.  *dAs 
13 June.  *cTickets delivered for this Evening [Account-Book: by $Andrews=, $Cal
kin=, $Chatterley=, $Dangerfield=, $Edwards=, $Gardiner=, $Gilles=, $Henderson=,
 $Humphreys=, $Irish=, $Long=, $Massingham=, $Panchaud=, $Scott=, $Sherratt=, $S
mith=, $Stevens=, $Thompson=] will be admitted.  Receipts: #57 15s. 6d. (36.14.6
; 17.14.0; 3.7.0; tickets: none listed).  *phay Poor Old Hay-Market; or, Two Sid
es of the Gutter!!!  [Characters by R. Palmer, Cubitt, Wrighten, Wewitzer, Banni
ster Jun., Parsons, Evatt, Wilson, Mrs Edwin, Mrs Powell, Mrs Gaudry, Miss Hale,
 Mrs Webb.  [Cast from +European Magazine=, June 1792, p. 474:% Scene Carpenters
-R. Palmer, Cubitt; Prompter-Wrighten; Project-Bannister Jun.; Parsons-Parsons; 
Mrs Edwin-Mrs Edwin; Mrs Powell-Mrs Powell; Mrs Gaudry-Mrs Gaudry; Miss Hale-Mis
s Hale; Mrs Webb-Mrs Webb (these last 6 in their own persons); unassigned-Wewitz
er, Evatt, Wilson; [Other parts listed in +Larpent MS=:% Messenger-; Man in the 
Pit-; Short Lady-; Actresses-.  *aThe Young Quaker.  Old Sadboy-Barrett; Chronic
le-Baddeley; Captain Ambush-Williamson; Young Sadboy-Bannister Jun.; Shadrach-We
witzer; Spatterdash-R. Palmer; Clod-Parsons; Twig-Farley; Malachi-Burton; Lounge
-Lyons; Waiter-Farley [i.e. doubled Twig]; Coachman-Ledger; Goliah-Miss Standen;
 Araminta-Mrs Bland; Dinah Primrose-Mrs Brooks; Pink-Miss Fontenelle (Their 1st 
appearance in those characters); Lady Rounceval-Mrs Webb.  *aThe Son-in-Law.  Cr
anky-Wilson; Vinegar-Baddeley; Bouquet-Davies; Bowkitt-Bannister Jun.; Arionelli
-Bannister; Idle-R. Palmer; Mum-Barrett; John-Ledger; Man of the House-Burton; N
egro Boy-Miss Standen; Cecilia-Mrs Bannister; Dolce-Miss Palmer.  *c1st piece [1
st time; PREL 1, by $George Colman, ynger=.  +Larpent MS 951=; synopsis of plot 
in +Diary=, 16 June.  This piece is stated to have been published in 1792].  Box
es 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.  Places for the Boxes to be had o
f $Rice=, at the Theatre.  The Doors to be opened at 6:00.  To begin at 7:00 [sa
me throughout season].  In 1st piece "$Parsons= was highly entertaining in affec
ting to speak in an under tone scarcely audible, that the feebleness of his voic
e might correspond with the smallness of the House, compared with the enormous [
new] Theatre over the way; and his broken, unintelligible mode of announcing the
 Performance to the Audience as a specimen, was truly whimsical" (+Morning Heral
d=, 16 June).  *p16 dlking's The Heiress.  As 16 Dec. 1791, but Lady Emily-Mrs G
oodall; Mrs Blandish-Miss Collins.  *aThe First Floor.  As 14 Dec. 1791, but Fra
nk-_; Snap-_; Landlord-_; Postboy-_.  *cBenefit for $Portal=, $Shade=, $Hicks=, 
$J. Shade=, $Gibson=, $Rice=.  +Kemble Mem.=: Bt. the box-keepers.  The Last Tim
e of the Company's performing this Season.  Receipts: #87 2s. 1d. (53.2.0; 28.15
;28.15.1; 5.6.0; tickets: none listed) (charge: #148 1s. 3d.).  *p18 hay Poor Ol
d Hay-Market.  As 15 June.  *aThe Battle of Hexham; or, Days of Old.  Marquis of
 Montague-Evatt; Duke of Somerset-Bland; Egbert-Palmer Jun.; La Varenne-Williams
on; Gondibert-Palmer; Barton-Aickin; Gregory Gubbins-Bannister Jun.; Fool-R. Pal
mer; Corporal-Baddeley; Drummer-Edwin; Fifer-Barrett; Rasher-Burton; Robbers-Ban
nister, Davies, Cubitt; Villagers-Mrs Bannister, Mrs Bland, Mrs Masters, Mrs Tay
lor, Mrs Powell, Miss Hale, Mrs Edwin; Queen Margaret-Mrs Whitlock (1st appearan
ce on this stage); Adeline-Mrs Goodall.  *aSeeing is Believing.  Sir Credule-Bar
rett; Sceptick-Johnstone; Captain Nightshade-Palmer Jun.; Simon-R. Palmer; Miss 
Die-Miss Heard; Kitty-Mrs Taylor.  *c[$Mrs Whitlock= was from the +Newcastle the
atre=.]  *p19 hay Poor Old Hay-Market.  As 15 June, but unassigned-_Evatt, _Wils
on.  *aThe Battle of Hexham.  As 18 June, but Prince of Wales-Miss Menage.  *aTh
e Village Lawyer.  Scout-Bannister Jun.; Snarl-Baddeley; Charles-Farley; Justice
 Mittimus-Usher; Sheepface-Parsons; Mrs Scout-Mrs Webb; Kate-Miss Fontenelle.  *
c[2nd piece in place of +Summer Amusement=, advertised on playbill of 18 June.] 
 *p20 hay Poor Old Hay-Market.  As 19 June.  *aThe Suicide.  Tobine-Palmer; Tabb
y-Aickin; Wingrave-Barrett; Catchpenny-Baddeley; Squib-R. Palmer; Bounce-Cubitt;
 Juggins-Johnson; Doctor Truby-Usher; John-Evatt; Bolus-Ledger; Waiters-Burton, 
Lyons, Farley; Ranter-Bannister; Mrs Gromgram-Mrs Webb; Peggy-Miss Hale; Nancy L
ovell-Mrs Goodall.  *aThe Virgin Unmask'd.  Blister (1st time)-Edwin; Quaver-Dav
ies; Goodwill-Johnson; Thomas-Evatt; Coupee-Bannister Jun.; Lucy-Mrs Edwin? Jun.
 (1st appearance on this stage).  *p21 hay Seeing is Believing.  As 18 June.  *a
The Battle of Hexham.  As 19 June.  *aPoor Old Hay-Market.  As 19 June.  *p22 ha
y The Spanish Barber.  Count Almaviva-Palmer; Doctor Bartholo-Parsons; Basil-Aic
kin; Tallboy-R. Palmer; Argus-Wewitzer; Notary-Cubitt; Alcade-Johnson; Lazarillo
-Bannister Jun.; Rosina-Mrs Bannister.  *aThe Liar.  Sir James Elliot-R. Palmer;
 Old Wilding-Aickin; Young Wilding-Palmer; Papillion-Wewitzer; Waiter-Ledger; Mi
ss Godfrey-Miss Heard; Miss Grantham-Mrs Brooks; Kitty-Miss Hale.  *cAfterpiece:
 Written by $Samuel Foote=, Esq.  *p23 hay Seeing is Believing.  As 18 June.  *a
The Surrender of Calais.  King Edward-Williamson; Harcourt-Bland; Sir Walter Man
ny-Usher; John de Vienne-Aickin; Ribeaumont-Palmer; Eustache de St. Pierre-Bensl
ey; Officer-Palmer Jun.; John D'Aire-Evatt; Citizens-Johnson, Farley, Wewitzer, 
Barrett, Abbott; O'Carrol-Johnstone; La Gloire-Bannister Jun.; Crier-Cubitt; Car
penters-Parsons, Burton; Serjeant-Wilson; Queen-Mrs Goodall; Julia-Mrs Whitlock 
(1st appearance in that character); Madelon-Mrs Bland; Vocal Parts-Kenrick, Will
oughby, Linton, Dorion Jun., Aylmer, Little, Brown, Lyons, Mrs Taylor, Miss Font
enelle, Miss DeCamp, Mrs Edwin, Mrs Powell, Miss Hale, Mrs Gaudry, Mrs Masters, 
Mrs Bramwell.  *c2nd piece: The Characters will be dressed in the Habits of the 
Times.  Books of the Songs to be had at the Theatre.  "The +Eustache de St. Pier
re= of $Bensley= was his Chef d'oeuvre: it suited the sourness of his aspect, hi
s nasal intonation, and the general bluntness of his manner" (+Monthly Mirror=, 
1796, p. 185).  *p25 hay Poor Old Hay-Market.  As 19 June.  *aThe Surrender of C
alais.  As 23 June, but Vocal Parts-Mrs _Edwin, Miss _Hale, Mrs _Gaudry.  *p26 h
ay The Author.  Governor Cape-Usher; Young Cape-R. Palmer; Sprightly-Evatt; Cadw
allader-Bannister; Printer's Devil-Burton; Robin-Johnson; Mrs Cadwallader-Mrs Go
odall; Arabella-Miss Heard.  *aThe Surrender of Calais.  As 25 June.  *p27 hay S
ummer Amusement; or, An Adventure at Margate.  Sir James Juniper-Wilson; Sir Dil
berry-Barrett; Captain Surat-Bannister; Melvil-Davies; Lord Random-Palmer; Docto
r Cathartic-Baddeley; Spruce-R. Palmer; Kit Crab-Cubitt; Etiquette-Bannister Jun
.; Lady Juniper-Mrs Webb; Amelia-Mrs Bannister; Fidget-Miss Hale.  *aThe Village
 Lawyer.  As 19 June.  *dEnd I: +An Allemand=-Whitmell, Miss Jacobs, Miss DeCamp
.  *p28 hay The Battle of Hexham.  As 19 June.  *aThe Liar.  As 22 June.  *c[Aft
erpiece in place of +Poor Old Hay-Market=, advertised on playbill of 27 June.]  
*p29 hay Half an Hour after Supper.  Mr Sturdy (1st time)-Wewitzer; Bentley-Evat
t; Captain Berry (1st time)-Palmer Jun.; Frank-Farley; Miss Tabitha-Mrs Webb; Mr
s Sturdy-Mrs Edwin; Miss Eliza Sturdy-Miss Heard; Nanny-Mrs Whitfield; Miss Suke
y-Mrs Taylor.  *aThe Surrender of Calais.  As 25 June, but Carpenters-_Parsons, 
R. +Palmer.  *p30 hay The Suicide.  As 20 June.  *aYoung Men, and Old Women.  [P
rincipal Characters by Wilson, R. Palmer, Bannister Jun., Lyons, Abbott, Mrs Web
b, Mrs Taylor, Miss Heard.  [Cast from +London Chronicle=, 6 July 1792, and +Lar
pent MS=:% Sir Samuel Prejudice-Wilson; Knavestone-R. Palmer; Sylvan-Bannister J
un.; Mrs Ambilogy-Mrs Webb; Kitty-Mrs Taylor; Fanny Prejudice-Miss Heard; Lyons,
 Abbott [are unassigned%.  *cAfterpiece [1st time; F 2, by $Elizabeth Inchbald=,
 based on +Le Mechant=, by $Jean Baptiste Louis Gresset=.  +Larpent MS 952=; not
 published; synopsis of plot in +Universal Magazine=, July 1792, p. 61].  *p7 2 
hay The Surrender of Calais.  As 29 June, but Queen-Mrs Whitfield.  *aYoung Men,
 and Old Women.  As 30 June.  *c[In mainpiece the playbill retains $Mrs Goodall=
 as the +Queen=r, but she "being indisposed, $Mrs Whitfield= performed, or rathe
r attempted the Queen" (+Thespian Magazine=, Aug. 1792, p. 53).]  *p3 hay Inkle 
and Yarico.  Inkle-Johnstone; Sir Christopher Curry-Wilson; Medium-Baddeley; Cam
pley-Davies; Trudge-Bannister Jun.; Mate-Johnson; Planters-Usher, Evatt, Burton;
 Sailors-Ledger, Abbott; Yarico-Mrs Kemble (1st appearance this season); Narciss
a-Mrs Bannister; Wowski-Mrs Bland; Patty (1st time)-Miss Fontenelle.  *aThe Son-
in-Law.  As 15 June.  *p4 hay I'll Tell You What.  Major Cyprus-Palmer; Anthony 
Euston-Bensley; Colonel Downright-Aickin; Charles Euston-A Young Gentleman (1st 
appearance [$Uncle=]); Sir George Euston-Williamson; Sir Harry Harmless-R. Palme
r; Mr Euston-Parsons; Lady Euston-Mrs Brooks; Lady Harriet-Mrs Whitfield; Bloom 
(1st time)-Miss Fontenelle; Mrs Euston-Mrs Kemble.  *aYoung Men, and Old Women. 
 As 30 June.  *c[$Uncle=, who had appeared at this theatre, as an amateur, 16 Ap
r. 1792, is identified in MS list in +Harvard playbills= of new performers for t
his season.]  *p5 hay The Battle of Hexham.  As 19 June.  *aPoor Old Hay-Market.
  As 19 June.  *p6 hay Half an Hour after Supper.  As 29 June.  *aThe Surrender 
of Calais.  As 25 June, but Julia-Mrs Kemble.  *p7 hay Poor Old Hay-Market.  As 
15 June, but Evatt_.  *aThe Suicide.  As 20 June.  *aAll in Good Humour.  [Princ
ipal Characters by Baddeley, R. Palmer, Williamson, Wewitzer, Farley, Mrs Powell
, Miss Heard, Miss Fontenelle.  [Cast from text ($J. Debrett=, 1792):% Chagrin-B
addeley; Squire Hairbrain-R. Palmer; Bellamy-Williamson; Robin-Wewitzer; Crop-Fa
rley; Mrs Chagrin-Mrs Powell; Sophia-Miss Heard; Dorothy-Miss Fontenelle.  *c3rd
 piece [1st time; INT 1, by $Walley Chamberlain Oulton=].  +Morning Herald=, 21 
July 1792: This Day is published +All in Good Humour= (1s).  *p9 hay I'll Tell Y
ou What.  As 4 July.  *aThe Agreeable Surprise.  Sir Felix Friendly-Wilson; Comp
ton-Bannister; Eugene-Davies; Chicane-Usher; Lingo-Bannister Jun. (1st appearanc
e in that character); Thomas-Burton; John-Bland; Laura-Mrs Bannister; Mrs Cheshi
re-Mrs Webb; Fringe-Miss Fontenelle; Cowslip-Mrs Kemble.  *p10 hay The Young Qua
ker.  As 15 June, but Dinah Primrose-Mrs Kemble; Malachi-_; Lounge-_; Waiter-_; 
Coachman-_; Goliah-_.  *aYoung Men, and Old Women.  As 30 June.  *p11 hay All in
 Good Humour.  As 7 July.  *aThe Citizen.  Old Philpot-Wilson; Young Philpot-Ban
nister Jun.; Sir Jasper Wilding-Burton; Young Wilding-R. Palmer; Beaufort-Evatt;
 Dapper-Barrett; Quildrive-Farley; William-Abbott; Tom-Lyons; Maria-Mrs Goodall;
 Corinna-Miss Palmer.  *aThe Agreeable Surprise.  As 9 July.  *c[2nd piece in pl
ace of +The Son-in-Law=, advertised on playbill of 10 July.]  *p12 hay The Battl
e of Hexham.  As 19 June.  *aYoung Men, and Old Women.  As 30 June.  *dEnd: As 2
7 June.  *p13 hay All in Good Humour.  As 7 July.  *aThe Surrender of Calais.  A
s 6 July.  *p14 hay I'll Tell You What.  As 4 July.  *aGretna Green.  Rory-Wilso
n; Captain Gorget-Bannister; Tipperary-R. Palmer; Crack-Abbott; Landlord-Ledger;
 Anvil-Barrett; Sexton-Burton; Laird Kilcubrie's Servant-Farley; Hoof-Lyons; Mar
ia-Mrs Bannister; Signora Figurante (1st time)-Mrs Bland; Miss Plumb-Miss Fonten
elle; Lady Pedigree-Mrs Edwin.  *p16 hay Next Door Neighbours.  Sir George Splen
dorville-Williamson; Manly (1st time)-Davies; Blackman-Baddeley; Lucre-R. Palmer
; Lord Hazard-Evatt; Wilford-Aickin; Henry-Palmer Jun.; Bluntley-Bannister Jun.;
 Servants-Ledger, Abbott; Shopman-Johnson; Lady Caroline Seymour-Mrs Brooks; Lad
y Bridget Squander-Miss Heard; Mrs Evans-Mrs Taylor; Eleanor-Mrs Kemble.  *aAll 
in Good Humour.  As 7 July.  *aThe Agreeable Surprise.  As 9 July.  *p17 hay Ink
le and Yarico.  As 3 July.  *aYoung Men, and Old Women.  As 30 June.  *p18 hay A
ll in Good Humour.  As 7 July.  *aThe Spanish Barber.  As 22 June.  *aThe Agreea
ble Surprise.  As 9 July, but John-Lyons.  *c[3rd piece in place of +The Son-in-
Law=, advertised on playbill of 17 July.]  *p19 hay Half an Hour after Supper.  
As 29 June.  *aThe Suicide.  As 20 June, but Bounce-Evatt; John-Wewitzer.  *aThe
 Liar.  As 22 June.  *p20 hay The Battle of Hexham.  As 19 June, but Robbers-_Cu
bitt.  *aThe Village Lawyer.  As 19 June.  *p21 hay The Surrender of Calais.  As
 6 July.  *aThe Agreeable Surprise.  As 9 July.  *p23 hay Two to One.  Dupely-Wi
lson; Captain Dupely (1st time)-Palmer; Sir Thomas Townly-Baddeley; Young Townly
-Williamson; Beaufort-R. Palmer; Dicky Ditto-Edwin; Crape-Davies; Waiter-Farley;
 Postboy-Barrett; Servant-Ledger; Charlotte-Miss Barclay (1st appearance on this
 stage); Tippet (1st time)-Mrs Bland.  *aThe Agreeable Surprise.  As 9 July.  *c
[$Miss Barclay= was from +dl=.]  "$Palmer=, for the first time, played +Captain 
Dupely=r...He had more of the spirit than the words of the character" (+Morning 
Herald=, 24 July).  *p24 hay The Battle of Hexham.  As 19 June.  *aThe Village L
awyer.  As 19 June, but Kate (1st time)-Mrs Powell.  *p25 hay Half an Hour after
 Supper.  As 29 June.  *aThe Enchanted Wood.  [Characters by Palmer, Bannister, 
Bensley, R. Palmer, Master Gregson, Bannister Jun., Cubitt, Bland, Johnson, Lyon
s, Abbott, Brown, Master Danby, Master Watherhouse, Mrs Bland, Miss DeCamp, Mrs 
Taylor, Miss [S.] D'Egville, Mrs Webb, Mrs Kemble, Mrs Powell, Miss Hale, Mrs Ed
win, Mrs Bramwell, Mrs Masters, Mrs Gaudry.  [Cast from text ($J. Debrett=, 1792
):% Julian-Palmer; Pytheon-Bannister; Orion-Bensley; Etheldred-R. Palmer; Cymbri
el-Master Gregson; Owen-Bannister Jun.; Transit-Mrs Bland; Sylphina-Miss DeCamp;
 AEtheria-Mrs Taylor; Spirit-Miss [S.] D'Egville; Bridget-Mrs Webb; Una-Mrs Kemb
le; other Characters-Cubitt, Bland, Johnson, Lyons, Abbott, Brown, Master Danby,
 Master Waterhouse, Mrs Powell, Miss Hale, Mrs Edwin, Mrs Bramwell, Mrs Masters,
 Mrs Gaudry.  *dIn 2nd piece: the +Dances= (under direction of $D'Egville=,)-Whi
tmell, Keys, George D'Egville, Lewis D'Egville, Master Whitmell, Master Chatterl
ey, Master Menage, Master Webb, Mrs Haskey, Miss DeCamp, Miss E. Menage, Miss F?
. D'Egville, Miss Jacobs, Miss Haskey, Miss Standen, Miss Menage.  *c2nd piece [
1st time; M 3, by--$Francis=.  Perhaps the same as a piece performed under this 
title at +Bath=, 20 Nov. 1785]: With new Musick, Scenes, Dresses and Decorations
.  The new Musick and Overture by $Dr Arnold=.  The Scenery by $Rooker=.  Books 
of the Songs to be had at the Theatre.  *p26 hay The Author.  As 26 June, but Pr
inter's Devil-Barrett.  *aThe Enchanted Wood.  As 25 July.  *dAs 25 July.  *p27 
hay All in Good Humour.  As 7 July.  *aThe Surrender of Calais.  As 6 July, but 
Carpenters-_Burton, +Edwin.  *p28 hay The Enchanted Wood.  As 25 July.  *aThe Li
ar.  As 22 June, but Miss Godfrey-Miss DeCamp; Miss Grantham-Miss Heard.  *dAs 2
5 July.  *p30 hay The Battle of Hexham.  As 19 June.  *aThe Agreeable Surprise. 
 As 9 July, but Thomas-Barrett.  *p31 hay Inkle and Yarico.  As 3 July, but Mate
-Cubitt; Planters-_Burton, +Johnson; Patty (1st time)-Mrs Taylor.  *aThe Village
 Lawyer.  As 24 July, but Sheepface-R. Palmer (1st appearance in that character)
.  *cBenefit for $R. Palmer=.  +Morning Herald=, 30 July: Tickets to be had of R
. Palmer, No. 8, +Marlborough Place=, +Kennington=.  *p8 1 hay The Enchanted Woo
d.  As 25 July.  *aThe Son-in-Law.  As 15 June, but Arionelli (1st time)-Bland. 
 *dAs 25 July.  *p2 hay The Rivals.  Sir Anthony Absolute-Wilson; Captain Absolu
te-Palmer; Faulkland-Williamson; Acres-Bannister Jun. (1st appearance in that ch
aracter); Sir Lucius O'Trigger-Johnstone; Fag-R. Palmer; David-Edwin; Coachman-U
sher; Mrs Malaprop-Mrs Webb; Lydia Languish-Mrs Goodall; Julia-Mrs Kemble (1st a
ppearance in that character); Lucy (1st time)-Mrs Whitfield.  *aThe Dead Alive. 
 Sir Walter Weathercock-Wilson; Edward-Davies; Dennis-Usher; Motley (1st time)-E
dwin; Degagee-Wewitzer; Coachman-Johnson; Servants-Abbott, Ledger, Lyons; Miss H
ebe Wintertop-Mrs Webb; Caroline Sandford-Mrs Bannister; Comfit (1st time)-Miss 
DeCamp.  *cBenefit for $Mrs Kemble=.  Mainpiece: Never performed at this Theatre
.  Afterpiece: Not acted these 4 years.  +Morning Herald=, 28 July: Tickets to b
e had of Mrs Kemble at +Adams's Masquerade Warehouse=, +Hay-market=.  *p3 hay Al
l in Good Humour.  As 7 July.  *aThe Surrender of Calais.  As 27 July.  *p4 hay 
The Enchanted Wood.  As 25 July.  *aThe Agreeable Surprise.  As 30 July.  *dAs 2
5 July.  *p6 hay Half an Hour after Supper.  As 29 June.  *aKing Henry the Fourt
h [Part I].  King Henry-Aickin; Prince of Wales-Williamson; Lancaster-Miss DeCam
p; Worcester-Davies; Northumberland-Johnson; Hotspur-Bensley; Douglas-Evatt; Sir
 Richard Vernon-Bland; Westmoreland-Usher; Sir Walter Blunt-Cleveland; Sir John 
Falstaff-King (1st appearance in that character); Poins-R. Palmer; Gadshill-Ledg
er; Peto-Farley; Bardolph-Cubitt; Carriers-Wewitzer, Parsons; Francis-Barrett; L
ady Percy-Mrs Cuyler; Hostess-Mrs Webb.  *c"+Falstaff= is rather more satirical 
than facetious...This idea of the part, $King= adopted; and he gave the text wit
h such correctness and force, that so far from lessening his reputation by attem
pting so arduous a character, he has in reality afforded new proof of his critic
al taste and versatility of genius" (+Morning Herald=, 7 Aug.).  *p7 hay All in 
Good Humour.  As 7 July.  *aThe Enchanted Wood.  As 25 July.  *aThe Son-in-Law. 
 As 1 Aug.  *dAs 25 July.  *p8 hay The Author.  As 26 July.  *aThe Surrender of 
Calais.  As 27 July.  *p9 hay Hail Fellows Well Met.  Characters-Wilson, Edwin, 
Palmer Jun., Farley, Johnson, R. Palmer, Miss Heard, Miss Palmer, Mrs Edwin, Mrs
 Powell, Mrs Webb.  [+Larpent MS=, which gives the cast for an intended performa
nce at +cg= on 8 May 1792, lists the parts: +Teazum=r (acted by $Wilson=), +Robi
n=r, +Belville=r, +Coachman=r, +John=r, +Groom=r, +Mrs Deborah=r, +Maria=r, +Coo
k=r, +Scullion=r.]  *aWays and Means.  Sir David Dunder-Bannister Jun.; Young Ra
ndom-Palmer; Scruple-Williamson; Old Random-Aickin; Carney-Barrett; Tiptoe-R. Pa
lmer; Peery-Usher; Roundfee-Cubitt; Quirk-Wewitzer; Passenger-Bland; Lady Dunder
-Mrs Webb; Harriet-Mrs Kemble; Kitty-Miss Heard; Mrs Peery-Mrs Powell.  *aThe Re
hearsal.  Bayes-Wilson; Gentleman Usher-Baddeley; Physician-Wewitzer; Prince Vol
scius-R. Palmer; Prince Prettyman-Palmer Jun.; Kings of Brentford-Barrett, Farle
y; Thunder-Johnson; Lightning-Miss Menage; Johnson-Evatt; Smith-Cleveland; Drawc
ansir-Edwin; Players-Abbott, Lyons; Amaryllis-Miss Palmer; Chloris-Mrs Powell; P
arthenope-Mrs Masters.  *aThe Rights of Women.  [Characters by Wilson, Davies, M
rs Taylor, Mrs Bland.  [Cast adjusted from +Larpent MS=:% Mr Waddle-Wilson; Capt
. Binnacle-Davies; 1st Mrs Waddle-Mrs Taylor; 2nd Mrs Waddle-Mrs Bland.  *cBenef
it for $Wilson=.  1st piece [1st time; F 1, author unknown.  +Larpent MS 944=; n
ot published].  3rd piece: Not acted these 15 years.  In Act II a +Grand Review=
 of +Bayes's Troops=r, with a +Sham Battle of Horse and Foot= [for which see +dl
=, 13 Dec. 1777].  4th piece [1st time; M. INT 1, author unknown.  +Larpent MS 9
46=; not published]: With a New Overture.  +Morning Herald=, 6 Aug.: Tickets to 
be had of Wilson, +Park-lane=, +Church-lane=, +Chelsea=.  *p10 hay King Henry th
e Fourth [Part I].  As 6 Aug.  *aThe Village Lawyer.  As 19 June.  *p11 hay The 
Battle of Hexham.  As 19 June, but Rasher-_.  *aGretna Green.  As 14 July, but S
exton-_; Laird Kilcubrie's Servant-_.  *p13 hay All in Good Humour.  As 7 July. 
 *aThe Suicide.  As 20 June, but 1st Waiter-Abbott.  *aThe Agreeable Surprise.  
As 30 July.  *p14 hay The Surrender of Calais.  As 27 July, but Madelon-Miss DeC
amp.  *aThe Village Lawyer.  As 19 June, but Mrs Scout (1st time)-Mrs Powell.  *
c[In mainpiece the playbill retains $Mrs Bland= as +Madelon=r, but "Mrs Bland ha
s just presented her husband with two fair daughters...In consequence $Miss DeCa
mp=, last night, assumed the part of Madelon" (+Morning Herald=, 15 Aug.).]  *p1
5 hay The Beggar's Opera.  Peachum-Wilson; Lockit-Cubitt; Macheath-Miss DeCamp (
1st appearance in that character); Filch-Miss Fontenelle; Mat o' th' Mint-Johnso
n; Ben Budge-Abbott; Mrs Peachum-Mrs Webb; Polly-Mr Bannister; Lucy-Mr Johnstone
; Diana Trapes-Mr Parsons; Mrs Vixen-Mr Wewitzer; Jenny Diver-Mr R. Palmer; Mrs 
Slammekin-Mr Bannister Jun.  *aWho's the Dupe?  Doiley-Parsons; Sandford-Evatt; 
Granger-R. Palmer; Gradus-Bannister Jun.; Miss Doiley-Miss Heard; Charlotte-Miss
 Fontenelle.  *sIn course of Entertainment: [his favourite% +Planxty= [descripti
ve of +Ireland=%-Johnstone (in the character of +Murtough Delany=r) [see +The Ir
ishman in London=, +cg=, 21 Apr.].  *cBenefit for Johnstone.  +Morning Herald=, 
8 Aug.: Tickets to be had of $Johnstone=, No. 19, +Piazza=, +Covent-Garden=.  *p
16 hay All in Good Humour.  As 7 July.  *aThe Spanish Barber.  As 22 June.  *aTh
e Son-in-Law.  As 1 Aug.  *p17 hay The Battle of Hexham.  As 11 Aug., but 2nd Vi
llager-Miss Barclay.  *aKatharine and Petruchio.  Petruchio-Palmer; Baptista-Joh
nson; Hortensio-Bland; Grumio-Baddeley; Music Master-Edwin; Biondello-R. Palmer;
 Pedro-Evatt; Taylor-Barrett; Gregory-Lyons; Peter-Abbott; Katharine-Mrs Goodall
; Bianca-Miss Palmer; Curtis-Mrs Powell.  *p18 hay Seeing is Believing.  As 18 J
une.  *aNext Door Neighbours.  As 16 July, but Lady Caroline Seymour (1st time)-
Mrs Whitfield.  *aThe Village Lawyer.  As 14 Aug.  *p20 hay The Surrender of Cal
ais.  As 25 June, but Carpenters-R. Palmer, Edwin; Julia-Mrs Kemble; Madelon-Mis
s DeCamp.  *aThe Agreeable Surprise.  As 30 July.  *cBenefit for Bannister Jun. 
 +Public Advertiser=, 18 Aug.: Tickets to be had of $Bannister Jun.=, No. 2, +Fr
ith-street=, +Soho=.  *p21 hay The Battle of Hexham.  As 17 Aug.  *aThe Son-in-L
aw.  As 1 Aug.  *cOn account of $Mrs Webb='s Indisposition +Cross Partners= [adv
ertised on playbill of 20 Aug.] is unavoidably postponed till Thursday.  *p22 ha
y The Flitch of Bacon.  Major Benbow-Wilson; Justice Benbow-Usher; Captain Grevi
ll-Johnstone; Captain Wilson-Bannister; Tipple-Edwin; Kilderkin-Ledger; Ned-Abbo
tt; Putty-Farley; Eliza-Mrs Bannister.  *aPeeping Tom.  Earl of Mercia-Cubitt; M
ayor of Coventry-Wilson; Harold-Davies; Count Louis-Bland; Peeping Tom-Bannister
 Jun. (1st appearance in this opera); new +song= (in character) [+The little far
thing rushlight=% (+Thespian Magazine=, Oct. 1792, p. 101)-Bannister Jun.; Crazy
-Barrett; Godina-Mrs Cuyler; Emma-Mrs Bannister; Mayoress-Mrs Edwin; Maud-Mrs Ke
mble.  *aThe Village Lawyer.  As 14 Aug., but Sheepface-Barrett.  *sAs 15 Aug.  
*e[+Monologue=% End 2nd piece: +New Occasional Address=-Mrs Kemble.  *cBenefit f
or $Bannister=.  [Author of Address unknown.]  +Public Advertiser=, 21 Aug.: Tic
kets to be had of Bannister, No. 7, +Suffolk-street=, +Charing-cross=.  *p23 hay
 All in Good Humour.  As 7 July.  *aCross Partners.  [Principal Characters by Wi
lson, King, Williamson, Palmer, Wewitzer, Farley, Johnson, Lyons, Mrs Webb, Mrs 
Goodall, Miss Heard, Miss Fontenelle.  [Cast from text ($C. and G. Kearsley=, 17
92):% Sir Charles Cullender-Wilson; General Touchwood-King; George Cleveland-Wil
liamson; Captain Herbert-Palmer; Corporal Smack-Wewitzer; Pompey-Farley; Thomas-
Johnson; Servant-Lyons; Lady Diana Dupely-Mrs Webb; Maria Sydney (formerly +Soph
ia Hobson=r)-Mrs Goodall; Louisa Fairfax-Miss Heard; Mrs Mutter-Miss Fontenelle;
 +Prologue=-Palmer; +Epilogue=-Mrs Goodall.  *cMainpiece [1st time; C 5, ascribe
d variously to $Elizabeth Inchbald= and to $Miss Griffiths=, based on +L'Amour U
se=, by $Philippe Nericault=, dit $Destouches=.  Prologue and Epilogue by $Georg
e Colman, ynger= (see text)].  +Morning Herald=, 4 Sept. 1792: This Day is publi
shed +Cross Partners= (1s. 6d.).  *p24 hay Cross Partners.  As 23 Aug.  [+Prolog
ue=, +Epilogue= as 23 Aug.%  *aPeeping Tom.  As 22 Aug., but Mayoress-Mrs Webb. 
 *e[+Monologue=% +New Occasional Address=, as 22 Aug.  *p25 hay Cross Partners. 
 As 23 Aug.  [+Prologue=, +Epilogue= as 23 Aug.%  *aThe Liar.  As 28 July.  *p27
 hay Cross Partners.  As 23 Aug.  [+Prologue=, +Epilogue= as 23 Aug.%  *aThe Agr
eeable Surprise.  As 30 July.  *p28 hay The Surrender of Calais.  As 20 Aug., bu
t Vocal Parts-Miss +Barclay; Citizens-_Abbott.  *aThe Sultan.  Solyman-Williamso
n; Osmyn-R. Palmer; Elmira-Miss Heard; Ismene-Miss DeCamp; Roxalana (for that ni
ght only)-Mrs Esten (1st appearance on this stage).  *cBenefit for $Palmer=.  Af
terpiece: Never acted here.  [$Mrs Esten= was from +cg=.]  *p29 hay Cross Partne
rs.  As 23 Aug.  [+Prologue=, +Epilogue= as 23 Aug.%  *aThe Son-in-Law.  As 1 Au
g.  *c+The Two Socias= [advertised on playbill of 28 Aug.] is unavoidably postpo
ned till Friday next.  *p30 hay King Henry the Fourth [Part I].  As 6 Aug., but 
Sir Walter Blunt-Farley; Peto-Abbott.  *aPeeping Tom.  As 24 Aug.  *p31 hay The 
Battle of Hexham.  As 17 Aug.  *aThe Two Socias.  Jupiter-Davies; Amphitryon-Wil
liamson; Mercury-R. Palmer; Gripus-Wewitzer; Socia-King; Polidas-Johnson; Tranio
-Lyons; Phaedra-Miss Palmer; Alcmena-Mrs Goodall.  *cAfterpiece [1st time; C 3, 
author unknown.  Not in +Larpent MS=; not published]: Taken from +Amphitryon=, a
s altered by $Garrick= from $Plautus= and $Moliere= [recte from $John Hawkeswort
h='s alteration of Amphitryon, by $John Dryden=].  *p9 1 hay The Surrender of Ca
lais.  As 25 June, but Officer-Farley; 2nd Carpenter-Edwin; Madelon-Miss DeCamp;
 Vocal Parts-Miss +Barclay, Miss _DeCamp; Citizens-_Abbott.  *aThe Village Lawye
r.  As 14 Aug.  *cIn consequence of the sudden Indisposition of $Mrs Kemble=, +I
nkle and Yarico= [in place of +Cross Partners=, advertised on playbill of 31 Aug
.] is obliged to be postponed.  [In mainpiece the playbill retains $Palmer Jun.=
 as the +Officer=r, but "An apology was made by $Palmer= for his Son who (as he 
said), not knowing of the sudden change [of play], was gone to the country, but 
the son thought proper to give his father the lie, by appearing in the boxes, a 
few minutes after, with a girl.  $Farley= performed his part, and the audience s
eemed rejoiced at the change" (+Thespian Magazine=, Oct. 1792, p.102).  Afterpie
ce in place of +Katharine and Petruchio=, advertised on playbill of 31 Aug.]  *p
3 hay The Battle of Hexham.  As 17 Aug.  *aThe Son-in-Law.  As 1 Aug.  *c[Mainpi
ece in place of +King Henry the Fourth=, advertised on playbill of 1 Sept.]  *p4
 hay Cross Partners.  As 23 Aug.  [+Prologue=, +Epilogue= as 23 Aug.%  *aKathari
ne and Petruchio.  As 17 Aug., but Biondello-Evatt; Pedro-Ledger.  *p5 hay A Mog
ul Tale.  The Mogul-Williamson; Johnny Atkins-Parsons; Dr Pedant-Wewitzer; Omar-
Evatt; Zapphira-Miss Heard; Irene-Mrs Whitfield; Sheba-Mrs Cuyler; Fanny-Mrs Kem
ble.  *aPeeping Tom.  As 24 Aug.  *aThe Agreeable Surprise.  As 30 July.  *e[+Mo
nologue=% End 2nd piece: [a Serio, Comic, Poetic% +Paraphrase on Shakespear's Se
ven Ages=-King; End 3rd piece: +Occasional Farewell Address=-Mrs Bannister.  *cB
enefit for $Mrs Bannister=, being her Last Appearance on the Stage.  [Address by
 $George Colman, ynger= (+Thespian Magazine=, Oct. 1792, p. 102.]  *p6 hay Cross
 Partners.  As 23 Aug.  [+Prologue=, +Epilogue= as 23 Aug.%  *aThe Family Compac
t.  [Principal Characters by Aickin, Wewitzer, Baddeley, Bannister Jun., Evatt, 
R. Palmer, Cubitt, Mrs Brooks, Miss Heard, Miss Fontenelle, Mrs Goodall.  [Cast 
from +London Chronicle=, 7 Sept:% Mr Relative-Aickin; Sir Rouncival-Wewitzer; To
uchwood-Baddeley; Colonel Monosyllable-Bannister Jun.; Goodluck-Evatt; Violet-R.
 Palmer; Citem-Cubitt; Mrs Relative-Mrs Brooks; Matilda-Miss Heard; Esther-Miss 
Fontenelle; Emily-Mrs Goodall; +Prologue=-Bannister Jun.  *cAfterpiece [1st time
; F 2, by $John Rose=.  +Larpent MS 956=; not published; synopsis of plot in +Mo
rning Herald=, 7 Sept.  Author of Prologue unknown.]  *p7 hay Cross Partners.  A
s 23 Aug.  [+Prologue=, +Epilogue= as 23 Aug.%  *aThe Family Compact.  As 6 Sept
.  [+Prologue= as 6 Sept.%  *p8 hay Cross Partners.  As 23 Aug.  [+Prologue=, +E
pilogue= as 23 Aug.%  *aA Mogul Tale.  As 5 Sept.  *p10 hay The Surrender of Cal
ais.  As 27 July, but Vocal Parts-Miss +Barclay, Miss _DeCamp; Citizens-_Abbott.
  *aPeeping Tom.  As 24 Aug., but Emma-Miss DeCamp; new +song=-_.  *cBenefit for
 Jewell, treasurer.  +Public Advertiser=, 3 Sept.: Tickets to be had of $Jewell=
, No. 26, +Suffolk-street=, +Charing Cross=.  *p11 hay The Battle of Hexham.  As
 17 Aug., but Villagers-Mrs _Bannister.  *aThe Agreeable Surprise.  As 30 July, 
but Laura-Miss Barclay (1st appearance in that character).  *p12 hay King Henry 
the Fourth [Part I].  As 30 Aug.  *aPeeping Tom.  As 10 Sept.  *p13 hay The Surr
ender of Calais.  As 6 July, but Citizens-_Abbott.  *aThe Family Compact.  As 6 
Sept.  [+Prologue= as 6 Sept.%  *p14 hay The Surrender of Calais.  As 13 Sept.  
*aThe Son-in-Law.  As 1 Aug., but Cecilia-Miss DeCamp (1st appearance in that ch
aracter).  *p15 hay Peeping Tom.  As 10 Sept., but Count Louis-Farley.  *aThe Ag
reeable Surprise.  As 11 Sept.  *aA Mogul Tale.  As 5 Sept.  *cThe Last Night of
 the Company's performing this Season.                                          
                                                                                
                                                                                
                                                                                
                                                                                
                                                             |||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|||||||||||                                                                     
                                                                                
                                                                                
                                                                                
                                                                                
                                                                                
                                                                                
                                                                                
                                                                                
                                                                                
                                                                                
